Book Reviews the Old Testament: an Introduction
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Among Us by Nina Runa Essendrop
1 . Among us By Nina Runa Essendrop A poetic and sensuous scenario about human loneliness and about the longing of the angels for the profound beauty which is found in every human life. 2 Preview Humans are ever present. They see the world in colors. They feel and they think and they walk on two feet. They touch the water and feel the cold softness of the surface. They gaze at the horizon and think deep thoughts about their existence. Humans feel the wind against their faces, they laugh and they cry and their pleading eyes seek for a meaning in the world around them. They breathe too fast and they forget to feel the ground under their feet or the invisible hand on their shoulder, which gently offers them comfort and peace. Angels exist among the humans. Invisible and untouchable they witness how humans live their lives. Their silent voices gently form mankind’s horizons, far away and so very very close that only children and dreamers will sense their presence. "Among us" is a poetic and sensuous scenario about a lonely human being, an angel who chooses the immediacy of mortal life, and an angel who continues to be the invisible guardian of mankind. It is a slow and thoughtful experience focussing on how beautiful, difficult and meaningful it is to be a human being. The scenario is played as a chamber larp and the players will be prepared for the play-style and tools through a workshop. The scenario is based on the film ”Wings of Desire” by Win Wender. -
The Second Try
The Second Try Jimmy Wolk Chapter I: The 12th Shinji Ikari, Third Children and designated pilot of Evangelion Unit-01, had just reached a new sync- ratio record. And as Rei Ayanami suspected, the former holder of this record, known as Asuka Langley Soryu, wasn't very pleased with this. So she didn't pay much attention to the rants of the Second Children, who made obviously ironical statements about the 'great, invincible Shinji' while holding herself; swaying in front of her locker. Instead, Rei finished changing from the plugsuit the pilots were supposed to wear during their time in the entry plugs of the EVAs or the test plugs, into her casual school uniform. As soon as she was done, she went silently for the door of the female pilots' changing room, whispered "Sayonara" and left. With the First Children gone, Asuka could finally release all the feelings that tensed up the last hours in a powerful... ...sigh. She still had problems to play this charade in front of everyone, and it seemed to only grow harder. She wasn't sure if she would be able to keep it up much longer at all. Not while these thoughts disturbed her mind; thoughts of all the things that happened... or will happen soon. Lost in her worries, she failed to notice someone entering the room, sneaking up to her and suddenly embracing her from behind; encircling her arms with his own. She tensed up noticeably as she felt the touch, even though (or maybe just because) she knew exactly who the stranger was. -
Chapter 4 the Catholic Scholastics
Chapter 4 The Catholic Scholastics N HIS autobiography, B. A. Santamaria recalled his schooldays at Melbourne’s St Kevin’s College. IThe type of Catholic “apologetics” which was the strength of religious teaching at St Kevin’s prepared my mind for John Henry Newman and later C.S. Lewis, who both provided confirmation of my religious beliefs. To the professional philosopher, Newman and C.S. Lewis might appear to be no more than popularizers of other men’s ideas. Yet I do not despise the popularizer, since it seems that there are few new objections to religious belief. What one normally encounters are new formulations of the old objections—except, of course, for those contemporary philosophic systems which, in complete self-contradiction, pretend to prove the uselessness of reason as a mechanism in the search for truth … In the last analysis, the “apologetics” we absorbed could not lift religion above dependence on an act of faith, but an