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During His Tenure As Head of the BYU Motion Picture Studio, Wetzel O
During his tenure as head of the BYU Motion Picture Studio, Wetzel O. “Judge” Whitaker directed and produced scores of institutional films, including Church classics such as Windows of Heaven (1963), Man’s Search for Happiness (1964), and Johnny Lingo (1969). He is arguably the most important figure in the history of Mormon film. LDS Church Archives, © Intellectual Reserve, Inc. A History of Mormon Cinema: Third Wave V 77 The Third Wave: Judge Whitaker and the Classical Era (1953–1974) The Third Wave of Mormon cinema is unquestionably the age of Judge Whitaker. He represents the development of Mormon film from its pioneer infancy into classical maturity. The similarities to Hollywood’s classical era are numerous (with important exceptions). Most obviously, Mormon film finally left behind the multitasking artisanal mode of prior decades in favor of a studio-based industrial infrastructure featuring spe- cialized workers. Equally important, the BYU studio produced films of an identifiable, consistent, and aesthetically and culturally conservative style deeply rooted in Hollywood norms. It supplied a steady stream of products to a vertically integrated distribution and exhibition network. Finally, and perhaps most importantly, Church films compare to Hollywood films— and other classical artworks—in their permeating influence upon their host culture. During Whitaker’s tenure, Church films became central to Mormon culture and created a universal doctrinal, cultural, and aesthetic touchstone for Latter-day Saints, to the point that today it is difficult to conceive of the Church without its films and videos. And Judge Whitaker, for his part, has had more influence on Mormon filmmaking than any other person. -
LDS (Mormon) Temples World Map
LDS (Mormon) Temples World Map 155 operating temples · 14 temples under construction · 8 announced temples TEMPLES GOOGLE EARTH (KML) TEMPLES GOOGLE MAP TEMPLES HANDOUT (PDF) HIGH-RES TEMPLES MAP (GIF) Africa: 7 temples United States: 81 temples Alabama: 1 temple Aba Nigeria Temple Birmingham Alabama Temple † Abidjan Ivory Coast Temple Alaska: 1 temple Accra Ghana Temple Anchorage Alaska Temple † Durban South Africa Temple Arizona: 6 temples † Harare Zimbabwe Temple Gila Valley Arizona Temple, The Johannesburg South Africa Temple Gilbert Arizona Temple Kinshasa Democratic Republic of the Congo Mesa Arizona Temple † Temple Phoenix Arizona Temple Snowflake Arizona Temple Asia: 10 temples Tucson Arizona Temple† Bangkok Thailand Temple† California: 7 temples Cebu City Philippines Temple Fresno California Temple Fukuoka Japan Temple Los Angeles California Temple Hong Kong China Temple Newport Beach California Temple Manila Philippines Temple Oakland California Temple Sapporo Japan Temple Redlands California Temple Seoul Korea Temple Sacramento California Temple Taipei Taiwan Temple San Diego California Temple Tokyo Japan Temple Colorado: 2 temples http://www.ldschurchtemples.com/maps/ LDS (Mormon) Temples World Map Urdaneta Philippines Temple† Denver Colorado Temple Fort Collins Colorado Temple Europe: 14 temples Connecticut: 1 temple Hartford Connecticut Temple Bern Switzerland Temple Florida: 2 temples Copenhagen Denmark Temple Fort Lauderdale Florida Temple ‡ Frankfurt Germany Temple Orlando Florida Temple Freiberg Germany Temple Georgia: -
Placing the Cardston Temple in Early Mormon Temple Architectural History
PLACING THE CARDSTON TEMPLE IN EARLY MORMON TEMPLE ARCHITECTURAL HISTORY By Amanda Buessecker A Thesis Presented in Partial Fulfillment of the Requirements for the Master of Arts Degree in Art History Carleton University May 2020 Supervisor: Peter Coffman, Ph.D. Carleton University ii Abstract: The Cardston temple of the Church of Jesus Christ of Latter-day Saints represents a drastic shift in temple architecture of the early Mormon faith. The modern granite structure was designed not to show a mere difference of aesthetic taste, but as an embodiment of the evolving relationship between the Mormon pioneers and the American government. Earlier