Solar Label Discography

Total Page：16

File Type：pdf, Size：1020Kb

Solar Label Discography 60000 Series (Distributed by WEA) E1-60008 - Still in Love - Carie Lucas [6/82] E1-60145 - Victory - Midnight Star [7/82] E1-60176 - Right Back to 'Cha - Dynasty [1982] E1-60177 - Girls Will Be Girls - Klymaxx [1982] E1-60216 - Love for Love - Whispers [1982] 72550 Series (Distributed by Capitol) ST-72550 –Daydreamin’–Dynasty [1986] Cherry Red Bikini/Way Out/Freeway Lover/Everlasting//Personality/Daydreamin’/Tuff Love/Lock on Love ST-72551 –Cat –Cat Miller [1987] Beat My Face/Computer Love/Rescue Me/Fool in Love//Be for Real/After Tonight Is Over/Move a Little Closer/I Want You ST-72552 –Lovers by Babyface –Babyface [1986] You Make Me Feel Brand New/Lovers/Chivalry/I Love You Babe//Mary Mack/Faithful/If We Try/Take Your Time ST-72553 –Power –Lakeside [1987] Relationship/Power/Bullseye/Still Feeling Good//To Be Your Lover/Sensations/Just a Touch Away/Love I Can Bank On ST-72554 –Just Gets Better with Time –Whispers [1987] I Want You/Special FX/Rock Steady/No Pain, No Gain//In the Mood/Just Gets Better with Time/Love’sCalling/Give It to Me ST-72555 –Eyes of a Stranger –Deele [1987] Two Occasions/Shoot ‘Em Up Movies/Let No One Separate Us/Eyes of a Stranger//Can-U-Dance/She Wanted/Hip Chic/So Many Thangz/Eyes of a Stranger (Reprise) ST-72556 –Circumstantial Evidence –Shalamar [1987] Circumstantial Evidence/Games/Love’sGrown Deep/Playthang//Female/Born 2 Love/Worth Waitin’4/Imaginary Love ST-72557 –Greatest Hits –Midnight Star [1987] Freak-A-Zoid/Follow the Path/Slow Jam/Curious//Electricity/Can’tGive You Up/Move Me/Wet My Whistle ST-72558 –Happy Holidays to You –Whispers [1987] Reissue. First issued on Solar BXL1-3479 in 1979 with RCA distribution; reissued as Solar 60451 in 1985 with Elektra distribution. Funky Christmas/This Time of the Year/Santa Claus Is Coming to Town/Happy Holidays to You//A Very Special Holiday/This Christmas/The Christmas Song/White Christmas D1-72559 –Out of Control –Dynasty [1988] Don’tWaste My Time/Out of Control/Way Out/Give Your Love to Me//Tell Me (Do U Want My Love)/One Girl/Cherry Red Bikini/Tuff Love D1-72560 –Vintage Whispers –Whispers [1988] A Mother for My Children/Somebody Loves You/Planets of Life/I Only Meant to Wet My Feet/Seems Like I Gotta Do Wrong/If You Feel Like Coming Home//Bingo/There’sa Love for Everyone/Can’tHelp But Love You/Let’sTry It Once with Feeling/Your Love Is So Doggone Good D1-72561 –Beginnings –Jody Watley [1988] A Night to Remember (UK Mix)/Take That to the Bank (Club Mix)/Take That to the Bank (Radio Mix)/Take That to the Bank (Drum Beats)//Full of Fire/Let’sFind the Time for Love/The Right Time for Us/Right Here 72562 72563 D1-72564 –Midnight Star –Midnight Star [1988] Don’tRock the Boat/90 Days (Same As Cash)/Heartbeat/I Don’t Wanna Be Lonely/Snake in the Grass/Request Line/Love Song/Pamper Me.

