The Ultimate Steve Mcqueen Collection Even by Hollywood Standards, Steve Mcqueen Was Cool

Total Page:16

File Type:pdf, Size:1020Kb

The Ultimate Steve Mcqueen Collection Even by Hollywood Standards, Steve Mcqueen Was Cool [diecast essentials] by bill bennett the ultimate steve mcQueen collection EvEn by Hollywood standards, stEvE McQuEEn was cool ... really cool. And his taste for anything with an engine was just as cool. He was a true motorhead with a passion for driving and racing his collection of cars and bikes. AUTOart’s Steve McQueen Collection provides an opportunity to get to know him and his cars better and, at the same time, add some stunning models to any collection. McQueen’s aura of cool was not something he By 1974, he was the highest-paid actor in the world. picked up in an actor’s workshop; he came by it the His movie Le Mans about the running of the 24-hour hard way. In his colorful early years, he had been a endurance race stands shoulder to shoulder with street gang member, reform school graduate, circus Grand Prix as the best movies of the genre. roustabout, lumberjack, professional motorcycle McQueen was passionate about owning racer and U.S. Marine. You could say he had been unique and exotic cars and motorcycles. Over around. the years, he owned Ferraris, Porsches, Jaguars, He was born in 1930 to a stunt pilot father, who Harley-Davidsons, Indians, BSAs, Triumphs and abandoned his family to work in a flying circus a Husquvarna. But he wasn’t just a collector; he when Steve was just six months old, and a rowdy, demonstrated his driving and riding skills in many of S alcoholic mother. McQueen spent his early years his movies including The Great Escape, Bullitt, The ge bouncing among various family members and in and Thomas Crown Affair, Le Mans, The Getaway and On ma y i y out of trouble. He joined the Marines in 1947, was Any Sunday. He raced on both two and four wheels. tt honorably discharged in 1950 and used the money In 1970, he co-drove with Revlon heir Peter Revson ge from his GI Bill to take acting lessons. to win the Under 3-liter Prototype class and second He starred on Broadway, in the movies and on overall at the 12 Hours of Sebring in a Porsche 908/2. McQueen played race car TV. His first lead film role was in the B-movie classic To celebrate this ultimate of car guys, AUTOart driver Michael delaney in The Blob. But his early fame came from playing collaborated with the McQueen family to offer a his movie Le Mans. It is bounty hunter Josh Randall in the western TV series of 1:18 diecasts of some of his most significant said; "Men wanted to be him; women wanted to be series Wanted: Dead or Alive. His first big screen and interesting cars. Presently, the series includes with him." role was with Frank Sinatra in Never So Few. He the Gulf-liveried Porsche 917 that he used in the earned an Academy Award for Best Male Actor and movie LeMans, a Jaguar XK-SS McQueen owned was nominated for his role in The Sand Pebbles. twice (with Bill Harrah’s Automobile Collection in Moviegoers loved him and the characters he played. between), the 1968 390 Ford Mustang used in Bullitt, autoart has built the Porsche 917K in many itera- tions, but none is more iconic than the Gulf-liveried star of LeMans. beautifully finished in baby blue and orange, it stands proud among cars twice its price. 38 diecastxmagazine.com dc_essentials_sp11.indd 38 12/9/10 4:41 PM and two versions of his Porsche 908/2 “Flounder” as after 156 laps.) he raced it at Holtville and Sebring. This probably Made using an 11-year- isn’t the end to the collection: AUTOart’s new old mold, AUTOart’s Porsche 356 Speedster issued in both white and silver no. 20 917 is a beautiful looks way too much like McQueen’s black Speedster car, with exceptional not to suspect that there may be a “bathtub” paint and graphics, even also joining the collection sometime in the future. though it lacks many engine, cockpit and Porsche 917 from Le Mans movie. Built chassis details seen on expressly for winning the 24-hour race at Le Mans, more recent AUTOart the Porsche 917 was the first “big bore” endurance releases. However, racer to come from what’s there is nicely Porsche. Using experience done, and it looks great sitting amongst far more the Bullitt 1968 mustang is subtle yet purposeful gleaned from its smaller detailed cars. It would be nice to see AUTOart come in its de-badged state. displacement cars, the out with limited edition “elite-like” versions of some american racing equip- first prototype 917 was of their key 917s featuring detailing comparable to ment torq thrust 5-spokes slippery and