B52s Blast Missile Started Down Toward the Sur- the Ranges SAIGON (AP/AFRTS) --- U.S
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
* White House Discloses Another Tape Missing
* White House discloses another tape missing .AlifnuCTO ; (AP)--The White House disclosed in court Wednesday that an 18-minute segment is missing from vet another subpoenaed -roidential atergate tape, and the ludge suggested all the subpoenaed material be placed in the courts custody. Chief U.S. District Court Judge John J. Firin; suggested that the whitee House voluntarily turn over custody of the tapes. If it does not, he said the special Watergate prosecutor should issue a subpoena. "ft is not because the court doesn't trust the hite ,Ouse," 4ric i said, but added, "This is another instance that convinces the court to take custody." white H!oue lawyer J. "red. .;shwrdt said the 1.8-ninute lapse in the tape was discovered only Tuesday evening on a tape recording made June 20, 1972. !reviouslv the "hite House had disclosed that a four- minute telephone conversation on that date between President Nixon and then Attorne. General John N. Mitch- ell xent unrecorded. The other June 20 tae made on the automatic White house e recording epuinment as1 a two-and-a-half hour face-to-Face conversation between the President and aides H.R. Haldeman and John 1). Fhrlichman. They talked with Nixon short]- after they not with then Counsel John W. Dean I.I, itchell and others. Cuzhardt said the lansed 1.8 minutes are recorded only as an audible tone and no conversations can be heard. The two tanes were cut three da-s after the June 17, 1972, breab-in of Democratic Party hea'iuartors in the Uatergate Office Buildin !. -
Implementation of the Helsinki Accords Hearings
BASKET III: IMPLEMENTATION OF THE HELSINKI ACCORDS HEARINGS BEFORE THE COMMISSION ON SECURITY AND COOPERATION IN EUROPE NINETY-SEVENTH CONGRESS FIRST SESSION THE CRISIS IN POLAND AND ITS EFFECTS ON THE HELSINKI PROCESS DECEMBER 28, 1981 Printed for the use of the - Commission on Security and Cooperation in Europe U.S. GOVERNMENT PRINTING OFFICE 9-952 0 'WASHINGTON: 1982 For sale by the Superintendent of Documents, U.S. Government Printing Office Washington, D.C. 20402 COMMISSION ON SECURITY AND COOPERATION IN EUROPE DANTE B. FASCELL, Florida, Chairman ROBERT DOLE, Kansas, Cochairman ORRIN G. HATCH, Utah SIDNEY R. YATES, Illinois JOHN HEINZ, Pennsylvania JONATHAN B. BINGHAM, New York ALFONSE M. D'AMATO, New York TIMOTHY E. WIRTH, Colorado CLAIBORNE PELL, Rhode Island MILLICENT FENWICK, New Jersey PATRICK J. LEAHY, Vermont DON RITTER, Pennsylvania EXECUTIVE BRANCH The Honorable STEPHEN E. PALMER, Jr., Department of State The Honorable RICHARD NORMAN PERLE, Department of Defense The Honorable WILLIAM H. MORRIS, Jr., Department of Commerce R. SPENCER OLIVER, Staff Director LYNNE DAVIDSON, Staff Assistant BARBARA BLACKBURN, Administrative Assistant DEBORAH BURNS, Coordinator (II) ] CONTENTS IMPLEMENTATION. OF THE HELSINKI ACCORDS The Crisis In Poland And Its Effects On The Helsinki Process, December 28, 1981 WITNESSES Page Rurarz, Ambassador Zdzislaw, former Polish Ambassador to Japan .................... 10 Kampelman, Ambassador Max M., Chairman, U.S. Delegation to the CSCE Review Meeting in Madrid ............................................................ 31 Baranczak, Stanislaw, founder of KOR, the Committee for the Defense of Workers.......................................................................................................................... 47 Scanlan, John D., Deputy Assistant Secretary for European Affairs, Depart- ment of State ............................................................ 53 Kahn, Tom, assistant to the president of the AFL-CIO .......................................... -
Delmer Daves ̘͙” ˪…˶€ (Ìž'í'ˆìœ¼ë¡Œ)
