Graphic Literature: Image, Text, and the In-Between Spring Semester, 2020-21
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Fun Home: a Family
Fun Home: A Family Tragicomic 0 | © 2020 Hope in Box www.hopeinabox.org About Hope in a Box Hope in a Box is a national 501(c)(3) nonprofit that helps rural educators ensure every LGBTQ+ student feels safe, welcome, and included at school. We donate “Hope in a Box”: boxes of curated books featuring LGBTQ+ characters, detailed curriculum for these books, and professional development and coaching for educators. We believe that, through literature, educators can dispel stereotypes and cultivate empathy. Hope in a Box has worked with hundreds of schools across the country and, ultimately, aims to support every rural school district in the United States. Acknowledgements Special thanks to this guide’s lead author, Dr. Zachary Harvat, a high school English teacher with a PhD focusing on 20th and 21st century English literature. Additional thanks to Sara Mortensen, Josh Thompson, Daniel Tartakovsky, Sidney Hirschman, Channing Smith, and Joe English. Suggested citation: Harvat, Zachary. Curriculum Guide for Fun Home: A Family Tragicomic. New York: Hope in a Box, 2020. For questions or inquiries, email our team at [email protected]. Learn more on our website, www.hopeinabox.org. Terms of use Please note that, by viewing this guide, you agree to our terms and conditions. You are licensed by Hope in a Box, Inc. to use this curriculum guide for non- commercial, educational and personal purposes only. You may download and/or copy this guide for personal or professional use, provided the copies retain all applicable copyright and trademark notices. The license granted for these materials shall be effective until July 1, 2022, unless terminated sooner by Hope in a Box, Inc. -
How Superman Developed Into a Jesus Figure
HOW SUPERMAN DEVELOPED INTO A JESUS FIGURE CRISIS ON INFINITE TEXTS: HOW SUPERMAN DEVELOPED INTO A JESUS FIGURE By ROBERT REVINGTON, B.A., M.A. A Thesis Submitted to the School of Graduate Studies in Partial Fulfillment of the Requirements for the Degree of Master of Arts McMaster University © Copyright by Robert Revington, September 2018 MA Thesis—Robert Revington; McMaster University, Religious Studies McMaster University MASTER OF ARTS (2018) Hamilton, Ontario, Religious Studies TITLE: Crisis on Infinite Texts: How Superman Developed into a Jesus Figure AUTHOR: Robert Revington, B.A., M.A (McMaster University) SUPERVISOR: Professor Travis Kroeker NUMBER OF PAGES: vi, 143 ii MA Thesis—Robert Revington; McMaster University, Religious Studies LAY ABSTRACT This thesis examines the historical trajectory of how the comic book character of Superman came to be identified as a Christ figure in popular consciousness. It argues that this connection was not integral to the character as he was originally created, but was imposed by later writers over time and mainly for cinematic adaptations. This thesis also tracks the history of how Christians and churches viewed Superman, as the film studios began to exploit marketing opportunities by comparing Superman and Jesus. This thesis uses the methodological framework of intertextuality to ground its treatment of the sources, but does not follow all of the assumptions of intertextual theorists. iii MA Thesis—Robert Revington; McMaster University, Religious Studies ABSTRACT This thesis examines the historical trajectory of how the comic book character of Superman came to be identified as a Christ figure in popular consciousness. Superman was created in 1938, but the character developed significantly from his earliest incarnations. -
Journal of Lesbian Studies Special Issue on Lesbians and Comics
Journal of Lesbian Studies Special Issue on Lesbians and Comics Edited by Michelle Ann Abate, Karly Marie Grice, and Christine N. Stamper In examples ranging from Trina Robbins’s “Sandy Comes Out” in the first issue of Wimmen’s Comix (1972) and Alison Bechdel’s Dykes to Watch Out For series (1986 – 2005) to Diane DiMassa's Hothead Paisan (1991 – 1996) and the recent reboot of DC’s Batwoman (2006 - present), comics have been an important locus of lesbian identity, community, and politics for generations. Accordingly, this special issue will explore the intersection of lesbians and comics. What role have comics played in the cultural construction, social visibility, and political advocacy of same-sex female attraction and identity? Likewise, how have these features changed over time? What is the relationship between lesbian comics and queer comics? In what ways does lesbian identity differ from queer female identity in comics, and what role has the medium played in establishing this distinction as well as blurring, reinforcing, or policing it? Discussions of comics from all eras, countries, and styles are welcome. Likewise, we encourage examinations of comics from not simply literary, artistic, and visual perspectives, but from social, economic, educational, and political angles as well. Possible topics include, but are not limited to: Comics as a locus of representation for lesbian identity, community, and sexuality Analysis of titles featuring lesbian plots, characters, and themes, such as Ariel Schrag’s The High School Chronicles strips, -
Batman: No Mans Land by Greg Rucka Book
