IALD ENLIGHTEN AMERICAS 2016 13-15 OCTOBER 2016 Enlighten Is: Connections + Collaboration

Total Page:16

File Type:pdf, Size:1020Kb

IALD ENLIGHTEN AMERICAS 2016 13-15 OCTOBER 2016 Enlighten Is: Connections + Collaboration PUERTO VALLARTA, MÉXICO IALD ENLIGHTEN AMERICAS 2016 13-15 OCTOBER 2016 Enlighten is: Connections + collaboration. Education + inspiration. All about light. –––––––– Created for and by architectural lighting designers, Enlighten Americas is tailored just for you. Blending traditional seminars with innovative workshops and unique collaborative and networking experiences, Enlighten will give you the skills, tools and inspiration you need to excel in your practice. Join us this October – register now at iald.me/enam16pv THURSDAY, 13 FRIDAY, 14 OCTOBER 2016 OCTOBER 2016 Noon – 5:00 P.M. 7:30 - 8:30 A.M. Business Owners Forum Breakfast Buffet (separate registration fee) Sponsored by Kurt Versen Company 3:30 – 4:30 P.M. 8:30 – 10:00 A.M. IALD Public Policy: Volunteers General Session + Keynote Make it Happen! Danielle Feinberg, Pixar Animation Studios 4:30 – 5:30 P.M. 10:00 – 10:30 A.M. Certified Lighting Designer (CLD): The Morning Networking Break Credential of a Mature Profession Sponsored by Finelite 5:00 - 6:00 P.M. 10:30 – 11:30 A.M. Emerging Lighting Designer Reception CONCURRENT SESSIONS (Invitation Only) ART: What is Your Color Perception? Sponsored by IALD Lighting Industry An Artist’s Perspective Resource Council SCIENCE: Seeing Green – Lighting the Way to Net Zero and Beyond 7:00 P.M. PROFESSIONAL TOOLS: Thinking Outside President’s Opening Reception the Brick and Mortar Sponsored by Eaton 11:40 A.M. – 12:40 P.M. CONCURRENT SESSIONS ART: Is There a “Right to Light”? SCIENCE: Shedding Light on Lumens: Capturing the True Efficiency of White Light All times and sessions are subject to change. PROFESSIONAL TOOLS: Lighting Design + Check iald.org for the most update-to-date Light As A Service information on sessions and schedule. All sessions will be presented in English. 12:40-2:00 P.M. Buffet Lunch Sponsored by Acuity Brands SATURDAY, 15 OCTOBER 2016 12:40-2:00 P.M. 9:00 – 10:00 A.M. 1:30 – 2:30 P.M. Buffet Lunch CONCURRENT SESSIONS CONCURRENT SESSIONS Sponsored by Acuity Brands ART: Interactive Lighting Installations: ART: Luminous Surfaces and Light as a A New Approach to Enrich Public Spaces Building Material 2:00 – 3:00 P.M. SCIENCE: OLED Lighting Design: SCIENCE: Lighting the Internet of Things CONCURRENT SESSIONS Philosophy, Language and Implementation PROFESSIONAL TOOLS: LEDs Need a New ART: Rebirth of an Icon PROFESSIONAL TOOLS: Time Hacks: Language SCIENCE: Beyond Energy Savings: Working Smarter, Not Harder Rebranding Daylight for the 21st Century 2:40 – 3:40 P.M. PROFESSIONAL TOOLS: The Lighting Detail 10:30 A.M. - Noon CONCURRENT SESSIONS CONCURRENT SESSIONS ART: Fundamental and Inspirational Light 3:00-3:30 P.M. ART: The Delight of Shadows Afternoon Networking Break SCIENCE: Artwork Color Appearance Under SCIENCE: TBD LED Lighting Student Portfolio Review The Work/Life PROFESSIONAL TOOLS: PROFESSIONAL TOOLS: Working Globally: Balance: Expectations, Considerations and Domestic and International Practices 3:30 – 5:30 P.M. Communication Across Generations Lighting Cross Talk: A special session for 3:40 – 5:45 P.M. designers, specifiers + manufacturers 10:00 – 10:30 A.M. Afternoon Networking Break Morning Networking Break Student Workshop: Hospitality and “Tick Sponsored by MechoSystems Closing Activity – Martin Lupton & Sharon Tock” – Why Lighting Designers Should Care Stammers of Light Collective 5:30 – 6:30 P.M. Noon – 1:30 P.M. 7:00 P.M. Young Professionals Networking Hour IALD Annual Meeting + Luncheon Sponsored by Eaton Saturday Evening Closing Reception Sponsored by Philips Lighting Meet the IALD Education Trust Board (Sponsors, educators, and students welcome) 7:00 P.M. Friday Evening Reception Sponsored by Acuity Brands SESSION DESCRIPTIONS THURSDAY, 13 OCTOBER 2016 Noon – 5:00 P.M. 3:30 – 4:30 P.M. 4:30 – 5:30 P.M. IALD BUSINESS OWNERS FORUM: IALD PUBLIC POLICY: VOLUNTEERS MAKE CERTIFIED LIGHTING DESIGNER (CLD): THE Succession Planning Workshop IT HAPPEN! CREDENTIAL OF A MATURE PROFESSION Doug Box, Box Family Advisors LLC, Dallas, John Martin, IALD Public Policy Consultant, David Ghatan, IALD, C.M. Kling & TX USA Novato, CA USA Associates, Alexandria, VA USA Additional registration fee required. Lunch will be provided. “Public Policy” sounds boring, and it is–until David Ghatan, a member of the task force it affects you, your professional practice, and that developed the CLD, will present a This in-depth workshop will provide your income–and