DOCSLIB.ORG

DIGITAL PROGRAMME Christmas 2020

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

LI VER POOL CHRISTMAS STRI NG QUARTET CONCERT Liverpool String Quartet Matt Lammin & Friends (Voices) Mike *McGear McCartney (Narrator) PROGRAMME *Winter from The Four Seasons | A. Vivaldi I. Allegro non molto II. Largo III. Allegro *Winter from “Four Seasons of Buenos Aires" | A. Piazzolla *The Snowman | H. Blake Narrator: Mike *McGear McCartney Singers: Matt Lammin & Friends *Last Christmas | Wham! *The Christmas Song | Mel Tormé and Bob Wells *Silent Night | Traditional *Home Alone medley | Leontovych/Wilhousky & John Williams *Merry Christmas Everyone | Shakin’ Stevens Liverpool String Quartet Matt Lammin & Friends (Voices) Mike *McGear McCartney (Narrator) LIVERPOOL STRING QUARTET Róisín Walters | violin Daniel Sanxis | viola Sarah Hill | violin Nick Byrne | cello Since its formation in 2010, the Liverpool String Quartet has given hundreds of concerts in the UK and Europe, to critical acclaim. They have performed in venues throughout Liverpool, including St George’s Hall, Liverpool Philharmonic’s Music Room and Liverpool Cathedral, and have toured Spain and Catalunya twelve times, opening the prestigious Mahon music festival in 2012, and playing in venues such as the Cathedral of Pamplona, and the Teatro Principal de Valls. In 2015 the quartet gave the world premiere of the full string quartet version of The Snowman, which was arranged for the quartet by its composer Howard Blake. They have recorded this on CD, with Sir Ken Dodd narrating, along with a quartet version of the children’s classic Peter and the Wolf. In 2018 the Liverpool String Quartet gave a concert of Beatles music, narrated by Hunter Davies, which was a finalist in Carlisle Living Magazine’s ‘Event of the Year’ award. As well as Ken Dodd and Hunter Davies, the quartet have collaborated with many other celebrated musicians and artists, including pianist Martin Roscoe, DJ Spooky, and James Clark, former leader of the RLPO. The quartet has many concerts planned for 2021 and 2022, including performances at Liverpool Philharmonic’s Music Room, and tours to Spain and to Ireland for the National String Quartet Foundation’s 2021 season. ‘The Liverpool string quartet brought beauty and skill to this piece, which demanded some incredible, technical solos...this piece really proves that Liverpool boasts genius in the orchestra’s string section’ (artinLiverpool.com) ‘The setting is divine, the sound sublime - this is like angel wings fluttering past my ears...The music speaks to me, it is rapturous and I am melting into my seat..the quartet is in flight’ (Liverpool-live.tv) ‘Impeccable playing by the Liverpool String Quartet effortlessly carries the sentiments embodied in the musical sections’ (catalystmedia.org.uk) ‘Thank you for that amazing concert..Carlisle people are somewhat reserved in concerts, and I’ve never seen a standing ovation in hundreds of them over the past 40 years, so you must have been good!’ (Borderlines Carlisle) MATT LAMMIN Matt Lammin is a musical director, arranger and vocalist based in Merseyside. He runs vocal groups in many guises and the groups he directs have backed high profile artists, held residencies at local venues, competed in live BBC television competitions and performed across the country. Over one hundred of his vocal arrangements are published online and a few years ago he was commissioned to compose a vocal piece for a female vocal group in Pennsylvania during which he was flown over to guest-conduct the Matt Lammin & Friends choir for the premiere of his piece. As a vocalist with Sense of Sound Singers, he has performed across Europe and provided backing vocals for artists such as Take That, Ringo Starr and Pink Floyd as well as backing Russell Watson on a 19-date tour of the UK. For this gig at the Bombed Out Church, he has brought together three singers from the White Star Choir who he directed for their residency at the Titanic Hotel last Christmas: Amy Chalmers, Molly Daniel and Jeanette Davies, who are all singers and musicians in their own right and perform professionally across Merseyside. MIKE *McGEAR McCARTNEY Peter Michael “Mike” McCartney (born 7 January 1944), known professionally as Mike McGear, is a British performing artist and rock photographer and the younger brother of Paul McCartney. He attended the Liverpool Institute two years behind his brother. Michael and his brother Paul (born 18 June 1942) were both born in the Walton General Hospital in Liverpool, where their mother, Mary McCartney, had previously worked as a nursing sister in charge of the maternity ward. Michael was not enrolled in a Catholic school as his father, Jim McCartney, believed that they leaned too much towards religion instead of education. At age 17, McCartney started his first job at ‘Jackson’s the Tailors’ in Ranelagh Street, Liverpool. The year after he took an apprenticeship at ‘Andre Bernard’, a hairdresser for ladies in the same street. Musical Career At the time the Beatles became successful, Mike McCartney was working as an apprentice hairdresser. However, he was also a member of the Liverpool comedy-poetry-music group the Scaffold, which included Roger McGough and John Gorman and had formed in 1962 (the year of the Beatles’ first hit). McCartney decided to use a stage name, so as not to appear to be riding his brother’s coattails. After first dubbing himself “Mike Blank”,[5] he settled on “Mike McGear”, “gear” being the Liverpudlian equivalent of “fab”. The band was subsequently signed to Parlophone. The Scaffold recorded a number of UK hit singles between 1966 and 1974, the most successful being the 1968 Christmas number one single, “Lily the Pink”. McCartney composed the band’s next biggest hit, 1967’s “Thank U Very Much”. In 1968, he and McGough released a “duo” album (McGough & McGear) that included the usual Scaffold mix of lyrics, poems, and comedy. The Scaffold ended up hosting a TV program, which limited the musical portion of their career, and they were dropped by Parlophone. McCartney then signed to Island Records and released a solo musical album entitled Woman in 1972—About this sound sample (help·info)—which again included many tracks co-written with McGough, and the Scaffold subsequently released their own album on the label, Fresh Liver. The Scaffold then added several other members and released two albums on Island in 1973 as Grimms (an acronym for Gorman-Roberts-Innes-McGear-McGough-Stanshall). However, McCartney quit Grimms after the second album due to tension between himself and one of the poets added to the group. McCartney then signed to Warner Bros. Records and in 1974 released his second “serious” musical album, McGear, in which he collaborated with his brother Paul and Paul’s band Wings. Although four singles were released from these sessions, only “Leave It” enjoyed any moderate chart success (No. 36 UK). However, also recorded during McCartney’s sessions with Wings was a Scaffold “reunion” song, “Liverpool Lou”, which became the Scaffold’s last top-ten hit. This led to the group’s re-formation in 1974, and they recorded and performed together through 1977. Individually, McCartney released a few more singles. His final release, while still using the name Mike McGear, was the 1981 release “No Lar Di Dar (Is Lady Di)”. This was a satirical tribute to Lady Diana Spencer, released at the time of her wedding to Prince Charles. In the 1980s, after retiring from music, Mike McCartney decided to end his use of the “McGear” pseudonym and revert to use of his family name. Photographic Career McCartney was a photographer during his entire musical career, and has continued with photography since then. Beatles’ manager Brian Epstein nicknamed him “Flash Harry” in the early 1960s because he was always taking pictures with a flash gun. He has published books of pictures that he took of the Beatles backstage and on tour, and he recently brought out a limited edition book of photos he took spontaneously backstage at Live8. In 2005, McCartney premiered and exhibited a collection of photographs that he had taken in the 1960s, called “Mike McCartney’s Liverpool Life”, both in Liverpool and other venues, such as The Provincial Museum of Alberta. In addition, an exhibition book was published of the collection. He also took the cover photograph for Paul McCartney’s 2005 solo album Chaos and Creation in the Backyard..
Recommended publications
  • Course Outline and Syllabus the Fab Four and the Stones: How America Surrendered to the Advance Guard of the British Invasion