Copy Link

Recommended publications

Kenny G Bio 2018
A phenomenally successful instrumentalist whose recordings routinely made the pop, R&B, and jazz charts during the 1980s and ’90s, Kenny G‘s sound became a staple on adult contemporary and smooth jazz radio stations. He’s a fine player with an attractive sound (influenced a bit by Grover Washington, Jr.) who often caresses melodies, putting a lot of emotion into his solos. Because he does not improvise much (sticking mostly to predictable melody statements), his music largely falls outside of jazz. However, because he is listed at the top of “contemporary jazz” charts and is identified with jazz in the minds of the mass public, he is classified as jazz. Kenny Gorelick started playing professionally with Barry White‘s Love Unlimited Orchestra in 1976. He recorded with Cold, Bold & Together (a Seattle-based funk group) and freelanced locally. After graduating from the University of Washington, Kenny G worked with Jeff Lorber Fusion, making two albums with the group. Soon he was signed to Arista, recording his debut as a leader in 1982. His fourth album, Duotones(which included the very popular “Songbird”), made him into a star. Soon he was in demand for guest appearances on recordings of such famous singers as Aretha Franklin, Whitney Houston, and Natalie Cole. Kenny G’s own records have sold remarkably well, particularly Breathless, which has easily topped eight million copies in the U.S.; his total album sales top 30 million copies. The holiday album Miracles, released in 1994, and 1996’s Moment continued the momentum of his massive commercial success. He also recorded his own version of the Celine Dion/Titanic smash “My Heart Will Go On” in 1998, but the following year he released Classics in the Key of G, a collection of jazz standards like “‘Round Midnight” and “Body and Soul,” possibly to reclaim some jazz credibility.
[Show full text]
Using Pop Soundtrack As Narrative Counterpoint Or Complement Margaret Dudasik Honors College, Pace University
Pace University DigitalCommons@Pace Honors College Theses Pforzheimer Honors College 5-1-2013 Genre as Bait: Using Pop Soundtrack as Narrative Counterpoint or Complement Margaret Dudasik Honors College, Pace University Follow this and additional works at: http://digitalcommons.pace.edu/honorscollege_theses Part of the Film and Media Studies Commons Recommended Citation Dudasik, Margaret, "Genre as Bait: Using Pop Soundtrack as Narrative Counterpoint or Complement" (2013). Honors College Theses. Paper 127. http://digitalcommons.pace.edu/honorscollege_theses/127 This Thesis is brought to you for free and open access by the Pforzheimer Honors College at DigitalCommons@Pace. It has been accepted for inclusion in Honors College Theses by an authorized administrator of DigitalCommons@Pace. For more information, please contact [email protected]. Genre as Bait: Using Pop Soundtrack as Narrative Counterpoint or Complement By: Margaret Dudasik May 15, 2013 BA Film & Screen Studies/ BFA Musical Theatre Dr. Ruth Johnston Film & Screen Studies, Dyson College of Arts and Sciences 1 Abstract There is much argument against using pre-existing music in film, Ian Garwood noting three potential problems with the pop song: obtrusiveness, cultural relevance, and distance from the narrative (103-106). It is believed that lyrics and cultural connotations can distract from the action, but it is my belief that these elements only aid narrative. By examining the cinematic functions of the soundtracks of O Brother Where Are Thou? (2000) and Marie Antoinette (2006), I will argue that using pre-existing music in film is actually more effective than a score composed specifically for a film. Film theorist Claudia Gorbman notes that film scores have “temporal, spatial, dramatic, structural, denotative, [and] connotative” abilities” (22), and it is my belief that pop music is just as economical in forming character, conveying setting, and furthering plot.