it does. IALD has an impact workshop-style session that takes designers comprehensive education and practical advice on public policy through its volunteers, through the various steps of the CLD on how to tackle the difficult process of professional lighting designers like you who application process. He will share useful tips succession planning. Before the workshop, delved into a new area to help the profession. on how to approach an application, providing Doug Box will circulate questionnaires to help Join IALD public policy consultant John an opportunity for attendees to ask questions him customize the workshop to the specific Martin to explore case studies of how IALD on the mechanics of applying for CLD. The needs and situations of participants. This volunteers change public policy through session will help participants understand the interactive workshop’s deliverables include their work. Learn how you can be part of the CLD assessment and its value to individuals, understanding the succession planning volunteer team that helps make the world as well as the need for a credential to mark process and its various phases, safe for lighting design, and get tips and a mature profession with a global mark of best practices, and a succession-plan tricks on being an effective volunteer. proficiency. workbook attendees can take home. BUSINESS OWNERS FORUM FOR IALD AND LIRC MEMBERS FOR NONMEMBERS REGISTRATION Through Beginning Through Beginning Hone the skills essential for running a successful 12 Sep 13 Sep 12 Sep 13 Sep business at a special half-day pre-conference IALD Business $350 $425 IALD Business $450 $525 workshop. This session will take place from 12 Forum ONLY Forum ONLY to 5 p.m. on Thursday, 13 October. Add-On to $295 $370 Add-On to $395 $470 Conference Registration Conference Registration FRIDAY, 14 OCTOBER 2016 8:30 – 10:00 A.M. them to pursue code, math and science by and structural-engineers to make her vibrant OPENING SESSION + KEYNOTE demonstrating to them the same beautiful ideas possible. PRESENTATION simplicity she found with the programmed art Danielle Feinberg, Pixar Animation Studios, of the Logo turtle. SCIENCE: Seeing Green: Lighting the Way San Francisco, CA USA to Net Zero and Beyond 10:30 – 11:30 A.M. Sara Lappano, SmithGroupJJR, Washington, Danielle Feinberg began her ART: What is Your Color Perception? An DC USA career at Pixar Animation Artist’s Perspective Chris Hugh Ripman, IALD, Ripman Lighting Studios in February 1997 on the Liz West, Manchester, England Consultants, Belmont, MA USA feature film A Bug’s Life. She quickly discovered her love for British light artist Liz West creates vivid As net zero energy buildings (NZEBs) become Feinberg lighting and went on to light environments that mix luminous color a more common goal for building owners, on many of Pixar’s feature films including Toy and radiant light, aiming to provoke a more lighting designers will be tasked with Story 2, Monsters, Inc., the Academy Award®- heightened sensory awareness in the viewer. helping achieve what some consider to be winning Finding Nemo, The Incredibles and She is interested in exploring how sensory the pinnacle of sustainable design - buildings Ratatouille. Feinberg then went on to serve phenomena can invoke psychological, that generate all of their own energy! An as the Director of Photography for Lighting emotional, spiritual and physical responses integrated design team and design process on Disney•Pixar’s Academy Award®-winning that tap into our own deeply entrenched is critical to achieving this goal, and lighting films, WALL•E and Brave. She is now working relationships to color and light. In this designers can and should play a leading role on Pixar’s Fall 2017 release. session, Liz will discuss the role of light in in NZEB design. Their role will go far beyond her recent works and the effect of color and lighting and will encompass many aspects of Feinberg’s love of combining computers light, including her perspective on living with design, such as siting of the building, room and art began she was eight years old, and Seasonal Affective Disorder. She will share the proportions, fenestration, glare control, first programmed a Logo turtle to create story of how she became an artist, dedicating daylighting, furniture and paint selection, and images. This eventually led her to a Bachelor time and research into creating light an integrated controls system for the building of Arts in Computer Science from Harvard installations. Liz will talk about the challenges that controls and monitors more than just the University. Now, in addition to her Pixar work, of