GENESIS a Report to Concerned Individuals Volume 53, Number 4 Winter 2016–2017
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Koko in Velika Skrivnost
pedagoško gradivo avtorica Anja Cimerman avtor besedila Naši umrli Carlos Pascual kazalo................................................................................................................................................... 1 uvodna beseda .................................................................................................................................... 3 o filmu.................................................................................................................................................. 3 filmografski podatki ............................................................................................................. 3 daljša vsebina filma .............................................................................................................. 5 o avtorjih ............................................................................................................................... 7 iz prve roke ........................................................................................................................... 7 zanimivosti o snemanju filma ............................................................................................... 8 o animacijskem studiu Pixar ................................................................................................. 9 kontekst filma ................................................................................................................................... 11 Carlos Pascual: Naši umrli ................................................................................................ -
___... -.:: GEOCITIES.Ws
__ __ _____ _____ _____ _____ ____ _ __ / / / / /_ _/ / ___/ /_ _/ / __ ) / _ \ | | / / / /__/ / / / ( ( / / / / / / / /_) / | |/ / / ___ / / / \ \ / / / / / / / _ _/ |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ersion 1.21 By K. Bradley Washburn "The Historian" ______________ | __ | | \| /\ / | | |/_/ / | | |\ \/\ / | | |_\/ \/ | |______________| K. Bradley Washburn HISTORY OF THE FUTURE Page 2 of 2 FOREWARD Relevant Notes WARNING: THIS FILE IS HAZARDOUS TO YOUR PRINTER'S INK SUPPLY!!! [*Story(Time Before:Time Transpired:Time After)] KEY TO ABBREVIATIONS AS--The Amazing Stories AST--Animated Star Trek B5--Babylon 5 BT--The Best of Trek DS9--Deep Space Nine EL--Enterprise Logs ENT--Enterprise LD--The Lives of Dax NE--New Earth NF--New Frontier RPG--Role-Playing Games S.C.E.--Starfleet Corps of Engineers SA--Starfleet Academy SNW--Strange New Worlds sQ--seaQuest ST--Star Trek TNG--The Next Generation TNV--The New Voyages V--Voyager WLB—Gateways: What Lay Beyond Blue italics - Completely canonical. Animated and live-action movies, episodes, and their novelizations. Green italics - Officially canonical. Novels, comics, and graphic novels. Red italics – Marginally canonical. Role-playing material, source books, internet sources. For more notes, see the AFTERWORD K. Bradley Washburn HISTORY OF THE FUTURE Page 3 of 3 TIMELINE circa 13.5 billion years ago * The Big Bang. -
Providing Opportunities for Children to Be Healthy, Families to Thrive and Communities to Be Strong, Since 1977
Providing opportunities for children to be healthy, families to thrive and communities to be strong, since 1977. BOARD OF DIRECTORS LEADERSHIP TEAM Debbie Chang, President Monica Walters, Chief Executive Officer Neill Tseng, Vice President Alyson Lee-Suzuki, Chief Programs Director Mark Tao, Treasurer John Uselman, Chief Financial Officer David Ziegler, Secretary Mike Neumann, Chief Operations Officer Patti Lew Cindy Madsen, Director of Human Resources Henry Loh Denise McCarthy Hui Ling Shi OUR MISSION Cindy Tran Providing opportunities for children to be healthy, Irene Wong families to thrive, and communities to be strong. Helping San Francisco succeed San Francisco is a city of tremendous economic disparity. While home to some of the wealthiest neighborhoods in the country, it is also home to some of the most economically challenged. The majority of low income families live in select areas of San Francisco, largely driven by the high cost of living. The demand for child care is high particularly in these neighborhoods, as many of these families are working immigrants striving for self-sufficiency. In the areas that we serve, it is estimated that up to 51% of the families eligible for subsidized child care are living below the poverty level. In early 2014, Wu Yee Children’s Services was awarded a new Head Start and Early Head Start grant allowing us to expand our area of service in San Francisco and enroll an additional 210 Early Head Start and 275 Head Start children (bringing our total to 595) in our Home Based, Family Child Care and Center Based programs. With that, we brought six additional Child Development Centers into the Wu Yee family. -