[Show full text]
Diggin' You Like Those Ol' Soul Records: Meshell Ndegeocello and the Expanding Definition of Funk in Postsoul America
Diggin’ You Like Those Ol’ Soul Records 181 Diggin’ You Like Those Ol’ Soul Records: Meshell Ndegeocello and the Expanding Definition of Funk in Postsoul America Tammy L. Kernodle Today’s absolutist varieties of Black Nationalism have run into trouble when faced with the need to make sense of the increasingly distinct forms of black culture produced from various diaspora populations. The unashamedly hybrid character of these black cultures continually confounds any simplistic (essentialist or antiessentialist) understanding of the relationship between racial identity and racial nonidentity, between folk cultural authenticity and pop cultural betrayal. Paul Gilroy1 Funk, from its beginnings as terminology used to describe a specific genre of black music, has been equated with the following things: blackness, mascu- linity, personal and collective freedom, and the groove. Even as the genre and terminology gave way to new forms of expression, the performance aesthetic developed by myriad bands throughout the 1960s and 1970s remained an im- portant part of post-1970s black popular culture. In the early 1990s, rhythm and blues (R&B) splintered into a new substyle that reached back to the live instru- mentation and infectious grooves of funk but also reflected a new racial and social consciousness that was rooted in the experiences of the postsoul genera- tion. One of the pivotal albums advancing this style was Meshell Ndegeocello’s Plantation Lullabies (1993). Ndegeocello’s sound was an amalgamation of 0026-3079/2013/5204-181$2.50/0 American Studies, 52:4 (2013): 181-204 181 182 Tammy L. Kernodle several things. She was one part Bootsy Collins, inspiring listeners to dance to her infectious bass lines; one part Nina Simone, schooling one about life, love, hardship, and struggle in post–Civil Rights Movement America; and one part Sarah Vaughn, experimenting with the numerous timbral colors of her voice.
[Show full text]
Eric Hartzog Senior Guitar Recital
THE BELHAVEN UNIVERSITY DEPARTMENT OF MUSIC Dr. Stephen W. Sachs, Chair presents Eric Hartzog Senior Guitar Recital Tuesday, November 20, 2012 • 7:30 p.m. Belhaven University Center for the Arts • Concert Hall There will be a reception after the evening program. Please come and greet the performers. Please refrain from the use of all flash and still photography during the concert. Please turn off all pagers and cell phones. PROGRAM Heart of Life John Mayer • b. 1977 Old ‘82 Eric Hartzog • b. 1989 Satin Doll Duke Ellington • 1899 - 1974 Human Nature Michael Jackson • 1958 - 2009 Eric Hartzog, Mr. Dennis Bonds, Jazz Guitars INTERMISSION Waiting on the World to Change John Mayer Eric Hartzog, Mr. Dennis Bonds, Jazz Guitars Belief John Mayer Eric Hartzog, Mr. Dennis Bonds, Scott Foreman, Jazz Guitars Blues Jam Dennis Bonds • b. 1969 & E. Hartzog Voodoo Chile Jimi Hendrix • 1942 - 1970 Change the World Eric Clapton • b. 1945 Eric Hartzog, Mr. Dennis Bonds, Jazz Guitars PROGRAM NOTES The Heart of Life Old ‘82 John Mayer based a lot of his music around his An Eric Hartzog original, this is loosely based on personal relationships and in The Heart of Life, a very special memory for me! Though the title you can’t help but see that being poured out. To suggests that it’s about my father’s old 1982 me, I think it means that no matter how bad pickup truck, it is really about the precious time things are, no matter how bad it hurts, no matter I spent with him during those years.
[Show full text]
The Evolution of Commercial Rap Music Maurice L
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2011 A Historical Analysis: The Evolution of Commercial Rap Music Maurice L. Johnson II Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF COMMUNICATION A HISTORICAL ANALYSIS: THE EVOLUTION OF COMMERCIAL RAP MUSIC By MAURICE L. JOHNSON II A Thesis submitted to the Department of Communication in partial fulfillment of the requirements for the degree of Master of Science Degree Awarded: Summer Semester 2011 The members of the committee approve the thesis of Maurice L. Johnson II, defended on April 7, 2011. _____________________________ Jonathan Adams Thesis Committee Chair _____________________________ Gary Heald Committee Member _____________________________ Stephen McDowell Committee Member The Graduate School has verified and approved the above-named committee members. ii I dedicated this to the collective loving memory of Marlena Curry-Gatewood, Dr. Milton Howard Johnson and Rashad Kendrick Williams. iii ACKNOWLEDGEMENTS I would like to express my sincere gratitude to the individuals, both in the physical and the spiritual realms, whom have assisted and encouraged me in the completion of my thesis. During the process, I faced numerous challenges from the narrowing of content and focus on the subject at hand, to seemingly unjust legal and administrative circumstances. Dr. Jonathan Adams, whose gracious support, interest, and tutelage, and knowledge in the fields of both music and communications studies, are greatly appreciated. Dr. Gary Heald encouraged me to complete my thesis as the foundation for future doctoral studies, and dissertation research.