collaborating with architects, fabricators lighting. This session will clarify the different she works with teenage girls, encouraging meanings of “Net Zero Energy,” the synergies à and interactions between different building private consumption and compromising our systems, and the relations between different common connection to the sun and sky. professions in creating great lighting design at net zero energy. This session will look at actions that can be embraced by lighting designers to secure PROFESSIONAL TOOLS: Thinking better futures and embrace public light. Three Outside the Brick and Mortar – international lighting designers will speak Challenging the Usual Business Model about the issue of ‘Right to Light’ and offer Andrea Hartranft, IALD, Hartranft Lighting their perspectives for professional practice Design, LLC, Charlotte, NC USA and responsibility. Barbara Horton, FIALD, HLB Lighting Design Inc., New York, NY USA and parameters to consider when starting a SCIENCE: Shedding Light on Lumens – Anna Sbokou, IALD, Anna Sbokou Lighting firm.
Recommended publications
  • Koko in Velika Skrivnost
    pedagoško gradivo avtorica Anja Cimerman avtor besedila Naši umrli Carlos Pascual kazalo................................................................................................................................................... 1 uvodna beseda .................................................................................................................................... 3 o filmu.................................................................................................................................................. 3 filmografski podatki ............................................................................................................. 3 daljša vsebina filma .............................................................................................................. 5 o avtorjih ............................................................................................................................... 7 iz prve roke ........................................................................................................................... 7 zanimivosti o snemanju filma ............................................................................................... 8 o animacijskem studiu Pixar ................................................................................................. 9 kontekst filma ................................................................................................................................... 11 Carlos Pascual: Naši umrli ................................................................................................
    [Show full text]
  • Disney•Pixar Feiert Mit Coco Die Familie Und Die Kunst Der Erinnerung
    Regie: Lee Unkrich & Adrian Molina Produzentin: Darla K. Anderson Kinostart: 30. November 2017 im Verleih von The Walt Disney Company (Austria) GmbH Auch in Disney Digital 3D™ DISNEY•PIXAR FEIERT MIT COCO DIE FAMILIE UND DIE KUNST DER ERINNERUNG “COCO handelt von einem 12-jährigen Jungen mit großen Träumen”, sagt Regisseur Lee Unkrich. “Es geht um eine hart arbeitende Familie mit tiefen Traditionen und viel Liebe. Was allerdings so toll an COCO ist, ist die Tatsache, dass Miguel auch mein Sohn sein könnte. Die Familie könnte bei mir nebenan wohnen. Die liebenswert herrische Großmutter, die mit Nachdruck auf noch einen weiteren Bissen beharrt, könnte auch meine sein. Was diese Geschichte so besonders macht, ist das Vertraute, in dem sich jeder wiederfindet.” Das universelle Thema „Familie“ sprach die Filmemacher besonders an. “Wir sind alle Teil einer Familie”, sagt Ko-Regisseur und Autor Adrian Molina. “Diese Beziehungen sind schön und kompliziert zugleich. Aber unsere Familien formen unseren Charakter, weswegen wir uns fragten: Wenn man die Gelegenheit hätte seine Vorfahren zu treffen, was würde man dann in ihnen erkennen, das einen selbst ausmacht?” Unkrich fügt hinzu, “Wir erkannten das gemeinsame Bedürfnis, erinnert zu werden. Das Gefühl auch lang nach unserer Zeit hier, noch von Bedeutung zu sein. Gleichermaßen gibt es die große Sehnsucht die Erinnerung an unsere Angehörigen am Leben zu halten. Indem wir ihre Geschichten teilen und unsere eigene schaffen, bauen wir eine Verbindung auf die größer ist als unser Alltag und sich über Generationen erstreckt.“ Im Mittelpunkt des 19. Kinofilms der Pixar Animation Studios steht Miguel Rivera, der sich selbst Gitarre spielen beigebracht hat und als Sänger seinem Idol Ernesto de la Cruz nacheifert – dem größten Star, den Mexiko je hervorgebracht hat.