    Course Outline and Syllabus the Fab Four and the Stones: How America Surrendered to the Advance Guard of the British Invasion

    Course Outline and Syllabus The Fab Four and the Stones: How America surrendered to the advance guard of the British Invasion. This six-week course takes a closer look at the music that inspired these bands, their roots-based influences, and their output of inspired work that was created in the 1960’s. Topics include: The early days, 1960-62: London, Liverpool and Hamburg: Importing rhythm and blues and rockabilly from the States…real rock and roll bands—what a concept! Watch out, world! The heady days of 1963: Don’t look now, but these guys just might be more than great cover bands…and they are becoming very popular…Beatlemania takes off. We can write songs; 1964: the rock and roll band as a creative force. John and Paul, their yin and yang-like personal and musical differences fueling their creative tension, discover that two heads are better than one. The Stones, meanwhile, keep cranking out covers, and plot their conquest of America, one riff at a time. The middle periods, 1965-66: For the boys from Liverpool, waves of brilliant albums that will last forever—every cut a memorable, sing-along winner. While for the Londoners, an artistic breakthrough with their first all--original record. Mick and Keith’s tempestuous relationship pushes away band founder Brian Jones; the Stones are established as a force in the music world. Prisoners of their own success, 1967-68: How their popularity drove them to great heights—and lowered them to awful depths. It’s a long way from three chords and a cloud of dust.
  • Rak on the Road Rstart