temples, erected in the nineteenth century throughout the valleys of Utah, were constructed by Mormon pioneers at a time when the religious group desired to separate themselves from the United States physically, politically, and architecturally. When the temple was built in Cardston, Alberta (1913-1923), it was a radical departure from its medievalist predecessors in Utah. The selected proposal was a modern Prairie-school style building, a manifestation of Utah’s recent interest in integrating into American society shortly after being admitted to the Union as a state in 1896. iii Contents Introduction ................................................................................................................................ 1 Part I: A Literature Review ........................................................................................................ 5 A Background for Semiotics ................................................................................................. -
Mormon Cinema on the Web
Mormon Cinema on the Web Randy Astle ormon cinema on the Internet is a moving target. Because change M in this medium occurs so rapidly, the information presented in this review will necessarily become dated in a few months and much more so in the years to come. What I hope to provide, therefore, is a snapshot of online resources related to LDS or Mormon cinema near the beginning of their evolution. I believe that the Internet will become the next great force in both Mormon cinema and world cinema in general, if it has not already done so. Hence, while the current article may prove useful for contemporary readers by surveying online resources currently available, hopefully it will also be of interest to readers years from now by provid- ing a glimpse back into one of the greatest, and newest, LDS art forms in its infancy. At the present, websites devoted to Mormonism and motion pictures can be roughly divided into four categories: 1. Those that promote specific titles or production companies 2. Those that sell Mormon films on traditional video formats (primar- ily DVD) 3. Those that discuss or catalog Mormon films 4. Those that exhibit Mormon films online The first two categories can be dealt with rather quickly. Promotional Websites Today standard practice throughout the motion picture industry is for any new film to have a dedicated website with trailers, cast and crew BYU Studies 7, no. (8) 161 162 v BYU Studies biographies, release information, or other promotional material, and this is true of Mormon films as well. -
RSC Style Guide
Religious Studies Center Style Guide, 1 October 2018 Authors who submit manuscripts for potential publication should generally follow the guidelines in The Chicago Manual of Style, 17th ed. (Chicago: The University of Chicago Press, 2017) and Style Guide for Editors and Writers, 5th ed. (Salt Lake City: The Church of Jesus Christ of Latter-day Saints, 2013). This style guide summarizes the main principles in the other style guides and lists a few exceptions to their guidelines. Formatting 1. Use double-spacing throughout the manuscript and the endnotes. Use one-inch margins, and insert page numbers at the bottom of the page. Use a Times New Roman 12-point font for both the body of the manuscript and the notes. Use only one space after periods. 2. If you have images, add captions and courtesy lines (such as courtesy of Church History Library, Salt Lake City) to the Word file. However, do not insert images in the Word files; submit them separately. Images should be 300 dpi or better (TIFF or JPG files). File names and captions should match (Fig. 1.1 = chapter 1, figure 1). Headings 3. Update: Include headings to break up the text. First-Level Headings First-level headings should be flush left and bolded, as in the example above. Capitalize internal words except for articles (a, an, and the), conjunctions (and, but, or, for, so, and yet), prepositions, and the word to in infinitive phrases. Second-Level Headings Second-level headings should be flush left and italicized. Capitalize like first-level headings. Third-level headings. Third-level headings should be italicized, followed by a period, and run in to the text; capitalization should be handled sentence-style (capitalize the first word and proper nouns). -