about 20mph their Mazda 787B. Nonetheless, if you’re a fan of complete the package. faster than anything Porsche had ever built, but McQueen, Porsches, or Le Mans, owning a Gulf- While not overly detailed, it was prone to get very light and unstable on the liveried 917 is mandatory. the engine bay completes the car quite capably. high-speed circuits such as the Le Mans Mulsanne Although the ultimate winner of the real 1970 Straight. Porsche realized that trading a little speed race was the red and white, no. 23 917, it’s a tossup for more downforce and stability made sense. For whether to get the iconic Gulf-liveried McQueen car homologation, 25 917s were initially built using or the real winner. Ah, what the heck, get ’em both. an aluminum-tube, space-frame chassis. A 630hp, Hans Metzger-designed Type 912 air-cooled, dual 1968 mustang 390 from Bullitt. Ford built overhead cam, flat 12-cylinder engine powered the two identical 1968 390 Mustangs with sequential car. serial numbers for the Drivers found the powerful car a real handful to movie Bullitt. The cars drive and potentially deadly. Because of the length were painted Highland of the engine, the driver was pushed forward with Green Metallic and were his feet beyond the front axle centerline, putting toned down by removing the driver in real peril. But the car was incredibly or painting over much successful and dominated endurance racing, of the chrome trim and especially the high-speed circuits during the 1970 badging. Max Balchowsky of Old Yeller fame modified and 1971 seasons. Unfortunately, an FIA rules and strengthened the chassis and suspensions change made the car ineligible for the ’72 season. to withstand the rigors these cars were about to McQueen took a big gamble when he chose the endure. Each was fitted with Koni shocks, American unproven 917 to be his co-star in Le Mans, filmed at Racing Torq-Thrust five-spoke wheels and Shelby and loosely based on the 1970 24-hour race, but was steering wheels, leather-wrapped by Tony Nancy. vindicated when a 917 actually won in 1970. The Both cars were 390 cubic inch, 4-speed cars. Only Gulf-liveried no. 20 917 co-driven by Michael Delaney one car exists today, the other having been totaled (McQueen’s character) was actually co-driven in the during the filming. Bullitt’s chase scene through the real race by Jo Siffert and Brian Redman. (It DNF’d streets of San Francisco with McQueen doing a lot spring 2011 39 dc_essentials_sp11.indd 39 12/10/10 11:02 AM [diecast essentials] of his own driving is a real tour de force and almost endurance series. For 1969, Porsche substantially universally considered the best automotive chase changed and lightened the car by removing the top scene ever seen in a movie. and bobbing its long tail. In this configuration, it was AUTOart’s Bullitt Mustang looks as understated designated 908/2. Making about 350 horsepower and purposeful as the real car. As you would expect and weighing only 1,400 pounds, it was a potent from AUTOart, the paint finish and chrome trim are combination, particularly on short, twisty courses. on the high end of the industry’s standards. Shut Solar Productions, McQueen’s production company, lines are tight and crisp. The stance is dead-on. The purchased its car after Brian Redman and Jo Siffert only complaint may be that the green paint doesn’t had run it at Le Mans in 1969. McQueen intended to seem to have the level of metallic content found on use it to teach himself how to drive high-powered the real car. endurance Porsches and ultimately use it as the The interior features molded-plastic seats, a faux- main camera car for Le Mans. wood-trimmed dash, fabric seat belts and flocked To get a feel for the car, McQueen entered it in carpeting, all competently done when compared three West Coast SCCA races in A/Sports Racer. At with other manufacturers in AUTOart’s price range. Holtville he dominated the field and set a new lap A large chrome air cleaner and a set of chrome steel record. He then went to Riverside, where he won a valve covers dominate the engine compartment. preliminary race and then failed to finish the final Spark plug wires and factory stickers on the air race when his transmission failed. His next race cleaner, radiator cap, fan shroud and the battery was in Phoenix, and he again dominated the field. caps add to the realism. Although he was leading his SCCA class and could This is a nicely done but not detail-laden model of have likely become the SCCA regional champion, an iconic car and is probably the best ’68 Mustang he had bigger fish to fry and set his sights on the you’ll find anywhere.