act of faith sustained by, and consonant with, reason. It was not an act of faith standing, as it were, unsupported or contrary to reason ... Sheehan’s Apologetics and Christian Doctrine provided me, as a schoolboy at matriculation standard, with the rational justification for my act of faith in Catholic Christianity. When I examine what so many Catholic students at the same level are offered today, I stand appalled not merely at the intellectual poverty of the offering but at the ease with which so many so-called teachers of religion dismiss the intellect as a convincing support for religious belief in favour of highly subjective “religious experience”. -
The Sunday Book of Poetry
This is a reproduction of a library book that was digitized by Google as part of an ongoing effort to preserve the information in books and make it universally accessible. https://books.google.com fe Wi ilkWMWM niiiiiiiiiiiiiiiiiii no THE GIFT OF Prof .Aubrey Tealdi iiiiuiiiiiiiiiiuiiiiiiiiiiiiMiiiiiuiiiiiiiiiiiiiiiiiiiiiiiuiHiiiiiiiiiiuiiiiiiiiiiiiiiiiiiiiii.il!!: tJU* A37f , k LONDON : R. CLAY, SON, AND TAYLOR, PRINTERS, BREAD STREET HILL. Fourth Thousand. THE SUNDAY BOOK OF POETRY SELECTED AND ARRANGED BY V,v ., .O" F^-A*! EX A N D E R AUTHOR OF "HYMNS FOR LITTLE CHILDREN," ETC. Jfambou srab Cambridge : MACMILLAN AND CO. 1865. A Taip in&e' when tonat v.... <lu: lie Ria sev ate Pi di . B IT- PREFACE The present volume will, it is hoped, be found to contain a selection of Sacred Poetry, of such a character as can be placed with profit and pleasure in the hands of intelligent children from eight to fourteen years of age, both on Sundays and at other times. It may be well for the Compiler to make some remarks upon the principles which have been adopted in the present selection. Dr. Johnson has said that " the word Sacred should never be applied but where some reference may be made to a higher Being, or where some duty is exacted, or implied." The Compiler be lieves she has selected few poems whose insertion may not be justified by this definition, though several perhaps may not be of such a nature as are popularly termed sacred. Those which appear under the division of the Incarnate Word, and of Praise, and Prayer, are of course in some cases directly hymns, and in all cases founded upon the great doctrines of the Christian faith, or upon the events of the Redeemer's life. -
1974 Feb. Geoff Forster “The Human Predicament and the Mystery Of
1974 Feb. Geoff Forster “The Human Predicament and the Mystery of Time” Mar. David Miller “Our Purposes?” Apr. Paula Hammet “Psychoanalysis and Existential Analysis” May Harry Redner “Nietzsche and Nihilism” June Colin Goodwin “Liberalism and Existentialism: J S Mill and J P Sartre” July John Collard “Camus’ Notion of the Absurd” Aug. Jack Mitchell “A Philosophy for Life” Sep. Niall Brennan “My Personal Philosophy” Oct. Robert Young “The Ethical Dilemma of Euthanasia” Nov. Stanley Gold “What is Psychotherapy?” Dec. Colin Goodwin “The Concept of a Person: Aquinas versus Sartre” 1975 Feb. Andrew Giles-Peters “The Problem of a Marxist Science” Mar. No lecture Apr. Paula Hammet “Gestalt Psychology” May John Dunham “The Individual as Seen by Hindu Culture” June Max Charlesworth “Existentialism and Marxism” July John Collard “The Absurd as Perceived in Ralph Emerson’s ‘The Invisible Man’.” Aug. Jurgen Klement “Aleister Crowley: Black Magician” Sep. Moshe Kroy “The Philosophy of Ayn Rand” Oct. Geoff Forster “Tolstoy and Existentialism” Nov. Karl Reus-Smit “Pluralism and the Multivalent Man” Dec. Brian Earl “Gurdjieff and the Inner World of Man” 1976 Feb. Claire French “Rilke: Poet of Struggle and Joy” Mar. Paula Hammet “Alcoholism and Existential Analysis” Apr. Helene Brophy “Simone de Beauvoir and the Feminist Writers” May Ronald Conway “The Cause and Motives of the Women’s Movement” June Morris Revelman “Sex and Politics” July John Collard “Post-War American Existentialism” Aug. Moshe Kroy “A Critical Examination of Karl Popper’s Philosophy” Sep. Norman Rose “Intimacy” Oct. Maxwell Newton “How I Tried to Survive” Nov. John Burstin “Is Krishnamurti an Existentialist? Dec. -