    Rak on the Road Rstart

    MIRROR, FEBRUARY r, d REFORD & POPSWOP Suzi's first headline tour Lindisfarne bow out stood to have made h LINDISFARNEat plans, which leaves ARE splitting up three others, R J RAK ON THE ROAD the end of their son, Charlie Hareq UK Tommy Duffy m SUM Quatro The tour dates are: current forming a new sets out feel bar on Apollo. Glasgow (Febru- because they Alan her first head ary 23); City Hall, they Hull's soloNa lining Inn that musically based mi the theme tour of Britain Newcastle (24); Hard the later In have reached BBC -2 play, ill February Rock. Manchester (25): released In and Guildhall, Preston (26); of the road with April a will be sup- end t. single taken from ported Stadium, Liverpool current sjrortly. The by Cozy (March 3); City Hall, the new byes Powell's Hammer Alan Hull be formed, hope to Sheffield (4): Town Hall, a solo an album and Arrows. Birmingham (6); Gate out ao records followed by a most. Ipswich (6); and album Squire which UK lot The tour, known London's Rainbow be the the spring. is likely to It is the second as the Rak Road - Theatre (8). a solo show, Suzi's new single. Your basis for final split of Undid will have all i drum- the first split while ev tickets priced at Mama Won't Like It goes career, - on sale this Friday, and mer Paul Nichols Is Jack the Lad _ sad £1.50, and they will the Arrow's latest My be climaxed by a fare reported to gig in their go on sale at box Last Night With You, is Aerial Bend- natl.
  • Borderlines 2015

    Borderlines 2015

    FREE FESTIVAL GUIDE BorderlinesCarlisle Book Festival 2015 in association with cumbrialife THURSDAY 3 TO SUNDAY 6 SEPTEMBER James Rebanks � Owen Jones � Terry Waite Charlotte Green � Kate Williams � Gervase Phinn Salley Vickers � Jenny Uglow � Juliet Barker Simon Yates and many more... Borderlines 2015 Partners: Bookends, Carlisle Cathedral, Cumbria County Council Library Service, Tullie House Museum & Art Gallery www.borderlinescarlisle.co.uk President’s welcome city strolling Rigby Phil Photography The Lanes Carlisle ell done to everyone at The growth in literary festivals in the last image courtesy of BHS Borderlines for making it decade has partly been because the such a resounding reading public, in fact the general public, success, for creating a do like to hear and see real live people for Wliterary festival and making it well and a change, instead of staring at some sort truly a part of the local community, nay, of inanimate box or computer contrap- part of national literary life. It is now so tion. The thing about Borderlines is that well established and embedded that it it is totally locally created and run, a feels as if it has been going for ever, not- for- profit event, from which no one though in fact it only began last year… gets paid. There is a committee of nine yes, only one year ago, so not much to who include representatives from boast about really, but existing- that is an Cumbria County Council, Bookends, achievement in itself. There are now Tullie House and the Cathedral. around 500 annual literary festivals in So keep up the great work.
  • PATTO – the JOHN HALSEY INTERVIEW

    PATTO – the JOHN HALSEY INTERVIEW

    PATTO – the JOHN HALSEY INTERVIEW Patto, apart from being one of the finest (purely subjective, of course) bands this country ever produced, were not blessed with good fortune. Forever on the verge of making it really big, they broke up after six years of knocking on the door and finding no-one home. Subsequently, two of their number died while the other two were involved in a terrible car smash which left one with severe physical injuries and the other with severe mental problems. Drummer John Halsey is now the only Patto member who could possible give us an interview. Mike Patto and Ollie Halsall are both gone, while bassist Clive Griffiths apparently doesn't even recall being in a band! Despite bearing the scars of the accident (Halsey walks with a pronounced limp), John was only too pleased to submit to a Terrascopic grilling - an interview which took place in the wonderful Suffolk pub he runs with his wife Elaine. Bancroft and I spent a lovely afternoon and evening with the Halseys, B & B'd in the shadow of a 12th Century church cupboard and returned to London the next morning with one of the most enjoyable interviews either of us has ever done. John Halsey: I started playing drums because two mates who lived in my road in North Finchley (N. London), where I'm from, wanted to form a group. This was years and years ago, 1958, 1959. Want to see the photo? PT: Oh, look at that! 1959! Me, with a microphone inside me guitar that used to go out through me Mum's tape recorder, and if you put 'Record' and 'Play' on together, it'd act like an amplifier.
  • “What Happened to the Post-War Dream?”: Nostalgia, Trauma, and Affect in British Rock of the 1960S and 1970S by Kathryn B. C

