1 C's Videofest 2009 Chron Schedule Thursday, November
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Macquarie University Alex Munt New Directions in Music Video: Vincent Moon and the 'Ascetic Aesthetic'
Munt New directions in music video Macquarie University Alex Munt New Directions in Music Video: Vincent Moon and the ‘ascetic aesthetic’ Abstract: This article takes the form of a case study on the work of French filmmaker and music video director Vincent Moon, and his ‘Takeaway Shows’ at the video podcast site La Blogothèque. This discussion examines the state, and status, of music video as a dynamic mode of convergent screen media today. It is argued that the recent shift of music video online represents a revival of music video—its form and aesthetics— together with a rejuvenation of music video scholarship. The emergence of the ‘ascetic aesthetic’ is offered as a new paradigm for music video far removed from that of the postmodern MTV model. In this context, new music video production intersects with notions of immediacy, authenticity and globalised film practice. Here, convergent music video is enabled by the network of Web 2.0 and facilitated by the trend towards amateur content, participatory media and Creative Commons licensing. The pedagogical implications of teaching new music video within screen media arts curricula is highlighted as a trajectory of this research. Biographical note: Alex Munt is a filmmaker and screen theorist. He is a Lecturer in the Department of Media, Music, Communication and Cultural Studies at Macquarie University. He recently completed a PhD on ‘Microbudget Digital Cinema’ and has published on topics that include digital filmmaking, screenwriting, music video, fashion and design media in Australian and UK media, journals and magazines. Keywords: Aesthetics – Music – Video – Vincent Moon 1 Broderick & Leahy (eds) TEXT Special Issue, ASPERA: New Screens, New Producers, New Learning, April 2011 Munt New directions in music video The focus of this article is the work of French filmmaker and music video director Mathieu Saura, more commonly known by his alias ‘Vincent Moon’. -
Documentary in the Steps of Trisha Brown, the Touching Before We Go And, in Honour of Festival Artist Rocio Molina, Flamenco, Flamenco
Barbican October highlights Transcender returns with its trademark mix of transcendental and hypnotic music from across the globe including shows by Midori Takada, Kayhan Kalhor with Rembrandt Trio, Susheela Raman with guitarist Sam Mills, and a response to the Indian declaration of Independence 70 years ago featuring Actress and Jack Barnett with Indian music producer Sandunes. Acclaimed American pianist Jeremy Denk starts his Milton Court Artist-in-Residence with a recital of Mozart’s late piano music and a three-part day of music celebrating the infinite variety of the variation form. Other concerts include Academy of Ancient Music performing Purcell’s King Arthur, Kid Creole & The Coconuts and Arto Lindsay, Wolfgang Voigt’s ambient project GAS, Gilberto Gil with Cortejo Afro and a screening of Shiraz: A Romance of India with live musical accompaniment by Anoushka Shankar. The Barbican presents Basquiat: Boom for Real, the first large-scale exhibition in the UK of the work of American artist Jean-Michel Basquiat (1960-1988).The exhibition brings together an outstanding selection of more than 100 works, many never seen before in the UK. The Grime and the Glamour: NYC 1976-90, a major season at Barbican Cinema, complements the exhibition and Too Young for What? - a day celebrating the spirit, energy and creativity of Basquiat - showcases a range of new work by young people from across east London and beyond. Barbican Art Gallery also presents Purple, a new immersive, six-channel video installation by British artist and filmmaker John Akomfrah for the Curve charting incremental shifts in climate change across the planet. -