    [Show full text]
  • MONSTERS INC 3D Press Kit
    ©2012 Disney/Pixar. All Rights Reserved. CAST Sullivan . JOHN GOODMAN Mike . BILLY CRYSTAL Boo . MARY GIBBS Randall . STEVE BUSCEMI DISNEY Waternoose . JAMES COBURN Presents Celia . JENNIFER TILLY Roz . BOB PETERSON A Yeti . JOHN RATZENBERGER PIXAR ANIMATION STUDIOS Fungus . FRANK OZ Film Needleman & Smitty . DANIEL GERSON Floor Manager . STEVE SUSSKIND Flint . BONNIE HUNT Bile . JEFF PIDGEON George . SAM BLACK Additional Story Material by . .. BOB PETERSON DAVID SILVERMAN JOE RANFT STORY Story Manager . MARCIA GWENDOLYN JONES Directed by . PETE DOCTER Development Story Supervisor . JILL CULTON Co-Directed by . LEE UNKRICH Story Artists DAVID SILVERMAN MAX BRACE JIM CAPOBIANCO Produced by . DARLA K . ANDERSON DAVID FULP ROB GIBBS Executive Producers . JOHN LASSETER JASON KATZ BUD LUCKEY ANDREW STANTON MATTHEW LUHN TED MATHOT Associate Producer . .. KORI RAE KEN MITCHRONEY SANJAY PATEL Original Story by . PETE DOCTER JEFF PIDGEON JOE RANFT JILL CULTON BOB SCOTT DAVID SKELLY JEFF PIDGEON NATHAN STANTON RALPH EGGLESTON Additional Storyboarding Screenplay by . ANDREW STANTON GEEFWEE BOEDOE JOSEPH “ROCKET” EKERS DANIEL GERSON JORGEN KLUBIEN ANGUS MACLANE Music by . RANDY NEWMAN RICKY VEGA NIERVA FLOYD NORMAN Story Supervisor . BOB PETERSON JAN PINKAVA Film Editor . JIM STEWART Additional Screenplay Material by . ROBERT BAIRD Supervising Technical Director . THOMAS PORTER RHETT REESE Production Designers . HARLEY JESSUP JONATHAN ROBERTS BOB PAULEY Story Consultant . WILL CSAKLOS Art Directors . TIA W . KRATTER Script Coordinators . ESTHER PEARL DOMINIQUE LOUIS SHANNON WOOD Supervising Animators . GLENN MCQUEEN Story Coordinator . ESTHER PEARL RICH QUADE Story Production Assistants . ADRIAN OCHOA Lighting Supervisor . JEAN-CLAUDE J . KALACHE SABINE MAGDELENA KOCH Layout Supervisor . EWAN JOHNSON TOMOKO FERGUSON Shading Supervisor . RICK SAYRE Modeling Supervisor . EBEN OSTBY ART Set Dressing Supervisor .