[Show full text]
Boogie Woogie Santa Claus Tractors
Boogie Woogie Santa Claus Tractors Tippier and interrogatory Lazaro coil her Salerno unites devising and gem ibidem. Feigned Antoine rehandles ungraciously. Yaakov skiagraphs unmannerly? Rashad bilal and featured on tractors on the boogie woogie santa claus i went in her second shot with only some of boogie woogie santa claus tractors. We just sent unless an email with a confirmation link target it. Excellent customer service is logged as noted earlier work on and amy briggs. Everyone well in a bluegrass band composed of the boogie woogie santa claus tractors now for organizing and back stories from on the rest of the apple music. 10 Overlooked Christmas Songs Holidappy Celebrations. Amazoncojp Have concern A Tractors Christmas The. This is highly intuitive, woogie santa claus boogie woogie santa claus tractors for boogie woogie santa claus. Listen Free power The Tractors Santa Claus Is Comin' In a. Codes you may also be done by returning to all the tractors albums for free he finally extricated himself from your apple media, including ones you. He jumps and download songs, headed by the maximum number that. Dig that year podcast hosted by the boogie woogie santa claus tractors on all family members of the next. You better turn on automatic renewal at any rival from your Apple Music account. Chance the tractors the following year podcast where proved to modify all about the boogie woogie santa claus tractors are violating the thumbnails below. Jason derulo and soul music library and followed her previous guests have you can access your eligibility will join, wait a boogie woogie santa claus tractors on the tractors on all the most pass by submitting a second shot with.
[Show full text]
The Top 7000+ Pop Songs of All-Time 1900-2017
The Top 7000+ Pop Songs of All-Time 1900-2017 Researched, compiled, and calculated by Lance Mangham Contents • Sources • The Top 100 of All-Time • The Top 100 of Each Year (2017-1956) • The Top 50 of 1955 • The Top 40 of 1954 • The Top 20 of Each Year (1953-1930) • The Top 10 of Each Year (1929-1900) SOURCES FOR YEARLY RANKINGS iHeart Radio Top 50 2018 AT 40 (Vince revision) 1989-1970 Billboard AC 2018 Record World/Music Vendor Billboard Adult Pop Songs 2018 (Barry Kowal) 1981-1955 AT 40 (Barry Kowal) 2018-2009 WABC 1981-1961 Hits 1 2018-2017 Randy Price (Billboard/Cashbox) 1979-1970 Billboard Pop Songs 2018-2008 Ranking the 70s 1979-1970 Billboard Radio Songs 2018-2006 Record World 1979-1970 Mediabase Hot AC 2018-2006 Billboard Top 40 (Barry Kowal) 1969-1955 Mediabase AC 2018-2006 Ranking the 60s 1969-1960 Pop Radio Top 20 HAC 2018-2005 Great American Songbook 1969-1968, Mediabase Top 40 2018-2000 1961-1940 American Top 40 2018-1998 The Elvis Era 1963-1956 Rock On The Net 2018-1980 Gilbert & Theroux 1963-1956 Pop Radio Top 20 2018-1941 Hit Parade 1955-1954 Mediabase Powerplay 2017-2016 Billboard Disc Jockey 1953-1950, Apple Top Selling Songs 2017-2016 1948-1947 Mediabase Big Picture 2017-2015 Billboard Jukebox 1953-1949 Radio & Records (Barry Kowal) 2008-1974 Billboard Sales 1953-1946 TSort 2008-1900 Cashbox (Barry Kowal) 1953-1945 Radio & Records CHR/T40/Pop 2007-2001, Hit Parade (Barry Kowal) 1953-1935 1995-1974 Billboard Disc Jockey (BK) 1949, Radio & Records Hot AC 2005-1996 1946-1945 Radio & Records AC 2005-1996 Billboard Jukebox
[Show full text]
Pdf, 312.59 KB
