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Logging Songs of the Pacific Northwest: a Study of Three Contemporary Artists Leslie A
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2007 Logging Songs of the Pacific Northwest: A Study of Three Contemporary Artists Leslie A. Johnson Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC LOGGING SONGS OF THE PACIFIC NORTHWEST: A STUDY OF THREE CONTEMPORARY ARTISTS By LESLIE A. JOHNSON A Thesis submitted to the College of Music in partial fulfillment of the requirements for the degree of Master of Music Degree Awarded: Spring Semester, 2007 The members of the Committee approve the Thesis of Leslie A. Johnson defended on March 28, 2007. _____________________________ Charles E. Brewer Professor Directing Thesis _____________________________ Denise Von Glahn Committee Member ` _____________________________ Karyl Louwenaar-Lueck Committee Member The Office of Graduate Studies has verified and approved the above named committee members. ii ACKNOWLEDGEMENTS I would like to thank those who have helped me with this manuscript and my academic career: my parents, grandparents, other family members and friends for their support; a handful of really good teachers from every educational and professional venture thus far, including my committee members at The Florida State University; a variety of resources for the project, including Dr. Jens Lund from Olympia, Washington; and the subjects themselves and their associates. iii TABLE OF CONTENTS ABSTRACT ................................................................................................................. -
Songs by Artist
Reil Entertainment Songs by Artist Karaoke by Artist Title Title &, Caitlin Will 12 Gauge Address In The Stars Dunkie Butt 10 Cc 12 Stones Donna We Are One Dreadlock Holiday 19 Somethin' Im Mandy Fly Me Mark Wills I'm Not In Love 1910 Fruitgum Co Rubber Bullets 1, 2, 3 Redlight Things We Do For Love Simon Says Wall Street Shuffle 1910 Fruitgum Co. 10 Years 1,2,3 Redlight Through The Iris Simon Says Wasteland 1975 10, 000 Maniacs Chocolate These Are The Days City 10,000 Maniacs Love Me Because Of The Night Sex... Because The Night Sex.... More Than This Sound These Are The Days The Sound Trouble Me UGH! 10,000 Maniacs Wvocal 1975, The Because The Night Chocolate 100 Proof Aged In Soul Sex Somebody's Been Sleeping The City 10Cc 1Barenaked Ladies Dreadlock Holiday Be My Yoko Ono I'm Not In Love Brian Wilson (2000 Version) We Do For Love Call And Answer 11) Enid OS Get In Line (Duet Version) 112 Get In Line (Solo Version) Come See Me It's All Been Done Cupid Jane Dance With Me Never Is Enough It's Over Now Old Apartment, The Only You One Week Peaches & Cream Shoe Box Peaches And Cream Straw Hat U Already Know What A Good Boy Song List Generator® Printed 11/21/2017 Page 1 of 486 Licensed to Greg Reil Reil Entertainment Songs by Artist Karaoke by Artist Title Title 1Barenaked Ladies 20 Fingers When I Fall Short Dick Man 1Beatles, The 2AM Club Come Together Not Your Boyfriend Day Tripper 2Pac Good Day Sunshine California Love (Original Version) Help! 3 Degrees I Saw Her Standing There When Will I See You Again Love Me Do Woman In Love Nowhere Man 3 Dog Night P.S. -
September 23, 2009 Quality of Life Echoes Offi Cials Aim to Fi Ll Students in Princeton Review Ranks, on South 40 Construction Plans
Sign up for newspaper Learn all the pros and cons of ‘The The Editorial Board tackles the recent e-mail editions online at Beatles: Rock Band’ video game in controversy surrounding “Pretending.’ STUDLIFE.COM CADENZA, PAGE 8 FORUM, PAGE 4 STUDENT LIFE the independent newspaper of Washington University in St. Louis since eighteen seventy-eight Vol. 131, No. 13 www.studlife.com Wednesday, September 23, 2009 Quality of life echoes Offi cials aim to fi ll students in Princeton Review ranks, on South 40 construction plans University admins say Re-I Chin Contributing Reporter of students, also noted the role of WU took 4th in students’ feedback in the Univer- sity’s high quality of life ranking. While many students have ‘Quality of Life,’ “[Continuing to seek input of come to accept the towering our students and other University cranes, mounds of clay and 10th in best food colleagues] is the way things are inconvenient fences as a norm Lauren Olens done here—it is part of our cam- of life on the South 40, the con- Assignment Editor pus culture,” Carroll said. struction setup still begs the A Campus Services Com- question: Why is there a hole in mittee within Student Union and the South 40? Washington University offi - headed by junior Greg Schweizer So far, most students only cials expressed satisfaction last focuses on improving non-aca- have vague ideas of what the week with the school’s high demic aspects of the University, ongoing construction project quality of life rankings in the such as dining, transport, security, might bring. -
What Is a Dance? in 3 Dances, Gene Friedman Attempts to Answer Just That, by Presenting Various Forms of Movement. the Film Is D
GENE FRIEDMAN 3 Dances What is a dance? In 3 Dances, Gene Friedman attempts to answer just that, by presenting various forms of movement. The film is divided into three sections: “Public” opens with a wide aerial shot of The Museum of Modern Art’s Sculpture Garden and visitors walking about; “Party,” filmed in the basement of Judson Memorial Church, features the artists Alex Hay, Deborah Hay, Robert Rauschenberg, and Steve Paxton dancing the twist and other social dances; and “Private” shows the dancer Judith Dunn warming up and rehearsing in her loft studio, accompanied by an atonal vocal score. The three “dances” encompass the range of movement employed by the artists, musicians, and choreographers associated with Judson Dance Theater. With its overlaid exposures, calibrated framing, and pairing of distinct actions, Friedman’s film captures the group’s feverish spirit. WORKSHOPS In the late 1950s and early 1960s, three educational sites were formative for the group of artists who would go on to establish Judson Dance Theater. Through inexpensive workshops and composition classes, these artists explored and developed new approaches to art making that emphasized mutual aid and art’s relationship to its surroundings. The choreographer Anna Halprin used improvisation and simple tasks to encourage her students “to deal with ourselves as people, not dancers.” Her classes took place at her home outside San Francisco, on her Dance Deck, an open-air wood platform surrounded by redwood trees that she prompted her students to use as inspiration. In New York, near Judson Memorial Church, the ballet dancer James Waring taught a class in composition that brought together different elements of a theatrical performance, much like a collage. -
The Book of Were-Wolves
The Book of Were-Wolves Sabine Baring-Gould The Project Gutenberg EBook of The Book of Were-Wolves, by Sabine Baring-Gould Copyright laws are changing all over the world. Be sure to check the copyright laws for your country before downloading or redistributing this or any other Project Gutenberg eBook. This header should be the first thing seen when viewing this Project Gutenberg file. Please do not remove it. Do not change or edit the header without written permission. Please read the "legal small print," and other information about the eBook and Project Gutenberg at the bottom of this file. Included is important information about your specific rights and restrictions in how the file may be used. You can also find out about how to make a donation to Project Gutenberg, and how to get involved. **Welcome To The World of Free Plain Vanilla Electronic Texts** **eBooks Readable By Both Humans and By Computers, Since 1971** *****These eBooks Were Prepared By Thousands of Volunteers!***** Title: The Book of Were-Wolves Author: Sabine Baring-Gould Release Date: March, 2004 [EBook #5324] [Yes, we are more than one year ahead of schedule] [This file was first posted on July 1, 2002] Edition: 10 Language: English Character set encoding: ASCII *** START OF THE PROJECT GUTENBERG EBOOK, THE BOOK OF WERE-WOLVES *** Scanned and proofread by John B. Hare for sacred-texts.com January 2002 Orignal HTML version at http://www.sacred-texts.com/goth/bow/index.htm Livros Grátis http://www.livrosgratis.com.br Milhares de livros grátis para download. Prepared for Project Gutenberg by Curtis Weyant June 2002 [Note: Greek text is in curly braces, i.e., {}.] [Note: Italics have been indicated by an underscore character before and after the italicized text. -
