Baritone, Sopranino & Bass Sax, Contrabass
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Johnny O'neal
OCTOBER 2017—ISSUE 186 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM BOBDOROUGH from bebop to schoolhouse VOCALS ISSUE JOHNNY JEN RUTH BETTY O’NEAL SHYU PRICE ROCHÉ Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East OCTOBER 2017—ISSUE 186 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 NEw York@Night 4 Laurence Donohue-Greene: Interview : JOHNNY O’NEAL 6 by alex henderson [email protected] Andrey Henkin: [email protected] Artist Feature : JEN SHYU 7 by suzanne lorge General Inquiries: [email protected] ON The Cover : BOB DOROUGH 8 by marilyn lester Advertising: [email protected] Encore : ruth price by andy vélez Calendar: 10 [email protected] VOXNews: Lest We Forget : betty rochÉ 10 by ori dagan [email protected] LAbel Spotlight : southport by alex henderson US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or VOXNEwS 11 by suzanne lorge money order to the address above or email [email protected] obituaries Staff Writers 12 David R. Adler, Clifford Allen, Duck Baker, Fred Bouchard, Festival Report Stuart Broomer, Robert Bush, 13 Thomas Conrad, Ken Dryden, Donald Elfman, Phil Freeman, Kurt Gottschalk, Tom Greenland, special feature 14 by andrey henkin Anders Griffen, Tyran Grillo, Alex Henderson, Robert Iannapollo, Matthew Kassel, Marilyn Lester, CD ReviewS 16 Suzanne Lorge, Mark Keresman, Marc Medwin, Russ Musto, John Pietaro, Joel Roberts, Miscellany 41 John Sharpe, Elliott Simon, Andrew Vélez, Scott Yanow Event Calendar Contributing Writers 42 Brian Charette, Ori Dagan, George Kanzler, Jim Motavalli “Think before you speak.” It’s something we teach to our children early on, a most basic lesson for living in a society. -
Hermann NAEHRING: Wlodzimierz NAHORNY: NAIMA: Mari
This discography is automatically generated by The JazzOmat Database System written by Thomas Wagner For private use only! ------------------------------------------ Hermann NAEHRING: "Großstadtkinder" Hermann Naehring -perc,marimba,vib; Dietrich Petzold -v; Jens Naumilkat -c; Wolfgang Musick -b; Jannis Sotos -g,bouzouki; Stefan Dohanetz -d; Henry Osterloh -tymp; recorded 1985 in Berlin 24817 SCHLAGZEILEN 6.37 Amiga 856138 Hermann Naehring -perc,marimba,vib; Dietrich Petzold -v; Jens Naumilkat -c; Wolfgang Musick -b; Jannis Sotos -g,bouzouki; Stefan Dohanetz -d; recorded 1985 in Berlin 24818 SOUJA 7.02 --- Hermann Naehring -perc,marimba,vib; Dietrich Petzold -v; Jens Naumilkat -c; Wolfgang Musick -b; Jannis Sotos -g,bouzouki; Volker Schlott -fl; recorded 1985 in Berlin A) Orangenflip B) Pink-Punk Frosch ist krank C) Crash 24819 GROSSSTADTKINDER ((Orangenflip / Pink-Punk, Frosch ist krank / Crash)) 11.34 --- Hermann Naehring -perc,marimba,vib; Dietrich Petzold -v; Jens Naumilkat -c; Wolfgang Musick -b; Jannis Sotos -g,bouzouki; recorded 1985 in Berlin 24820 PHRYGIA 7.35 --- 24821 RIMBANA 4.05 --- 24822 CLIFFORD 2.53 --- ------------------------------------------ Wlodzimierz NAHORNY: "Heart" Wlodzimierz Nahorny -as,p; Jacek Ostaszewski -b; Sergiusz Perkowski -d; recorded November 1967 in Warsaw 34847 BALLAD OF TWO HEARTS 2.45 Muza XL-0452 34848 A MONTH OF GOODWILL 7.03 --- 34849 MUNIAK'S HEART 5.48 --- 34850 LEAKS 4.30 --- 34851 AT THE CASHIER 4.55 --- 34852 IT DEPENDS FOR WHOM 4.57 --- 34853 A PEDANT'S LETTER 5.00 --- 34854 ON A HIGH PEAK -