Recreation and Parks Department
April 2013 Mayor Edwin Lee San Francisco Board of Supervisors Eric Mar, Mark Farrell, David Chiu, Katy Tang, London Breed, Jane Kim, Norman Yee, Scott Wiener, David Campos, Malia Cohen and John Avalos. Recreation & Park Commission Mark Buell, Allan Low, Tom Harrison, Paige Arata, Gloria Bonilla, Meaghan Levitan and Larry Martin. SFRPD General Manager Philip A. Ginsburg SFRPD Climate Action Liaisons Ana M. Alvarez, Superintendent of Parks & Open Spaces CLIMATE ACTION Erin Anderson, Field Operations Senior Administrative Analyst MITIGATION REPORTING Contributing Staff Jeffrey Bramlett, Environment, Health and Safety Manager DATA YEAR: Kelly Cornell, Tree Topper Supervisor Dennis Kern, Director of Operations FY 2011-2012 Sean McFadden, Purchasing Principle Administrative Analyst Jacqueline Muller, San Francisco State University Intern Lydia Zaverukha, Fleet Operations Principle Administrative Analyst This report was developed in compliance with Sec. 904. City and County of San Francisco Environment Code Page 1 of 44 Table of Contents 1. Introduction ...................................................................................................................... 3 2. Departmental Profile ......................................................................................................... 4 3. Carbon Footprint ............................................................................................................... 9 3a. Building Energy ................................................................................................................... -
Disney•Pixar Feiert Mit Coco Die Familie Und Die Kunst Der Erinnerung
Regie: Lee Unkrich & Adrian Molina Produzentin: Darla K. Anderson Kinostart: 30. November 2017 im Verleih von The Walt Disney Company (Austria) GmbH Auch in Disney Digital 3D™ DISNEY•PIXAR FEIERT MIT COCO DIE FAMILIE UND DIE KUNST DER ERINNERUNG “COCO handelt von einem 12-jährigen Jungen mit großen Träumen”, sagt Regisseur Lee Unkrich. “Es geht um eine hart arbeitende Familie mit tiefen Traditionen und viel Liebe. Was allerdings so toll an COCO ist, ist die Tatsache, dass Miguel auch mein Sohn sein könnte. Die Familie könnte bei mir nebenan wohnen. Die liebenswert herrische Großmutter, die mit Nachdruck auf noch einen weiteren Bissen beharrt, könnte auch meine sein. Was diese Geschichte so besonders macht, ist das Vertraute, in dem sich jeder wiederfindet.” Das universelle Thema „Familie“ sprach die Filmemacher besonders an. “Wir sind alle Teil einer Familie”, sagt Ko-Regisseur und Autor Adrian Molina. “Diese Beziehungen sind schön und kompliziert zugleich. Aber unsere Familien formen unseren Charakter, weswegen wir uns fragten: Wenn man die Gelegenheit hätte seine Vorfahren zu treffen, was würde man dann in ihnen erkennen, das einen selbst ausmacht?” Unkrich fügt hinzu, “Wir erkannten das gemeinsame Bedürfnis, erinnert zu werden. Das Gefühl auch lang nach unserer Zeit hier, noch von Bedeutung zu sein. Gleichermaßen gibt es die große Sehnsucht die Erinnerung an unsere Angehörigen am Leben zu halten. Indem wir ihre Geschichten teilen und unsere eigene schaffen, bauen wir eine Verbindung auf die größer ist als unser Alltag und sich über Generationen erstreckt.“ Im Mittelpunkt des 19. Kinofilms der Pixar Animation Studios steht Miguel Rivera, der sich selbst Gitarre spielen beigebracht hat und als Sänger seinem Idol Ernesto de la Cruz nacheifert – dem größten Star, den Mexiko je hervorgebracht hat. -
MONSTERS INC 3D Press Kit