Delmer Daves ì˜í ™” 명부 (작품으로) The Hanging https://ko.listvote.com/lists/film/movies/the-hanging-tree-1193688/actors Tree Demetrius and https://ko.listvote.com/lists/film/movies/demetrius-and-the-gladiators-1213081/actors the Gladiators Dark Passage https://ko.listvote.com/lists/film/movies/dark-passage-1302406/actors Never Let Me https://ko.listvote.com/lists/film/movies/never-let-me-go-1347666/actors Go The https://ko.listvote.com/lists/film/movies/the-badlanders-1510303/actors Badlanders Cowboy https://ko.listvote.com/lists/film/movies/cowboy-1747719/actors Kings Go https://ko.listvote.com/lists/film/movies/kings-go-forth-2060830/actors Forth Drum Beat https://ko.listvote.com/lists/film/movies/drum-beat-2081544/actors Jubal https://ko.listvote.com/lists/film/movies/jubal-2481256/actors Hollywood https://ko.listvote.com/lists/film/movies/hollywood-canteen-261550/actors Canteen Rome https://ko.listvote.com/lists/film/movies/rome-adventure-319170/actors Adventure Bird of https://ko.listvote.com/lists/film/movies/bird-of-paradise-3204466/actors Paradise The Battle of https://ko.listvote.com/lists/film/movies/the-battle-of-the-villa-fiorita-3206509/actors the Villa Fiorita The Red https://ko.listvote.com/lists/film/movies/the-red-house-3210438/actors House Treasure of the Golden https://ko.listvote.com/lists/film/movies/treasure-of-the-golden-condor-3227913/actors Condor Return of the https://ko.listvote.com/lists/film/movies/return-of-the-texan-3428288/actors Texan Susan Slade https://ko.listvote.com/lists/film/movies/susan-slade-3505607/actors -
Have Gun, Will Travel: the Myth of the Frontier in the Hollywood Western John Springhall
Feature Have gun, will travel: The myth of the frontier in the Hollywood Western John Springhall Newspaper editor (bit player): ‘This is the West, sir. When the legend becomes fact, we print the legend’. The Man Who Shot Liberty Valance (dir. John Ford, 1962). Gil Westrum (Randolph Scott): ‘You know what’s on the back of a poor man when he dies? The clothes of pride. And they are not a bit warmer to him dead than they were when he was alive. Is that all you want, Steve?’ Steve Judd (Joel McCrea): ‘All I want is to enter my house justified’. Ride the High Country [a.k.a. Guns in the Afternoon] (dir. Sam Peckinpah, 1962)> J. W. Grant (Ralph Bellamy): ‘You bastard!’ Henry ‘Rico’ Fardan (Lee Marvin): ‘Yes, sir. In my case an accident of birth. But you, you’re a self-made man.’ The Professionals (dir. Richard Brooks, 1966).1 he Western movies that from Taround 1910 until the 1960s made up at least a fifth of all the American film titles on general release signified Lee Marvin, Lee Van Cleef, John Wayne and Strother Martin on the set of The Man Who Shot Liberty Valance escapist entertainment for British directed and produced by John Ford. audiences: an alluring vision of vast © Sunset Boulevard/Corbis open spaces, of cowboys on horseback outlined against an imposing landscape. For Americans themselves, the Western a schoolboy in the 1950s, the Western believed that the western frontier was signified their own turbulent frontier has an undeniable appeal, allowing the closing or had already closed – as the history west of the Mississippi in the cinemagoer to interrogate, from youth U. -
SALLI NEWMAN (818) 618‐1551 (C) * (818) 955‐5711 (O) PRODUCER [email protected] ______
SALLI NEWMAN (818) 618‐1551 (C) * (818) 955‐5711 (O) PRODUCER [email protected] ___________________________________________________________________________________________________________________________________ FEATURE FILMS “THE MAGIC OF BELLE ISLE” — Producer (Summer 2012 release) Firebrand Productions/Summer Magic Productions/Castle Rock Entertainment/Magnolia Pictures/Revelations Entertainment Director: Rob Reiner * Cast: Morgan Freeman and Virginia Madsen * Location: Upstate New York “ANOTHER HAPPY DAY” — Producer Mandalay Vision Director: Sam Levinson * Cast: Ellen Barkin, Demi Moore, Kate Bosworth, Thomas Haden Church, Ellen Burstyn, George Kennedy, Jeffrey DeMunn, Ezra Miller * Location: Michigan * Sundance Winner of the Waldo Salt Screenwriting Award – Sam Levinson “DAVID & GOLIATH” (Short) — Production Consultant Zaver Productions/Filmmakers Alliance Director: George Zaver * Cast: Billy Burke * Location: Los Angeles * Winner of Various Film Festival Awards including Best Short Film and Best First Time Director “MY ONE AND ONLY” — Consulting Producer Herrick Entertainment Director: Richard Loncraine * Cast: Renee Zellweger, Kevin Bacon, Chris Noth, Logan Lerman * Locations: Baltimore; New Mexico “D2: THE MIGHTY DUCKS” — Co‐Producer Avnet‐Kerner Company/Walt Disney Pictures Director: Sam Weisman * Cast: Emilio Estevez, Joshua Jackson * Locations: Los Angeles; Minneapolis “WHEN A MAN LOVES A WOMAN” — Associate Producer Avnet‐Kerner Company/Touchstone Pictures Director: Luis Mandoki * Cast: Meg Ryan, Andy Garcia * Locations: -