Discography Updates (Updated May, 2021)
Discography Updates (Updated May, 2021) I’ve been amassing corrections and additions since the August, 2012 publication of Pepper Adams’ Joy Road. Its 2013 paperback edition gave me a chance to overhaul the Index. For reasons I explain below, it’s vastly superior to the index in the hardcover version. But those are static changes, fixed in the manuscript. Discographers know that their databases are instantly obsolete upon publication. New commercial recordings continue to get released or reissued. Audience recordings are continually discovered. Errors are unmasked, and missing information slowly but surely gets supplanted by new data. That’s why discographies in book form are now a rarity. With the steady stream of updates that are needed to keep a discography current, the internet is the ideal medium. When Joy Road goes out of print, in fact, my entire book with updates will be posted right here. At that time, many of these changes will be combined with their corresponding entries. Until then, to give you the fullest sense of each session, please consult the original entry as well as information here. Please send any additions, corrections or comments to http://gc-pepperadamsblog.blogspot.com/, despite the content of the current blog post. Addition: OLIVER SHEARER 470900 September 1947, unissued demo recording, United Sound Studios, Detroit: Willie Wells tp; Pepper Adams cl; Tommy Flanagan p; Oliver Shearer vib, voc*; Charles Burrell b; Patt Popp voc.^ a Shearer Madness (Ow!) b Medley: Stairway to the Stars A Hundred Years from Today*^ Correction: 490900A Fall 1949 The recording was made in late 1949 because it was reviewed in the December 17, 1949 issue of Billboard. -
In This Issue
THE INDEPENDENT JOURNAL OF CREATIVE IMPROVISED MUSIC In This Issue ab baars Charles Gayle woody herman Coleman Hawkins kidd jordan joe lovano john and bucky pizzarelli lou marini Daniel smith 2012 Critic’s poll berlin jazz fest in photos Volume 39 Number 1 Jan Feb March 2013 SEATTLE’S NONPROFIT earshotCREATIVE JAZZ JAZZORGANIZATION Publications Memberships Education Artist Support One-of-a-kind concerts earshot.org | 206.547.6763 All Photos by Daniel Sheehan Cadence The Independent Journal of Creative Improvised Music ABBREVIATIONS USED January, February, March 2013 IN CADENCE Vol. 39 No. 1 (403) acc: accordion Cadence ISSN01626973 as: alto sax is published quarterly online bari s : baritone sax and annually in print by b: bass Cadence Media LLC, b cl: bass clarinet P.O. Box 13071, Portland, OR 97213 bs: bass sax PH 503-975-5176 bsn: bassoon cel: cello Email: [email protected] cl: clarinet cga: conga www.cadencejazzmagazine.com cnt: cornet d: drums Subscriptions: 1 year: el: electric First Class USA: $65 elec: electronics Outside USA : $70 Eng hn: English horn PDF Link and Annual Print Edition: $50, Outside USA $55 euph: euphonium Coordinating Editor: David Haney flgh: flugelhorn Transcriptions: Colin Haney, Paul Rogers, Rogers Word flt: flute Services Fr hn: French horn Art Director: Alex Haney g: guitar Promotion and Publicity: Zim Tarro hca: harmonica Advisory Committee: kybd: keyboards Jeanette Stewart ldr: leader Colin Haney ob: oboe Robert D. Rusch org: organ perc: percussion p: piano ALL FOREIGN PAYMENTS: Visa, Mastercard, Pay Pal, and pic: piccolo Discover accepted. rds: reeds POSTMASTER: Send address change to Cadence Magazine, P.O. -