VF and CF MN MIA See Mormon Church
VF AND CF M-N M. I. A. see Mormon Church--M.I.A. MIA (Missing in Action) see Prisoners of War, American. MX Missiles see Missiles--Utah. VF MX Information Center. see also Missiles--Utah. VF Mabey, Charles Rendell, 1877-1959. CF Mabey, Rendell N. VF McCann, Lester. VF McCarran, Patrick Anthony, 1876-1954. McCarthy, Paul see Artists, American--Utah. VF McCarthy, Wilson. McCarty, Henry, 1859-1881 see Benney, William H., 1859-1881. VF McCleary, Lloyd E. 1 VF & CF McConkie, Bruce R., 1915-1985. VF McConnell, William J. VF McCool, Stephen F. VF McCorison, Marcus A. CF McCornick, William Sylvester, 1837-1921. VF McCulloch, Frank. CF McCune Mansion. VF McCune School of Music and Art. VF McCutchen, Duval T. VF McDermott, Don. VF McDermott, Walsh. VF MacDonald, Douglas A. CF McDonnell Douglas Corporation. CF McDonnell Douglas Corporation. 1992- VF & CF McDonough, Roger J. 2 VF McEnally, Richard W. VF McGaw, William. CF McGill, William. VF & CF McGinley, Phyllis, 1905- McIntire, P. R. see Inventors. VF & CF McIntosh, Ladd. see also Utah. University. Department of Music. Jazz Program. VF Mack, Richard N. VF & CF McKay, David Oman, 1873-1970. VF McKay, David Oman, 1873-1970. 1960-1969. VF McKay, David Oman, 1873-1970. 1970- CF McKay, David Oman, 1873-1970. 1988- MacKay, Ellen Kirtland Mills see Mills, Ellen Kirtland. VF & CF McKay, Emma Ray Riggs, 1877-1970. VF & CF McKay, Gunn. 3 CF McKay, Gunn. 1989- VF & CF McKay, Llewellyn R. CF McKay, Monroe G. VF McKee, Edwin D. VF McKey, Blanche Kendall Thomas. VF Mackey, R. Bruce. VF McKnight, Joseph E. -
WHY WE STAY Samoan Temple Burns Down; Book Stirs Controversy; FIVE PERSPECTIVES New LDS Films; More! (P.74) J
Cover_129.qxd 10/15/2003 10:05 AM Page 2 MORMON EXPERIENCE SCHOLARSHIP ISSUES & ART THE MAKING OF IMMANUEL: SUNSTONESUNSTONE Brian David Mitchell and the Mormon Fringe by John-Charles Duffy (p.34) NEBULA an England essay contest winner by Mari Jorgensen (p.46) Experience the YEAR OF THE CICADA a story by Joe Peterson (p.52) Surviving BYU and Berkeley by Joanna Gardiner (p.57) IN MEMORIAM: Dean L. May and Stanley B. Kimball (p.6) 2003 Salt Lake Sunstone Symposium Report (p.68) UPDATE Conference news: Church members arrested after confrontations with street preachers; LDS leaders speak out on same-sex marriage legislation; WHY WE STAY Samoan temple burns down; Book stirs controversy; FIVE PERSPECTIVES New LDS films; More! (p.74) J. Frederick “Toby” Pingree, October 2003—$5.95 MaryAnne Hunter, Bill Bradshaw, Grethe Peterson, & Thomas F. Rogers ifc.qxd 10/15/2003 10:08 AM Page 1 Washington MOLLY BENNION—ORGANIZER ROY BENNION LEVI S. PETERSON RICHARD DUTCHER MARNI CAMPBELL ARMAND L. MAUSS THERESA ROTH CHARLOTTE ENGLAND TOM MUMFORD SUSAN PALMER JULIE MUMFORD DAVID HUNTER DAN PINGREE SAGE JOHNS LEAH SMITH pecial thanks to this year’s fall regional symposium volunteers! S Tape order form, page 73 Texas STEVE ECCLES—ORGANIZER MARGARET BLAIR YOUNG ROBERT H. BRIGGS DARIUS GRAY DAVID FEATHERSTONE ARMAND L. MAUSS CLIFTON JOLLEY VICKIE STEWART EASTMAN PAUL H. SMITH DARRELL FLETCHER LAEL LITTKE 01_toc.qxd 10/15/2003 11:19 AM Page 1 MORMON EXPERIENCE, SCHOLARSHIP, ISSUES, & ART OCTOBER 2003 Issue 129 FEATURES 22 J. Frederick “Toby” Pingree, . WHY WE STAY MaryAnne Hunter, Bill Bradshaw Grethe Peterson, Thomas F. -
THESIS a REASON to BELIEVE: a RHETORICAL ANALYSIS of MORMON MISSIONARY FILMS Submitted by Sky L. Anderson Department of Communic