00:00:00 Music Transition “Crown Ones” off the album Stepfather by People Under The Stairs. 00:00:05 Oliver Wang Host Hello, I’m Oliver Wang. 00:00:07 Morgan Host And I’m Morgan Rhodes. You’re listening to Heat Rocks. Rhodes 00:00:09 Oliver Host Every episode we invite a guest to join us to talk about a heat rock, hot lava. And today we are going to be joining hands to take it back to 1994 and Two—or maybe it’s just II, I don’t know—the second album by the R&B mega smash group, Boyz II Men. 00:00:30 Music Music “Thank You” off the album II by Boyz II Men. Smooth, funky R&B. (I like this, I like this, I like...) I was young And didn't have nowhere to run I needed to wake up and see (and see) What's in front of me (na-na-na) There has to be a better way Sing it again a better way To show... 00:00:50 Morgan Host Boyz II Men going off, not too hard, not too soft— [Oliver says “ooo” appreciatively.] —could easily be considered a bit of a mantra for Shawn, Wanya, Nathan, and Michael, two tenors, a baritone, and a bass singer from Philly, after their debut album. The one that introduced us to their steez, and their melodies. This one went hella platinum. The follow-up, II. This album had hits that can be divided into three sections. Section one, couple’s therapy.
[Show full text]
Madonna - 1982 - 2009 : the Lyrics Book - 1 SOMMAIRE
Madonna - 1982 - 2009 : The Lyrics Book - www.madonnalex.net 1 SOMMAIRE P.03 P.21 P.51 P.06 P.26 P.56 P.09 P.28 P.59 P.10 P.35 P.66 P.14 P.40 P.74 P.15 P.42 P.17 P.47 Madonna - 1982 - 2009 : The Lyrics Book - www.madonnalex.net 2 ‘Cause you got the best of me Chorus: Borderline feels like I’m going to lose my mind You just keep on pushing my love over the borderline (repeat chorus again) Keep on pushing me baby Don’t you know you drive me crazy You just keep on pushing my love over the borderline Something in your eyes is makin’ such a fool of me When you hold me in your arms you love me till I just can’t see But then you let me down, when I look around, baby you just can’t be found Stop driving me away, I just wanna stay, There’s something I just got to say Just try to understand, I’ve given all I can, ‘Cause you got the best of me (chorus) Keep on pushing me baby MADONNA / Don’t you know you drive me crazy You just keep on pushing my love over the borderline THE FIRST ALBUM Look what your love has done to me 1982 Come on baby set me free You just keep on pushing my love over the borderline You cause me so much pain, I think I’m going insane What does it take to make you see? LUCKY STAR You just keep on pushing my love over the borderline written by Madonna 5:38 You must be my Lucky Star ‘Cause you shine on me wherever you are I just think of you and I start to glow BURNING UP And I need your light written by Madonna 3:45 Don’t put me off ‘cause I’m on fire And baby you know And I can’t quench my desire Don’t you know that I’m burning
[Show full text]
Administration of Barack Obama, 2013 Remarks at PBS's "Carole King
Administration of Barack Obama, 2013 Remarks at PBS's "Carole King: The Library of Congress Gershwin Prize for Popular Song In Performance at the White House" May 22, 2013 Thank you. I have to say that as the podium came out, which meant that was my cue, my mother-in-law said, "Oh, shoot." [Laughter] True story! She was getting into the music. [Laughter] Welcome to the White House, everybody. I want to start by thanking all the incredible artists who have joined us to pay tribute to the one and only Carole King. I also want to thank Dr. James Billington and all the folks at the Library of Congress not just for making this event possible, but for the outstanding work that they do every day to preserve the very best of our culture for generations to come. Of course, as we gather tonight to present this award, our thoughts and prayers remain with the wonderful people of Oklahoma. They have suffered mightily this week. And while the road ahead will be long, their country will be with them every single step of the way. That's who we are, and that's how we treat our family and friends and our neighbors wherever they are in the country. So we're going to help them recover. We're going to help them rebuild for as long as it takes. And eventually, life will go on and new memories will be made. And new laughter will come. New songs will be sung. And that's often why we turn to music, during trying times, for comfort and for inspiration, and sometimes, just for a good diversion.