Spring Commencement
S PRING 2018 C THE BELLs OF IOWA STATE OMMEN c EMENT THE HIsTORY OF “THE BELLs OF IOWA STATE” James C. Wilson (1900-1995) was a member of Iowa State’s English faculty from 1928 to 1931. He had to resign due to his lack of a Ph.D., and prior to his departure, he submitted a college song candidate for a song contest sponsored by the Iowa State Club of Chicago. Jim and his wife, Alice, moved to Chicago where as he notes, “We (in addition to their two SPRING COMMENcEMENT babies) had $212 in cash from my last paycheck, our five-year-old Chevrolet, and the tent.” He won first place with “The Bells of Iowa State,” and the family was able to purchase a Iowa State University Library THURsDAY, MAY 3, 2018 Special Collections Department small cottage on Lake Michigan. SATURDAY, MAY 5, 2018 “When I wrote ‘The Bells of Iowa State,’ I thought then that it had much more depth and emotion than your basic football fight song,” Wilson said. “Its continuing popularity leaves me very pleased, not so much because it’s my own song, but because it has had such a good effect on those who have been touched by it.” (The Iowa Stater, June 1983) Dear Iowa State University Graduates and Guests: Congratulations to all of the Spring 2018 graduates of Iowa State University! Welcome to Iowa State University’s Spring 2018 Commencement. Congratulations to all of the graduates, and thank you to everyone who played a role in their successful journey through Iowa State. -
Readers Poll
84 READERS POLL DOWNBEAT HALL OF FAME One night in November 1955, a cooperative then known as The Jazz Messengers took the stage of New York’s Cafe Bohemia. Their performance would yield two albums (At The Cafe Bohemia, Volume 1 and Volume 2 on Blue Note) and help spark the rise of hard-bop. By Aaron Cohen t 25 years old, tenor saxophonist Hank Mobley should offer a crucial statement on how jazz was transformed during Aalready have been widely acclaimed for what he that decade. Dissonance, electronic experimentation and more brought to the ensemble: making tricky tempo chang- open-ended collective improvisation were not the only stylis- es sound easy, playing with a big, full sound on ballads and pen- tic advances that marked what became known as “The ’60s.” ning strong compositions. But when his name was introduced Mobley’s warm tone didn’t necessarily coincide with clichés on the first night at Cafe Bohemia, he received just a brief smat- of the tumultuous era, as the saxophonist purposefully placed tering of applause. That contrast between his incredible artistry himself beyond perceived trends. and an audience’s understated reaction encapsulates his career. That individualism came across in one of his rare inter- Critic Leonard Feather described Mobley as “the middle- views, which he gave to writer John Litweiler for “Hank Mobley: weight champion of the tenor saxophone.” Likely not intended The Integrity of the Artist–The Soul of the Man,” which ran in to be disrespectful, the phrase implied that his sound was some- the March 29, 1973, issue of DownBeat. -
TCTL October 2016 Newsletter