©2012 Disney/Pixar. All Rights Reserved. CAST Sullivan . JOHN GOODMAN Mike . BILLY CRYSTAL Boo . MARY GIBBS Randall . STEVE BUSCEMI DISNEY Waternoose . JAMES COBURN Presents Celia . JENNIFER TILLY Roz . BOB PETERSON A Yeti . JOHN RATZENBERGER PIXAR ANIMATION STUDIOS Fungus . FRANK OZ Film Needleman & Smitty . DANIEL GERSON Floor Manager . STEVE SUSSKIND Flint . BONNIE HUNT Bile . JEFF PIDGEON George . SAM BLACK Additional Story Material by . .. BOB PETERSON DAVID SILVERMAN JOE RANFT STORY Story Manager . MARCIA GWENDOLYN JONES Directed by . PETE DOCTER Development Story Supervisor . JILL CULTON Co-Directed by . LEE UNKRICH Story Artists DAVID SILVERMAN MAX BRACE JIM CAPOBIANCO Produced by . DARLA K . ANDERSON DAVID FULP ROB GIBBS Executive Producers . JOHN LASSETER JASON KATZ BUD LUCKEY ANDREW STANTON MATTHEW LUHN TED MATHOT Associate Producer . .. KORI RAE KEN MITCHRONEY SANJAY PATEL Original Story by . PETE DOCTER JEFF PIDGEON JOE RANFT JILL CULTON BOB SCOTT DAVID SKELLY JEFF PIDGEON NATHAN STANTON RALPH EGGLESTON Additional Storyboarding Screenplay by . ANDREW STANTON GEEFWEE BOEDOE JOSEPH “ROCKET” EKERS DANIEL GERSON JORGEN KLUBIEN ANGUS MACLANE Music by . RANDY NEWMAN RICKY VEGA NIERVA FLOYD NORMAN Story Supervisor . BOB PETERSON JAN PINKAVA Film Editor . JIM STEWART Additional Screenplay Material by . ROBERT BAIRD Supervising Technical Director . THOMAS PORTER RHETT REESE Production Designers . HARLEY JESSUP JONATHAN ROBERTS BOB PAULEY Story Consultant . WILL CSAKLOS Art Directors . TIA W . KRATTER Script Coordinators . ESTHER PEARL DOMINIQUE LOUIS SHANNON WOOD Supervising Animators . GLENN MCQUEEN Story Coordinator . ESTHER PEARL RICH QUADE Story Production Assistants . ADRIAN OCHOA Lighting Supervisor . JEAN-CLAUDE J . KALACHE SABINE MAGDELENA KOCH Layout Supervisor . EWAN JOHNSON TOMOKO FERGUSON Shading Supervisor . RICK SAYRE Modeling Supervisor . EBEN OSTBY ART Set Dressing Supervisor . -
Peninsula-SF Map Set 010119 V43 Copy
Map 1: Lake Merced to Stern Grove Map 2: Stern Grove to the Presidio MUNI L See See Map 4 Sunset District Taraval St. 20th Presidio Arguello Gate 21st 1 Map 2 Arguello Blvd. 34th Mountain Presidio Heights 38th Ocean A Lake 46th Parkside ve. A Larsen Temple Emanu-El Beach ve. Park A Ulloa St. 1 Divisadero St. A 200 Lake St. St. John’s ve. GGNRA Sunset Blvd. Vicente St. California St. A ve. Trocadero Inn Presbyterian Church ve. Vicente St. 200' Parkside Jordan Park Square Sava Pool 60' Wawona St. Pine Lake 19th St. Clement St. 1.0 Park 0.5 Roosevelt Geary Expwy. Wawona 0.5 P Richmond District Great Hwy. Great 0.2 . 40' t A Jr. High School Laguna Masonic S ve. stage P Sloat 0.5 Puerca le Geary Blvd. 200 a Cre V Columbarium stlake Dr. Sigmund Park - Presidio Blvd. Parker St. Blvd. 35 Stern Grove Lone Mtn. Sloat Blvd. Anza St. Rossi A P Lakeside ve. San Francisco Zoo PlaygroundStanyan St. Plaza Ocean Ave. Balboa St. Enlarged on Map 3 MUNI K 200 University of Blvd. L Fulton St. Alamo a San Francisco k McAllister Square e Lake Cabrillo St. Shrader Western Addition M B Arn e ed l 0.9 Merced l ol Skyline rc vd i d Baker St. h Stonestown P Fulton St. T The Panhandle Buena Dr. wastewater Galleria tory Dr. r 40' P n rva a to se i Fell St. 0.5 l Vista treatment s on n n F. C 0.8 0.2 plant i Joh Ken 1.3 Lake Merced W ned Oak St. -
Corbett Heights, San Francisco (Western Part of Eureka Valley) Historic Context Statement
Corbett Heights, San Francisco (Western Part of Eureka Valley) Historic Context Statement Prepared for Corbett Heights Neighbors Funded by Historic Preservation Fund Committee For Submittal to San Francisco Planning Department Prepared by Michael R. Corbett Architectural Historian 2161 Shattuck Avenue #203 Berkeley, California 94704 (510) 548-4123 mcorbett@ lmi.net Adopted by the Historic Preservation Commission on August 16, 2017 Historic Contex t Statement Corbett Heights F inal (Western Part of E ureka V alley) S an F rancisco, California TABLE OF CONTENTS I. GENERAL INTRODUCTION ...................................................................................... 1 A. Project Purpose .................................................................................................................................. 1 B. Historic Context Statements ............................................................................................................ 1 C. Project History and Personnel ......................................................................................................... 2 Sponsoring Organization ................................................................................................................ 2 Fiscal Sponsor .................................................................................................................................. 2 Volunteers ......................................................................................................................................... 2 Planning -