Departures of Ann Martin and Harold Green May Signal a Shift Page 1 of 2
Los Angeles Times: Departures of Ann Martin and Harold Green may signal a shift Page 1 of 2 http://www.latimes.com/entertainment/news/tv/la-et-anchor11apr11,0,5163862.story From the Los Angeles Times Departures of Ann Martin and Harold Green may signal a shift Local newscasts seem to be turning away from high-priced anchors By Greg Braxton Los Angeles Times Staff Writer April 11, 2008 Like the Hollywood sign and the Cinerama Dome, KCBS-TV Channel 2 news anchors Ann Martin and Harold Greene were fixtures of Hollywood, hard to miss on huge billboards plastered on the station's former headquarters as they smiled down on travelers zooming along Sunset Boulevard. Mainstays on the local news for more than three decades at two stations -- the pair had also been partners at KABC-TV Channel 7's "Eyewitness News" -- Martin and Greene were reflective of the celebrity status bestowed upon anchors, the most visible and highest-paid members of Los Angeles news operations. Even their moves to rival KCBS -- Martin in 1994, Greene in 2001 -- created their own buzz, particularly for Martin, whose salary was reported to be between $1.2 million and $2 million a year. But last week the longtime newscasters themselves became an L.A. story once again. The couple was let go by KCBS, part of a swarm of budget cuts at CBS affiliates nationwide. Their unexpected ouster crystallized a growing suspicion within the local news market -- that in a world of 24/7 cable news and intensifying competition from the Internet, local big- name anchors may no longer be necessary or even relevant. -
Journalism Awards
FIFTIETH FIFTIETHANNUAL 5ANNUAL 0SOUTHERN CALIFORNIA JOURNALISM AWARDS LOS ANGELES PRESS CLUB th 50 Annual Awards for Editorial Southern California Journalism Awards Excellence in 2007 and Los Angeles Press Club A non-profit organization with 501(c)(3) status Tax ID 01-0761875 Honorary Awards 4773 Hollywood Boulevard Los Angeles, California 90027 for 2008 Phone: (323) 669-8081 Fax: (323) 669-8069 Internet: www.lapressclub.org E-mail: [email protected] THE PRESIDENT’S AWARD For Impact on Media PRESS CLUB OFFICERS Steve Lopez PRESIDENT: Chris Woodyard Los Angeles Times USA Today VICE PRESIDENT: Ezra Palmer Editor THE JOSEPH M. QUINN AWARD TREASURER: Anthea Raymond For Journalistic Excellence and Distinction Radio Reporter/Editor Ana Garcia 3 SECRETARY: Jon Beaupre Radio/TV Journalist, Educator Investigative Journalist and TV Anchor EXECUTIVE DIRECTOR: Diana Ljungaeus KNBC News International Journalist BOARD MEMBERS THE DANIEL PEARL AWARD Michael Collins, EnviroReporter.com For Courage and Integrity in Journalism Jane Engle, Los Angeles Times Bob Woodruff Jahan Hassan, Ekush (Bengali newspaper) Rory Johnston, Freelance Veteran Correspondent and TV Anchor Will Lewis, KCRW ABC Fred Mamoun, KNBC-4News Jon Regardie, LA Downtown News Jill Stewart, LA Weekly George White, UCLA Adam Wilkenfeld, Independent TV Producer Theresa Adams, Student Representative ADVISORY BOARD Alex Ben Block, Entertainment Historian Patt Morrison, LA Times/KPCC PUBLICIST Edward Headington ADMINISTRATOR Wendy Hughes th 50 Annual Southern California Journalism Awards -
Monika Brodka Poznaj Rafała, ERA NADAJE