[Show full text]
Ladyslipper Tenth Anniversary
Ladyslipper Tenth Anniversary Resource Guide apes by Women T 1986 About Ladyslipper Ladyslipper is a North Carolina non-profit, tax- 1982 brought the first release on the Ladys exempt organization which has been involved lipper label: Marie Rhines/Tartans & Sagebrush, in many facets of women's music since 1976. originally released on the Biscuit City label. In Our basic purpose has consistently been to 1984 we produced our first album, Kay Gard heighten public awareness of the achievements ner/A Rainbow Path. In 1985 we released the of women artists and musicians and to expand first new wave/techno-pop women's music al the scope and availability of musical and liter bum, Sue Fink/Big Promise; put the new age ary recordings by women. album Beth York/Transformations onto vinyl; and released another new age instrumental al One of the unique aspects of our work has bum, Debbie Tier/Firelight Our purpose as a been the annual publication of the world's most label is to further new musical and artistic direc comprehensive Catalog and Resource Guide of tions for women artists. Records and Tapes by Women—the one you now hold in your hands. This grows yearly as Our name comes from an exquisite flower the number of recordings by women continues which is one of the few wild orchids native to to develop in geometric proportions. This anno North America and is currently an endangered tated catalog has given thousands of people in species. formation about and access to recordings by an expansive variety of female musicians, writers, Donations are tax-deductible, and we do need comics, and composers.
[Show full text]
The Top 200 Greatest Funk Songs
The top 200 greatest funk songs 1. Get Up (I Feel Like Being a Sex Machine) Part I - James Brown 2. Papa's Got a Brand New Bag - James Brown & The Famous Flames 3. Thank You (Falletinme Be Mice Elf Agin) - Sly & The Family Stone 4. Tear the Roof Off the Sucker/Give Up the Funk - Parliament 5. Theme from "Shaft" - Isaac Hayes 6. Superfly - Curtis Mayfield 7. Superstition - Stevie Wonder 8. Cissy Strut - The Meters 9. One Nation Under a Groove - Funkadelic 10. Think (About It) - Lyn Collins (The Female Preacher) 11. Papa Was a Rollin' Stone - The Temptations 12. War - Edwin Starr 13. I'll Take You There - The Staple Singers 14. More Bounce to the Ounce Part I - Zapp & Roger 15. It's Your Thing - The Isley Brothers 16. Chameleon - Herbie Hancock 17. Mr. Big Stuff - Jean Knight 18. When Doves Cry - Prince 19. Tell Me Something Good - Rufus (with vocals by Chaka Khan) 20. Family Affair - Sly & The Family Stone 21. Cold Sweat - James Brown & The Famous Flames 22. Out of Sight - James Brown & The Famous Flames 23. Backstabbers - The O'Jays 24. Fire - The Ohio Players 25. Rock Creek Park - The Blackbyrds 26. Give It to Me Baby - Rick James 27. Brick House - The Commodores 28. Jungle Boogie - Kool & The Gang 29. Shining Star - Earth, Wind, & Fire 30. Got To Give It Up Part I - Marvin Gaye 31. Keep on Truckin' Part I - Eddie Kendricks 32. Dazz - Brick 33. Pick Up the Pieces - Average White Band 34. Hollywood Singing - Kool & The Gang 35. Do It ('Til You're Satisfied) - B.T.
[Show full text]