Btec Tech Award in Performing Arts Dance Component 1 – Learning Aim A
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Mia Michaels Concerts/Tours/Events
Mia Michaels Concerts/Tours/Events: Celine Dion "A New Day" / Choreographer Caesars' Palace / Las Vegas Caesars' Palace Las Vegas / 2002-2007 Celine Dion "Taking Chances" Choreographer World Tour / 2005 Cirque De Soleil "Delirium" Choreographer So You Think You Can Dance Contributing Choreographer Tour Madonna "Drowned" World Contributing Choreographer Tour / 2001 Anna Vissi Greek Superstar Director / Choreographer Live Shows in Athens / 2004- 2008 Prince Promotional Tour / Choreographer 2001 Eurovision Angelica / 2005 Director / Choreographer Mia Michaels Raw New York Founder, Director and City Choreographer Les Ballet Jazz De Montreal / Commissioned Original Work Commissioned Original Work Giordano Jazz Dance Chicago Commissioned Original Work / Commissioned Original Work Oslo Dance International / Commissioned Original Work Commissioned Original Work Joffrey Ballet 2 New York City Guest Choreographer International Dance Festival Guest Choreographer Amsterdam Kirov Academy Washington Guest Choreographer DC Jazz Theater of Amsterdam / Commissioned Original Work Commissioned Original Work Miami Movement Dance Founder, Director, and Company Choreographer Harvard Keynote Speaker Harvard in Arts Reflection Program (HARP) Teaching: Joffrey Ballet School Artistic Director| Jazz & Contemporary Theatre: NY Spectacular / Radio City Choreographer Music Hall starring The Rockettes Finding Neverland Choreographer Lunt-Fontaine Theater / 2015 Hello Dolly! w/ Tovah Choreographer Papermill Playhouse / 2005 Feldshuh West Side Story Choreographer Arkansas -
Motion Picture
Moving Images Prepared by Bobby Bothmann RDA Moving Images by Robert L. Bothmann is licensed under a Creative Commons Attribution- NonCommercial-ShareAlike 3.0 Unported License. Created 2 February 2013 Modified 11 November 2014 https://link.mnsu.edu/rda-video Scope Step-through view of the movie Hairspray from 2007 Generally in RDA rule order Uses MARC 21 examples Describing Manifestations & Items Follows RDA Chapters 2, 3, 4 Describing Works and Expressions Follows RDA Chapters 6, 7 Recording Attributes of Person & Corporate Body Uses RDA Chapters 9, 11, 18 Covers relator terms only Recording Relationships Follows RDA Chapters 24, 25, 26 2 Resources Olson, Nancy B., Robert L. Bothmann, and Jessica J. Schomberg. Cataloging of Audiovisual Materials and Other Special Materials: A Manual Based on AACR2 and MARC 21. Westport, Conn: Libraries Unlimited, 2008. [Short citation: CAVM] Online Audiovisual Catalogers, Inc. Cataloging Policy Committee. Streaming Media Best Practices Task Force. Best Practices for Cataloging Streaming Media. No place : OLAC CAPC, 2009. http://olacinc.org/drupal/capc_files/streamingmedia.pdf Online Audiovisual Catalogers, Inc. Cataloging Policy Committee. DVD Cataloging Guide Update Task Force. Guide to Cataloging DVD and Blu-ray Discs Using AACR2r and MARC 21. 2008 Update. No place: OLAC CAPC, 2008. http://olacinc.org/drupal/capc_files/DVD_guide_final.pdf Pan-Canadian Working Group on Cataloguing with RDA. “Workflow: Video recording (DVD) RDA.” In RDA Toolkit | Tools| Workflows |Global Workflows. 3 Preferred Source 4 5 Title Proper 2.3.2.1 RDA CORE the chief name of a resource (i.e., the title normally used when citing the resource). 245 10 $a Hairspray Capitalization is institutional and cataloger’s choice Describing Manifestations 6 Note on the Title Proper 2.17.2.3 RDA Make a note on the source from which the title proper is taken if it is a source other than: a) the title page, .. -