Printable Schedule
Schedule for 9/29/21 to 10/6/21 (Central Time) WEDNESDAY 9/29/21 TIME TITLE GENRE 4:30am Fractured Flickers (1963) Comedy Featuring: Hans Conried, Gypsy Rose Lee THURSDAY 9/30/21 TIME TITLE GENRE 5:00am Backlash (1947) Film-Noir Featuring: Jean Rogers, Richard Travis, Larry J. Blake, John Eldredge, Leonard Strong, Douglas Fowley 6:25am House of Strangers (1949) Film-Noir Featuring: Edward G. Robinson, Susan Hayward, Richard Conte, Luther Adler, Paul Valentine, Efrem Zimbalist Jr. 8:35am Born to Kill (1947) Film-Noir Featuring: Claire Trevor, Lawrence Tierney 10:35am The Power of the Whistler (1945) Film-Noir Featuring: Richard Dix, Janis Carter 12:00pm The Burglar (1957) Film-Noir Featuring: Dan Duryea, Jayne Mansfield, Martha Vickers 2:05pm The Lady from Shanghai (1947) Film-Noir Featuring: Orson Welles, Rita Hayworth, Everett Sloane, Carl Frank, Ted de Corsia 4:00pm Bodyguard (1948) Film-Noir Featuring: Lawrence Tierney, Priscilla Lane 5:20pm Walk the Dark Street (1956) Film-Noir Featuring: Chuck Connors, Don Ross 7:00pm Gun Crazy (1950) Film-Noir Featuring: John Dall, Peggy Cummins 8:55pm The Clay Pigeon (1949) Film-Noir Featuring: Barbara Hale 10:15pm Daisy Kenyon (1947) Romance Featuring: Joan Crawford, Henry Fonda, Dana Andrews, Ruth Warrick, Martha Stewart 12:25am This Woman Is Dangerous (1952) Film-Noir Featuring: Joan Crawford, Dennis Morgan 2:30am Impact (1949) Film-Noir Featuring: Brian Donlevy, Raines Ella FRIDAY 10/1/21 TIME TITLE GENRE 5:00am Dr. Jekyll and Mr. Hyde (1931) Thriller Featuring: Fredric March, Miriam Hopkins -
MENANDS ACTIVITIES Published by the Village of Menands
The News of MENANDS ACTIVITIES Published by the Village of Menands 250 Broadway, Menands, NY 12204 Village Office Tel. 518-434-2922 Sheila M. Hyatt, Editor Web Address: www.villageofmenands.com October 16, 2015 Email address: [email protected] VILLAGE BOARD MEETING MAYOR’S MESSAGE (continued) The next Village Board Meeting will be held on turnout of families, and is always fun and educational. Monday, October 19, 2015 at 6:00 p.m. All meetings Another reminder is to change the batteries in your are open to the public and are handicap accessible. smoke and carbon monoxide detectors on Sunday, November 1st, along with turning the clocks back an HEALTH INSURANCE WORKSHOP hour for daylight savings time. A Health Insurance Workshop for Board Members will be held by the Board of Trustees of the Village of Throughout the year, in one way or another, someone in Menands in the Municipal Building of such Village on our Village is consistently helping others. Whether it be Tuesday, October 27, 2015 at 6:00 P.M. Such through volunteer work, organizing functions, fund Workshops are open to the public and are handicap raising efforts or a multitude of other activities, Menands accessible. has always been a giving and caring community. Congratulations to the organizers and volunteers for YOUTH HALLOWEEN FALL PARTY another successful Fall Festival in support of Derek Come join us to celebrate our Halloween-Fall Party on Murphy. It was well attended, had great music, vendors, Sunday, October 25th from 1-3 p.m. at Ganser Smith raffles, cow plop bingo and was a lot of fun. -
Raoul Walsh to Attend Opening of Retrospective Tribute at Museum