Recommended publications
  • 'Racing Is Life. Anything Before Or After Is Just Waiting.'
    Steve McQueen’s 1963 Ferrari 250 GT Berlinetta Lusso recently went under the hammer at Christie’s in Monterey, offering another reminder of a man whose motoring exploits mirrored some of his most famous onscreen performances. Christopher Kanal pays tribute to a legendary car driven by a screen icon. Thegetaway n 16 August 2007, Steve McQueen’s 1963 Ferrari 250 GT Berlinetta McQueen was also an avid racing enthusiast, performing many of his Lusso went under the hammer at Christies. This remarkable car was own stunts, and at one time considered becoming a professional racing Obought by an anonymous owner, who placed his bid by phone, for driver. Two weeks after breaking an ankle in one bike race, he and co-driver a cool $2.31 million – nearly twice the estimated pre-sale price. The auction Peter Revson raced a Porsche 908/02 in the 12 Hours of Sebring, winning drew 800 people to the Monterey Jet Center in California and attracted their engine class and finishing second to Mario Andretti’s Ferrari by a spirited bidding according to Christie’s Rik Pike. margin of just 23 seconds. So begins another chapter in the life of one of McQueen’s favourite cars, which he drove for nearly a decade. McQueen’s Lusso inspires an almost fetish- like fascination, created from a potent blend of McQueen mythology and an ‘racing IS LIFE. insatiable desire for limited-edition 12-cylinder Ferraris. McQueen is dead 27 years but his iconic status has never been more assured. The Lusso is widely ANYTHING BEFORE acknowledged as Ferrari’s greatest aesthetic and engineering achievement.
    [Show full text]
  • Kam Williams, “The “12 Years a Slave” Interview: Steve Mcqueen”, the New Journal and Guide, February 03, 2014
    Kam Williams, “The “12 Years a Slave” Interview: Steve McQueen”, The new journal and guide, February 03, 2014 Artist and filmmaker Steven Rodney McQueen was born in London on October 9, 1969. His critically-acclaimed directorial debut, Hunger, won the Camera d’Or at the 2008 Cannes Film Festival. He followed that up with the incendiary offering Shame, a well- received, thought-provoking drama about addiction and secrecy in the modern world. In 1996, McQueen was the recipient of an ICA Futures Award. A couple of years later, he won a DAAD artist’s scholarship to Berlin. Besides exhibiting at the ICA and at the Kunsthalle in Zürich, he also won the coveted Turner Prize. He has exhibited at the Art Institute of Chicago, the Musee d’Art Moderne de la Ville de Paris, Documenta, and at the 53rd Venice Biennale as a representative of Great Britain. His artwork can be found in museum collections around the world like the Tate, the Museum of Modern Art, and the Centre Pompidou. In 2003, he was appointed Official War Artist for the Iraq War by the Imperial War Museum and he subsequently produced the poignant and controversial project Queen and Country commemorating the deaths of British soldiers who perished in the conflict by presenting their portraits as a sheet of stamps. Steve and his wife, cultural critic Bianca Stigter, live and work in Amsterdam which is where they are raising their son, Dexter, and daughter, Alex. Here, he talks about his latest film, 12 Years a Slave, which has been nominated for 9 Academy Awards, including Best Picture and Best Director.
    [Show full text]
  • Once Upon a Wire Wheel
    Once Upon A Wire Wheel by Bernie and Norm Koglin This is the first in a series of articles recalling a few highlights from the fifty year history of the Chicago Region SCCA. Most of the information in this article is found in a history of the Club’s early years written by Fred Wacker some years ago. We also wish to thank Burdie Martin for the loan of his copies of the very earliest issues of PISTON PATTER which are an invaluable source. In the Beginning…… 1948- 1954 The term “sports car” would have meant very little to a vast majority of Americans in the years right after World War II. Then, MG TC’s began arriving in the U.S. and a few people started to take notice. Among them was Fred Wacker, who purchased one of the first little British cars in early 1948. In May of that year, Fred and Bud Seaverns drove the MG to Indiana-polis for the 500. After the race they were caught in the usual traffic jam, and came across Bill Spear and Sam Bailey, a couple of New Yorkers, in a Bentley. A mutual interest in their respective cars led to introductions, and in due course Fred and Bud heard of the “Sports Car Club of America” for the first time. Ownership of a “sports car” was an SCCA membership requirement at that time. Since Fred qualified in that respect, Bill and Sam suggested he become a member of the Club. After joining, Fred discovered there was no Chicago Region.
