Outlawry & Punishment, C.1150-1264
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Bibliography Editions and Translations of Primary Sources Ågrip or Noregs kongesoger. Translated by Gustav Indrebø. Oslo: Det norske samlaget, 1973. Acta et processus canonizationis b. Birgitte. Edited by Isak Collijn. Samlingar utgivna av Svenska fornskriftsällskapet, Ser. 2, Latinska skrifter. Uppsala: Almqvist & Wiksell boktryckeri, 1924–1931. Acta sanctorum. 68 vols. Edited by Johannes Bollandus and Godefridus Henschenius. Antwerp & Brussels: Société des Bollandistes, 1643–1940. Adalbold II of Utrecht. Vita Henrici II imperatoris. Edited by Georg Waitz. MGH. Hannover: Hahnsche Buchhandlung, 1841. 679–95. Adam of Bremen. Mag. Adami gesta Hammenbergensis Ecclesias Pontificum. Edited by Johann Martin Lappenberg. MGH SS, 7. Hanover, 1846. 267–389. ———. Gesta Hammaburgensis ecclesiae pontificum. Edited by Bernard Schmeidler. MGH. Hannover & Leipzig: Hahnsche Buchhandlung, 1917. ———. The History of the Archbishops of Hamburg-Bremen. Translated by Francis Joseph Tschan. New York: Columbia University Press, 1959. Ágrip af Nóregskonunga sǫgum. Fagrskinna – Nóregs konunga tal. Edited by Bjarni Einarsson. Íslenzk Fornrit, 29. Reykjavík: Hið islenzká fornritafelag,́ 1985. Ágrip af Nóregskonungasǫgum.InText Series. Edited by Matthew James Driscoll. 2nd ed. A Twelfth-Century Synoptic History of the Kings of Norway, 10. London: Viking Society for Northern Research, 2008. Akershusregisteret af 1622. Edited by G. Tank. Den norske historiske Kildeskriftkommission. Kristiania: Grøndahl & Søns boktryggeri, 1916. Alain de Lille. De planctu naturae. PL, 210. col. 579A. ———. De planctu naturae. Translated by G.R. Evans. Alan of Lille: The Frontiers of Theology in the Later Twelfth Century. Cambridge: Cambridge University Press, 1983. Albert of Aachen. Historia Ierosolimitana. Edited and translated by Susan B. Edgington. Oxford Medieval Texts. Oxford: Clarendon Press, 2007. Albert of Stade. -
The Mystery of the North of the North in Ibsen's Works
THE MYSTERY OF THE “NORTH OF THE NORTH” IN IBSEN’S WORKS Jon Nygaard It is an exaggeration to claim that several of the protagonists in Ibsen’s dramatic works are from the north, or have lived there. Of all Ibsen’s dramas, only Vikings at Helgeland and Lady from the Sea are “set” in the North; of the characters Rebekka West in Rosmersholm and Hilde Wangel in Master builder are from the North, and vicar Straamand and his wife in Love’s Comedy, doctor Stockmann in An Enemy of the People and both Eilert Løvborg and Thea Elvsted in Hedda Gabler have lived in the North for a period of time and have returned or are returning from the North in the beginning of the play. The few characters in Ibsen’s drama related to the North are, however, given a special emphasis in his works. They are, like the landscape and the light of the North, mysterious, strange, strong and untamed, as Hjørdis in Vikings at Helgeland, Rebekka West in Rosmersholm and Ellida Wangel in Lady from the Sea. Or, they have been exiled, suppressed or forgotten – and then suddenly arrive unexpectedly and challenge the established order and open new tension and ambition – like doctor Stockmann in An Enemy of the People, Eilert Løvborg and Thea Elvsted in Hedda Gabler and Hilde Wangel in Master builder. Ibsen only visited Northern Norway once, on a trip to North Cape in 1891. His only experience of the “North” before that was actually of Central Norway such as Trondheim and Molde. -
PA Munch's Journey to Scotland, Orkney and London in 1849-1850
Showing the Dragon’s Tongue: P.A. Munch’s journey to Scotland, Orkney and London in 1849-1850 Bjørn Bandlien IN September 1849 the Norwegian historian Peter Andreas Munch (1810–63) left his hometown Christiania and headed for Edinburgh. The journey was financed by the Norwegian government and the purpose was to study the medieval monuments, inscriptions and archives in Scotland, Orkney and London. However, the studies were not intended to merely blow dust off antiquities. Munch wanted to rewrite history. The traces in the British Isles were of utmost importance for Norwegian history and to the Norwegian people. For too long, Danish and English scholars had called all the Vikings ‘Danes’ as if they all came from Denmark. This was in Munch’s opinion misleading when in fact Norwegians had been very active in the British Isles, not least in Scotland and Orkney. Munch had become frustrated that British scholars tended to overlook the reality that Norway was an independent nation, and not merely a part of Denmark. Since Norwegians had been so unfortunate to be in submission to Denmark for centuries, their achievements had too long been ascribed to either Denmark or Scandinavia in general. According to Munch, this delusion was even shared by the Scots and Orcadians. He compared this misapprehension to the legend about the dragon slayer: One is bound to think about the old fairytales concerning the knight who kills the dragon, but does not enjoy the glory thereoff, because another has exploited this while the hero slept and cut of the dragon’s head. -