Adam Sandler: Mentor Of
ADAM SANDLER: MENTOR OF MIDDLE-CLASS MASCULINITY AND MANHOOD A Thesis Presented to the Faculty of California State University, Stanislaus In Partial Fulfillment of the Requirements for the Degree of Master of Arts in History By Kathleen Boone Chapman April 2014 CERTIFICATION OF APPROVAL ADAM SANDLER: MENTOR OF MASCULINITY AND FATHERHOOD by Kathleen Boone Chapman Signed Certification of Approval Page is on file with the University Library Dr. Bret E. Carroll Date Professor of History Dr. Samuel Regalado Date Professor of History Dr. Marcy Rose Chvasta Date Professor of Communications © 2014 Kathleen Boone Chapman ALL RIGHTS RESERVED DEDICATION I am dedicating this work to my three dear friends: Ronda James, Candace Paulson, and Michele Sniegoski. Ronda’s encouragement and obedience to the Lord gave me what I needed to go back to school with significant health issues and so late in life. Candace, who graduated from Stanford “back in the olden days,” to quote our kids, inspired me to follow my dream and become all God wants me to be. Michele’s long struggle with terminal kidney disease motivated me to keep living in spite of my own health issues. We have laughed and cried together over many years, but all of you have given me strength to carry on. Sorry two of you made it to heaven before I could get this finished. I also want to give credit to my husband of forty years who has been a faithful breadwinner, proof-reader, and a paragon of patience. What more could any woman ask for? He has also put up with me yelling at my computer and cursing Bill Gates – A LOT. -
The Lack of Recognition for the Film Choreographer in Hollywood
Pace University DigitalCommons@Pace Honors College Theses Pforzheimer Honors College 6-2020 The Lack of Recognition for the Film Choreographer in Hollywood Claire Ross Follow this and additional works at: https://digitalcommons.pace.edu/honorscollege_theses Part of the Dance Commons, and the Film and Media Studies Commons The Lack of Recognition for the Film Choreographer in Hollywood Claire Ross Commercial Dance Major Art & Entertainment Management Minor Virginia Cox, MS Dyson College of Arts and Sciences Presentation Date: June 2020 Graduation Date: May 2020 1 Abstract The following research directly addresses why the film choreographer has lacked adequate recognition within the Academy Awards, popularly known as the Oscars, presented by the Academy of Motion Picture Arts and Sciences. Additionally, this study aims to fill the research gap in relation to the minimal documentation that exists regarding the role and contributions of the film choreographer within the film industry. In order to move forward in assessing how the film choreographer can be recognized within the Oscars, one must address why they have not been sufficiently recognized within the history of the Academy Awards. By assessing the film choreographer’s value within the film industry through semi-structured interviews and data analysis methodologies, it was concluded their lack of recognition within the Oscars is due to the lack of dance’s presence in film, the undefined role of a film choreographer, and the general lack of awareness revolving around their contributions to film. All of which directly contribute to the film choreographer’s disproportionately perceived value within the film industry. Overall, this research intends to increase the dialogue revolving around the film choreographer as well as validate their value within the film industry. -
BEDTIME STORIES Bobbi