    [Show full text]
  • Two Years Ago, Found Was Steve Mcqueen's Iconic 1968 Ford Mustang GT
    Two years ago, found was Steve McQueen's iconic 1968 Ford Mustang GT. Only traces of its original highland green paint job remained as it had sat unnoticed in a backyard in Mexico for years. Collectors had been searching for it for decades. Of course, this is not just any old '68 Stang. This was one of the original cars used in the classic Steve McQueen film "Bullitt," a film that defined "cool" for a generation of Americans. McQueen was Hollywood's "King of Cool" for a reason. In his role as the detective Frank Bullitt, he literally flies his car through the streets of San Francisco in what is regarded by many as the greatest car chase scene in cinematic history. Steve McQueen was not cool because he drove the Bullitt car. The Bullitt car was cool because Steve McQueen drove it. At the time, Steve McQueen was the number-one movie star in the world, and he is still used as a point of reference for masculinity and "coolness" to this day. He was (and is) the definition of an American icon. Yet, until late in his life he struggled to find meaning in life, and he suffered because of it. It might have been because he was born into a home of an alcoholic mother and a father that left him early in life, but eventually he found himself on the wrong side of the law more than once. He was arrested several times as a teen and sent to truancy homes for rebellious kids. He served in the Marine Corps, where he demonstrated both valor and rebellion.
    [Show full text]
  • Winter 2016-2017 $7.9 9 Intelligent Collector
    HERITAGE AUCTIONS | WINTER 2016-2017 $7.9 9 INTELLIGENT COLLECTOR STEVE McQUEEN Book, Auction Thomas Moran Max Ember Auction Previews Spotlight Painting Captures The Fascinating Collection Willis, Stallone, McMurtry, ‘The King of Cool’ America’s Wild Frontier of a Hollywood Writer Spillane, Ruth, Kerouac HERITAGE AUCTIONS HERMLUXURY BOUTIQUEÈS The Heritage Boutique is your unrivaled resource for high-quality, genuine Hermès handbags on the secondary market — fully guaranteed and delivered to you immediately. Shop and purchase outright at HA.com/Luxury, or visit us at 445 Park Avenue in New York. Heritage will also buy your Hermès handbags, or you may wish to consign to our upcoming auctions. Inquiries: 212.486.3500 HA.com/Luxury DALLAS | NEW YORK | BEVERLY HILLS | SAN FRANCISCO | CHICAGO | PARISPALM BEACH| GENEVA | PARIS | AMSTERDAM | GENEVA | HONGAMSTERDAM KONG | HONG KONG 43965 38188 44 contents HIGHLIGHTS AUCTION PREVIEWS Vintage Posters: My How to Bid Estates: The Max Ember 40 Favorite Things 18 28 Collection Director of Vintage Posters Grey Smith Hollywood writer’s fascination with reveals the tales behind these seven early 20th century art and objects treasures Novelists: McMurtry’s rooted in era’s drive to modernity 19 Typewriters Author used portable Hermes 3000s to Pop Culture: King of Cool write Lonesome Dove Asian Art: Michael York 44 In this excerpt from the bio-graphic 31 Collection novel Steve McQueen: Full-Throttle Classically trained actor sharing Cool, Dwight Jon Zimmerman Literature: Mickey Spillane imperial Chinese
    [Show full text]
  • Hanks, Spielberg Tops in U.S. Army Europe Hollywood Poll
    Hanks, Spielberg tops in U.S. Army Europe Hollywood poll June 8, 2011 By U.S. Army Europe Public Affairs HEIDELBERG, Germany -- “Band of Brothers” narrowly edged “Saving Private Ryan” in a two-week U.S. Army Europe Web poll asking the public to select their five favorite Related Links films portraying U.S. Soldiers in Europe. Poll Results The final tally for the top spot was 128 votes to 126, revealing the powerful appeal Tom U.S. Army Europe Facebook Hanks and Steven Spielberg hold among poll participants in detailing the experiences of U.S. Army Europe Twitter WWII veterans. U.S. Army Europe YouTube The two movies were both the result of collaborations by the Hollywood A-listers. U.S. Army Europe Flickr Rounding out the top five was “The Longest Day,” a 1962 drama starring John Wayne about the events of D-Day; “Patton,” directed by Francis Ford Coppola in 1970 and starring George C. Scott as the famed American general; and “A Bridge Too Far,” a 1977 film starring Sean Connery about the failed Operation Market- Garden. The poll received a total of 814 votes and was based on the realism, entertainment value and overall quality of 20 movies featuring the U.S. Army in Europe. Some of Hollywood's biggest stars throughout history - Elvis, Clint Eastwood, Gary Cooper, Bill Murray, Gene Hackman – have all taken turns on the big screen portraying U.S. Soldiers in Europe. But to participants of the U.S. Army Europe poll, it was the lesser-known “Band of Brothers” in Easy Company who were most endearing.