ERA NADAJE listopad-styczeń 2010/2011 Magazyn trafia tylko do wybranych abonentów. Ty jesteś wśród nich! Monika Brodka Ekskluzywny wywiad STR. 8 Poznaj Rafała, który wystąpił w teledysku Katy Perry STR. 4 Pauline 1 Era Na da je Rytm muzyczny portret Re dak cja: Eryk Smól ski, Do ro ta An chim Kon takt: Pol ska Te le fo nia Cy fro wa Sp. z o.o. Al. Je ro zo lim skie 181, 02-222 War sza wa e‑ma il: [email protected], fax: (22) 413 69 14 Projekt i wykonanie: Novimedia Content Publishing Jej muzyki nie da się sklasyfikować. Jest mieszanką popu, Pra wo do błę dów w dru ku za strze żo ne. Ofer ta oraz ce ny mo gą ulec zmia nie. Szcze gó ły jazzu, rapu, gospel i soulu. Nic dziwnego, wychowała się w re gu la mi nach pro mo cji do stęp nych w punk tach sprze da ży i na stro nie www.era.pl. w rodzinie będącej miksem kultur. Okład ka fo to: Per Kristiansen ANNA GłOWACKA Jak się zaczęła Twoja przygoda z muzyką? Myślę, że lepiej spytać o to moją mamę, ale od kiedy pamiętam byłam szczęśliwa, śpiewając, grając, malując i tańcząc. Właściwie większosć mojej rodziny jest związana z muzyką lub sztuką w jakiś sposób. Kiedy zorientowałaś się, że chcesz wyrażać się przez muzykę? Nie myślałam o tym poważnie, póki nie skończyłam 19 lat i w moich rękach nie znalazł się kontrakt z wytwórnią Universal. Choć tak naprawdę, to nie muzykę miałam w planach. Chciałam pojechać do Portugalii, uczyć się języków, studiować i zostać scenarzystką. -
Proceedings of the Annual Meeting of the Association for Education in Journalism and Mass Communication (85Th, Miami, Florida, August 5-8, 2002). Radio-Television Journalism Division
DOCUMENT RESUME ED 473 792 CS 511 777 TITLE Proceedings of the Annual Meeting of the Association for Education in Journalism and Mass Communication (85th, Miami, Florida, August 5-8, 2002). Radio-Television Journalism Division. PUB DATE 2002-08-00 NOTE 325p.; For other sections of these proceedings, see CS 511 769-787. PUB TYPE Collected Works Proceedings (021) Reports Research (143) EDRS PRICE EDRS Price MF01/PC14 Plus Postage. DESCRIPTORS *Broadcast Journalism; Chinese; Cross Cultural Studies; *Elections; Emotional Response; Ethics; Facial Expressions; Higher Education; *Journalism Education; *Mass Media Effects; Mass Media Role; Media Coverage; *Presidential Campaigns (United States); Radio; Sex Bias IDENTIFIERS News Sources; September 11 Terrorist Attacks 2001; Sesame Street; *Television News; *Weather Forecasting ABSTRACT The Radio-Television Journalism Division of the proceedings contains the following 12 papers: "Chinese-Language Television News in the U.S.A.: A Cross-Cultural Examination of News Formats and Sources" (Yih-Ling Liu and Tony Rimmer); "News Diffusion and Emotional Response to the September 11 Attacks" (Stacey Frank Kanihan and Kendra L. Gale); "Pacing in Television Newscasts: Does Target Audience Make a Difference?" (Mark Kelley); "The Myth of the Five-Day Forecast: A Study of Television Weather Accuracy and Audience Perceptions of Accuracy in Columbus, Ohio" (Jeffrey M. Demas); "Visual Bias in Broadcasters' Facial Expressions and Other Factors Affecting Voting Behavior of TV News Viewers in a Presidential Election" (Renita Coleman and Donald Granberg); "The Real Ted Baxter: The Rise of the Celebrity Anchorman" (Terry Anzur); "Do Sweeps Really Affect a Local News Program?: An Analysis of KTVU Evening News During the 2001 May Sweeps" (Yonghoi Song); "Stories in Dark Places: David Isay and the New Radio Documentary" (Matthew C. -
JACOB KIRKEGAARD B. 1975 Copenhagen Living in Germany Courtesy Galleri Tom Christoffersen Skindergade 5 1159 Copenhagen K Denmar