Forest Service, Culture, and Community
FOREST SERVICE, CULTURE, AND COMMUNITY TERESA HAUGH AND JAMES I. DEUTSCH hen Lezlie Murray was in the fifth grade, she took a class outing to the nearby Gifford Pinchot National Forest in southwestern Washington State. "My best friend's father was a ranger, and he took our class out into the forest and talked to us about the trees and everything that was a part of that environment. It really stuck with me." Now an interpretive naturalist and director of the Begich, Boggs Visitor Center at Portage Glacier in Alaska's Chugach National Forest, Murray has always cherished that early turning point in her life. "Every day I pinch myself when I get up," she explains. ''I'm in the most beautiful place in the world. I've done a lot of traveling, so I can say that and really mean it." In many ways, Murray's story is not unusual for those who live and work in the forests, whether public or private, in the United States. Growing up near a forest, or having a relative who has worked outdoors with natural resources, seems to influence one's choice of career path. Take, for example, Kirby Matthew, a fourth-generation Montanan who grew up near the Trout Creek Ranger Station in Montana's Kootenai National Forest. His father worked as a logger and then with the Forest Service, so it was natural for Kirby himself to enter the Forest Service, where he has "a history." He now works for the Forest Service's Historic Building Preservation Team in Missoula, Montana. -
The Cure Happily Ever After Mp3, Flac, Wma
The Cure Happily Ever After mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Rock Album: Happily Ever After Country: US Released: 1987 Style: Alternative Rock, New Wave, Post-Punk MP3 version RAR size: 1513 mb FLAC version RAR size: 1191 mb WMA version RAR size: 1533 mb Rating: 4.5 Votes: 315 Other Formats: MP2 AU VOC MP1 MIDI MP3 VOX Tracklist Seventeen Seconds 1 A Reflection 2:08 2 Play For Today 3:41 3 Secrets 3:20 4 In Your House 4:08 5 Three 2:36 6 The Final Sound 0:52 7 A Forest 5:55 8 M 3:04 9 At Night 5:54 10 Seventeen Seconds 4:03 Faith 11 The Holy Hour 4:26 12 Primary 3:35 13 Other Voices 4:28 14 All Cats Are Grey 5:28 15 The Funeral Party 4:14 16 Doubt 3:12 17 The Drowning Man 4:49 18 Faith 6:43 Companies, etc. Phonographic Copyright (p) – A&M Records, Inc. Copyright (c) – A&M Records, Inc. Published By – APB Music Co. Ltd. Credits Bass – Simon Gallup Drums – Laurence Tolhurst Engineer – Mike Hedges Guitar – Robert Smith Keyboards – Matthieu Hartley (tracks: 1 to 10) Keyboards, Voice – Robert Smith (tracks: 11 to 18) Producer – Mike Hedges, The Cure Vocals – Robert Smith (tracks: 1 to 10) Written-By – Tolhurst*, Hartley* (tracks: 1 to 10), Smith*, Gallup* Notes US only compilation of Seventeen Seconds and Faith. ℗ 1980, 1981 A&M Records, Inc. © 1987 A&M Records, Inc. Printed in the U.S.A. CD made in USA. Also released with the disc pressed in Japan. -
Karaoke Song Book Karaoke Nights Frankfurt’S #1 Karaoke
KARAOKE SONG BOOK KARAOKE NIGHTS FRANKFURT’S #1 KARAOKE SONGS BY TITLE THERE’S NO PARTY LIKE AN WAXY’S PARTY! Want to sing? Simply find a song and give it to our DJ or host! If the song isn’t in the book, just ask we may have it! We do get busy, so we may only be able to take 1 song! Sing, dance and be merry, but please take care of your belongings! Are you celebrating something? Let us know! Enjoying the party? Fancy trying out hosting or KJ (karaoke jockey)? Then speak to a member of our karaoke team. Most importantly grab a drink, be yourself and have fun! Contact [email protected] for any other information... YYOUOU