THIS MATERIAL IS ALSO AVAILABLE ONLINE AT http://www.wdsfilmpr.com © Disney Enterprises, Inc. All Rights Reserved. disney.com/BedtimeStories WALT DISNEY PICTURES Unit Production Manager . GARRETT GRANT Presents First Assistant CREDITS Director . DANIEL SILVERBERG A Second Assistant Director . CONTE MATAL HAPPY MADISON Creatures Designed by. CRASH MCCREERY Production Production Supervisor . ROBERT WEST A CAST CONMAN & IZZY Skeeter Bronson. ADAM SANDLER Production Jill . KERI RUSSELL Kendall . GUY PEARCE An Mickey. RUSSELL BRAND OFFSPRING Barry Nottingham . RICHARD GRIFFITHS Production Violet Nottingham. TERESA PALMER Aspen. LUCY LAWLESS Wendy . COURTENEY COX Patrick . JONATHAN MORGAN HEIT BEDTIME STORIES Bobbi . LAURA ANN KESLING Marty Bronson . JONATHAN PRYCE Engineer . NICK SWARDSON A Film by Mrs. Dixon . KATHRYN JOOSTEN ADAM SHANKMAN Ferrari Guy. ALLEN COVERT Hot Girl . CARMEN ELECTRA Young Barry Nottingham . TIM HERLIHY Directed by . ADAM SHANKMAN Young Skeeter . THOMAS HOFFMAN Screenplay by . MATT LOPEZ Young Wendy . ABIGAIL LEONE DROEGER and TIM HERLIHY Young Mrs. Dixon. MELANY MITCHELL Story by. MATT LOPEZ Young Mr. Dixon . ANDREW COLLINS Produced by. ANDREW GUNN Donna Hynde. AISHA TYLER Produced by . ADAM SANDLER Hokey Pokey Women. JULIA LEA WOLOV JACK GIARRAPUTO DANA MIN GOODMAN Executive Producers . ADAM SHANKMAN SARAH G. BUXTON JENNIFER GIBGOT CATHERINE KWONG ANN MARIE SANDERLIN LINDSEY ALLEY GARRETT GRANT Bikers. BLAKE CLARK Director of BILL ROMANOWSKI Photography . MICHAEL BARRETT Hot Dog Vendor . PAUL DOOLEY Production Designer . LINDA DESCENNA Birthday Party Kids . JOHNTAE LIPSCOMB Edited by. TOM COSTAIN JAMES BURDETTE COWELL MICHAEL TRONICK, A.C.E. Angry Dwarf . MIKEY POST Costume Designer . RITA RYACK Gremlin Driver . SEBASTIAN SARACENO Visual Effects Cubby the Supervisor. JOHN ANDREW BERTON, JR. Home Depot Guy . -
Feature Film 02-19-09 Ê OFFSPRING ENTERTAINMENT 500 S
“STATE OF ROMANCE” Pilot / NBC 02-19-09 ê UNIVERSAL MEDIA STUDIOS 100 Universal City Plaza Universal City, CA 91608 PHONE - 818-840-4444 - 818-777-1000 STATUS - Late March 2009 LOCATION - Chicago WRITER/PRODUCER: Barbara Wallace - Thomas R. Wolfe A single-camera comedy, described as a modern day "Pride and Prejudice" set in Chicago. “STEP UP 3-D” Feature Film 02-19-09 ê OFFSPRING ENTERTAINMENT 500 S. Buena Vista St. Burbank, CA 91521 PHONE - 818-560-5645 FAX - 818-560-5642 STATUS - May 11 LOCATION - New York PRODUCER: Adam Shankman - Jennifer Gibgot - Erik Feig - Patrick Wachsberger DIRECTOR: Jon Chu LP: David Nicksay WRITER: Amy Andelson - Emily Meyer CAST: Adam G. Sevani SUMMIT ENTERTAINMENT LLC 1630 Stewart St., Ste. 120, Santa Monica, CA 90404 310-309-8400 Fax 310-828-4132 WALT DISNEY PICTURES 500 S. Buena Vista St., Burbank, CA 91521-3400 818-560-1000 Moose plans on hitting the books and studying but can't keep his feet keep tap-tapping to an unheard beat whenever he's in class. But before long he's joined the infamous underground dance crew known as the "House of Pirates". “STEWIE” Feature Film 04-10-08 ê GARY SANCHEZ PRODUCTIONS 1722-1/2 Whitley Ave. Los Angeles, CA 90028 [email protected] PHONE - 323-465-4600 FAX - 323-465-0782 STATUS - April 2009 LOCATION - Louisiana PRODUCER: Will Ferrell - Adam McKay - Paul Young - Chris Henchy - Peter Principato WRITER/DIRECTOR: Andrew Gurland - Huck Botko PRINCIPATO-YOUNG 9465 Wilshire Blvd., Ste. 880 Beverly Hills, CA 90212 310-274-4474 Fax 310-274-4108 The comedy follows a nebbish young man who's pressured into losing his virginity by his overbearing but well-meaning best friend who's determined to document the entire humiliating misadventure. -
ROCK of AGES Pk 5 24 12 Domestic