    [Show full text]
  • Witness List
    This list simply offers examples of the type of people you might choose – but use your own preferences. They could be a discipline like – agriculture, engineering, science, the arts, theatre – an area where you see the Spirit moving and expressing the dream of God today. You will have your own ideas, people or disciplines to add to the cloth Phil Fontaine (71) The Aboriginal Residential Schools Truth and Reconciliation Commission credits Fontaine for placing the issue of residential schools on the national agenda when in October 1990 he spoke publicly about the abuse that he and his fellow students had experienced at the Fort Alexander school. In 1991, he was elected grand chief of the Assembly of Manitoba Chiefs and served for three consecutive terms. He has worked diligently to improve education and living conditions for Aboriginal people. He has been awarded, to date, nine honorary doctorates of law. Among many other things Phil was made an officer of the Order of Canada on December 30, 2012. Jean Vanier (87) Jean Vanier, CC GOQ is a Canadian Catholic philosopher, theologian and humanitarian. He founded L'Arche in 1964, an international federation of communities spread over 35 countries, for people with developmental disabilities, their family and friends in over 80 countries. He continues to live as a member of the original L’Arche community in Trosly-Breuil, France. Jackie Robinson (January 31, 1919 – October 24, 1972) Jackie Robinson made history in 1947 when he broke baseball's color barrier to play for the Brooklyn Dodgers - the first black player in the major leagues.
    [Show full text]
  • Dear Volunteer
    Dear Volunteer, Girl Scouts who code can literally change the world! They can invent a great new app, design the next trend in fashion, or build a robot to help doctors and nurses save lives. Anything is possible when girls know how to code—they can create, innovate, and help others—whether they’re a veterinarian, clothing designer, engineer, pastry chef, or anything in between. Learning to code gives girls the skills to be competitive in whatever they choose to do. So what exactly is coding? Coding simply means creating instructions that tell a Girl Scouts of the USA is excited to be computer what to do. It might consist of a series of letters, symbols, numbers, or part of Google’s Made with Code which blocks with word commands. Girls don’t have to be math or science whizzes to aims to change the way girls think about coding, and inspire them to consider code, they just have to have the desire to create something or make a difference. careers in computer science. The program includes: Get girls excited about coding by telling them about: • A new site where girls can try Blockly- based coding projects like designing • Four high school friends from East Palo Alto, California who got tired of seeing a 3D-printed bracelet, learning to create animated GIFs, and even graffiti and trash on their streets, so they wrote code to create an app that building beats for a music track. helps people clean up the community. The girls admitted that the idea of • A directory where volunteers, girls, coding was intimidating until they found out that “coding is not boring, it’s not and their parents can find additional hard, it’s actually pretty easy.” coding resources and opportunities, such as camps and clubs.
    [Show full text]
  • AAUW Honored 12 Promising Young Women at Awards Ceremony
    LAMORINDA WEEKLY | AAUW Honored 12 Promising Young Women at Awards Ceremony Published May 8th, 2013 AAUW Honored 12 Promising Young Women at Awards Ceremony Submitted by Sandy Fox-Sohner The Orinda-Moraga-Lafayette (OML) branch of AAUW gathered with members, parents, and friends April 21 to award 12 remarkable young women from Lamorinda schools with Tech Trek camp scholarships or college scholarships. Keynote speaker Danielle Feinberg of Pixar Animation Studios - a mainstay at Tech Trek camp on the Stanford Campus for several years - enthralled the audience with her love of computer graphics and showed scenes from the movies she has worked on, such as "Brave," "Cars," "Ratatouille," "Finding Nemo," and "Toy Story." She stressed the importance of mathematical equations when designing the movements and structures of animation, as well as behavior patterns, and she encouraged the girls to follow their dreams no matter how hard the courses or the problems. In elementary schools, girls and boys are highly - and equally - interested in science and math, but by the time these students are in high school or college, the number of students taking science and math courses has dropped off Top row, scholarship winners and keynote speaker, considerably, especially for the girls. These are tough from left: Kate Ruth Greer, Jenanne Margaret courses, and sometimes even some very smart students Vaccaro, Danielle Feinberg, Mina Arasteh, Natasha start to think they can't do it. Blazer, Mariah McKenzie Miller, and Elise Peterson- Tech Trek camp for eighth graders provides girls with Trujillo. Front row, Tech Trek winners: Chun Che the confidence and the excitement they need to succeed in Free, Julia Moseyko, Audrey Moore, Natalie Davis, STEM (Science, Technology, Engineering, and Math) courses Ariella Zulch, and Molly Mudgett.