Batman: No Mans Land by Greg Rucka book Ebook Batman: No Mans Land currently available for review only, if you need complete ebook Batman: No Mans Land please fill out registration form to access in our databases Download here >> Series:::: Batman: No Mans Land (Book 3)+++Mass Market Paperback:::: 480 pages+++Publisher:::: Pocket Star (March 1, 2001)+++Language:::: English+++ISBN-10:::: 0671774557+++ISBN-13:::: 978-0671774554+++Product Dimensions::::4.2 x 1 x 6.5 inches++++++ ISBN10 0671774557 ISBN13 978-0671774 Download here >> Description: GOTHAM CITY: a dark, twisted reÞection of urban America. Overcrowded, overbuilt, and overshadowed by a continuous air of menace, this gothic nightmare is a breeding ground for the depraved, the indifferent, and the criminally insane. Its also the object of one mans obsession. Witness to the brutal murder of his parents, Bruce Wayne has dedicated his life to protecting this city, taking a form to inspire hope in the innocent...and fear in the guilty. He is the masked vigilante known as the Batman. Now the battlefield has changed. Leveled by a massive earthquake that left thousands dead and millions more wounded, Gotham City has been transformed into a lawless wilderness -- a No Mans Land -- where the survivors are turning against one another, and where the citys protectors are torn by a crisis that may consume them all. I first read Batman: No Mans Land in 2000. As a Batgirl/Barbara Gordon fan, I was beyond thrilled when I picked it up and discovered it began as narrated by Barbara, in her role as Oracle. NML held a greater depth and respect for her character than I had ever come across, and I was immediately hooked. -
Breaking Through Panels: Examining Growth and Trauma in Bechdel's Fun Home and Labelle's Assigned Male Comics
BREAKING THROUGH PANELS: EXAMINING GROWTH AND TRAUMA IN BECHDEL'S FUN HOME AND LABELLE'S ASSIGNED MALE COMICS Katelynn Phillips A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2018 Committee: William Albertini, Advisor Erin Labbie © 2018 Katelynn Phillips All Rights Reserved iii ABSTRACT William Albertini, advisor Comics featuring LGBTQ children have the burden of challenging cis/heteronormative versions of childhood. Such examples of childhood, according to author Katherine Bond Stockton, are false and restrict children to a vision of innocence that leaves no room for queer children to experience their own versions of childhood. Furthermore, the Lesbian, Gay, Bisexual, Transgender, and Queer (LGBTQ) community has taken a “progressive”-based approach to time, assuming that newer generations have avoided the trauma of the past because ideas about sexual orientation and gender have advanced with time. Newer generations of the LGBTQ community forget that many have struggled for change to occur, instead choosing to forget the wounds of the past. By analyzing two comic works—Alison Bechdel’s graphic novel Fun Home and Sophie Labelle’s web comic series Assigned Male—I argue that we must let go of our suspicion towards LGBTQ child characters and open ourselves up to what can be learned from them. I also argue that both the past (with its wounds and trauma) and the future must be accepted into the present in order to give children the childhood they desire, rather than the childhood we recall. Both Fun Home and Assigned Male demonstrate that childhood is far from the simplistic happy time of life and can be just as fraught with complication as adulthood. -
FUN BOOKS During COMIC-CON@HOME
FUN BOOKS during COMIC-CON@HOME Color us Covered During its first four years of production (1980–1984), Gay Comix was published by Kitchen Sink Press, a pioneering underground comic book publisher. Email a photo of you and your finished sheet to [email protected] for a chance to be featured on Comic-Con Museum’s social media! Share with us! @comicconmuseum #comicconmuseum SPECIAL EDITION 4 Anagrams of Class Photo Class Photo is a graphic novella by Gay Comix contributor and editor Robert Triptow. Take 3 minutes and write down words of each size by combining and rearranging the letters in the title. After 3 minutes, tally up your score. How’d you do? 4-LETTER WORDS 5-LETTER WORDS 1 point each 2 points each 6-LETTER WORDS 7-LETTER WORDS 8-LETTER WORDS 3 points each 4 points each 6 points each Share with us! @comicconmuseum #comicconmuseum SPECIAL EDITION 4 Cross Purpose It’s a crossword and comics history lesson all in one! Learn about cartoonist Howard Cruse, the first editor of the pioneering comic book Gay Comix and 2010 Comic-Con special guest. ACROSS DOWN Share with us! @comicconmuseum #comicconmuseum SPECIAL EDITION 4 Dots & Boxes Minimum 2 players. Take turns connecting two dots horizontally or vertically only; no diagonal lines! When you make a box, write your initials in it, then take another turn. Empty boxes are each worth 1 point. Boxes around works by the listed Gay Comix contributors are each worth 2 points. The player with the most points wins! Watch Out Fun Home Comix Alison Vaughn Frick Bechdel It Ain’t Me Babe Trina Robbins & Willy Mendes subGurlz Come Out Jennifer Comix Camper Mary Wings "T.O. -
History and Background