    [Show full text]
  • Boxoffice Barometer (March 6, 1961)
    MARCH 6, 1961 IN TWO SECTIONS SECTION TWO Metro-Goldwyn-Mayer presents William Wyler’s production of “BEN-HUR” starring CHARLTON HESTON • JACK HAWKINS • Haya Harareet • Stephen Boyd • Hugh Griffith • Martha Scott • with Cathy O’Donnell • Sam Jaffe • Screen Play by Karl Tunberg • Music by Miklos Rozsa • Produced by Sam Zimbalist. M-G-M . EVEN GREATER IN Continuing its success story with current and coming attractions like these! ...and this is only the beginning! "GO NAKED IN THE WORLD” c ( 'KSX'i "THE Metro-Goldwyn-Mayer presents GINA LOLLOBRIGIDA • ANTHONY FRANCIOSA • ERNEST BORGNINE in An Areola Production “GO SPINSTER” • • — Metrocolor) NAKED IN THE WORLD” with Luana Patten Will Kuluva Philip Ober ( CinemaScope John Kellogg • Nancy R. Pollock • Tracey Roberts • Screen Play by Ranald Metro-Goldwyn-Mayer pre- MacDougall • Based on the Book by Tom T. Chamales • Directed by sents SHIRLEY MacLAINE Ranald MacDougall • Produced by Aaron Rosenberg. LAURENCE HARVEY JACK HAWKINS in A Julian Blaustein Production “SPINSTER" with Nobu McCarthy • Screen Play by Ben Maddow • Based on the Novel by Sylvia Ashton- Warner • Directed by Charles Walters. Metro-Goldwyn-Mayer presents David O. Selznick's Production of Margaret Mitchell’s Story of the Old South "GONE WITH THE WIND” starring CLARK GABLE • VIVIEN LEIGH • LESLIE HOWARD • OLIVIA deHAVILLAND • A Selznick International Picture • Screen Play by Sidney Howard • Music by Max Steiner Directed by Victor Fleming Technicolor ’) "GORGO ( Metro-Goldwyn-Mayer presents “GORGO” star- ring Bill Travers • William Sylvester • Vincent "THE SECRET PARTNER” Winter • Bruce Seton • Joseph O'Conor • Martin Metro-Goldwyn-Mayer presents STEWART GRANGER Benson • Barry Keegan • Dervis Ward • Christopher HAYA HARAREET in “THE SECRET PARTNER” with Rhodes • Screen Play by John Loring and Daniel Bernard Lee • Screen Play by David Pursall and Jack Seddon Hyatt • Directed by Eugene Lourie • Executive Directed by Basil Dearden • Produced by Michael Relph.