The Museum of Modern Art jl west 53 Street, New York, N.Y. 10019 Tel. 956-6100 Cable: Modernart NO. 34 FOR IMMEDIATE RELEASE RAOUL WALSH TO ATTEND OPENING OF RETROSPECTIVE TRIBUTE AT MUSEUM Raoul Walsh, 87-year-old film director whose career in motion pictures spanned more than five decades, will come to New York for the opening of a three-month retrospective of his films beginning Thursday, April 18, at The Museum of Modern Art. In a rare public appearance Mr. Walsh will attend the 8 pm screening of "Gentleman Jim," his 1942 film in which Errol Flynn portrays the boxing champion James J. Corbett. One of the giants of American filmdom, Walsh has worked in all genres — Westerns, gangster films, war pictures, adventure films, musicals — and with many of Hollywood's greatest stars — Victor McLaglen, Gloria Swanson, Douglas Fair banks, Mae West, James Cagney, Humphrey Bogart, Marlene Dietrich and Edward G. Robinson, to name just a few. It is ultimately as a director of action pictures that Walsh is best known and a growing body of critical opinion places him in the front rank with directors like Ford, Hawks, Curtiz and Wellman. Richard Schickel has called him "one of the best action directors...we've ever had" and British film critic Julian Fox has written: "Raoul Walsh, more than any other legendary figure from Hollywood's golden past, has truly lived up to the early cinema's reputation for 'action all the way'...." Walsh's penchant for action is not surprising considering he began his career more than 60 years ago as a stunt-rider in early "westerns" filmed in the New Jersey hills. -
The Walsh Brothers in Hollywood
Volume XXXX, No. 11 • January (Eanáir), 2015 The Walsh Brothers in Hollywood .........................................................................................................Raoul and George Walsh got their start wrote. The movie starred silent cinema jackrabbit jumped through a windshield as in New York City, born not to the stage superstar Anna Q. Nilsson as a society he was driving. He gave up the part (but and screen, but both made their marks woman turned social worker who aids the not the directing job), and never acted upon both - Raoul as an actor, director, and regeneration of a Bowery gang leader. again. Warner Baxter won an Oscar for the founding member of the Academy of role Walsh was originally slated to play. Walsh later directed The Thief of Motion Picture Arts and Sciences, George Bagdad (1924) starring Douglas Fairbanks Walsh would wear an eye patch for the rest as an actor. and Anna May Wong, and What Price of his life. Raoul Walsh was born in New York as Glory? (1926) starring Victor McLaglen In the early days of sound with Fox, Albert Edward Walsh to Elizabeth T. and Dolores del Río. Walsh directed the first widescreen Bruff, the daughter of Irish Catholic spectacle, The Big Trail (1930), an epic immigrants, and Thomas W. Walsh, an wagon train western shot on location Englishman of Irish descent. Like his across the West. The movie starred then younger brother, he was part of Omega unknown John Wayne, whom Walsh Gamma Delta during his high school discovered as prop-boy Marion Morrison. days. Growing up in New York, Raoul Walsh renamed Morrison after Revolu- Walsh was also a friend of the Barrymore tionary War general Mad Anthony Wayne, family. -
September 8, 2009 (XIX:2) Raoul Walsh HIGH SIERRA (1941, 100 Min)
September 8, 2009 (XIX:2) Raoul Walsh HIGH SIERRA (1941, 100 min) Directed by Raoul Walsh Screenplay by John Huston and W.R. Burnett Cinematography by Tony Gaudio Ida Lupino...Marie Humphrey Bogart...Roy Earle Alan Curtis...'Babe' Arthur Kennedy...'Red' Joan Leslie...Velma Henry Hull...'Doc' Banton Henry Travers...Pa Jerome Cowan...Healy Minna Gombell...Mrs. Baughmam Barton MacLane...Jake Kranmer Elisabeth Risdon...Ma Cornel Wilde...Louis Mendoza George Meeker...Pfiffer Zero the Dog...Pard RAOUL WALSH (11 March 1887, NYC—31 December 1980, Simi Valley, CA), directed 136 films, the last of which was A Distant Trumpet (1964). Some of the others were The Naked and the Dead (1958), Band of Angels (1957), The King and Four Queens (1956), officials they kept it under lock and key for 25 years because they Battle Cry (1955), Blackbeard, the Pirate (1952), Along the Great were convinced that if the American public saw Huston’s scenes of Divide (1951), Captain Horatio Hornblower R.N.