Artist Cv David Begbiemrss
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Antiques and Collectables Thursday 16 February 2012 11:00
Antiques and Collectables Thursday 16 February 2012 11:00 Bainbridges Station Parade Ickenham Road Ruislip HA4 7DL Bainbridges (Antiques and Collectables) Catalogue - Downloaded from UKAuctioneers.com Lot: 1 a book, library and window background in pencil, by August A large vacant gilt gessoed wood picture frame with pierced Edouart, signed and dated 1838, maple frame. foliate decoration, other vacant frames, together with framed posters, prints, reproductions, etc. Estimate: £60.00 - £100.00 Estimate: £30.00 - £40.00 Lot: 9 'Beach Scene' by Diana Low, pastels, framed, reverse with Lot: 2 label. A pair of tinted prints of children, giltwood frames, a Bartolozzi print, 'Euphrosine', giltwood frame, and various other prints incl. Estimate: £20.00 - £30.00 by A. Vallee, and reproductions, mostly framed. Estimate: £40.00 - £60.00 Lot: 10 'Priscilla Goes A-visiting' by E.H. Shepard, signed, pen and ink, gilt frame. Lot: 3 Two oils: a river valley by R. Matthews, signed, gilt frame, Estimate: £100.00 - £150.00 reverse with artist's label; and an interior with a mother and a baby in a cradle, foliate gilt frame. Lot: 11 Estimate: £30.00 - £50.00 A continental street scene by H.C. Charlier, signed, oils, foliate gilt frame; and a framed coloured print, 'How Two British Drummer Boys Won a Battle'. Lot: 4 An unframed oil of Spanish houses on a hillside, signed Estimate: £25.00 - £35.00 (illegible) and dated 1992; a framed oil of a broad river landscape by J.L. Wells, signed; a framed oil still-life of flowers in a jug by P. -
Len Deighton. Ss-Gb (1978)
LEN DEIGHTON. SS-GB (1978) Len Deighton was born in London in 1929. He worked as a railway clerk before doing his National Service in the RAF as a photographer attached to the Special Investigation Branch. After his discharge in 1949, he went to art school--first to the St Martin's School of Art, and then to the Royal College of Art on a scholarship. It was while working as a waiter in the evenings that he developed an interest in cookery--a subject he was later to make his own in an animated strip for the Observer and in two cookery books. He worked for a while as an illustrator in New York and as art director of an advertising agency in London. Deciding it was time to settle down, Deighton moved to the Dordogne where he started work on his first book, The Ipcress File. Published in 1962, the book was an immediate and spectacular success. Since then he has written twenty-one books of fiction and non-fiction-- including spy stories, and highly-researched war novels and histories--all of which have appeared to international acclaim. Nazi-occupied Britain 1941 "In England they're filled with curiosity and keep asking, 'Why doesn't he come?' Be calm. Be calm. He's coming. He's coming!" Adolf Hitler. 4 September, 1940 at a rally of nurses and social workers in Berlin. Instrument of surrender--English Text *Of all British armed forces in United Kingdom of Great Britain and Northern Ireland including all islands* 1. The British Command agrees to the surrender of all British armed forces in the United Kingdom and Northern Ireland including all Islands and including military elements overseas. -
Catalogue CUTTING EDGE
DAVID BEGBIE Cutting Edge 105 New Bond Street London W1S 1DN Phone +44 (0) 2074955101 www.continiartuk.com [email protected] David Begbie Cutting Edge With special thanks to Cristian Contini who made this exhibition possible. Curator Dr. Diego Giolitti Co-Curator Ulia Rabko Assistant Curator Josh Rowell Exhibition Manager Andrea Maffioli Exhibition Support Fulvio Granocchia Natalia Xylouri Photography Deniz Guzel Contributors Samantha Burke Albertina Campbell Nadia D’Agosto Ludovica Mula Philipp Paluch Celine Takla Special thanks also to Eva Begbie and Josh Snelling (Studio technician). Thanks also to Peter Johnson, Ian Thomson and Lynn Fitzpatrick of United Wire, Edinburgh DAVID BEGBIE Cutting Edge Shadow as a solid body by Cristian Contini p.5 Introduction By Dr Vali, Founder and CEO of LMS Wellness p.7 Cutting Edge by Dr. Diego Giolitti p.9 On the Surface of Things By Josh