    [Show full text]
  • Bullitt, Blow-Up, & Other Dynamite Movie Posters of the 20Th Century
    1632 MARKET STREET SAN FRANCISCO 94102 415 347 8366 TEL For immediate release Bullitt, Blow-Up, & Other Dynamite Movie Posters of the 20th Century Curated by Ralph DeLuca July 21 – September 24, 2016 FraenkelLAB 1632 Market Street FraenkelLAB is pleased to present Bullitt, Blow-Up, & Other Dynamite Movie Posters of the 20th Century, curated by Ralph DeLuca, from July 21 through September 24, 2016. Beginning with the earliest public screenings of films in the 1890s and throughout the 20th century, the design of eye-grabbing posters played a key role in attracting moviegoers. Bullitt, Blow-Up, & Other Dynamite Movie Posters at FraenkelLAB focuses on seldom-exhibited posters that incorporate photography to dramatize a variety of film genres, from Hollywood thrillers and musicals to influential and experimental films of the 1960s-1990s. Among the highlights of the exhibition are striking and inventive posters from the mid-20th century, including the classic films Gilda, Niagara, The Searchers, and All About Eve; Alfred Hitchcock’s Notorious, Rear Window, and Psycho; and B movies Cover Girl Killer, Captive Wild Woman, and Girl with an Itch. On view will be many significant posters from the 1960s, such as Russ Meyer’s cult exploitation film Faster Pussycat! Kill! Kill!; Michelangelo Antonioni’s Blow-Up; a 1968 poster for the first theatrical release of Un Chien Andalou (Dir. Luis Buñuel and Salvador Dalí, 1928); and a vintage Japanese poster for Buñuel’s Belle de Jour. The exhibition also features sensational posters for popular movies set in San Francisco: the 1947 film noir Dark Passage (starring Humphrey Bogart and Lauren Bacall); Steve McQueen as Bullitt (1968); and Clint Eastwood as Dirty Harry (1971).
    [Show full text]
  • Sunday Monday Tuesday Wednesday Thursday Friday Saturday
    Sunday Monday Tuesday Wednesday Thursday Friday Saturday March Birthdays 1 2345610:00 Spiro 100 Exercise; th 10:00 Spiro 100 Exercise; 10:00 Spiro 100 Exercise; 10:00 Spiro 100 Exercise; Stability Class 10:00 Hasfit Exercise 4 – Virginia B Belly Dance Basics Mental Muscles Balance & Brain Boosters 10:30 Cooking Corner; (AR) 10:30 Discuss & Recall; 10:00 Movie; th 11 – John T 10:30 Discuss & Recall; 10:30 Crafting Corner; (AR) 10:30 Drama Club; Homemade Oreos Remembering Avon Products Waking Ned Devine 24th – Geneva B Irish Folktales Foolproof House Plants A Floral Enigma 2:00 Oreo Social; (P) 2:00 Star Of The Month; 2:00 Book Club (LR) th 2:00 Monday Mindbender; 2:00 Happy Hour (P) 2:00 Bingo Guess the Flavor Steve McQueen 3:15 Knit & Crochet Club (LR) 26 – Deanie R Jeopardy Trivia 3:15 Movie; 3:15 Movie; 3:15 How It’s Made; 3:15 Movie; st 31 – Margaret S 3:15 Movie; Mary Poppins Love With The Proper Stranger Leather Sculptures, Hot Plates, Nevada Smith The Towering Inferno Ocher, and Hurdy Gurdies 7 10:00 Spiro 100 Exercise; 8 9 10 11 12 13 10:00 Movie; Balance Boogie 10:30 Spiro 100 Exercise; 10:00 Spiro 100 Exercise; 10:00 Spiro 100 Exercise; 10:00 Hasfit Exercise Residents Choice 10:30 Food For Thought; Leg Day plus Core Balance & Brain Boosters Chair Yoga 10:30 Bo’s Corner 10:00 Movie; 2:00 Bingo Kraft Foods - More Then 10:30 Crafting Corner; (AR) 10:30 Drama Club; 10:30 Wheel of (Irish) Fortune 2:00 Discuss & Recall; The Secret of Roan Inish 3:15 Bible Study; Sliced Cheese Decoupage Picture Frames A Floral Enigma 2:00 Cooking Corner; (AR) Life Hacks 2:00 Book Club (LR) Defined (Session One)– 2:00 Monday Mindbender; 2:00 Happy Hour (P) 2:00 Bingo St.