Touching Communities. Touching Lives.™ A PUBLICATION OF MGM GRAND DETROIT October • 2016 ‘Amazing:’ MGM Grand Detroit’s seventh Count Day trip was a smashing success at Gompers School By Scot Talley Special to the Michigan Chronicle Visitors to Gompers Elementary-Middle School on Detroit’s west side are greeted by a sign out front which reads: “A great place to learn.” On Oct. 5, not only was Gompers “a great place to learn,” it was a fun place to be educated as well with help from MGM Grand Detroit. Continue on page 3 Inside This Issue • MGM Grand Detroit’s proud “Count Day” traditon contnued at Gompers School. • Wright Museum contnues to shine afer spectacular Gala. • Women of Tomorrow organizaton inspires and empowers. • And much more! 2016 Gala is history, but an inspirational song rings on at Wright Museum By Scot Talley “The Wright Museum (CHWMAAH) was the frst Special to the Michigan Chronicle museum in the country to focus on the cultural, economic, and social history of African Americans,” said When the music fnally ended, more than 500 business Juliete Okote-Eboh, a longtme supporter of the Wright and community leaders along with the general public had Museum and senior vice president of Public Afairs experienced a special eVening during the sixth annual at MGM Grand Detroit, a sponsor of the 2016 Wright Charles H Wright Museum of African American History Gala. “What a thrill it was to know that Detroit was the Gala, which took place in an elaborate tent on the museum home for such a signifcant museum--- and what a proud grounds. -
Aaron SACHS: Frank SACKENHEIM: Erna SACK: Fats SADI
This discography is automatically generated by The JazzOmat Database System written by Thomas Wagner For private use only! ------------------------------------------ Aaron SACHS: "Clarinet & Co" Phil Sunkel, Bernie Glow -tp; Frank Rehak -tb; AARON SACHS -cl,ts; Gene Allen -bs; Nat Pierce - p; Aaron Bell -b; Osie Johnson -d; recorded February 18 and 21, 1957 in New York 33134 RONDO BLUES 3.45 Rama RLP 1004 33135 JUST SICK BLUES 2.54 --- 33136 BLUE SOPHISTICATE 4.02 --- 33137 CONVERSATION 2.39 --- 33138 MONA'S KIMONA 4.01 --- 33139 COUNTRYFIELD 3.46 --- 33140 WIGGINS 3.26 --- Aaron Sachs -cl,ts; Hal Overton -p; Jimmy Raney -g; Aaron Bell -b; Osie Johnson -d; recorded March 04, 1957 in New York 33141 GORME HAS HER DAY 3.07 --- 33142 I CAN'T BELIEVE 2.58 --- 33143 HAL'S LOFT 2.43 --- 33144 NANCY 3.22 --- ------------------------------------------ Frank SACKENHEIM: "WDR3:Jazz.Cologne" Frank Sackenheim Trio: Frank Sackenheim -ts; Henning Gailing -b; Jonas Burgwinkel -d; recorded July 10, 2005 in Funkhaus Wallrafplatz, Köln 77097 DEIN IST MEIN GANZES HERZ 7.55 Aircheck 77098 L.O.V.E. 5.22 --- 77099 RED ROSES 8.16 --- 77100 SPEAK LOW 11.40 --- 77101 ICH BIN VON KOPF BIS FUSS AUF LIEBE EINGESTELLT 7.53 --- 77102 GAMES THAT LOVERS PLAY 8.05 --- ------------------------------------------ Erna SACK: Sopran: Kammersängerin Erna Sack mit Orchester; Dirigent: Hans Bund; recorded August 30, 1934 in Berlin 107685 WENN SICH EINE SCHÖNE FRAU VERLIEBT 3.30 19991-1 Tel A1676 Sopran: Kammersängerin Erna Sack mit Orchester; Dirigent: Hans Bund; recorded October 1934 in Berlin 107121 ICH BIN VERLIEBT 3.32 19990 --- aus der Operette "Clivia" Erna Sack war eine der bedeutendsten Sopranistinnen Deutschlands im 20. -
Rock | Pop Motown Blues Gospel