Afrofuturism: the World of Black Sci-Fi and Fantasy Culture
AFROFUTURISMAFROFUTURISM THE WORLD OF BLACK SCI-FI AND FANTASY CULTURE YTASHA L. WOMACK Chicago Afrofuturism_half title and title.indd 3 5/22/13 3:53 PM AFROFUTURISMAFROFUTURISM THE WORLD OF BLACK SCI-FI AND FANTASY CULTURE YTASHA L. WOMACK Chicago Afrofuturism_half title and title.indd 3 5/22/13 3:53 PM AFROFUTURISM Afrofuturism_half title and title.indd 1 5/22/13 3:53 PM Copyright © 2013 by Ytasha L. Womack All rights reserved First edition Published by Lawrence Hill Books, an imprint of Chicago Review Press, Incorporated 814 North Franklin Street Chicago, Illinois 60610 ISBN 978-1-61374-796-4 Library of Congress Cataloging-in-Publication Data Womack, Ytasha. Afrofuturism : the world of black sci-fi and fantasy culture / Ytasha L. Womack. — First edition. pages cm Includes bibliographical references and index. ISBN 978-1-61374-796-4 (trade paper) 1. Science fiction—Social aspects. 2. African Americans—Race identity. 3. Science fiction films—Influence. 4. Futurologists. 5. African diaspora— Social conditions. I. Title. PN3433.5.W66 2013 809.3’8762093529—dc23 2013025755 Cover art and design: “Ioe Ostara” by John Jennings Cover layout: Jonathan Hahn Interior design: PerfecType, Nashville, TN Interior art: John Jennings and James Marshall (p. 187) Printed in the United States of America 5 4 3 2 1 I dedicate this book to Dr. Johnnie Colemon, the first Afrofuturist to inspire my journey. I dedicate this book to the legions of thinkers and futurists who envision a loving world. CONTENTS Acknowledgments .................................................................. ix Introduction ............................................................................ 1 1 Evolution of a Space Cadet ................................................ 3 2 A Human Fairy Tale Named Black .................................. -
Paul Klee . Angelus Novus , 1920, Oil and Watercolor on Paper 31.8 X
PAUL KLEE. ANGELUS NOVUS , 1920, OIL AND WATERCO LO R ON PAPER , 31.8 X 24.2CM . ISRAEL MUSEUM , JERUSALEM (COURTESY OF CR E ATIVE COMMONS). What is the nature of history in John There are two important aspects to stay—presumably in the present painting, Akomfrah considers the Mothership Connection. Following Akomfrah’s 1995 documentary, The to this thesis that are relevant to (or perhaps even return to the story of the historical figure and this clue, the Data Thief, “[Surfs] Last Angel of History? One way to understanding the concept of history past)—to help mend the catastrophe blues legend, Robert Johnson. In across the internet of black culture, Akomfrah’s answer this question is to begin with in Akomfrah’s film: the location of before his feet. However, historical the very beginning of the film, the breaking into the vaults, breaking into the title. The Last Angel of History the storm and the angel’s desire materialism’s sense of history is narrator recites the famous story the rooms, and stealing fragments, Angel of is surely a reference to Walter to stay. Benjamin explains that oriented towards the future. That is of how Johnson learned to play the fragments from cyber-culture, Benjamin’s famous meditation on the storm’s origin is Paradise. In to say, each distinct historical event blues: “Robert Johnson sold his techno-culture, narrative-culture.”8 Paul Klee’s 1920 painting, Angelus Abrahamic religious traditions, builds on another toward a logical soul to the devil at the crossroads History Novus, in his own “Theses on the Paradise is the subject of various end based on material progress. -
Review and Herald for 1855