Rowell p.13 Sculptures p.17 Works on Paper p.63 Appendix p.95 Cristian Contini and David Begbie Shadow as a solid body by Cristian Contini We are aware to what extent, throughout the History of Art, the study of light has been a fundamental means of expression. In every artistic era through more or less obvious contrasts, light and shadow have always sought to pursue solidity and movement in an effort to convey emotions. In this regard the theory of shadows, inspired by G.Monge’s methods of descriptive geometry, which describe the effects of light on an opaque body are still studied to this day. Without dwelling too much on details it is nonetheless important to understand the technique before approaching the very spirit behind Begbie’s work. -
Copyrighted Material
Index Figures in italic type refer to illustrations. A Barnsley, Sidney Howard 38 Berlin, Germany Abu Simbel, Egypt 81 Baroque 10, 31, 33, 33, 80, Neue Nationalgalerie 70 Adam, Robert 155–6, 157 157 Technical University of Aichhorn, August 79 Barr, Alfred 124 Berlin: Architecture Alexander, Hartley Burr 124 Barthes, Roland: ‘The Eiffel Faculty 173 Alison Brooks Architects 91 Tower’ 11 Bernini, Gian Lorenzo 97 Alster River 169 basalt 23–4 Berry Bros & Rudd 141 American Civil War (1861–5) Bath, Somerset Beuys, Joseph: 7000 Oaks - 116 Adam’s plan for the new City Forestation Instead anamorphism 41, 46 town 155–6, 157 of City Administration André, Carl 181 Great Pulteney Street 160, 37 Anglo-Saxons 51, 96 161, 164, 166 ‘Big Bang’ deregulation of Anspach, Jules Victor 85 Holburne Museum of City financial markets Antonioni, Michelangelo Art (previously Sydney (1987) 57 63, 64 Hotel) 157–69 Bilbao Guggenheim Antwerp, Belgium: Oosters Pulteney Bridge 156 Museum, Spain 8 Huis 51 Sydney Gardens 151, 152, Birkenhead, Wirral 171 Architectural Association 9 152, 155–69 Birmingham 152 Architectural Forum 70, Sydney Place (No.4) 157, Blake, William 95 120, 120 159 Blohm+Voss shipbuilding Art Nouveau 89 Bath, William Pulteney, 1st firm 171 Arts and Crafts 38 Earl of 155 Blomfield, Reginald 143, asklepieion (healing temple) Bath stone 168 160–61, 162 154 Baumgarten, Paul 173 Blow-Up (film) 63 Atatürk, Mustafa Kemal 39 Becket, Thomas 18 Bo Bardi, Lina 66–70, 68, Athens, Greece 61 Beckford, William 159 69, 70 agora 122, 129 Bedford, Duke of 141 Bodenehr, -
International Marketing Review
International Marketing Review International Marketing Review Temporal dynamism in country-of-origin effect: the malleability of Italians’ perceptions regarding the British sixties Journal: International Marketing Review Manuscript ID IMR-08-2016-0165.R4 Manuscript Type: Original Article Keywords: Country-of-Origin, Fashion, Music, Heritage Branding, Temporality Page 1 of 50 International Marketing Review 1 2 3 Temporal dynamism in country-of-origin effect: the malleability of Italians’ perceptions 4 5 6 regarding the British sixties 7 8 9 Abstract 10 11 PurposeInternational – This paper aims to enrich Country Marketing of Origin (COO) effect Review in international 12 marketing theory by adding the understanding of temporal dynamism into COO research. 13 14 Design/methodology/approach – Utilizing a qualitative and interdisciplinary 15 phenomenological approach, this paper analyses historical and contemporary sources 16 17 triangulated with contemporary primary interview data. The example of how perceptions of 18 Italians about the values typical of the British Sixties varied over time periods is presented. 19 20 Findings – COO perceptions are both malleable and in evolution. Results show that values 21 from earlier peak periods of appeal can be combined and recombined differently over time 22 23 due to the varying historical and contemporary resonances of COO values. 24 Research limitations/implications – This study focuses on COO applied to two product 25 26 areas, fashion and music, over a limited time-period, in a two-country study and so the 27 findings are not fully generalizable, but rather are transferable to similar contexts. 28 29 Practical implications – The fact that COO is neither static nor atemporal facilitates a 30 segmented approach for international marketing managers to review and renew international 31 32 brands.