Hello Detroit Everything you need to know about one of America's hottest cities. Music The birthplace of Motown and Techno, Detroit has a rich musical heritage of artists who have called the iconic city ‘home’. MOTOWN ROCK | POP STEVIE MADONNA | IGGYPOP WONDER DIANA ROSS ALICECOOPER THE TEMPTATIONS BOB SEGER | KID ROCK SMOKEY ROBINSON THE WHITE STRIPES RON CARTER | JAMES CARTER RALPHE ARMSTRONG | REGINA CARTER JAZZ YUSEF LATEEF | MILT JACKSON Detroit is home to the world's oldest operating Jazz club – Baker's Keyboard Lounge. It’s been going since May 1934! RAP AND HIP HOP EMINEM | J DILLA | SLUM VILLAGE BIG SEAN | DANNY BROWN BLUES LITTLE SONNY JOHN LEE GOSPEL HOOKER ARETHA FRANKLIN | FRED HAMMOND ALBERTA THE WINANS | KAREN CLARK SHEARD JOHNNY BASSETT SETH TROXLER | JUAN ATKINS TECHNO DERRICK MAY | KEVIN SAUNDERSON Entrepreneurship INDUSTRY INVESTMENT URBAN GARDENS INNOVATION The Detroit bike Local Detroit In Detroit, there are There are plans to industry is booming entrepreneur Dan Gilbert, create an 'Innovation and Detroit Bikes, the has invested nearly District' in Midtown largest manufacturer, 1,300 and Downtown produces a huge urban gardens for Detroit which will $1.7billion provide workspace community farming in companies including which is kick-starting and money for sports teams, tech 50,000 the need for seed, budding companies, start-ups and bikes every year fertiliser and equipment entrepreneurs entrepreneurial ventures. supplier businesses He's purchased and refurbished 70 buildings in Downtown Detroit alone. It is estimated that School children in a new idea for a Detroit aspire to be The urban farming community start up is generated entrepreneurs - more in Detroit every than any other job produces enough fruit and veg Detroit street artists to supply Matthew and Tristan 27 mins Eaton spearheaded the Detroit Beautification 20% Detroit Airport is Project, an art project of the city an extremely bringing vibrancy back important hub. -
Suggested Listening - Jazz Artists 1
SUGGESTED LISTENING - JAZZ ARTISTS 1. TRUMPET - Nat Adderley, Louis Armstrong, Chet Baker, Terrance Blanchard, Lester, Bowie, Randy Brecker, Clifford Brown, Don Cherry, Buck Clayton, Johnny Coles, Miles Davis, Kevin Dean, Kenny Dorham, Dave Douglas, Harry Edison, Roy Eldridge, Art Farmer, Dizzy Gillespie, Bobby Hackett, Tim Hagans, Roy Hargrove, Phillip Harper,Tom Harrell, Eddie Henderson, Terumaso Hino, Freddie Hubbard, Ingrid Jensen, Thad Jones, Booker Little, Joe Magnarelli, John McNeil, Wynton Marsalis, John Marshall, Blue Mitchell, Lee Morgan, Fats Navarro, Nicholas Payton, Barry Ries, Wallace Roney, Jim Rotondi, Carl Saunders, Woody Shaw, Bobby Shew, John Swana, Clark Terry, Scott Wendholt, Kenny Wheeler 2. SOPRANO SAX - Sidney Bechet, Jane Ira Bloom, John Coltrane, Joe Farrell, Steve Grossman, Christine Jensen, David Liebman, Steve Lacy, Chris Potter, Wayne Shorter 3. ALTO SAX - Cannonball Adderley, Craig Bailey, Gary Bartz, Arthur Blythe, Richie Cole, Ornette Coleman, Steve Coleman, Paul Desmond, Eric Dolphy, Lou Donaldson, Paquito D’Rivera, Kenny Garrett, Herb Geller, Bunky Green, Jimmy Greene, Antonio Hart, John Jenkins, Christine Jensen, Eric Kloss, Lee Konitz, Charlie Mariano, Jackie McLean, Roscoe Mitchell, Frank Morgan, Lanny Morgan, Lennie Niehaus, Greg Osby, Charlie Parker, Art Pepper, Bud Shank, Steve Slagel, Jim Snidero, James Spaulding, Sonny Stitt, Bobby Watson, Steve Wilson, Phil Woods, John Zorn 4. TENOR SAX - George Adams, Eric Alexander, Gene Ammons, Bob Berg, Jerry Bergonzi, Don Braden, Michael Brecker, Gary Campbell, -
Stompin' with Fats