    “What Happened to the Post-War Dream?”: Nostalgia, Trauma, and Affect in British Rock of the 1960S and 1970S by Kathryn B. C

    “What Happened to the Post-War Dream?”: Nostalgia, Trauma, and Affect in British Rock of the 1960s and 1970s by Kathryn B. Cox A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Music Musicology: History) in the University of Michigan 2018 Doctoral Committee: Professor Charles Hiroshi Garrett, Chair Professor James M. Borders Professor Walter T. Everett Professor Jane Fair Fulcher Associate Professor Kali A. K. Israel Kathryn B. Cox [email protected] ORCID iD: 0000-0002-6359-1835 © Kathryn B. Cox 2018 DEDICATION For Charles and Bené S. Cox, whose unwavering faith in me has always shone through, even in the hardest times. The world is a better place because you both are in it. And for Laura Ingram Ellis: as much as I wanted this dissertation to spring forth from my head fully formed, like Athena from Zeus’s forehead, it did not happen that way. It happened one sentence at a time, some more excruciatingly wrought than others, and you were there for every single sentence. So these sentences I have written especially for you, Laura, with my deepest and most profound gratitude. ii ACKNOWLEDGMENTS Although it sometimes felt like a solitary process, I wrote this dissertation with the help and support of several different people, all of whom I deeply appreciate. First and foremost on this list is Prof. Charles Hiroshi Garrett, whom I learned so much from and whose patience and wisdom helped shape this project. I am very grateful to committee members Prof. James Borders, Prof. Walter Everett, Prof.
  • Newsletter 44

    Newsletter 44

    Newsletter Hartlepool & District U3A New Year Edition, Issue 44, January 2021 Happy New Year! Happy New Year! Happy New Year! Happy New Year! Comments from the Chair First of all, greetings to you all and I hope you enjoy the festive period Things are definitely looking more optimistic for the new year with more vaccines becoming ready for distribution. I know that some of our members have already had their first jab, so things are definitely going in the right direction. It is important not to get too far ahead of ourselves as it will be a huge undertaking to get everyone vaccinated before we can return to something approaching normal life. With this in mind, the Committee has decided that we need to hold the AGM that has been held over since June. Obviously, we cannot have a face-to-face meeting so we will be holding a 'virtual' AGM on Friday February 5th 2021 at 2 pm. We will be sending out all the relevant documentation required in mid-January by email and by post to give you all plenty of time to scrutinise them. The virtual meeting will be held via Zoom and every member is invited to join. We want to encourage as many members as possible to join and we can offer help if you need it. Phil has kindly offered to help members who are new to Zoom the week before the AGM. Further details will follow. By the time you read this, the latest TAT newsletter will have been sent out and you can also book Introduction to Zoom sessions via a link in this latest edition.
  • Music & Entertainment Auction

    Music & Entertainment Auction

    Hugo Marsh Neil Thomas Forrester (Director) Shuttleworth (Director) (Director) Music & Entertainment Auction Tuesday 19th February 2019 at 10.00 Viewing: For enquiries relating to the auction Monday 18th February 2019 10:00 - 16:00 please contact: 09:00 morning of auction Otherwise by Appointment Saleroom One 81 Greenham Business Park NEWBURY RG19 6HW Telephone: 01635 580595 Christopher David Martin David Howe Fax: 0871 714 6905 Proudfoot Music & Music & Email: [email protected] Mechanical Entertainment Entertainment Music www.specialauctionservices.com As per our Terms and Conditions and with particular reference to autograph material or works, it is imperative that potential buyers or their agents have inspected pieces that interest them to ensure satisfaction with the lot prior to auction; the purchase will be made at their own risk. Special Auction Services will give indications of the provenance where stated by vendors. Subject to our normal Terms and Conditions, we cannot accept returns. ORDER OF AUCTION Music Hall & other Disc Records 1-68 Cylinder Records 69-108 Phonographs & Gramophones 109-149 Technical Apparatus 150-155 Musical Boxes 156-171 Jazz/ other 78s 172-184 Vinyl Records 185-549 Reel to Reel Tapes 550-556 CDs/ CD Box Sets 557-604 DVDs 605-612 Music Memorabilia 613-658 Music Posters 659-666 Film & Entertainment Memorabilia Including items from the Estate of John Inman 667-718 Film Posters 719-743 Musical Instruments 744-759 Hi-Fi 760-786 2 www.specialauctionservices.com MUSIC HALL & OTHER DISC RECORDS 18. Music hall and similar records, 10 inch, 67, by Geo Robey (G & T 2-2721 & 18 1.
  • The Beatles on Film