THESIS A REASON TO BELIEVE: A RHETORICAL ANALYSIS OF MORMON MISSIONARY FILMS Submitted by Sky L. Anderson Department of Communication Studies In partial fulfillment of the requirements For the Degree of Master of Arts Colorado State University Fort Collins, Colorado Spring 2012 Master’s Committee Advisor: Carl Burgchardt Eric Aoki Kathleen Kiefer ABSTRACT A REASON TO BELIEVE: A RHETORICAL ANALYSIS OF MORMON MISSIONARY FILMS In this analysis, I examine Mormon cinema and how it functions on a rhetorical level. I specifically focus on missionary films, or movies that are framed by LDS missionary narratives. Through an analysis of two LDS missionary films, namely Richard Dutcher’s God’s Army (2000) and Mitch Davis’ The Other Side of Heaven (2001), I uncover two rhetorical approaches to fostering spirituality. In my first analysis, I argue that God’s Army presents two pathways to spirituality: one which produces positive consequences for the characters, and the other which produces negative consequences. I call these pathways, respectively, ascending and descending spirituality, and I explore the rhetorical implications of this framing. In my second analysis, I contend that The Other Side of Heaven creates a rhetorical space wherein the audience may transform. Specifically, the film constructs a “Zion,” or a heaven on earth, with three necessary components, which coincide perfectly with established LDS teachings: God, people, and place. These three elements invite the audience to accept that they are imperfect, yet they can improve if they so desire. Ultimately, by comparing my findings from both films, I argue that the films’ rhetorical strategies are well constructed to potentially reinforce beliefs for Mormon audiences, and they also may invite non-Mormons to think more positively about LDS teachings. -
Representations of Mormonism in American Culture Jeremy R
University of New Mexico UNM Digital Repository American Studies ETDs Electronic Theses and Dissertations 8-19-2011 Imagining the Saints: Representations of Mormonism in American Culture Jeremy R. Ricketts Follow this and additional works at: https://digitalrepository.unm.edu/amst_etds Part of the American Studies Commons Recommended Citation Ricketts, eJ remy R.. "Imagining the Saints: Representations of Mormonism in American Culture." (2011). https://digitalrepository.unm.edu/amst_etds/37 This Dissertation is brought to you for free and open access by the Electronic Theses and Dissertations at UNM Digital Repository. It has been accepted for inclusion in American Studies ETDs by an authorized administrator of UNM Digital Repository. For more information, please contact [email protected]. Jeremy R. Ricketts Candidate American Studies Departmelll This dissertation is approved, and it is acceptable in quality and form for publication: Approved by the Dissertation Commillee: , Chairperson Alex Lubin, PhD &/I ;Se, tJ_ ,1-t C- 02-s,) Lori Beaman, PhD ii IMAGINING THE SAINTS: REPRESENTATIONS OF MORMONISM IN AMERICAN CULTURE BY JEREMY R. RICKETTS B. A., English and History, University of Memphis, 1997 M.A., University of Alabama, 2000 M.Ed., College Student Affairs, 2004 DISSERTATION Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy American Studies The University of New Mexico Albuquerque, New Mexico May 2011 iii ©2011, Jeremy R. Ricketts iv DEDICATION To my family, in the broadest sense of the word v ACKNOWLEDGMENTS This dissertation has been many years in the making, and would not have been possible without the assistance of many people. My dissertation committee has provided invaluable guidance during my time at the University of New Mexico (UNM). -
The Mountain Meadows Massacre of 1857: a Civilizational Encounter with Lessons for Us All
Comparative Civilizations Review Volume 64 Number 64 Spring 2011 Article 5 3-1-2011 The Mountain Meadows Massacre of 1857: A Civilizational Encounter With Lessons for Us All Michael Andregg [email protected] Follow this and additional works at: https://scholarsarchive.byu.edu/ccr Recommended Citation Andregg, Michael (2011) "The Mountain Meadows Massacre of 1857: A Civilizational Encounter With Lessons for Us All," Comparative Civilizations Review: Vol. 64 : No. 64 , Article 5. Available at: https://scholarsarchive.byu.edu/ccr/vol64/iss64/5 This Article is brought to you for free and open access by the Journals at BYU ScholarsArchive. It has been accepted for inclusion in Comparative Civilizations Review by an authorized editor of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. Andregg: The Mountain Meadows Massacre of 1857: A Civilizational Encounter 38 Number 64, Spring 2011 The Mountain Meadows Massacre of 1857: A Civilizational Encounter With Lessons for Us All Michael