July 2013 | No. 135 Your FREE Guide to the NYC Jazz Scene nycjazzrecord.com FATS WALLER Stompin’ with fats O N E IA U P S IS ANTHONY • GEORGE • BOYD LEE • ACT • EVENT COLEMAN COLLIGAN DUNLOP MUSIC CALENDAR “BEST JAZZ CLUBS OF THE YEAR 2012” SMOKE JAZZ & SUPPER CLUB • HARLEM, NEW YORK FEATURED ARTISTS / 7pm, 9pm & 10:30 ONE NIGHT ONLY / 7pm, 9pm & 10:30 RESIDENCIES / 7pm, 9pm & 10:30 Mondays July 1, 15, 29 Friday & Saturday July 5 & 6 Wednesday July 3 Jason marshall Big Band Papa John DeFrancesco Buster Williams sextet Mondays July 8, 22 Jean Baylor (vox) • Mark Gross (sax) • Paul Bollenback (g) • George Colligan (p) • Lenny White (dr) Wednesday July 10 Captain Black Big Band Brian Charette sextet Tuesdays July 2, 9, 23, 30 Friday & Saturday July 12 & 13 mike leDonne Groover Quartet Wednesday July 17 Eric Alexander (sax) • Peter Bernstein (g) • Joe Farnsworth (dr) eriC alexaNder QuiNtet Pucho & his latin soul Brothers Jim Rotondi (tp) • Harold Mabern (p) • John Webber (b) Thursdays July 4, 11, 18, 25 Joe Farnsworth (dr) Wednesday July 24 Gregory Generet George Burton Quartet Sundays July 7, 28 Friday & Saturday July 19 & 20 saron Crenshaw Band BruCe Barth Quartet Wednesday July 31 Steve Nelson (vibes) teri roiger Quintet LATE NIGHT RESIDENCIES Mon the smoke Jam session Friday & Saturday July 26 & 27 Sunday July 14 JavoN JaCksoN Quartet milton suggs sextet Tue milton suggs Quartet Wed Brianna thomas Quartet Orrin Evans (p) • Santi DeBriano (b) • Jonathan Barber (dr) Sunday July 21 Cynthia holiday Thr Nickel and Dime oPs Friday & Saturday August 2 & 3 Fri Patience higgins Quartet mark Gross QuiNtet Sundays Sat Johnny o’Neal & Friends Jazz Brunch Sun roxy Coss Quartet With vocalist annette st. -
Baritone Sax Basics by Austin Vickrey Discussion Topics
Baritone Sax Basics By Austin Vickrey Discussion Topics • Preparation and Assembly • Posture, Breathing, Hand Position, Playing Position, Embouchure, and Tone Production • Sound, Articulation, Technique • Gear - Saxophone brands, reeds, and mouthpieces • Recommended Listening - Prominent Jazz Bari Players and Recordings Preparation and Assembly - What you NEED • Saxophone with saxophone case • Neckstrap/harness • Mouthpiece, ligature, mouthpiece cap • Reeds • Care Kit - Cork grease, cleaning swab, reed cases, bari sax stand Assembly - Part 1 • Case flat on the floor before opening, logo facing up • Soak the reed in your mouth or cup of water • Place mouthpiece on the neck, twist and push over cork about half way. (Use cork grease if needed) • Slide ligature over the tip of the mouthpiece. Screws always go on the right hand side. • “Face to face” - How to properly put the reed on the mouthpiece. Cover with mouthpiece cap Assembly - Part 2 • Place your neckstrap around your neck • Pick up the saxophone by the bell, never by the rods or keys! • Attach the neckstrap to the ring on the back of the saxophone • Remove the neck cap from the body and loosen the neck screw • Gently attach the neck to the body with a twisting motion. Tighten the screw to where it feels snug. Posture • Feet flat on the ground. • Sit on the edge of the chair, not resting back on the back of the chair. • Sit up straight but not so straight that you are tense. Careful not to slouch. • Your head should be straight forward. Breathing - IMPORTANT! • Breathing in - Your stomach area should expand. Place hand on stomach to practice this.