Grace Jones Muse Mp3, Flac, Wma

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Grace Jones Muse mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Funk / Soul Album: Muse Country: US Released: 1979 Style: Disco MP3 version RAR size: 1619 mb FLAC version RAR size: 1531 mb WMA version RAR size: 1368 mb Rating: 4.8 Votes: 464 Other Formats: WAV MP4 AUD ASF AU VOX MMF Tracklist Hide Credits Sinning A1 5:06 Written-By – G. Jones*, P. Papadiamondis* Suffer A2 4:17 Vocals [Duet With] – Thor BaldurssonWritten-By – T. Baldursson*, T. Moulton* Repentence (Forgive Me) A3 3:50 Written-By – G. Jones*, P. Papadiamondis* Saved A4 7:13 Written-By – J. Robinson*, J. Bolden*, V.S. Robinson* Atlantic City Gambler B1 5:46 Written-By – Duke Williams, T. Moulton* I'll Find My Way To You B2 5:14 Written-By – H. Shaper*, S. Cipriani* Don't Mess With The Messer B3 4:50 Arranged By – John Davis Written-By – G. Jones*, P. Papadiamondis* On Your Knees B4 6:20 Written-By – D.C. LaRue, J. Corbetta* Companies, etc. Mastered At – Sterling Sound Lacquer Cut At – Sterling Sound Pressed By – Capitol Records Pressing Plant, Los Angeles Credits Arranged By – Thor Baldursson (tracks: A1 to B2, B4) Art Direction – Grace Jones, Richard Bernstein Backing Vocals – The Brotherhood (tracks: A1 to A4), The Sweethearts Of Sigma* (tracks: B1 to B4) Bass – Jimmy Williams Drums – Keith Benson Guitar – Craig Snyder Keyboards – Thor Baldursson Lacquer Cut By – TM/JR* Mastered By – José Rodriguez Percussion – James Walker, Larry Washington Producer – Tom Moulton Notes "A Tom Moulton Mix". Side 1 runs non-stop. Runout (etched) side A: ILPS-1-9538 - LW2 TM/JR Runout (stamped) side A: STERLING Runout (etched) side B: ILPS-2-9538 - LW1 TM/JR Runout (stamped) side B: STERLING Other versions Category Artist Title (Format) Label Category Country Year Muse (LP, 200 849, 200 Grace Island Records, 200 849, 200 Album, P/Mixed, Germany 1979 849-320 Jones Island Records 849-320 Gat) Muse (LP, Grace 14C 062-63079 Album, P/Mixed, Island Records 14C 062-63079 Greece 1979 Jones TP) Grace Muse (LP, ILPS 19538 Island Records ILPS 19538 Italy 1979 Jones Album, P/Mixed) Gold Legion, Universal Music Muse (CD, 67094 562272, Grace Special Markets, 67094 562272, Album, P/Mixed, US 2011 B0016370-02 Jones Gold Legion, B0016370-02 RE, RM) Universal Music Special Markets Muse (LP, Grace 200 849 Album, P/Mixed, Island Records 200 849 Netherlands 1979 Jones Gat) Related Music albums to Muse by Grace Jones Grace Jones - Disco Sampler Grace Jones - Sorry / That's The Trouble Grace Jones - Feel Up Grace Jones - Fame Grace Jones - That's The Trouble Grace Jones - Portfolio Grace Jones - Warm Leatherette Grace Jones - On Your Knees Grace Jones - Sorry /That's the trouble Grace Jones - I Need A Man Grace Jones - Bulletproof Heart Grace Jones - I Need A Man!.