AARERE THETHE GINGIN TOTO MY MY TONICTONIC A I L C S E P - S F - I S S H B I & R C - H S I P D S A - L B IRISH PUB A U - S R G E R S o'reilly's Englische Titel / English Songs 10CC 30H!3 & Ke$ha A Perfect Circle Donna Blah Blah Blah A Stranger Dreadlock Holiday My First Kiss Pet I'm Mandy 311 The Noose I'm Not In Love Beyond The Gray Sky A Tribe Called Quest Rubber Bullets 3Oh!3 & Katy Perry Can I Kick It Things We Do For Love Starstrukk A1 Wall Street Shuffle 3OH!3 & Ke$ha Caught In Middle 1910 Fruitgum Factory My First Kiss Caught In The Middle Simon Says 3T Everytime 1975 Anything Like A Rose Girls 4 Non Blondes Make It Good Robbers What's Up No More Sex.... -
Dante Alighieri's Divine Comedy – Inferno
DIVINE COMEDY -INFERNO DANTE ALIGHIERI HENRY WADSWORTH LONGFELLOW ENGLISH TRANSLATION AND NOTES PAUL GUSTAVE DORE´ ILLUSTRATIONS JOSEF NYGRIN PDF PREPARATION AND TYPESETTING ENGLISH TRANSLATION AND NOTES Henry Wadsworth Longfellow ILLUSTRATIONS Paul Gustave Dor´e Released under Creative Commons Attribution-Noncommercial Licence. http://creativecommons.org/licenses/by-nc/3.0/us/ You are free: to share – to copy, distribute, display, and perform the work; to remix – to make derivative works. Under the following conditions: attribution – you must attribute the work in the manner specified by the author or licensor (but not in any way that suggests that they endorse you or your use of the work); noncommercial – you may not use this work for commercial purposes. Any of the above conditions can be waived if you get permission from the copyright holder. English translation and notes by H. W. Longfellow obtained from http://dante.ilt.columbia.edu/new/comedy/. Scans of illustrations by P. G. Dor´e obtained from http://www.danshort.com/dc/, scanned by Dan Short, used with permission. MIKTEXLATEX typesetting by Josef Nygrin, in Jan & Feb 2008. http://www.paskvil.com/ Some rights reserved c 2008 Josef Nygrin Contents Canto 1 1 Canto 2 9 Canto 3 16 Canto 4 23 Canto 5 30 Canto 6 38 Canto 7 44 Canto 8 51 Canto 9 58 Canto 10 65 Canto 11 71 Canto 12 77 Canto 13 85 Canto 14 93 Canto 15 99 Canto 16 104 Canto 17 110 Canto 18 116 Canto 19 124 Canto 20 131 Canto 21 136 Canto 22 143 Canto 23 150 Canto 24 158 Canto 25 164 Canto 26 171 Canto 27 177 Canto 28 183 Canto 29 192 Canto 30 200 Canto 31 207 Canto 32 215 Canto 33 222 Canto 34 231 Dante Alighieri 239 Henry Wadsworth Longfellow 245 Paul Gustave Dor´e 251 Some rights reserved c 2008 Josef Nygrin http://www.paskvil.com/ Inferno Figure 1: Midway upon the journey of our life I found myself within a forest dark.. -
The Cure — Wikipédia
The Cure — Wikipédia https://fr.wikipedia.org/wiki/The_Cure The Cure 1 The Cure [ðə ˈkjʊə(ɹ)] est un groupe de rock britannique, originaire de Crawley, dans le Sussex The Cure de l'Ouest, en Angleterre. Formé en 1976, le groupe comprend actuellement Robert Smith, Roger O'Donnell aux claviers, Simon Gallup à la basse, Reeves Gabrels à la guitare et Jason Cooper à la batterie. Robert Smith est la figure emblématique du groupe. Il en est le chanteur et le guitariste (il joue également de la basse ou des claviers), le parolier et le principal compositeur. Par ailleurs, il est le seul membre présent depuis l'origine du groupe. The Cure, à Singapour le 1er août 2007. Associé au mouvement new wave, The Cure a Informations générales développé un son qui lui est propre, aux ambiances 2, 3 Pays d'origine Royaume-Uni tour à tour mélancoliques, rock, pop, gothiques Genre musical Cold wave, new wave, et psychédéliques, créant de forts contrastes, où la post-punk, rock alternatif, basse est mise en avant et n’est pas seulement un rock gothique instrument d’accompagnement. Elle est, Années actives Depuis 1976 notamment en raison du jeu particulier de Simon Gallup une composante essentielle de la musique de Labels Fiction Records, Geffen The Cure. L'utilisation conjointe d'une basse six Records cordes (souvent une Fender VI), au son Site officiel www.thecure.com caractéristique, très souvent utilisée dans les motifs (http://www.thecure.com) mélodiques, contribue pour beaucoup à la signature Composition du groupe sonore si singulière du groupe. Membres Robert Smith Cette identité musicale, ainsi qu'une identité Simon Gallup visuelle véhiculée par des clips, contribuent à la Roger O'Donnell popularité du groupe qui atteint son sommet dans Jason Cooper les années 1980. -