VIEt AD\nr4r1 GI...n[11UL AN]) SABBATH HERALD. ft no e is the Patience of the Sainte; Here arc they that keep the Commandments of God and the Penh of Jesue.' , Vo L . VII. ROCHESTER, N. Y., THIRD-DAY, SEPTEMBER 18, 1855. No. 6. to the disciples, says, "Go ye into all the world, natural eyes. There would then be no propriety for THE REVIEW AND HERALD and preach the gospel to every creature, and lo l God to say he would put his hand over Moses' face IS PUBLISHED I am with you alway, even unto the end of the while he passed by, (seemingly to prevent him from At South St. Paul-st., Stone's Block, world. Now, no one would contend that Christ seeing his face,) for he could not see him. Neither NO. 23, Third Floor. had been on the earth personally ever since the dis- do we conceive how an immaterial hand could ob- TERMS.—One Dollar for a Volume of ciples commenced to fulfill this commission. But struct the rays of light from passing to Moses' eyes. Numbers. 916 his Spirit has been on the earth; the Comforter that But if the position be true that God is immaterial, J. N. ANDREWS, }) Publishing lie promised to send. So in the same manner God and cannot be seen by the natural eye, the text R. F. COTTRELL, Committee. URIAH SMITH. manifests himself by his Spirit which is also the above is all superfluous. What sense is there in power through which he works. "But if the Spir- saying God put his hand over Moses' face, to prevent rirtancommunications, orders, and remittances should be addressed to ELD. -
Max Charlesworth Oration 2016
2876 THE VICTORIAN FOUNDATION FOR SURVIVORS OF TORTURE FOUNDATION HOUSE, MELBOURNE MAX CHARLESWORTH ORATION 2016 TACKLING HARD ETHICAL ISSUES - MAX CHARLESWORTH, BIOETHICS, REFUGEES AND SEXUALITY The Hon. Michael Kirby AC CMG THE VICTORIAN FOUNDATION FOR SURVIVORS OF TORTURE FOUNDATION HOUSE, MELBOURNE MAX CHARLESWORTH ORATION 2016 TACKLING HARD ETHICAL ISSUES - MAX CHARLESWORTH, BIOETHICS, REFUGEES AND SEXUALITY* The Hon. Michael Kirby AC CMG** MAX CHARLESWORTH REMEMBERED Max Charlesworth was one of the foundation professors of Deakin University. His discipline was not law but his expertise often took him into dialogue with lawyers, including me. I shared with him the distinction of being a Patron of Foundation House. It is a precious fact that his widow, Stephanie, and many of his children and grandchildren have attended to witness this tribute to his ongoing contributions to Australian society. I propose to recount his life’s journey. I will then seek to show the relevance of his approach to contentious controversies in the case of the three ethical questions: those concerning bioethical controversies; the treatment of refugee applicants and the issue of same-sex marriage. My * Max Charlesworth Oration 2016, delivered at the Melbourne Town Hall, 13 October 2016. ** Justice of the High Court of Australia (1996-2009); Australian Human Rights Medal 1990; Gruber Justice Prize 2011; Patron of the Victorian Foundation for Survivors of Torture. 1 thesis is that this approach to the resolution of such controversies has relevance for us today. The way we tackle difficult questions is of great importance for finding solutions that will more easily be accepted. Max Charlesworth was born in country Victoria. -
International Directory of | Bioethics * Organizations
INTERNATIONAL DIRECTORY OF BIOETHICS ORGANIZATIONS Edited by Anita L. Nolen Mary Carrington Coutts INTERNATIONAL DIRECTORY OF | BIOETHICS * ORGANIZATIONS Edited by Anita L. Nolen Mary Carrington Coutts National Reference Center for Bioethics Literature Kennedy Institute of Ethics, Georgetown University, Washington, DC 20057-1065 International Directory of Bioethics Organizations edited by Anita L. Nolen and Mary Carrington Coutts. Bioethics Resource Series, volume 1. Washington, DC: Kennedy Institute of Ethics, Georgetown University, 1993. Copyright © July 1993 by the Kennedy Institute of Ethics, Georgetown University. All rights reserved. This book may not be duplicated in any way without the expressed written consent of the publisher, except in the form of brief excerpts or quotations for the purposes of review. The information contained may not be duplicated in other books, databases or any other medium without written consent of the publisher. Making copies of this book, or any portion for any purpose other than your own, is a violation of United States copyright laws. This publication is supported by funds provided under Grant Number LM04492 from the National Library of Medicine, National