JACOB KIRKEGAARD B. 1975 Copenhagen Living in Germany Courtesy Galleri Tom Christoffersen Skindergade 5 1159 Copenhagen K Denmark T +45 33917610 M +45 26377210 [email protected] www.tomchristoffersen.dk EDUCATION 2006 MA at the Academy of Media Arts, Cologne, Germany. With prof.dr. Siegfried Zielinski & prof. Anthony Moore. SOLO EXHIBITIONS 2015 MUSEUM OF CONTEMPORARY ART. Retrospective solo exhibition. Roskilde, Denmark 2014 MORI ART MUSEUM. Comissioned work STIGMA. Tokyo, Japan 2013 COSMO CAIXA (Science Museum), LABYRINTHITIS, 16-channel installation in spiral staircase, Barcelona, Spain 2012 LEAP (Lab for Electronic Arts and Performance) PIVOT. Berlin, Germany, 2011 ESPACIO DE ARTE CONTEMPORANEO. PHANTOM BELL. Montevideo, Uruguay CHATEAU - CENTRO DE ARTE CONTEMPORANEO. Sound, video & photo works. Cordoba, Argentina DIAPASON GALLERY. Sound, video & photo works. New York City, USA 2010 KW – Kunstwerke. Sound installation HAUS DER MAHRE based on recordings of people sleeping. Berlin Germany 2009 HELENE NYBORG CONTEMPORARY. PHONURGIA METALLIS & NAGARAS # 1 & 2. Copenhagen, Denmark 2008 FUNDACION LUDWIG. AION. Havana, Cuba 2007 SWISS INSTITUTE. 32-channel installaton: BROADWAY. New York City, USA NATIONAL CENTRE OF CONTEMPORARY ART. THE VISITOR. Kaliningrad, Russia SKOLSKÁ 28 GALLERY. AION. Prague, Czech Republic 2006 GALLERY RACHEL HAFERKAMP. AION. Cologne, Germany DIAPASON GALLERY. AION. New York City, USA Skindergade 5 | 1159 København K | +45 33917610 / +45 26377210 | [email protected] | www.tomchristoffersen.dk GROUP EXHIBITIONS 2015 NAK – NEUER AACHENER KUNSTVEREIN. Untitled (Black Metal), Germany GIBCA – GOTHENBIRG BIENNIAL. Tristeleg # 1- 3 GALLERI TOM CHRISTOFFERSEN. Great Gifts of Chance. Copenhagen, DK 2014 MARRAKECH BIENNALE. The 24-channel sound installation freq_out. Teatre Royal. Morocco SCHWANKHALLE. Presenting the work MATTER of MEMORY at group show Oblivion, Berlin, Germany 2013 LOUISIANA – Museum of Modern Art, Commissioned new piece, ISFALD, for the exhibition: Arctic, Humlebæk, DK MoMA – Museum of Modern Art. -
Lower Res Sxsw Service Deck
Charlotte Von Kotze - Music Supervisor Quick Presentation SUMMARY + 10 years in the Music Industry (Music Supervision, Experiential Promoter, Endorsement) + 4 years of Music Supervision with multi formats Role • Currently Director of Music for our branded content and clients at VICE since 2014 with the support of two people; able to free up some time for side projects • My Creative and licensing expertise mixed with my wide music network allow me to provide the best music solutions with a fast turnaround and based on flexible budgets • Built strong interactions with the production landscapes: client, account, legal, talent, creative, producer, editor teams • Passionate and reputed for my proactive and relevant talent & music suggestions resulting from a worldwide and cross- genre music industry network (artists, composers, managers, labels, publishers) and fresh talents from the USA, Europe, South America, Africa • Very detail-oriented and rigorous regarding clearances and legal vetting; proactively find solutions and replacements. Music Supervision Formats & Contents • Range of mediums: Highly versatile and experienced with digital, broadcast, virtual reality and formats: commercials, branded content, trailers, films, documentaries, music videos • One feature documentary: “The Most Unknown” (2018) directed by Ian Cheney and distributed on Motherboard and “Moving Stories” (2018) directed by Robert Fruchman with a premiere during Doc Fortnight at Moma (2018). • Two Short Movies: “Hail Mary Country” (2017) with AFI and “Before the Bomb” (2015) -
N E X T W a V E F E St Iv a L O C T 2 01 8