Between Scotland and Norway: Connected Cultures and Intercultural Encounters, 1700-Present
UHI Thesis - pdf download summary Between Scotland and Norway: connected cultures and intercultural encounters after 1700 Reeploeg, Silke DOCTOR OF PHILOSOPHY (AWARDED BY OU/ABERDEEN) Award date: 2017 Awarding institution: The University of Edinburgh Link URL to thesis in UHI Research Database General rights and useage policy Copyright,IP and moral rights for the publications made accessible in the UHI Research Database are retained by the author, users must recognise and abide by the legal requirements associated with these rights. This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement, or without prior permission from the author. Users may download and print one copy of any thesis from the UHI Research Database for the not-for-profit purpose of private study or research on the condition that: 1) The full text is not changed in any way 2) If citing, a bibliographic link is made to the metadata record on the the UHI Research Database 3) You may not further distribute the material or use it for any profit-making activity or commercial gain 4) You may freely distribute the URL identifying the publication in the UHI Research Database Take down policy If you believe that any data within this document represents a breach of copyright, confidence or data protection please contact us at [email protected] providing details; we will remove access to the work immediately and investigate your claim. Download date: 10. Oct. 2021 Between Scotland and Norway: connected cultures and intercultural encounters 1700-Present Thesis submitted for the degree of Doctor of Philosophy at the University of Aberdeen by Silke Reeploeg February 2017 Contents Illustrations ............................................................................................................. -
MYTH and RITUAL in PRE-CHRISTIAN SCANDINAVIAN LANDSCAPE Stefan Brink a Theoretical Background
MYTH AND RITUAL IN PRE-CHRISTIAN SCANDINAVIAN LANDSCAPE STEFAN BRINK MYTH AND RITUAL IN PRE-CHRISTIAN SCANDINAVIAN LANDSCAPE Stefan Brink ♣ I grew up in the forest region of northern Sweden. As a young boy, an old female relative of mine, an aunt to my father, told me now and then of her encounters with the ‘small people’ when she was herding cattle as a herdess at the seter (Sw. fäbodvall) in the forests, especially of the beautiful Skoje- Kare, a supernatural female whom you could see sometimes herding her small, white cattle in the forest.1 At the seter one also had to be aware of the ‘small people’, not to upset them and make them angry, whereupon they would leave you alone and not make life difficult for you. These were no tales told to frighten me; she had seen these supernaturals and they were for real — for her. Aunt Emma had these encounters with the ‘small people’ at the beginning of the twentieth century, when Scandinavia had been a part of Christendom for a millennium. Was she then a pagan in the twentieth century? Certainly not: she was a devoted Christian, who knew how to cut a protective, Christian cross with a knife in the wooden beam over the entrance to the cattle barn, scaring off and preventing malicious supernatural beings stealing cattle or making mischief amongst the animals — and who also attended Mass in church on Sunday. Legends, stories, the solitude in the deep forest, first-hand knowledge of the environment, and a vivid imagination and preventive actions to take care of fear resulted in an ordering of the landscape into safe or dangerous places. -
Norse Mythology: Legends of Gods and Heroes
Norse Mythology Legends of Gods and Heroes by Peter Andreas Munch In the revision of Magnus Olsen Translated from Norwegian by Sigurd Bernhard Hustvedt New York The American-Scandinavian Foundation 1926 vii CONTENTS PAGES Translator’s Preface xi Introduction xiii I. MYTHS OF THE GODS The Creation of the World — The Giants — The Æsir — Men and Women — Dwarfs — Vanir — Elves ……………………… 1 The Plains of Ida — Valhalla — Yggdrasil …………………….. 5 Odin ………………………………………………………………... 7 Thor ………………………………………………………………... 10 Balder ……………………………………………………………… 12 Njord ……………………………………………………………….. 13 Frey ………………………………………………………………... 15 Tyr ………………………………………………………………..... 16 Heimdal ………………………………………………………….... 17 Bragi ……………………………………………………………….. 18 Forseti ……………………………………………………………... 18 Hod — Vali — Vidar — Ull ………………………………………. 18 Hœnir — Lodur …………………………………………………… 19 Loki and His Children ……………………………………………. 21 Hermod — Skirnir ………………………………………………… 25 The Goddesses — Frigg — Jord — Freyja .…………………... 25 Saga — Eir — Gefjon — Var — Vor — Syn — Snotra ………. 28 Idun — Nanna — Sif ...…………………………………………... 29 The Norns …………………………………………………………. 30 Familiar Spirits — Attendant Spirits ……………………………. 31 The Valkyries ……………………………………………………... 32 Thorgerd Hœlgabrud and Irpa ………………………………….. 34 The Forces of Nature — Ægir …………………………………... 34 Night — Day ………………………………………………………. 37 viii Hel …………………………………………………………………. 37 The Giants ………………………………………………………… 39 The Dwarfs ………………………………………………………... 41 The Vettir ………………………………………………………….. 42 The Heroes and Life in Valhalla ………………………………… 48 Corruption -