Institutes of Health. Published by: National Reference Center for Bioethics Literature Kennedy Institute of Ethics Georgetown University Washington, DC 20057-1065 Toll free (U.S. and Canada): 800-MED-ETHX Telephone 202-687-3885 Fax: 202-687-6770 E-Mail: [email protected] ISBN 1-883913-11-X Table of Contents Table of Contents ........................... iii Introduction .......................... vii Advisory Board ....... .......viii Acknowledgements.............................................. ix About the National Reference Center for Bioethics Literature.... xi Staff...................................................... xii Bioethics Organizations (alphabetical order by country, andlor state, and name of organization). -
Assembling Transformation Through Afrofuturist Imaginaries
Future Machines: Assembling Transformation through Afrofuturist Imaginaries James Perla McLean, Virginia BA in English Literature, The University of Virginia, 2015 A Thesis presented to the Graduate Faculty of the University of Virginia in Candidacy for the Degree of Masters of Arts Department of English University of Virginia May 2016 ________________________________ ________________________________ ________________________________ ________________________________ Perla 1 Table of Contents 1. Rebooting Race: An Introduction to the Afrofuturist World of Signification 2 2. “It’s After the End of the World”: Assembling Identity through Future Archives 12 3. Shaping a More Practical Utopia in Parable of the Sower 31 4. Conclusion: Multidimensional Machines to the Future and Back 60 5. Appendix 66 6. Bibliography 75 Perla 2 CHAPTER 1: Rebooting Race: An Introduction to the Afrofuturist World of Signification In pop-icon Janelle Monáe’s futuristic world, race is a technology and androids dream of falling in love. Janelle Monáe’s seven-part concept album tells the story of the android Cindi Mayweather, who falls in love with a human and must go into exile to avoid punishment for her transgressive act. Escaping into the Wondaground, a zone reminiscent of the Underground Railroad, Mayweather comes to represent a revolutionary figure that preaches to other androids the liberating power of self-love, dance, and cyber-soul to free “the citizens of Metropolis from the Great Divide” (BadBoy Records, 2010).1 While she draws on Fritz Lange’s Metropolis, Monáe reframes the science fiction classic to discuss structural inequality built into the foundations of the U.S. In Lange’s 1927 film, Maria prophesizes that a mediator will come to Metropolis in order to unite the working class and wealthy elite. -
Sermon Transcript
coahtoronto.com ___________________________________________________________________ “Prepare the Way for the Lord” Luke 1:1-25 Pastor Peter Yi November 22, 2020 (Luke 1:1-25) Many have undertaken to draw up an account of the things that have been fulfilled among us, 2 just as they were handed down to us by those who from the first were eyewitnesses and servants of the word. 3 With this in mind, since I myself have carefully investigated everything from the beginning, I too decided to write an orderly account for you, most excellent Theophilus, 4 so that you may know the certainty of the things you have been taught. 5 In the time of Herod king of Judea there was a priest named Zechariah, who belonged to the priestly division of Abijah; his wife Elizabeth was also a descendant of Aaron. 6 Both of them were righteous in the sight of God, observing all the Lord’s commands and decrees blamelessly. 7 But they were childless because Elizabeth was not able to conceive, and they were both very old. 8 Once when Zechariah’s division was on duty and he was serving as priest before God, 9 he was chosen by lot, according to the custom of the priesthood, to go into the temple of the Lord and burn incense. 10 And when the time for the burning of incense came, all the assembled worshipers were praying outside. 11 Then an angel of the Lord appeared to him, standing at the right side of the altar of incense. 12 When Zechariah saw him, he was startled and was gripped with fear.