OCT 2018 NEXT WAVE FESTIVAL NEXT WAVE Roy Lichtenstein, Reflections on Hair, 1990 Published by: Season Sponsor: 2018 BAM Next Wave Festival #BAMNextWave Brooklyn Academy of Music Adam E. Max, Katy Clark, Chairman of the Board President William I. Campbell, Joseph V. Melillo, Vice Chairman of the Board Executive Producer The Ecstatic Music of Alice Coltrane BAM Howard Gilman Opera House Oct 10 at 8pm Running time: approx. one hour 15 minutes, no intermission Alice Coltrane Turiyasangitananda: The Ashram Experience Curated by Par Neiburger Season Sponsor: Leadership support for music programs at BAM provided by the Baisley Powell Elebash Fund Support for female choreographers and composers in the Next Wave Festival provided by the Virginia B. Toulmin Foundation Support for the Signature Artists Series provided by the Howard Gilman Foundation The Ecstatic Music of Alice Coltrane ALICE COLTRANE TURIYASANGITANANDA, AN APPRECIATION Presented with Luaka Bop Alice Coltrane was an African American artist, mother, and spiritual leader who grew up playing gospel, classical, and jazz in Detroit. She was an exceptional musician who married John Coltrane and continued his spiritual quest. When John Coltrane died in 1967, it left his wife of only a few years bereft. After a time of great suffering, Alice met guru Swami Satchidananda and traveled to India with him. Following a visit there, she had a vision to open an ashram, and bought 50 acres of land in Agoura Hills, California, on the outskirts of Los Angeles. There a multi-ethnic and multi generational religious community grew up around her. The high point of living in this very special and loving environment took shape on Sundays when Alice would lead the community in a musical ceremony, mixing both gospel and Indian chant, to create a music she wholly invented. -
Weekend Glance
Thursday, April 13, 2017 Vol. 16 No. 1 OBITUARIES HEALTH FEATURES FEATURES Residents Paging Photos from Norwalk mourned Dr. Frischer Color-A-Thon rapper SEE PAGE 4 SEE PAGE 7 SEE PAGE 10 SEE PAGE 9 Downey’s Liliana Hernandez honored as Woman of the Year APRIL 14 FridayWeekend74˚ Downey Federal Credit Union Food-Packing Event at a Glance DATE: Friday, April 14 TIME: 6 pm Saturday 6875˚⁰ LOCATION: Warren High gym Friday Family Game Night Sunday 73˚ DATE: Friday, April 14 70⁰ TIME: 6 pm Saturday LOCATION: Columbia Memorial Space Center THINGS TO DO APRIL 19 Downey Sister Cities Assoc. meeting DATE: Friday, April 19 TIME: 6:30 pm LOCATION: Embassy Suites APRIL 22 Liliana Hernandez is flanked by council members Rick Rodriguez, Blanca Pacheco and Alex Saab. Egg Hunt City of STEM Science Festival Photo courtesy Jerry Caligiuri Saturday - Norwalk City Hall, 12:30 pm DATE: Saturday, April 22 An Easter egg hunt for kids ages 1-10. Plus games, crafts, face-painting, and TIME: 9 am DOWNEY – Downey eighth grader Liliana Hernandez was Outside of her contributions to the city, Michele spent a week in the Easter Bunny. LOCATION: Columbia Memorial honored last month as “Woman of the Year” by Assemblymember New Orleans in March of 2006, where she participated in Hurricane Space Center Cristina Garcia for her efforts in steering girls towards opportunities Katrina relief efforts. Michele helped restore a damaged store and in science, technology, engineering and math (STEM). helped transform it into a home for the Neighborhood Story Project. Cops & Kids Day The project is a literacy program that partners with the University of Liliana is a founding member of Girls in STEM, a club at Downey’s DATE: Saturday, April 22 New Orleans. -
Corpus Antville