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First, Secure the Milk Then Quick I Must Show You My Body's Inventing Itself
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Brazelton: Annotated Bibliography - Grace Jones, Slave to the Rhythm Grace Jones. (1985). Slave to the Rhythm. Island Records. Among the canon of Black Divas, perhaps none are quite as feared, reviled, and worshipped as Grace Jones. The supermodel, actress, and musician notoriously slapped Russell Harty on his talk show, burnt Dolph Lundgren’s clothes, and regularly exposed herself to everyone from paparazzi to prime ministers. And through the apparent erraticism of her performance, a yearning futurism pervades her work. Slave to the Rhythm, Jones’ seventh album, took the already surreal and transgressive aesthetics mapped out in Warm Leatherette and Nightclubbing and elaborated a hypnagogic futurism––a yearning for another here and now. Slave to the Rhythm was released in 1985, the year after Jones featured as Zula in the epic fantasy Conan the Destroyer. The album’s eight songs were written by and credited to Bruce Woolley, Simon Darlow, Stephen Lipson, and Trevor Horn. Much of the art direction and design was done by Jean-Paul Goude, Jones’ then-husband, who directed the music video for “Slave to the Rhythm” and devised the album cover. Slave to the Rhythm was released on Island Records, becoming Jones’ most popular album. Slave to the Rhythm is built as an concept album; each of the eight songs is a chaotic interpretation of the eponymous title track. The style of the individual songs range from R&B, funk, and go-go, to dub, ambient, and circuit-breaking electronics. All of the songs are interspersed with interviews with Jones herself, as well as recordings of others discussing or introducing the artist; for this reason, the album’s liner notes carry the subtitle, a biography.
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Pull Up! Curator Nicole J. Caruth Discusses “The Grace Jones Project” A visual tribute to one of the greatest figures of our time, ladies and gentlemen: Miss Grace Jones. by Miss Rosen May 10th, 2016 Photo: Gerard Gaskin, Baby (painted black) at the Tony, Andrea, and Eric Ball, Brooklyn, NY, 2000. Archival inkjet print. Courtesy of the artist. “I can't run out of different ideas. I am different. When can I run out of me?” observed the one and only Grace Jones. The Jamaican legend has made her name as a singer, songwriter, supermodel, actress, record producer bar none. Making herself known on the covers of Vogue, Elle, and Stern magazines, photographed by no less than Helmut Newton and Guy Bourdin, and working with the likes of Yves St. Laurent and Claude Montana, Miss Grace Jones defined and defied an era like no one before or since as her records regularly made the Top 40. “I don't think 'pop' should mean that you had no talent,” she revealed. Jones also maintained, “I don't collaborate. You're born alone, you die alone, you get on stage alone.” And if you’ve ever seen her on stage you realize, she’s right. There’s no room for anyone else: all eyes are on her. It is in her sheer luminosity and avant garde edge that she inspires generations of visual artists all around the world. The Grace Jones Project, on view at the Museum of the African Diaspora, San Francisco, now through September 18, presents more than 20 works in photography, video, installation, and video by artists including Rashayla Marie Brown, Gerard Gaskin, Heather Hart, Lyle Ashton Harris, Simone Leigh, Wangechi Mutu, Narcissister, Harold Offeh, Jacolby Satterwhite, Xaviera Simmons, Cauleen Smith, and Mickalene Thomas.
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1 Grace Jones
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Bio Grace Jones up Date
RAPHAEL SANTIN Celebrity Services Relations publiques – Conseils en Communications Grace Jones Grace Jones is a Jamaican-American singer, model and actress. Jones started out as a model and became a muse to Andy Warhol, who photographed her extensively. During that era she regularly went to the New York City nightclub Studio 54. Jones secured a record deal with Island Records in 1977, which resulted in a string of dance-club hits. In the late 1970s, she adapted the emerging electronic music style and adopted a severe, androgynous look with square-cut hair and angular, padded clothes. Many of her singles were hits on Billboard's Hot Dance Club Play and Hot Dance Airplay charts, including 1981’s "Pull Up to the Bumper," which spent seven weeks at #2 on the U.S. dance chart. Jones was able to find mainstream success in Europe, scoring a number of Top 40 entries on the UK Singles Chart. Her most notable albums are Warm Leatherette, Nightclubbing and Slave to the Rhythm, while her biggest hits (other than "Pull Up to the Bumper") are "I've Seen That Face Before (Libertango)," "Private Life," "Slave to the Rhythm," and "I'm Not Perfect (But I'm Perfect for You)." Jones is also an actress. After she appeared in some low-budget films in the 1970s and early 1980s, her work as an actress in mainstream film began in the 1984 fantasy/action film Conan the Destroyer alongside Arnold Schwarzenegger, and the 1985 James Bond movie A View to a Kill. In 1986 she played a vampire in Vamp, and both acted in and contributed a song to the 1992 film Boomerang with Eddie Murphy.
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