    The Beatles on Film

    Roland Reiter The Beatles on Film 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 1 ) T00_01 schmutztitel - 885.p 170758668456 Roland Reiter (Dr. phil.) works at the Center for the Study of the Americas at the University of Graz, Austria. His research interests include various social and aesthetic aspects of popular culture. 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 2 ) T00_02 seite 2 - 885.p 170758668496 Roland Reiter The Beatles on Film. Analysis of Movies, Documentaries, Spoofs and Cartoons 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 3 ) T00_03 titel - 885.p 170758668560 Gedruckt mit Unterstützung der Universität Graz, des Landes Steiermark und des Zentrums für Amerikastudien. Bibliographic information published by Die Deutsche Bibliothek Die Deutsche Bibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.ddb.de © 2008 transcript Verlag, Bielefeld This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License. Layout by: Kordula Röckenhaus, Bielefeld Edited by: Roland Reiter Typeset by: Roland Reiter Printed by: Majuskel Medienproduktion GmbH, Wetzlar ISBN 978-3-89942-885-8 2008-12-11 13-18-49 --- Projekt: transcript.titeleien / Dokument: FAX ID 02a2196899938240|(S. 4 ) T00_04 impressum - 885.p 196899938248 CONTENTS Introduction 7 Beatles History – Part One: 1956-1964
  • Read Ebook {PDF EPUB} Guiness British Hit Singles by Karen O'brien Karen Boddington and Mark Williams

    Read Ebook {PDF EPUB} Guiness British Hit Singles by Karen O'brien Karen Boddington and Mark Williams

    Read Ebook {PDF EPUB} Guiness British Hit Singles by Karen O'Brien Karen Boddington and Mark Williams. Karen Boddington and Mark Williams formed the Australian vocal duet that sang the original theme tune for the TV soap Home and Away. Mark Williams has performed with several other groups. Charts. The theme tune is entitled "Home and Away", and it was released on the First Night label. It entered the UK Singles Chart on 2 September 1989, and remained in the charts for only one week, reaching position 79. [1] Issue. It was used as the theme tune to the show from 1988 until 1995. There have been 7 different full versions of the theme song used, including 2 by The Robertson Brothers. References. Rice, Tim; Jonathan Rice & Paul Gambaccini (1990), Guinness Book of British Hit Singles & Albums , Enfield, Middlesex: Guinness World Records and Guinness Publishing, ISBN 0-85112-398-8 ( Note: misprinted as "Baddington") Dieser Artikel basiert auf dem Artikel Karen Boddington and Mark Williams aus der freien Enzyklopädie Wikipedia und steht unter der GNU- Lizenz für freie Dokumentation. In der Wikipedia ist eine Liste der Autoren verfügbar. Johnny and Mary. "Johnny and Mary" is a song written by Robert Palmer and was recorded in 1980 at Compass Point Studios, New Providence, in the Bahamas. The song was featured on Palmer's album Clues (1980). "Johnny and Mary" only went to #44 on the UK Singles Chart [1] , but did reach #18 on Billboard's Club Play Singles chart.[1] "Johnny and Mary" was used as the signature tune in advertisements promoting Renault cars throughout the 1980s and 1990s.
  • Annual Review | 2018/2019 WELCOME from the VICE-CHANCELLOR Dr John Cater CBE