History and Background Book by Lisa Kron, music by Jeanine Tesori Based on the graphic novel by Alison Bechdel SYNOPSIS Both refreshingly honest and wildly innovative, Fun Home is based on Vermont author Alison Bechdel’s acclaimed graphic memoir. As the show unfolds, meet Bechdel at three different life stages as she grows and grapples with her uniquely dysfunctional family, her sexuality, and her father’s secrets. ABOUT THE WRITERS LISA KRON was born and raised in Michigan. She is the daughter of Ann, a former community activist, and Walter, a German-born lawyer and Holocaust survivor. Kron spent much of her childhood feeling like an outsider because of her religion and sexuality. She attended Kalamazoo College before moving to New York in 1984, where she found success as both an actress and playwright. Many of Kron’s plays draw upon her childhood experiences. She earned early praise for her autobiographical plays 2.5 Minute Ride and 101 Humiliating Stories. In 1989, Kron co-founded the OBIE Award-winning theater company The Five Lesbian Brothers, a troupe that used humor to produce work from a feminist and lesbian perspective. Her play Well, which she both wrote and starred in, opened on Broadway in 2006. Kron was nominated for the Best Actress in a Play Tony Award for her work. JEANINE TESORI is the most honored female composer in musical theatre history. Upon receiving her degree in music from Barnard College, she worked as a musical theatre conductor before venturing into the art of composing in her 30s. She made her Broadway debut in 1995 when she composed the dance music for How to Succeed in Business Without Really Trying, and found her first major success with the off- Broadway musical Violet (Obie Award, Lucille Lortel Award), which was later produced on Broadway in 2014. -
Making the Case for LGBT Graphic Novels Jacqueline Vega Grand Valley State University
Language Arts Journal of Michigan Volume 30 | Issue 2 Article 8 4-2015 Making the Case for LGBT Graphic Novels Jacqueline Vega Grand Valley State University Follow this and additional works at: https://scholarworks.gvsu.edu/lajm Recommended Citation Vega, Jacqueline (2015) "Making the Case for LGBT Graphic Novels," Language Arts Journal of Michigan: Vol. 30: Iss. 2, Article 8. Available at: https://doi.org/10.9707/2168-149X.2070 This Article is brought to you for free and open access by ScholarWorks@GVSU. It has been accepted for inclusion in Language Arts Journal of Michigan by an authorized editor of ScholarWorks@GVSU. For more information, please contact [email protected]. PRACTICE Making the Case for LGBT Graphic Novels JACQUELINE VEGA still remember the exact way my heart was pounding nothing in response. In addition, LGBT students who ex- as I stood in the front of a classroom for the very perienced higher levels of victimization were three times as first time. My senior year of high school, I was of- likely to miss school, have lower GPAs and lower levels of fered the opportunity to lead class lessons for a week self-esteem, and higher levels of depression (NSCS). Per- in a World Literatures class on the graphic novel haps even more disturbing is that less than twenty percent of IAmerican Born Chinese by Gene Luen Yang. American Born LGBT students were taught positive representations about Chinese (2006), a text that has become increasingly popular the LGBT community, and that nearly fifteen percent of stu- in English classrooms, tells a story of two teenage boys, one dents had been taught negative content (NSCS, my emphasis). -
Queer As Folklore: How Fun Home Destabilizes the Metronormative Myth
Washington University in St. Louis Washington University Open Scholarship Dean James E. McLeod Freshman Writing Prize Student Scholarship 2018 Queer as Folklore: How Fun Home Destabilizes the Metronormative Myth Grace MacArthur Washington University in St. Louis Follow this and additional works at: https://openscholarship.wustl.edu/mcleod Recommended Citation MacArthur, Grace, "Queer as Folklore: How Fun Home Destabilizes the Metronormative Myth" (2018). Dean James E. McLeod Freshman Writing Prize. 5. https://openscholarship.wustl.edu/mcleod/5 This Unrestricted is brought to you for free and open access by the Student Scholarship at Washington University Open Scholarship. It has been accepted for inclusion in Dean James E. McLeod Freshman Writing Prize by an authorized administrator of Washington University Open Scholarship. For more information, please contact [email protected]. 1 Queer as Folklore: How Fun Home Destabilizes the Metronormative Myth Imagine a queer person. Imagine what they look like and how they move through space. Now imagine the spaces they move through: where they work, where they go, and where they live. You are constructing a queer geography around your individual, who likely moves through crowded streets, coffee shops, concerts, and dark bars illuminated by weak neon. Our communal conceptualization of queer experience in modern-day America, especially as recorded in queer media, skews heavily towards urban geographies. The constituent “imaginative processes associated with gay migration from rural and suburban areas to cities” (Weston 256) continually construct and reinforce a hegemonic “discourse of metronormativity” (Sander 28) from which an imaginary narrative has emerged. The narrative mythologizes urban/rural as a strict binary and systematically privileges the urban above the rural. -
The Art of the Tragicomicbook How Bechdel Uses Comics to Her Advantage in Creating Fun Home