    [Show full text]
  • Frank's World
    Chris Rojek / Frank Sinatra Final Proof 9.7.2004 10:22pm page 7 one FRANK’S WORLD Frank Sinatra was a World War One baby, born in 1915.1 He became a popular music phenomenon during the Second World War. By his own account, audiences adopted and idol- ized him then not merely as an innovative and accomplished vocalist – his first popular sobriquet was ‘‘the Voice’’ – but also as an appealing symbolic surrogate for American troops fighting abroad. In the late 1940s his career suffered a precipitous de- cline. There were four reasons for this. First, the public perception of Sinatra as a family man devoted to his wife, Nancy, and their children, Nancy, Frank Jr and Tina, was tarnished by his high-octane affair with the film star Ava Gardner. The public face of callow charm and steadfast moral virtue that Sinatra and his publicist George Evans concocted during his elevation to celebrity was damaged by his admitted adultery. Sinatra’s reputation for possessing a violent temper – he punched the gossip columnist Lee Mortimer at Ciro’s night- club2 and took to throwing tantrums and hurling abuse at other reporters when the line of questioning took a turn he disap- proved of – became a public issue at this time. Second, servicemen were understandably resentful of Sina- tra’s celebrity status. They regarded it as having been easily achieved while they fought, and their comrades died, overseas. Some members of the media stirred the pot by insinuating that Sinatra pulled strings to avoid the draft. During the war, like most entertainers, Sinatra made a virtue of his patriotism in his stage act and music/film output.
    [Show full text]
  • Production Notes
    PRODUCTION NOTES A Note from the Director The seed of Small Axe was sown 11 years ago, soon after my first film, Hunger. Initially, I had conceived of it as a TV series, but as it developed, I realized these stories had to stand alone as original films yet at the same time be part of a collective. After all, Small Axe refers to an African proverb that means together we are strong. The anthology, anchored in the West Indian experience in London, is a celebration of all that that community has succeeded in achieving against the odds. To me, it is a love letter to Black resilience, triumph, hope, music, joy and love as well as to friendship and family. Oh, and let’s not forget about food too! I recall each of these stories being told to me either by my parents, my aunt, and by experiencing racial discrimination myself growing up in the 70s and 80s. These are all our stories. I feel personally touched by each and every one of them. My five senses were awoken writing with Courttia Newland and Alastair Siddons. Images, smells, textures and old customs came flooding back. All five films take place between the late 60s and mid 80s. They are just as much a comment on the present moment as they were then. Although they are about the past, they are very much concerned with the present. A commentary on where we were, where we are and where we want to go. When the Cannes Film Festival selected Mangrove and Lovers Rock earlier this year, I dedicated both to George Floyd and all the other Black people that have been murdered, seen or unseen, because of who they are in the US, UK and elsewhere.
    [Show full text]
  • Mcqueen's Machines
    GUESTEDITORIAL In the 1950s, a group of young actors emerged as post-War MCQUEEN’S MACHINES Hollywood’s first true car guys. They were into automobiles The Cars and Bikes of a Hollywood and motorcycles long before it was fashionable or the subject of supposed “reality” television. The racing bug bit James Dean hard, and it ultimately cost him his life at a far too young age. Paul Newman was into cars from the beginning of his amazing career. Starring in the 1969 film “Winning” helped launch an impressive racing career for Newman as a champion sports car driver and CART/Champ Car team owner. A handsome James Garner used to cruise his Mercury around So Cal burger joints; he went on to star in John Frankeheimer’s Grand Prix, and also became an accomplished off-road racer... THEN, THERE WAS TERRENCE STEVEN McQUEEN. By MATT STONE Executive Editor, Motor Trend magazine The Eyes Have It – Steve McQueen in his racing suit, 1970. Motor Trend magazine archive Several race cars came and went from McQueen’s stable over time, this one being his Cooper T-52 Formula Junior. Notice the ever present cigarette between his lips; this was long before smoking was banned in most racetrack pits. Chad McQueen collection ROAD OPEN 16 EDITORIAL GUEST Another two-wheeled marque that McQueen preferred was Indian. He owned many of them, and it was his favorite street cruiser. Barbara Minty McQueen Brunsvold One of the cars most associated with Steve McQueen is this rare ’57 Jaguar XK-SS. He purchased it in the late 50s, sold it to mega collector William F.
    [Show full text]