    [Show full text]
  • Wall·E 1 Wall·E
    WALL·E 1 WALL·E WALL•E Título WALL•E o WALL-E Ficha técnica Dirección • Andrew Stanton Producción Jim Morris Lindsey Collins (co-productora) John Lasseter (Productor ejecutivo) Diseño de producción Ralph Eggleston Guion Andrew Stanton Pete Docter Jim Reardon Música Thomas Newman Fotografía Jeremy Lasky Danielle Feinberg Montaje Stephen Schaffer Protagonistas Ben Burtt Elissa Knight Jeff Garlin Fred Willard John Ratzenberger Kathy Najimy Sigourney Weaver MacInTalk [1] Ver todos los créditos (IMDb) Datos y cifras País(es) Estados Unidos Año 2008 Género Ciencia ficción Comedia Romance Duración 98 minutos Clasificación Todos en General Idioma(s) Inglés Compañías Productora Walt Disney Pictures, Pixar Animation Studios Distribución Walt Disney Studios Buena Vista International WALL·E 2 Presupuesto USD 180 000 000 Recaudación USD 521 268 237 Óscar a la mejor película de animación Ratatouille WALL•E Up [2] Ficha en IMDb [3] Ficha en FilmAffinity WALL•E o WALL-E (conocida como WALL•E: batallón de limpieza en España) es una película de animación realizada casi íntegramente por computadora de géneros de ciencia ficción y comedia estrenada en 2008, dirigida por Andrew Stanton, producida por Walt Disney Pictures y Pixar Animation Studios. La trama sigue a un robot de la línea WALL•E, diseñada para limpiar la basura que cubre a la Tierra después de que fuese devastada y abandonada por el ser humano en un futuro lejano. Tras esto, se enamora de EVA, una robot tipo sonda y combate, que es enviada al planeta para investigar si existen indicios de vida, lo cual significaría que el lugar puede ser nuevamente habitado por la humanidad.
    [Show full text]
  • Findingdory5757c7816df94.Pdf
    ©2016 Disney/Pixar ©2016 Disney/Pixar. All Rights Reserved. Disney.com/FindingDory CAST Dory . .ELLEN DEGENERES DISNEY Marlin . .ALBERT BROOKS presents Hank . ED O’NEILL Destiny . .KAITLIN OLSON A Nemo . .HAYDEN ROLENCE PIXAR ANIMATION STUDIOS Bailey . TY BURRELL Film Jenny . DIANE KEATON Charlie . .EUGENE LEVY Young Dory . SLOANE MURRAY Fluke . .IDRIS ELBA Rudder . DOMINIC WEST Mr. Ray . BOB PETERSON Wife Fish . KATE MCKINNON Husband Fish (Stan) . .BILL HADER Sigourney Weaver . SIGOURNEY WEAVER Passenger Carl . ALEXANDER GOULD Gerald . .TORBIN XAN BULLOCK Crush . ANDREW STANTON Chickenfi sh . KATHERINE RINGGOLD Tween Dory . LUCIA GEDDES Squirt . BENNETT DAMMANN Husband Crab (Bill) . JOHN RATZENBERGER Directed by . .ANDREW STANTON Sunfi sh “Charlie Back and Forth” . ANGUS MACLANE Co-Directed by . .ANGUS MACLANE Gill . .WILLEM DAFOE Produced by . LINDSEY COLLINS, p.g.a. Bloat . .BRAD GARRETT Executive Producer . .JOHN LASSETER Peach . ALLISON JANNEY Associate Producer . BOB ROATH Gurgle . .AUSTIN PENDLETON Original Story by . .ANDREW STANTON Bubbles . STEPHEN ROOT Screenplay by . .ANDREW STANTON Deb (& Flo) . .VICKI LEWIS VICTORIA STROUSE Jacques . .JEROME RANFT Music by . .THOMAS NEWMAN Story Supervisor . MAX BRACE Additional Screenplay Material by . BOB PETERSON Film Editor . AXEL GEDDES Additional Story Material by . ANGUS MACLANE Production Designer . STEVE PILCHER Supervising Technical Director. .JOHN HALSTEAD Post Production Supervisor . .PAUL CICHOCKI Production Manager . BECKY NEIMAN-COBB Production Finance Leads . .WILLIAM REUSCH Supervising Animators . .DAVID DEVAN MARC SONDHEIMER MICHAEL STOCKER Director of Photography - Camera . .JEREMY LASKY STORY Director of Photography - Lighting . IAN MEGIBBEN Character Art Director . .JASON DEAMER Story Manager . HANA YOON Sets Art Director . DON SHANK Character Supervisor . JEREMIE TALBOT Story Lead . ALEXANDER WOO Sets Supervisor . COLIN HAYES THOMPSON Eff ects Supervisor .