MIT OpenCourseWare http://ocw.mit.edu 21L.421 Comedy Spring 2008 For information about citing these materials or our Terms of Use, visit: http://ocw.mit.edu/terms. The Art of the Tragicomicbook how Bechdel uses comics to her advantage in creating Fun Home Emily Pittore 21L.421 5/15/08 In his famous metacomic Understanding Comics, Scott McCloud quotes Will Eisner to define comics as “sequential art” (5). To be a comic, McCloud says, means that you have a sequence of at least two images, between which something happens. The narrative of a comic book is carried along by the reader's interpretation of what happens in the “gutter” between these two images. Although certainly a comic, Alison Bechdel's Fun Home doesn't always seem to fit this definition. Fun Home is a memoir that is heavily dependent on the written word. Bechdel's narration provides her memories and reflections, while the comic panels usually serve to illustrate her point rather than move the story along. If a reader was given only the text, they would still get told the story of her father's death and her attempt to understand it. Why, then, does she expend so much time and effort drawing over 200 pages of pictures? And why use the medium of comics? Would Bechdel have been able to get the same effect using photographs from her childhood as illustrations to a novel rather than painstakingly drawing everything over again as sequential art? What do comics and cartooning bring to the memoir that photographs cannot? Douglas Wolk points out in Reading Comics that drawings in comics are subjective. -
Author Alison Bechdel's Acceptance of Her Homosexual Iden
Acceptance versus Suppression: Homosexuality in the “Fun Home” Author Alison Bechdel’s acceptance of her homosexual identity, as illustrated in Fun Home: A Family Tragicomic, is a more fluid experience than her father’s similar realization. Their unique first experiences with their sexuality play a role in their definitions of homosexuality. Both also spend their emerging adulthood years in different settings: Alison in a college setting and Bruce in a small town. Literature is a common bond between the two throughout their relationship, but affects each in different ways, particularly in reference to understanding their sexuality. The immense distinctions in their encounters and experiences involving their homosexuality ultimately shaped their development: Alison into a woman accepting of her identity and Bruce into a man suppressing his. Each character’s first experience with homosexuality differed in everything from their age at the time to the type of person with whom it occurred. Bruce had his first encounter when he was young with a worker at his family farm. Here, he describes it as “nice”, rather than a traumatizing encounter (Bechdel 220). Inspecting the drawings, his face tells a different story. Because of how casually he refers to it, he still seems unwilling to fully admit to his gratification of the experience, even if it was something he enjoyed. When Alison’s mother first informs Alison that her dad is also homosexual, she blames it on this experience (58). 1 Her mother stutters, showing her acknowledgement that her husband’s encounter with the farm hand was not molestation, but something he wanted and most likely enjoyed. -
What Superman Teaches Us About the American Dream and Changing Values Within the United States
TRUTH, JUSTICE, AND THE AMERICAN WAY: WHAT SUPERMAN TEACHES US ABOUT THE AMERICAN DREAM AND CHANGING VALUES WITHIN THE UNITED STATES Lauren N. Karp AN ABSTRACT OF THE THESIS OF Lauren N. Karp for the degree of Master of Arts in English presented on June 4, 2009 . Title: Truth, Justice, and the American Way: What Superman Teaches Us about the American Dream and Changing Values within the United States Abstract approved: ____________________________________________________________________ Evan Gottlieb This thesis is a study of the changes in the cultural definition of the American Dream. I have chosen to use Superman comics, from 1938 to the present day, as litmus tests for how we have societally interpreted our ideas of “success” and the “American Way.” This work is primarily a study in culture and social changes, using close reading of comic books to supply evidence. I argue that we can find three distinct periods where the definition of the American Dream has changed significantly—and the identity of Superman with it. I also hypothesize that we are entering an era with an entirely new definition of the American Dream, and thus Superman must similarly change to meet this new definition. Truth, Justice, and the American Way: What Superman Teaches Us about the American Dream and Changing Values within the United States by Lauren N. Karp A THESIS submitted to Oregon State University in partial fulfillment of the requirements for the degree of Master of Arts Presented June 4, 2009 Commencement June 2010 Master of Arts thesis of Lauren N. Karp presented on June 4, 2009 APPROVED: ____________________________________________________________________ Major Professor, representing English ____________________________________________________________________ Chair of the Department of English ____________________________________________________________________ Dean of the Graduate School I understand that my thesis will become part of the permanent collection of Oregon State University libraries.