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Mitchell Final4print.Pdf
VICTORIAN CRITICAL INTERVENTIONS Donald E. Hall, Series Editor VICTORIAN LESSONS IN EMPATHY AND DIFFERENCE Rebecca N. Mitchell THE OHIO STATE UNIVERSITY PRESS Columbus Copyright © 2011 by The Ohio State University. All rights reserved. Library of Congress Cataloging-in-Publication Data Mitchell, Rebecca N. (Rebecca Nicole), 1976– Victorian lessons in empathy and difference / Rebecca N. Mitchell. p. cm. — (Victorian critical interventions) Includes bibliographical references and index. ISBN-13: 978-0-8142-1162-5 (cloth : alk. paper) ISBN-10: 0-8142-1162-3 (cloth : alk. paper) ISBN-13: 978-0-8142-9261-7 (cd) 1. English literature—19th century—History and criticism. 2. Art, English—19th century. 3. Other (Philosophy) in literature. 4. Other (Philosophy) in art. 5. Dickens, Charles, 1812–1870— Criticism and interpretation. 6. Eliot, George, 1819–1880—Criticism and interpretation. 7. Hardy, Thomas, 1840–1928—Criticism and interpretation. 8. Whistler, James McNeill, 1834– 1903—Criticism and interpretation. I. Title. II. Series: Victorian critical interventions. PR468.O76M58 2011 820.9’008—dc22 2011010005 This book is available in the following editions: Cloth (ISBN 978-0-8142-1162-5) CD-ROM (ISBN 978-0-8142-9261-7) Cover design by Janna Thompson Chordas Type set in Adobe Palatino Printed by Thomson-Shore, Inc. The paper used in this publication meets the minimum requirements of the American National Standard for Information Sciences—Permanence of Paper for Printed Library Materi- als. ANSI Z39.48-1992. 9 8 7 6 5 4 3 2 1 CONTENTS List of Illustrations • vii Preface • ix Acknowledgments • xiii Introduction Alterity and the Limits of Realism • 1 Chapter 1 Mysteries of Dickensian Literacies • 27 Chapter 2 Sawing Hard Stones: Reading Others in George Eliot’s Fiction • 49 Chapter 3 Thomas Hardy’s Narrative Control • 70 Chapter 4 Learning to See: Whister's Visual Averstions • 88 Conclusion Hidden Lives and Unvisited Tombs • 113 Notes • 117 Bibliography • 137 Index • 145 ILLUSTRATIONS Figure 1 James McNeill Whistler, The Miser (1861). -
Victorian Heroes: Peabody, Waterlow, and Hartnoll ______
Victorian Heroes: Peabody, Waterlow, and Hartnoll ____________________________________________________________________________________ Victorian Heroes: Peabody, Waterlow, and Hartnoll The development of housing for the working- classes in Victorian Southwark Part 2: The buildings of Southwark Martin Stilwell © Martin Stilwell 2015 Page 1 of 46 Victorian Heroes: Peabody, Waterlow, and Hartnoll ____________________________________________________________________________________ This paper is Part 2 of a dissertation by the author for a Master of Arts in Local History from Kingston University in 2005. It covers the actual philanthropic housing schemes before WW1. Part 1 covered Southwark, its history and demographics of the time. © Martin Stilwell 2015 Page 2 of 46 Victorian Heroes: Peabody, Waterlow, and Hartnoll ____________________________________________________________________________________ © Martin Stilwell 2015 Page 3 of 46 Victorian Heroes: Peabody, Waterlow, and Hartnoll ____________________________________________________________________________________ Cromwell Buildings, Red Cross Street 1864, Improved Industrial Dwellings Company (IIDC) 18 dwellings, 64 rooms1, 61 actual residents on 1901 census2 At first sight, it is a surprise that this relatively small building has survived in a predominantly commercial area. This survival is mainly due to it being a historically significant building as it is only the second block built by Sydney Waterlow’s IIDC, and the first of a new style developed by Waterlow in conjunction with builder -
Some Rare and Unpublished Ancient British Coins
AN ACCOUNT OF SOME RARE AND UNPUBLISHED ANCIENT BRITISH COINS, COMMUNICATED TO THE NUMISMATIC SOCIETY OF LONDON BY JOHN EVANS, F.S.A., F.G.S., HON. SEC. NUM.SOC. LONDON: 1860. 1·~~~ ANCIENT BRITISH COi NS. AN ACCOUNT or SOME RARE AND UNPUBLISHED ANCIENT BRITISH COINS, COMMUNICATED TO THE NUMISMATIC SOCIETY OF LONDON BY JOHN EVANS, F.S. .A., F.G.S., BON. SBC. NUM. SOC. LONDON: 1860. Stack Annex !:>01.5346 SOME RARE AND UNPUBLISHED ANCIENT BRITISH COINS. Read before the Numismatic Society, Jan. 26th, 1860.] r HAVE again the satisfaction of presenting to the Society a plate of ancient British coins, most ofof them hithetto un- published, and all of the highest degree of rarity. Unlike the last miscellaneous plate of these coins that I , drew, which consisted entirely of uninscrihed coins, these areall i11scribed, and comprise Specimens of the coinage of Cuno beline, Taseiovanus, Dubnovellaunus, and the Iceni, beside others of rather more doubtful attribution. l need not, however, make any prefatory remarks conceming them, hut will at once proceed to the description of the various coins, and the considerations which arc suggested by thei1· several types and inscriptions. T'he first three are of Cunobeline. No. 1. Obv. - CA-MVon either side of an ear of bearded corn, as usual on the gold coins of Cunobeline, hut rather more widely spread. The stalk terminating in an ornament shaped like Gothic trefoil. Rev.-CVNO beneath a horse, galloping, to the left; ahove, an ornament, in shape like the Prince of Wales' plume, resting on a reversed crescent. -