Under the direction of Adam Shankman (“Hairspray”), New Line Cinema’s feature film adaptation of the smash hit Broadway musical “Rock of Ages” comes to the big screen. “Rock of Ages” tells the story of small town girl Sherrie and city boy Drew, who meet on the Sunset Strip while pursuing their Hollywood dreams. Their rock ‘n’ roll romance is told through the heart-pounding hits of Def Leppard, Foreigner, Journey, Poison, REO Speedwagon, Twisted Sister and more. The movie musical stars Julianne Hough (“Burlesque”), with actor/singer Diego Boneta in his feature film debut, Russell Brand (“Arthur,” “Get Him to the Greek”), Oscar® nominee Paul Giamatti (“Cinderella Man”), Academy Award® winner Catherine Zeta- Jones (“Chicago”), Malin Akerman (“The Proposal”) and R&B queen Mary J. Blige, with Oscar® nominee Alec Baldwin (“The Cooler,” TV’s “30 Rock”), and Oscar® nominee Tom Cruise (“Mission: Impossible – Ghost Protocol,” “Magnolia,” “Jerry Maguire”) as Stacee Jaxx. Shankman directs “Rock of Ages” from a screenplay by Justin Theroux and Chris D’Arienzo and Allan Loeb, based on D’Arienzo’s musical of the same name. The film is being produced by Matthew Weaver, Scott Prisand, Carl Levin, Tobey Maguire, Garrett Grant and Jennifer Gibgot, with Toby Emmerich, Richard Brener, Michael Disco, Samuel J. Brown, Hillary Butorac Weaver, Janet Billig Rich, Shankman and D’Arienzo serving as executive producers. Rounding out the “Rock of Ages” creative team are director of photography Bojan Bazelli (“Hairspray”), production designer Jon Hutman (“It’s Complicated”), editor Emma 1 E. Hickox (“A Walk To Remember”), Oscar®-nominated costume designer Rita Ryack (“How the Grinch Stole Christmas,” “Hairspray”), Grammy-nominated music supervisor Matt Sullivan (“Dreamgirls,” “Nine”), and Emmy Award-winning choreographer Mia Michaels (“So You Think You Can Dance”). -
Karyn Alexander
KARYN ALEXANDER Hair Dept. Head & Personal IATSE local #798 Karyn Alexander grew up in studio back lots and make-up trailers where her mother, two-time Academy Award nominee Judith Alexander Cory worked. Karyn followed in her footsteps and attended the Vidal Sassoon Academy in Santa Monica, California. After graduating with a comprehensive knowledge of the arts of cutting and coloring, she began her career in films such as Jurassic Park II, The Matrix II & III, American History X and Patch Adams. Now with more than 21 years of industry experience, Karyn has worked with some of Hollywood’s elite directors including Steven Spielberg, Joel and Ethan Coen, Steven Soderbergh, Oliver Stone and Ron Howard. As Personal Hairstylist to Catherine Zeta Jones for eight years, Karyn helped shape her characters in Chicago, The Legend of Zorro, Ocean’s 12 and more. Karyn is Atlanta based. Feature Films (selected credits) as Department Head or Personal: Production Cast Director/ Producer /Production Company HOCUS POCUS 2 Anne Fletcher / Adam Shankman / Disney MOONSHOT (Cole Sprouse, Lana Condor) Christopher Winterbauer / Greg Berlanti / New Line MAP OF TINY PERFECT THINGS (Kathryn Newton) Ian Samuels / Akiva Goldsman / Amazon FREAKY (Vince Vaughn, Kathryn Newton) Christopher Landon / Jason Blum / Universal CHARMING THE HEARTS OF MEN (Kelsey Grammer, Dept Head, period) Susan DeRose / Richard Lewis / Liberty House DUMPLIN (Dept. Head) Anne Fletcher / Michael Costigan / Netflix FIELD OF LOST SHOES (Jason Isaacs - Civil War drama) Sean McNamara /Brookwell-McNamara BONNEVILLE (Jessica Lange, Kathy Bates, Joan Allen) Chris Rowley / Robert May / SenArt Films THE INFORMERS (Billy Bob Thornton & ensemble) Gregor Jordan / Marco Weber / Senator Ent. -
Moving Forward