Corpus Epistemológico da Investigação Vídeos musicais referenciados pela comunidade Antville entre Junho de 2006 e Junho de 2011 no blogue homónimo www.videos.antville.org Data Título do post 01‐06‐2006 videos at multiple speeds? 01‐06‐2006 music videos based on cars? 01‐06‐2006 can anyone tell me videos with machine guns? 01‐06‐2006 Muse "Supermassive Black Hole" (Dir: Floria Sigismondi) 01‐06‐2006 Skye ‐ "What's Wrong With Me" 01‐06‐2006 Madison "Radiate". Directed by Erin Levendorf 01‐06‐2006 PANASONIC “SHARE THE AIR†VIDEO CONTEST 01‐06‐2006 Number of times 'panasonic' mentioned in last post 01‐06‐2006 Please Panasonic 01‐06‐2006 Paul Oakenfold "FASTER KILL FASTER PUSSYCAT" : Dir. Jake Nava 01‐06‐2006 Presets "Down Down Down" : Dir. Presets + Kim Greenway 01‐06‐2006 Lansing‐Dreiden "A Line You Can Cross" : Dir. 01‐06‐2006 SnowPatrol "You're All I Have" : Dir. 01‐06‐2006 Wolfmother "White Unicorn" : Dir. Kris Moyes? 01‐06‐2006 Fiona Apple ‐ Across The Universe ‐ Director ‐ Paul Thomas Anderson. 02‐06‐2006 Ayumi Hamasaki ‐ Real Me ‐ Director: Ukon Kamimura 02‐06‐2006 They Might Be Giants ‐ "Dallas" d. Asterisk 02‐06‐2006 Bersuit Vergarabat "Sencillamente" 02‐06‐2006 Lily Allen ‐ LDN (epk promo) directed by Ben & Greg 02‐06‐2006 Jamie T 'Sheila' directed by Nima Nourizadeh 02‐06‐2006 Farben Lehre ''Terrorystan'', Director: Marek Gluziñski 02‐06‐2006 Chris And The Other Girls ‐ Lullaby (director: Christian Pitschl, camera: Federico Salvalaio) 02‐06‐2006 Megan Mullins ''Ain't What It Used To Be'' 02‐06‐2006 Mr. -
Universidade Tecnológica Federal Do Paraná Programa De Pós-Graduação Em Tecnologia
UNIVERSIDADE TECNOLÓGICA FEDERAL DO PARANÁ PROGRAMA DE PÓS-GRADUAÇÃO EM TECNOLOGIA RAFAEL TOGO KUMOTO COLECIONANDO MÚSICAS COM UMA CÂMERA: MEDIAÇÕES AUDIOVISUAIS E HIPERMIDIÁTICAS NA PRODUÇÃO ARTÍSTICA DAS SESSIONS DO YOUTUBE DISSERTAÇÃO CURITIBA 2016 RAFAEL TOGO KUMOTO COLECIONANDO MÚSICAS COM UMA CÂMERA: MEDIAÇÕES AUDIOVISUAIS E HIPERMIDIÁTICAS NA PRODUÇÃO ARTÍSTICA DAS SESSIONS DO YOUTUBE Dissertação de mestrado apresentada ao Programa de Pós-Graduação em Tecnologia da Universidade Tecnológica Federal do Paraná como requisito parcial para obtenção do título de “Mestre em Tecnologia” – Área de concentração: Tecnologia e Sociedade. Orientadora: Prof.ª Dr.ª Luciana Martha Silveira CURITIBA 2016 Dados Internacionais de Catalogação na Publicação Kumoto, Rafael Togo K96p Colecionando músicas com uma câmera : mediações audiovi- 2016 suais e hipermidiáticas na produção artística das sessions do Youtube / Rafael Togo Kumoto.-- 2016. 213 f. : il. ; 30 cm. Texto em português, com resumo em inglês Dissertação (Mestrado) - Universidade Tecnológica Federal do Paraná. Programa de Pós-graduação em Tecnologia, Curitiba, 2016 Bibliografia: p. 185-206 1. YouTube (Recurso eletrônico). 2. Gravações de vídeo interativas. 3. Cantores. 4. Tecnologia - Dissertações. I. Silveira, Luciana Martha, orient. II. Universidade Tecnológica Federal do Paraná. Programa de Pós-Graduação em Tecnologia, inst. III. Título. CDD: Ed. 22 -- 600 Biblioteca Central da UTFPR, Câmpus Curitiba RESUMO KUMOTO, Rafael T. Colecionando músicas com uma câmera: mediações audiovisuais e hipermidiáticas na produção artística das sessions do YouTube. 2016. 213 f. Dissertação (Mestrado em Tecnologia) – Programa de Pós-Graduação em Tecnologia, Universidade Tecnológica Federal do Paraná. Curitiba, 2016. Neste trabalho, buscamos analisar uma série de processos de mediação imagética, auditiva e hipermidiática na produção videográfica das sessions, compreendida enquanto circuito de publicações de coletivos cadastrados na plataforma do website YouTube.