A Short History of Colchester Castle
Colchester Borough Council Colchester and Ipswich Museum Service A SHORT HISTORY OF COLCHESTER CASTLE 1066, the defeat of the English by the invading army of Duke William of Normandy. After his victory at the Battle of Hastings, William strengthened his hold on the defeated English by ordering castles to be built throughout the country. Colchester was chosen for its port and its important military position controlling the southern access to East Anglia. In 1076 work began on Colchester Castle, the first royal stone castle to be built by William in England. The castle was built around the ruins of the colossal Temple of Claudius using the Roman temple vaults as its base, parts of which can be seen to this day. As a result the castle is the largest ever built by the Normans. It was constructed mainly of building material from Colchester's Roman ruins with some imported stone. Most of the red brick in the castle was taken from Roman buildings. England, William's newly won possession, was soon under threat from another invader, King Cnut of Denmark. The castle had only been built to first floor level when it had to be hastily strengthened with battlements. The invasion never came and work resumed on the castle which was finally completed to three or four storeys in 1125. The castle came under attack in 1216 when it was besieged for three months and eventually captured by King John after he broke his agreement with the rebellious nobles (Magna Carta). By 1350, however, its military importance had declined and the building was mainly used as a prison. -
The Cultural and Ideological Significance of Representations of Boudica During the Reigns of Elizabeth I and James I
EXETER UNIVERSITY AND UNIVERSITÉ D’ORLÉANS The Cultural and Ideological Significance Of Representations of Boudica During the reigns of Elizabeth I and James I. Submitted by Samantha FRENEE-HUTCHINS to the universities of Exeter and Orléans as a thesis for the degree of Doctor of Philosophy in English, June 2009. This thesis is available for library use on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgment. I certify that all material in this thesis which is not my own work has been identified and that no material has previously been submitted and approved for the award of a degree by this or any other University. ..................................... (signature) 2 Abstract in English: This study follows the trail of Boudica from her rediscovery in Classical texts by the humanist scholars of the fifteenth century to her didactic and nationalist representations by Italian, English, Welsh and Scottish historians such as Polydore Virgil, Hector Boece, Humphrey Llwyd, Raphael Holinshed, John Stow, William Camden, John Speed and Edmund Bolton. In the literary domain her story was appropriated under Elizabeth I and James I by poets and playwrights who included James Aske, Edmund Spenser, Ben Jonson, William Shakespeare, A. Gent and John Fletcher. As a political, religious and military figure in the middle of the first century AD this Celtic and regional queen of Norfolk is placed at the beginning of British history. In a gesture of revenge and despair she had united a great number of British tribes and opposed the Roman Empire in a tragic effort to obtain liberty for her family and her people. -
7 Archaeological Potential and Significance
Joseph Lancaster Nursery Site, London Borough of Southwark, SE1 4EX: An Archaeological Desk-Based Assessment ©Pre-Construct Archaeology Ltd, June 2017 7 ARCHAEOLOGICAL POTENTIAL AND SIGNIFICANCE 7.1 General 7.2 The site is located on the southern edge of the Thames Valley Floodplain of the River Thames Basin. The settlement of Southwark grew up around two gravel eyots – often referred to as the north and south islands – that were separated from the ‘mainland’ to the south by the Borough Channel. It was this series of gravel eyots upon which the bridge crossing to Londinium was constructed and connected to the south by Road 1. South of the Borough Channel and on higher ground the road splintered into Stane Street (running to Chichester) and Watling Street (running to Canterbury and Dover). The study area is located south of this road junction in an area that has become identified as the ‘Southern Cemeteries’ to denote it as separate to those cemeteries around Londinium on the north bank of the Thames. 7.3 Prehistoric 7.3.1 Pottery and worked flints found in north Southwark indicate that the area was frequented in the Mesolithic and later settled from the late Neolithic to early Bronze Age period onwards. What had been an intertidal zone would have varied in character depending on the periodic rising and falling of sea level due to climatic fluctuations (Killock 2010:12). However, the nature of that settlement is still poorly understood and most of the finds recorded on the HER from these periods are residual - suggesting a background presence of dispersed activity across north Southwark with the Mesolithic activity focussed closer to the Thames and the gravel eyots. -