    [Show full text]
  • Kino Ken Screened COCO on November 29, 2017 at the AMC Theaters, Westmoreland Mall, Hempfield Township, Pennsylvania
    Kino Ken screened COCO on November 29, 2017 at the AMC Theaters, Westmoreland Mall, Hempfield Township, Pennsylvania. Below is his review of that outstanding film. 17 of a possible 20 points ****1/2 of a possible ***** United States 2017 color 109 minutes feature seriocomedy musical animation Pixar Animation Studios / Walt Disney Pictures Producers: Darla Anderson and Mary Alice Drumm Key: *indicates outstanding technical achievement or performance (j) designates a juvenile performer Points: Direction: Lee Unkrich and Adrian Molina 2 Editing: Steve Bloom, Lee Unkrich, and Jessica Katz 2 Cinematography: Matt Aspbury 1 Lighting: Danielle Feinberg, Tim Best, Jennifer Leigh King, Ryan Michero, Josè Luis Ramos Special Visual Effects: Michael O’Brien (Supervisor) Dustin Anderson, Itamar Belson, Susan Fisher Fong, Christian Hoffman, David Lally, Erin Lemkühl, Hsiao-Hsien Lo, Richard Marrujo, Thomas Moser, Owen Neuberger, Leon Jeong Wook Park, Stewart Pomeroy, Cari Reiche, Lana Chen Sun, Gaston Ugarte, Jamie Williams, others 2 Screenplay: Adrian Molina* and Matthew Aldrich* based on an original story by Lee Unkrich, Jason Katz, Matthew Aldrich, and Adrian Molina Story Supervision: Jason Katz* Music Editing: Stephen Davis* 2 Music: Michael Giacchino* Songs: Kristen Anderson-Lopez* and Robert Lopez* Orchestrations: Jeff Kryka* and Miguel Bezanilla* 2 Production Design: Harley Jessup* Art Direction: Tim Evatt* Character Design: Daniel Arriaga and Carter Goodrich Set Design and Props: Drew Hartel* 2 Animation: Gini Cruz Santos* (Supervising Animator), Michael Venturini* (Supervising Animator), Nickolas Rosario* (Director of Animation), Jesus Martinez, Michael Ravella, Maura Turner, others 2 Sound Design: Christopher Boyes* Sound Editing Supervision: Christopher Boyes* Sound Effects: Blake Collins*, Justin Doyle*, J. R.
    [Show full text]
  • Lamorinda Weekly Issue 5 Volume 7
    Page: A10 LAMORINDA WEEKLY www.lamorindaweekly.com 925-377-0977 Wednesday, May 8, 2013 If you could choose the most desirable street for your dream home, this would be your choice. Mature landscaping offers seclusion. This home has everything on your wish list, including in-law quarters, creek side back yard with pool and spa. 2,000+ Sq Ft with separate in-law Offering small town ambiance and Pool, spa and creek side setting close proximity to schools, trails, 3 bed 2 bath with office and downtown. 3356 Victoria Ave, Lafayette Price $1,300,000 Phone: 925-878-5869 Fax: 925-282-1865 [email protected] Accord www.PaddyKehoe.com DRE# 01894345 We are pleased to make space available whenever possible for some of Lamorinda’s dedicated community service organizations to submit news and information about their activities. Submissions can be sent to [email protected] with the Community Service subject header In Service to the Community. AAUW Honored 12 Promising Girl Scouts "Get Moving" Young Women at Awards Ceremony Submitted by Lisa Ross Submitted by Sandy Fox-Sohner Photo Lisa Ross urton Valley Elementary School Junior board boxes from Beth Ferree, one of the BGirl Scout troop #32192 had a work board members of the garden. From left: party April 27 to help install sheet mulching Sydney Goldwyn, Lyndsey Goldwyn, at the Lafayette Community Garden as part McKenna Muller, Sophia Eubanks, Jennifer of their "Get Moving" green energy Journey Bauer, Audrey Davis, Beth Ferree (garden Top row, scholarship winners and keynote speaker, from left: Kate Ruth Greer, Jenanne Margaret Vaccaro, Danielle Feinberg, Mina Arasteh, Natasha Blazer, Mariah McKenzie Miller, and Elise Peter- badge quest.