    Annual Review | 2018/2019 WELCOME from the VICE-CHANCELLOR Dr John Cater CBE

    Annual Review | 2018/2019 WELCOME FROM THE VICE-CHANCELLOR Dr John Cater CBE Despite continued uncertainty in the Higher Education The University has also enhanced links with external sector, it has, once again, been a good year for Edge Hill organisations this year, ensuring Edge Hill’s facilities and University. expertise are key resources for a range of communities. A new Productivity and Innovation Centre is boosting the While applications have remained stable this year, we have regional economy by providing local companies with seen a marked rise in conversions – one in three people training, support and advice to address challenges and who apply to Edge Hill now go on to take up a place – develop business skills. Our new Medical School focuses on demonstrating that Edge Hill is increasingly being seen as providing training and support for the North West NHS and the place to study in the region. is developing partnerships with major health providers in the The fact that Edge Hill is rising up the league tables is also a region. We have also recently won a £1m contract to deliver factor in our success this year. We moved into the Top 50 an MSc for Physician Associates to help meet regional demand for this emerging role. of The Guardian University Guide 2020 and are now in the Top 1000 global universities, according to the Times Higher It’s been another year of campus improvements aimed at Education World University Rankings 2019. The WhatUni enhancing the student experience. Catalyst, our new flagship Student Choice Awards shortlisted Edge Hill for University building, was officially opened this year by HRH The Princess of the Year and also placed us in the top 10 in five categories Royal, bringing together all student services under one this year – accommodation, job prospects, facilities, student copper-plated roof.
  • Műhely Dalok Az Angolórán

    Műhely Dalok Az Angolórán

    Műhely HEGEDŰS KATALIN nyelvtanár Jankó János Általános Iskola és Gimnázium Tótkomlós Dalok az angolórán ENGLISH WITH SONGS 1) Class profile: The lesson plan is made for students of the year 11 of a secondary school (gimnázium) in Tótkomlós. The group consists of 17 students. Level of English: Pre-intermediate. Coursebook used: Hotline / Pre-intermediate / 2) The song: (pop) Yesterday by The Beatles 3) The background of the song: Some data about the Beatles boys' lives in the form of homework 4) The language planned to teach: Everyday English used in communication 5) Pre-listening tasks: Choose a song by The Beatles What is it about? Important topics: emotions esp. love Make up a love-story using the clues 6) Listening task: What is the song about? Try to sing it together with the group. 7) Post-listening task: a) Have a look at the transcript of the song. / Hand out the copies of the song. A copy enclosed / b) Sing it together with the group. c) The Beatles on the Internet: Compare the "modern version" of this song with the original song. / Hand out the two copies of the song / d) Make an entry into your diary: Write about an event when you were successful or frustrated, happy or unhappy 215 8 ) The lesson plan: YESTERDAY BY THE BEATLES and Yesterday by Gordon Foreman Aims: to use background knowledge to generate creative ideas to encourage speaking about personal experience, emotions to encourage using Internet • THE LESSON step by step Pre-Iistening tasks: Warm-up activity: Fill in the chart and solve the riddle.
  • SERIES 3 September 2019 Issue 3

    SERIES 3 September 2019 Issue 3

    COMPLETELY BUCKINGHAM SERIES 3 September 2019 Issue 3 Star Buy ..................... 2 BC301FS £50 OFFER £40 09/01/07 Beatles. Signed Series 3 Checklist ..... 3 Allan Williams. Series 3 ...................... 5 Buying List ............... 18 Last Chance .......... 19 BC316 £20 OFFER £15 08/11/07 Lest We Forget doubled postmark. BC306B £45 23/04/07 Celebrating England - St George’s Day. Signed Geraldine McEwan, star of Miss Marple. BC321C £35 OFFER £25 13/03/08 Flown. Classic. BC326DS £29.95 17/07/08 Air Displays - Red Arrows & Concorde. Signed Test Pilot Peter Baker. BC331MS £35 OFFER £25 04/11/08 Christmas Pantomime. Signed Su Pollard. BC345S2 £75 08/10/09 Eminent Britons - Sir Arthur Conan Doyle. Signed by David Burke & Edward Hardwicke, both played Dr. Watson. Call us on 01303 278137 www.buckinghamcovers.com Dear Collector, Each series seems to be become longer, with an outstanding choice of variations for most issues. During the summer holidays I took my youngest to London for a few days. We thoroughly enjoyed being tourists and taking in all the sights. My trip helped me decide on this Star Buy, see below for details. Happy Browsing & Best Wishes Vickie Star Buy BC324MS £30 OFFER £20 St Paul’s Cathedral. Signed by the Dean of St Paul’s. Did you know? St Paul’s Cathedral is one of the largest churches in the world and is located in the City of London on Ludgate Hill, the City’s highest point. It was designed by Sir Christopher Wren as an important part of a huge rebuilding plan after the Great Fire of London in 1666.