Shakespeare on Travel in As You Like It and Othello
Selected Papers of the Ohio Valley Shakespeare Conference Volume 11 Article 4 2020 Knowing the World: Shakespeare on Travel in As You Like It and Othello David Summers Capital University, [email protected] Follow this and additional works at: https://ideaexchange.uakron.edu/spovsc Part of the Literature in English, British Isles Commons Please take a moment to share how this work helps you through this survey. Your feedback will be important as we plan further development of our repository. Recommended Citation Summers, David (2020) "Knowing the World: Shakespeare on Travel in As You Like It and Othello," Selected Papers of the Ohio Valley Shakespeare Conference: Vol. 11 , Article 4. Available at: https://ideaexchange.uakron.edu/spovsc/vol11/iss1/4 This Article is brought to you for free and open access by Literary Magazines at IdeaExchange@UAkron, the institutional repository of The University of Akron in Akron, Ohio, USA. It has been accepted for inclusion in Selected Papers of the Ohio Valley Shakespeare Conference by an authorized administrator of IdeaExchange@UAkron. For more information, please contact [email protected], [email protected]. Knowing the World: Shakespeare on Travel in As You Like It and Othello David Summers, Capital University etting to know the world through personal travel, particularly by means of the “semester abroad,” seems to G me to be one of the least controversial planks in the Humanities professors’ manifesto. However, reading Shakespeare with an eye toward determining his attitude toward travel creates a disjuncture between our conviction that travel generally, and studying abroad in particular, is an enriching experience, and Shakespeare’s tendency to hold the benefits of travel suspect. -
Radiocarbon Dates 1981-1988
RADIOCARBON DATES RADIOCARBON DATES RADIOCARBON DATES This volume holds a datelist of 1285 radiocarbon determinations carried out between RADIOCARBON DATES 1981 and 1988 on behalf of the Ancient Monuments Laboratory of English Heritage. It contains supporting information about the samples and the sites producing them, a comprehensive bibliography, and two indexes for reference and analysis. An introduction provides discussion of the character and taphonomy of the dated samples from samples funded by English Heritage and information about the methods used for the analyses reported and their calibration. between 1981 and 1988 The datelist has been collated from information provided by the submitters of the samples and the dating laboratories. Many of the sites and projects from which dates have been obtained are published, although, when many of these measurements were produced, high-precision calibration was not possible. At this time, there was also only a limited range of statistical techniques available for the analysis of radiocarbon dates. Methodological developments since these measurements were made may allow revised archaeological interpretations to be constructed on the basis of these dates, and so the purpose of this volume is to provide easy access to the raw scientific and contextual data which may be used in further research. Alex Bayliss, Robert Hedges, Robert Otlet, Roy Switsur, and Jill Walker andJill Switsur, Roy Robert Robert Otlet, Hedges, Alex Bayliss, Front cover: Excavations at Avebury Henge, 1908 (© English Heritage. -
4 November 2011 Page 1 of 17
Radio 4 Listings for 29 October – 4 November 2011 Page 1 of 17 SATURDAY 29 OCTOBER 2011 SAT 06:30 Farming Today (b016k6xb) 60 years ago the vision of a united Europe burned brightly as an Farming Today This Week inspiration to keep the peace after two world wars. But attitudes SAT 00:00 Midnight News (b016869m) have changed since then, and a new generation of Euro sceptics The latest national and international news from BBC Radio 4. Plans to expand two National Parks in England have re-ignited has emerged. Followed by Weather. the debate over whether the authorities that control the parks Lord Hannay former European Diplomat, Ben Page of the are striking the right balance between preservation and polling organisation Ipsos Mori, and George Eustice de facto modernisation. The proposals being considered by the Secretary leader of the new wave of Conservative Euroscpetic MPs SAT 00:30 Book of the Week (b016g4wr) of State, would see the boundaries stretch around the Lake discuss the background to these changes. State of the Union District and Yorkshire Dales parks. There has been a mixed response from the people who could soon be living and working While Europe twists and turns over bailouts the Scottish Episode 5 under the jurisdiction of a Park Authority for the first time. Caz Nationalist party is working towards independence. But why are Graham visits one village, Orton in East Cumbria where some they not calling a referendum now? Stewart Hosie of the SNP Five prominent thinkers from five EU countries offer personal are delighted with the possibility of more tourism whilst others talks to Labour MP Tom Harris -a candidate for the Scottish reflections on the idea of Europe at this critical moment in its are concerned about restrictions on planning and development. -