(1951), White American soldiers crying and suffering what in those days was Heat (1949), Cheyenne (1947), The Horn Blows at Midnight called “shellshock” and “battle fatigue” they would have an even (1945), They Died with Their Boots On (1941), High Sierra more difficult time getting Americans to go off and get themselves (1941), They Drive by Night (1940), The Roaring Twenties (1939), killed in future wars. One military official accused Huston of being Sadie Thompson (1928), What Price Glory (1926), Thief of “anti-war,” to which he replied, “If I ever make a pro-war film I Baghdad (1924), Evangeline (1919), Blue Blood and Red (1916), hope they take me out and shoot me.” During his long career he The Fatal Black Bean (1915), Who Shot Bud Walton? (1914) and made a number of real dogs e.g. -
Heavy Skies and a Cold Soviet Feel: Helsinki As a Cold War Cinematic Body Double
JSCA 5 (1) pp. 5–18 Intellect Limited 2015 Journal of Scandinavian Cinema Volume 5 Number 1 © 2015 Intellect Ltd Article. English language. doi: 10.1386/jsca.5.1.5_1 feature article SuSanna PaaSonen University of Turku Heavy skies and a cold Soviet feel: Helsinki as a Cold War cinematic body double abStraCt KeyWordS During the 1970s and 1980s, American and British films, and spy films in particu- Cold War lar, situated in Moscow and Leningrad were regularly shot in the Finnish capital cinema of Helsinki, since the film crews could not work inside the Soviet Union. This arti- film locations cle addresses the creation of a ‘Soviet feel’ through the use of Helsinki locations in cityscapes films such as Gorky Park (Apted, 1983) and Telefon (Siegel, 1977) in the geopoliti- Helsinki cal context of the Cold War and Finland’s location as both a hub for international Soviet Union espionage and something of a border zone between the eastern and western power blocs. This analysis is connected to a broader consideration of Cold War geography, cinematic cities as body doubles and the ‘agentiality’ of urban spaces in film. In the opening shot of the Charles Bronson vehicle Telefon (Siegel, 1977), the camera pans down from a large, red-brick nineteenth-century Russian Orthodox church towards an empty street covered in snow. The morn- ing sky is sunless, grey and heavy. The cityscape is almost void of colour, painted in a palette of brown, beiges and greys. There is little traffic on the streets. The title sequence of The Kremlin Letter (Huston, 1970) shows another 5 JSCA 5.1_Paasonen_5-18.indd 5 8/18/15 3:53:08 PM Susanna Paasonen Image 1: The Helsinki Cathedral pins down the location as Moscow in The Kremlin Letter (1977). -
A Distant Trumpet
A Distant Trumpet Music by Max Steiner (1964) [movie***] [music ****] https://www.wbshop.com/products/distant-trumpet-a-mod [NOTE: This manuscript was cut & pasted from my large DVD Collection analyses paper] This “picture” (as Max would normally call a “movie”) scored by Steiner is still available at Warner Archive (see the link immediately above). It is beautifully shot in terms of locales (New Mexico and Arizona), usually very bright and desert dry scenes (except for a rainy night sequence with the Suzanne Pleshette character (Kitty) holed up in a cave with the Troy Donahue character (Lt. Matt Hazard). This is located 19 minutes into the movie. It’s an enjoyable picture to watch now and then but it certainly is no classic western (despite being directed by Raoul Walsh)! The first half of the movie kept me interested but it got to be rather tiresome afterward, especially that long, drawn-out Indian battle about an half and a half into the movie! I primarily purchased the dvd because of the music score by Max Steiner, one of his very last assignments. I researched the written full score 1 at USC-Warner Brothers Archives in the Research Annex just off-campus at 3716 S. Hope on March 11, 2005. How time flies. That was nearly six years ago. I do not plan to do an official “rundown” on the music since I worked very little on the score (not enough time). I managed to touch upon (hand- copy) segments of the first two or three reels of cues. While not a top drawer Steiner score, it is nevertheless still characteristically vibrant and energetic.