Moving Forward FY2012 ANNUAL REPORT The Trevor Project is the leading national organization providing crisis intervention and suicide prevention services to lesbian, gay, bisexual, transgender and questioning young people under 24. Every day, The Trevor Project saves young lives through its free and confidential lifeline and instant messaging services, in-school workshops, educational materials, online resources and advocacy. TABLE OF CONTENTS 3 Executive and Board Message 4 Trevor Timeline: Fiscal Year 2012 5 Spotlights 9 Program Introduction Message 10 Trevor’s Programs 14 Donor Report 18 Trevor Board of Directors and Staff 19 Financial Report EXECUTIVE AND 2/3 | Annual Report FY2012 | MOVING FORWARD BOARD MESSAGE Dea r Friends, Thanks to your unwavering support over this past year, The Trevor Project has moved forward and served more lesbian, gay, bisexual, transgender and questioning (LGBTQ) youth than ever before while adding valuable staff members, embracing new executive and Board leadership, and extending Trevor’s reach to new cities nationwide. This year has been full of change, growth, and progress. Our call reports, chat logs, and digital services make it very clear that The Trevor Project is still urgently needed. We saw one of the largest membership increases on TrevorSpace since the program’s inception in 2008 and we watched the number of calls to the Trevor Lifeline surpass 35,000 – nearly 4,000 more than last year. We also expanded the first nationally available chat service specifically for LGBTQ youth in need of support. While we sincerely wish that the need for Trevor’s services would diminish, we are truly grateful to be present to fulfill the needs of young LGBTQ people in crisis. -
The Circulation of Popular Dance on Youtube
Social Texts, Social Audiences, Social Worlds: The Circulation of Popular Dance on YouTube Dissertation Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Alexandra Harlig Graduate Program in Dance The Ohio State University 2019 Dissertation Committee Harmony Bench, Advisor Katherine Borland Karen Eliot Ryan Skinner Copyrighted by Alexandra Harlig 2019 2 Abstract Since its premiere, YouTube has rapidly emerged as the most important venue shaping popular dance practitioners and consumers, introducing paradigm shifts in the ways dances are learned, practiced, and shared. YouTube is a technological platform, an economic system, and a means of social affiliation and expression. In this dissertation, I contribute to ongoing debates on the social, political, and economic effects of technological change by focusing on the bodily and emotional labor performed and archived on the site in videos, comments sections, and advertisements. In particular I look at comments and fan video as social paratexts which shape dance reception and production through policing genre, citationality, and legitimacy; position studio dance class videos as an Internet screendance genre which entextualizes the pedagogical context through creative documentation; and analyze the use of dance in online advertisements to promote identity-based consumption. Taken together, these inquiries show that YouTube perpetuates and reshapes established modes and genres of production, distribution, and consumption. These phenomena require an analysis that accounts for their multivalence and the ways the texts circulating on YouTube subvert existing categories, binaries, and hierarchies. A cyclical exchange—between perpetuation and innovation, subculture and pop culture, amateur and professional, the subversive and the neoliberal—is what defines YouTube and the investigation I undertake in this dissertation. -