Coversheet for Thesis in Sussex Research Online
A University of Sussex DPhil thesis Available online via Sussex Research Online: http://sro.sussex.ac.uk/ This thesis is protected by copyright which belongs to the author. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Please visit Sussex Research Online for more information and further details Elkington & Co. and the Art of Electro-Metallurgy, circa 1840-1900. Alistair Grant. A Thesis Submitted to the University of Sussex for Examination for the Degree of Doctor of Philosophy. September 2014. 2 I hereby declare that this thesis is solely my own work, and has not been, and will not be submitted in whole, or in part, to another University for the award of any other degree. Signature:……………………………………… 3 This PhD thesis is dedicated to my wife Lucy and my daughter Agnes. I would like to thank my wife, Dr. Lucy Grant, without whose love, encouragement, and financial support my doctoral studies could not have happened. Her fortitude, especially during the difficult early months of 2013 when our daughter Agnes was ill, anchored our family and home, and enabled me to continue my research and complete this PhD thesis. 4 ACKNOWLEDGEMENTS First and foremost, I would like to thank my supervisor Professor Maurice Howard. Having nurtured my enthusiasm for Art History as an undergraduate at the University of Sussex from 1983-1986, when I approached him, 23 years later, about pursuing PhD research into Elkington & Co. -
Listed Buildings Detailled Descriptions
Community Langstone Record No. 2903 Name Thatched Cottage Grade II Date Listed 3/3/52 Post Code Last Amended 12/19/95 Street Number Street Side Grid Ref 336900 188900 Formerly Listed As Location Located approx 2km S of Langstone village, and approx 1km N of Llanwern village. Set on the E side of the road within 2.5 acres of garden. History Cottage built in 1907 in vernacular style. Said to be by Lutyens and his assistant Oswald Milne. The house was commissioned by Lord Rhondda owner of nearby Pencoed Castle for his niece, Charlotte Haig, daughter of Earl Haig. The gardens are said to have been laid out by Gertrude Jekyll, under restoration at the time of survey (September 1995) Exterior Two storey cottage. Reed thatched roof with decorative blocked ridge. Elevations of coursed rubble with some random use of terracotta tile. "E" plan. Picturesque cottage composition, multi-paned casement windows and painted planked timber doors. Two axial ashlar chimneys, one lateral, large red brick rising from ashlar base adjoining front door with pots. Crest on lateral chimney stack adjacent to front door presumably that of the Haig family. The second chimney is constructed of coursed rubble with pots. To the left hand side of the front elevation there is a catslide roof with a small pair of casements and boarded door. Design incorporates gabled and hipped ranges and pent roof dormers. Interior Simple cottage interior, recently modernised. Planked doors to ground floor. Large "inglenook" style fireplace with oak mantle shelf to principal reception room, with simple plaster border to ceiling. -
CHARLES FUSSELL: CYMBELINE CHARLES FUSSELL B
CHARLES FUSSELL: CYMBELINE CHARLES FUSSELL b. 1938 CYMBELINE: DRAMA AFTER SHAKESPEARE (1984, rev. 1996) CYMBELINE [1] I. Prelude 4:03 [2] II. Duet: Imogen and Posthumus 3:26 [3] III. Interlude 1:39 [4] IV. Aria: Iachimo 1:10 [5] V. Imogen 3:39 [6] VI. Scene with Arias: Iachimo 10:19 [7] VII. Interlude 2:14 [8] VIII. Scene: Cloten 1:21 [9] IX. Song: Cloten 3:22 [10] X. Recitative and Arioso: Imogen and Belarius 3:04 ALIANA DE LA GUARDIA soprano [11] XI. Duet, Dirge: Guiderius and Arviragus 3:58 MATTHEW DiBATTISTA tenor [12] XII. Battle with Victory March 4:05 DAVID SALSBERY FRY narrator [13] XIII. Scene: Ghosts (Mother and Sicilius) and Jupiter 5:17 [14] XIV. Duet: Imogen and Posthumus 3:07 BOSTON MODERN ORCHESTRA PROJECT [15] XV. Finale: Soothsayer and Cymbeline 4:14 Gil Rose, conductor TOTAL 55:02 COMMENT By Charles Fussell The idea of a musical depiction of this work came as a result of seeing the Hartford Stage productions of Shakespeare. Their Cymbeline, directed by Mark Lamos (who later moved to opera), ended with an unforgettable scene between Imogen and her husband: “Why did you throw your wedded lady from you? Think that you are upon a rock and throw me again.” His reply, “Hang there like fruit, my soul, till the tree die.” This exchange touched me deeply and really convinced me to try some music for the songs that appear in the play as well as this beautiful expression of love. I noticed the familiar “Hark, hark the lark” was sung by the frightful Cloten.