Andregg mmandregg @ stthomas.edu Abstract Between September 7 and 11 of 1857, an emigrant (pioneer) wagon train was attacked while traveling through southern Utah toward California. At the end of the attack, 120 were killed, sparing only 17 or perhaps 18 children considered too young to talk about it. In the annals of war and slaughter, this could be considered a tiny event. But for the history of the Great Basin of North America, it was quite exceptional. More white pioneers died on the Mountain Meadows than during any other violent event in the history of the American west. For civilizationalists, this is important as a case study of civilizational encounter, because while complex, it has been studied in rare detail. -
TANNER BIBLIOGRAPHY.Rtf
A TANNER BIBLIOGRAPHY 1959-2019 by H. Michael Marquardt © 2020 by H. Michael Marquardt All rights reserved. A Tanner Bibliography 1959-2017 contains a list of publications written by Jerald and Sandra Tanner. It is complied, as far as possible, in chronological order. The listing with title and short comment is based upon the format prepared by Robert R. Black in 1970. Jerald and Sandra first started publishing their works in a mimeograph format. They later used offset printing. The following publications are considered both of their writings and exceptions will have each name after the title. For a very short period they wrote papers while living in North Hollywood, California. All other publications were done in Salt Lake City, Utah. Sandra Tanner is listed as editor of the Salt Lake City Messenger commencing October 2003. Jerald Tanner died on October 1, 2006. Not included in this bibliography are cassette tapes, videos, postings on web site, newspaper advertisements, introductions to reprinted publications, short handouts on various topics, and reprints of church periodicals. A few exceptions are listed. [Digital books are not included in this list. See http://www.utlm.org/booklist/digitalbooks.htm] "Ad" at the end of an entry means advertisement for the book by the Tanners and is included without quotation marks. All other notations are my own. PUBLICATIONS OF JERALD AND SANDRA TANNER Believed the Bible and the Book of Mormon 1959-1962 1959 Does the Book of Mormon Teach Racial Prejudice? by Jerald Tanner. 1 p. Quotes from the Book of Mormon on racial prejudice. Circa 1959-1960 Do You Realize? North Hollywood. -
The Sexual Stereotyping of Mormon Men in American Film and Television
“ACCORDING TO THEIR WILLS AND PLEASU RES”: THE SEXUAL STEREOTYPING OF MORMON MEN IN AMERICAN FILM AND TELEVISION Travis Sutton, B.A. Thesis Prepared for the Degree of MASTER OF ARTS UNIVERSITY OF NORTH TEXAS May 2009 APPROVED: Harry M. Benshoff, Major Professor Sandra Larke-Walsh, Committee Member Claire Sahlin, Committee Member Sam Sauls, Program Coordinator Melinda Levin, Chair of the Department of Radio, Television and Film Michael Monticino, Interim Dean of the Robert B. Toulouse School of Graduate Studies Sutton, Travis, “According to Their Wills and Pleasures”: The Sexual Stereotyping of Mormon Men in American Film and Television. Master of Arts (Radio, Television and Film), May 2009, 187 pp., references, 107 titles. This thesis examines the representation of Mormon men in American film and television, with particular regard for sexual identity and the cultural association of Mormonism with sexuality. The history of Mormonism’s unique marital practices and doctrinal approaches to gender and sexuality have developed three common stereotypes for Mormon male characters: the purposeful heterosexual, the monstrous polygamist, and the self-destructive homosexual. Depending upon the sexual stereotype in the narrative, the Mormon Church can function as a proponent for nineteenth-century views of sexuality, a symbol for society’s repressed sexuality, or a metaphor for the oppressive effects of performing gender and sexuality according to ideological constraints. These ideas are presented in Mormon films such as Saturday’s Warrior (1989) as well as mainstream films such as A Mormon Maid (1917) and Advise and Consent (1962). Copyright 2009 by Travis Sutton ii TABLE OF CONTENTS Chapter Page 1.