    [Show full text]
  • Action, Camera, Lights Handling Lighting at the Very End
    MONTAGE be in heavier historical fiction—an indus- The series had shifted from hardcover to mass trial reality reflected in howPink Carnation and its sequels had shifted from hardcover paperback; the next step was digital-only, or to mass-market paperback; the next step was digital-only, or cancellation. “This cancellation. “I was very afraid that if I dawdled, kind of light humor—there isn’t much of a place for it anymore. The genre has gone I wouldn’t be able to wrap it up.” more serious,” she explains. “I was very afraid that if I dawdled, I wasn’t going to and widened as Willig entered and left the grown up along with her. After nearly be able to wrap it up.” law, got married, and had a daughter; Elo- a dozen novels’ worth of staying in the There were other, internal, factors: “I ise, lagging behind, only just abandoned shadows, donning disguises, directing her had to make a real effort to remember Harvard. operatives, and gathering intelligence, the what it was to be Eloise, or in her posi- Revisiting the reviews of her early hyper-competent Jane (alias the Pink Car- tion.” At first, author and character were work, Willig finds herself agreeing with nation) at last gets to tend to her private essentially contemporaries—in fact, Eloise those who described it as “relentlessly ef- affairs. As for Eloise? Happily-ever-after was a few months ahead in her semester. fervescent” and the characters as “young comes with wedding bells—and a book But the gap between them has inverted and carefree.” She believes the series has deal.
    [Show full text]
  • Full Event Program
    AGENDA 8:00 a.m. Registration and Continental Breakfast 9:00 a.m. Welcome Margo I. Seltzer ‘83 Herchel Smith Professor of Computer Science 9:05 a.m. Top Tips From Harry Marty Chavez ‘85, SM ‘85 Incoming CFO, Goldman Sachs 9:20 a.m. Why This Is a Golden Age for Building Saas Companies—and an Early Glimpse at What the Post- cloud Era Will Look Like James Gwertzman ‘95 CEO, PlayFab 9:50 a.m. A Logical Concern Guy Steele ‘75 Software Architect, Oracle Labs 10:20 a.m. WWHD Stuart Shieber ‘81 James O. Welch, Jr. and Virginia B. Welch Professor of Computer Science 10:30 a.m. Break 11:00 a.m. Settling P Versus NP With Respect to Education Moderator: Michael Mitzenmacher ‘91 Professors: David Malan (Harvard), Eric Roberts (Stanford), Lynn Stein (Olin) Not professors: Hannah Blumberg (Khan Academy), Jonathan Katzmann (Minerva), Ali Partovi ‘94 (code.org) 12:30 p.m. Lunch 1:30 p.m. Oddball Rebecca Nesson ‘94, JD ‘01, PhD ‘09 Director of Online Course Development and Production, Harvard Division of Continuing Education 1:40 p.m. Hints for Special-purpose Computer Design Clif Young ‘89, PhD ‘97 Software Engineer, Google 2:10 p.m. Going West and Going East Christoph Freytag PhD ‘86 Professor for Databases and Information Systems, Humboldt-Universität zu Berlin 2:30 p.m. What I Learned at Harvard Danielle Feinberg ‘96 Director of Photography for Lighting, Pixar 2:50 p.m. A Message From Harry Harry R. Lewis ‘68, PhD ‘74 Gordon McKay Professor of Computer Science 3:00 – 6:00 p.m.
    [Show full text]