The Forests of Connecticut Agriculture Forest Service Eric H
United States Department of The Forests of Connecticut Agriculture Forest Service Eric H. Wharton Northeastern Research Station Richard H. Widmann Resource Bulletin NE-160 Carol L. Alerich Charles J. Barnett Andrew J. Lister Tonya W. Lister Don Smith Fred Borman Authors Eric H. Wharton, Richard H. Widmann, Carol L. Alerich, Charles J. Barnett, Andrew J. Lister, and Tonya W. Lister, Forest Inventory and Analysis Program, Northeastern Research Station, Newtown Square, Pennsylvania Don Smith and Fred Borman, Connecticut Department of Environmental Protection, Division of Forestry, Hartford, Connecticut Photo credits: cover, Paul Fusco, USDA Natural Resources Conservation Service; pages 3, 6, 10, 22, 27, 33, 35, Connecticut Department of Environmental Protection, Division of Forestry; pages 4, 11, Richard H. Widmann, USDA Forest Service; page 7, used by permission of the State of Connecticut; page 24, Maine Maritime Museum; page 26, Robert Burt, USDA Forest Service; page 29, upper right, Robert L. Anderson, USDA Forest Service, image 1748049 (www.forestryimages.org), lower left, Terry McGovern, USDA APHIS, image 2652087 (www.forestryimages.org); page 30, Robert A. Haack, USDA Forest Service, image 3225081, (www.forestryimages.org). Published by: For additional copies: USDA FOREST SERVICE USDA Forest Service 11 CAMPUS BLVD SUITE 200 Publications Distribution NEWTOWN SQUARE PA 19073-3294 359 Main Road Delaware, OH 43015-8640 April 2004 Fax: (740)368-0152 Visit our homepage at: http://www.fs.fed.us/ne Foreword There is something about Connecticut . v There is a reason why thousands of people – from all over the world – flock to Connecticut in the autumn to view nature’s finest show. -
Standing on a Beach / Staring at the Sea: How the Sleeve Art Made for the Singles of the Band the Cure
Review Article Glob J Arch & Anthropol Volume 11 Issue 4 - August 2020 Copyright © All rights are reserved by Cinla Seker DOI: 10.19080/GJAA.2020.11.555817 Standing on A Beach / Staring at The Sea: How the Sleeve Art Made for The Singles of The Band the Cure Cinla Seker* Department of Fine Arts Education, Dokuz Eylul University, Turkey Submission: February 13, 2020; Published: August 10, 2020 *Corresponding author: Cinla Seker, Department of Fine Arts Education, Dokuz Eylul University, Turkey Abstract Graphic design as a visual design discipline provides pre-print solutions by organizing the main two elements: type and image. Every graphic design presents a product or a service, and an album cover as a graphic design product presents the music and the musician besides protecting the recorded medium. Music as an art form based on sound and silence has been recording since the end of the 19th century for collecting and distributing the music to the masses. The primitive sleeves created for titling and protection turned into tools of labeling, offering and presenting as form they got and the materials they have been made of. Among its similar the 1986 released compilation album of the English rock band uniqueThe Cure, attitude, Standing which on a also Beach shows / Staring the tight at the bonds Sea amongcertificated various by fivegraphic times design with platinumelements andlike sixline, times color, with tone, gold light and and critically shades acclaimedand music. as Does the theone seaof the as blackfinest andalbums white of inthe the „80s.The background, aim of the this Figure paper old is to and put thorn forth and the themaking lettering of the in sleeve far behind art of have the singlesa relation of theof the band music The theCure band with The its Cure is made? Keywords: Graphic design; Sleeve art; The Cure; Sea; Design elements Introduction serves.