Joey Pizzi Theatre
Joey Pizzi Theatre: The Nance Choreographer Dir. Jack O'Brien Catch Me if You Can Assoc. Choreographer Dir. Jack O'Brien Cry Baby Assoc. Choreographer Dir. Mark Brokaw Urban Cowboy Assoc. Choreographer Dir. Lonny Price Follies Assoc. Choreographer Dir. Matthew Warchus Seussical Assoc. Choreographer Dir. Rob Marshal Minnelli on Minnelli Assoc. Choreographer Dir. Fred Ebb Hair-Encores! Assoc. Choreographer Dir. Kathleen Marshall Wonderful Town-Encores! Assoc. Choreographer Dir. Kathleen Marshall 17 Again Assoc. Director NYC, Workshop / Dir. Adam Shankman Robin Hood Choreographer World Premiere / AADA / Dir. Douglas Carter Beane Jukebox Jackie Choreographer La Mama / Dir. Scott Whitman Broadway 68 Choreographer La Mama / Dir. Scott Whitman Of Thee | Sing Choreographer Dir. Tina Landau / Papermill Playhouse Paparazzi Add'l Choreographer Dir. Tommy Tune / Holland America Cruise Damn Yankees Choreographer Dir. Jurg Burth / Theater Des Westens Damn Yankees US Natl Tour Choreographer-Restaged Dir. Jack O'Brien / West End The Most Fabulous Story Ever Choreographer Dir. Christopher Ashley / Told NYTW Candide Choreographer Dir. Lonny Price / NY Philharmonic Time and Again Assoc. Choreographer Dir. Jack O'Brien / The Old Globe Film: Mary Poppins Returns Co-Choreographer Dir. Rob Marshall / UPCOMING Into the Woods Assoc. Choreographer Dir. Rob Marshall Lucky Stiff Choreographer Dir. Christopher Ashley The Secret Life of Walter Mitty Choreographer Dir. Ben Stiller Burlesque Choreographer Dir. Steven Antin Rock of Ages Dance Supervisor Dir. Adam Shankman It's Complicated Choreographer Dir. Nancy Meyers Nine Assoc. Choreographer Dir. Rob Marshall The Marc Pease Experience Choreographer Dir. Todd Louiso Hairspray Assoc. Choreographer Dir. Adam Shankman Dreamgirls Assoc. Choreographer Dir. Bill Condon The Terminal Assoc. Choreographer Dir. -
Striving for Love Reflected in Adam Shankman's a Walk To
STRIVING FOR LOVE REFLECTED IN ADAM SHANKMAN’S A WALK TO REMEMBER MOVIE (2002): AN INDIVIDUAL PSYCHOLOGICAL APPROACH RESEARCH PAPER Submitted as a Partial Fulfillment of the Requirements for Getting Bachelor Degree of Education in English Department by CHANDRA PUSPITA SARI A 320 060 093 ENGLISH DEPARTEMENT SCHOOL OF TEACHER TRAINING AND EDUCATION MUHAMMADIYAH UNIVERSITY OF SURAKARTA 2010 CHAPTER I INTRODUCTION A. Background of the Study Nowadays, there are many media delivering message to large audience. Film is a great media to deliver a message or idea, it explains to another aspect such as origin of history, love, city, life and others. It can not be ignored that film influences people to change the way of thinking. Films are cultural artifacts created by specific cultures, which reflect those cultures, and, in turn, affect them. Film is considered to be an important art form, a source of popular entertainment, and a powerful method for educating or indoctrinating citizens. The visual elements of cinema give motion pictures a universal power of communication; some movies have become popular worldwide attractions by using dubbing or subtitles that translate the dialogue. Basically, every human being has the same purpose of her or his life. They want to be happy and can life well with other. But in fact, parts of them consider that they are better than other. One of the examples of describing those conditions is reflected in the movie, A Walk to Remember, directed by Adam Shankman. Adam Shankman was born in Los Angeles, California USA, on November 27, 1964. A Walk to Remember is a 2002 romance film based on the 1999 romance novel with the same title by Nicholas Sparks.