Immigration to Late Medieval Bergen a Study of Names and Positions in an International City
IMMIGRATION TO LATE MEDIEVAL BERGEN A STUDY OF NAMES AND POSITIONS IN AN INTERNATIONAL CITY BY MAREN SOFIE LØFSGÅRD DEPARTMENT OF ARCHAEOLOGY, HISTORY, CULTURAL STUDIES AND RELIGION, UNIVERSITY OF BERGEN SPRING 2016 Index Index p. 1 Summary in Norwegian p. 3 1. Introduction p. 4 1.1. Subject and Research Question p. 4 1.2. Chosen Limitations p. 5 1.3. Chapter Overview p. 6 1.4. Historiography p. 7 1.4.1. The Agrarian School of History p. 7 1.4.2. Demography, Bacteria and New Social History p. 10 1.4.3. Migration p. 13 1.5. The Sources and their Challenges p. 17 1.5.1. The Late Medieval Immigration Source Situation p. 18 1.5.2. Advantages and Disadvantages p. 19 1.6 Method p. 21 1.6.1. The Methodical Approach to the Material p. 21 1.6.2. Problematizing the Method p. 23 2. Assessing the Source Material p. 25 2.1. Norse Names p. 26 2.1.1. Excluded Names p. 29 2.2. NonNorse Names p. 35 2.2.1. Excluded nonNorse Names p. 36 2.2.2. Dgroup Names p. 39 2.2.3. Bgroup Names p. 43 2.2.3.1. The Scottish Names of 1529 p. 43 2.3. The Xgroup Names and Summary of the Material p. 45 3. Material Analysis p. 46 3.1. Core Group p. 48 3.2. Comparison with Group Two and Group Three p. 51 3.2.1. Group Two p. 52 3.2.2. Group Three p. -
National Museums in Norway Arne Bugge Amundsen
Building National Museums in Europe 1750-2010. Conference proceedings from EuNaMus, European National Museums: Identity Politics, the Uses of the Past and the European Citizen, Bologna 28-30 April 2011. Peter Aronsson & Gabriella Elgenius (eds) EuNaMus Report No 1. Published by Linköping University Electronic Press: http://www.ep.liu.se/ecp_home/index.en.aspx?issue=064 © The Author. National Museums in Norway Arne Bugge Amundsen Summary Norway has no formal national museum(s), i.e. recognised as such by the Norwegian State, the Norwegian Parliament or the Norwegian Government. Nevertheless, since the early nineteenth century there have been collections and museums with the obvious and explicit aim of displaying national culture and national history and with the Government and Parliament as important sources for funding and contributors to museum policy making. On the other hand, not all Norwegian museums or collections with ‘Norwegian’ as part of its official name should be considered national museums not even with respect to the functional definition chosen in the EuNaMus project – e.g. the Norwegian Road Museum, Oil Museum, Canning Museum etc. The Norwegian museums chosen for this report have an explicit and permanent national cultural narrative ambition; have their origins in the nineteenth century and have played an important role in the development of the museum field in Norway. The National Collection of Antiquities responsible for the Viking ship findings was the leading institution in regard to Norwegian nation-building during the nineteenth century. As shown by the table below, the most important national museums in Norway were established in periods when Norway was eager to demonstrate national identity and independence. -
Norwegian Independence As Narrated in Three National Museums Lill Eilertsen
Great Narratives of the Past. Traditions and Revisions in National Museums Conference proceedings from EuNaMus, European National Museums: Identity Politics, the Uses of the Past and the European Citizen, Paris 29 June – 1 July & 25-26 November 2011. Dominique Poulot, Felicity Bodenstein & José María Lanzarote Guiral (eds) EuNaMus Report No 4. Published by Linköping University Electronic Press: http://www.ep.liu.se/ecp_home/index.en.aspx?issue=078 © The Author. Freedom Loving Northerners: Norwegian Independence As Narrated in Three National Museums Lill Eilertsen University of Oslo Abstract After undergoing three different liberation processes during a relatively short period of time – from a dynastic union with Denmark in 1814, from a personal union1 with Sweden in 1905 and from German occupation in 1945 – independence has become an important term for defining a national and cultural identity in Norway. The narratives presented in this report all refer to an old European mythological construct of Northmen’s independent and freedom loving character: The Museum of Cultural History presents a Viking ideal of brave and inventive explorers, while the independent Norwegian farmer is portrayed at the Norwegian Folk Museum. A series of stories of Norwegians fighting for autonomy is offered by the Armed Forces Museums. Norwegian Museum authors unite the mythological basis of Scandinavism to a Grand Narrative of Norway, distancing it from the earlier cultural and political dominance of Denmark and Swedenm, saluting the medieval kingdom of Norway. 179 Introduction Norwegian nation building was a project, which developed across different disciplines and competing political and ideological fields during the 19th and early 20th Centuries, as demonstrated by the three national museum narratives presented in this report.