Jewish Experience on Film an American Overview
Jewish Experience on Film An American Overview by JOEL ROSENBERG ± OR ONE FAMILIAR WITH THE long history of Jewish sacred texts, it is fair to characterize film as the quintessential profane text. Being tied as it is to the life of industrial science and production, it is the first truly posttraditional art medium — a creature of gears and bolts, of lenses and transparencies, of drives and brakes and projected light, a creature whose life substance is spreadshot onto a vast ocean of screen to display another kind of life entirely: the images of human beings; stories; purported history; myth; philosophy; social conflict; politics; love; war; belief. Movies seem to take place in a domain between matter and spirit, but are, in a sense, dependent on both. Like the Golem — the artificial anthropoid of Jewish folklore, a creature always yearning to rise or reach out beyond its own materiality — film is a machine truly made in the human image: a late-born child of human culture that manifests an inherently stubborn and rebellious nature. It is a being that has suffered, as it were, all the neuroses of its mostly 20th-century rise and flourishing and has shared in all the century's treach- eries. It is in this context above all that we must consider the problematic subject of Jewish experience on film. In academic research, the field of film studies has now blossomed into a richly elaborate body of criticism and theory, although its reigning schools of thought — at present, heavily influenced by Marxism, Lacanian psycho- analysis, and various flavors of deconstruction — have often preferred the fashionable habit of reasoning by decree in place of genuine observation and analysis. -
Lake Merced to Stern Grove San Francisco County From: John Muir Drive To: Sava Pool in San Francisco
Lake Merced to Stern Grove San Francisco County From: John Muir Drive To: Sava Pool in San Francisco MUNI L Sunset District Taraval St. 20th 21st 1 34 38 Ocean A th 46th Parkside ve. A Larsen th Beach ve. Park Ulloa St. A A 200 ve. GGNRA Sunset Blvd. Vicente St. A ve. Trocadero Inn ve. Vicente St. 200' Parkside Square Sava Pool 60' Wawona St. Pine Lake 19th St. Park 0.5 Wawona 0.5 P Great Hwy. Great 0.2 . 40' A Laguna t S ve. stage P Sloat 0.5 Puerca le C a restlake Dr. V Sigmund Blvd. 35 Sloat Blvd. Stern Grove P Lakeside San Francisco Zoo Plaza Ocean Ave. MUNI K Blvd. L a k e Lake M B e rced lv 0.9 Merced Skyline d. Stonestown Dr. wastewater 40' P n Galleria to treatment s plant in 1.3 Lake Merced W Blvd. P 1 H a rd in golf clubhouse Pacific g boathouse C R d . Ocean o a TPC Harding Park Font Blvd. SF State MUNI M s Junipero Serra Blvd. t Golf Course University a l T Holloway St. r a beach access i rail l T Lake Merced 19th s i Battery v a Davis D Lake Merced Park A y ve. r e 0.8 t Crespi Blvd. t 0.8 Bay Area Fort Funston a Ridge Trail GGNRA B Parkmerced Multi-Use 35 P Hiking/Bikes 275' J B Horse/Hiking hang glider o rotherhood Way viewing deck Skyline h Hiking n M Bay Area Hiking on Sidewalk u Ridge Trail & Bikes on Street 200 ir B Multi-Use Connector Trails beach access l . -
San Francisco Police Officers Association
c Official Publication Of The c SAN FRANCISCO POLICE OFFICERS ASSOCIATION This Publication was Produced and Printed in California, USA ✯ Buy American ✯ Support Local Business VOLUME 46, NUMBER 4 SAN FRANCISCO, APRIL 2014 www.sfpoa.org On Friday MARTIN HALLORAN March 21st, at President approximate- TONY MONTOYA Vice President ly 7:00 PM, SAN FRANCISCO POLICE OFFICERS ASSOCIATION MICHAEL NEVIN several people 800 Bryant Street, Second Floor Secretary telephoned San Francisco, CA 94103 9-1-1 to re- 415.861.5060 tel JOE VALDEZ Treasurer port sighting 415.552.5741 fax a man with a www.sfpoa.org VAL KIRWAN Sergeant At Arms gun in Bernal March 28, 2014 Heights Park. Supervisor David Campos SFPD uniformed officers responded San Francisco City Hall to the scene and located a suspect #1 Dr. Carlton B. Goodlett Place Room 244 matching the description provided. San Francisco, Ca. 94102-4689 As these officers approached this Re: Bernal Heights Neighborhood Town Hall Meeting individual, they ordered him Supervisor Campos, to show his hands. Instead, the suspect produced a weapon — It has come to my attention that you attended the town hall meeting held by SFPD Chief Suhr on Tuesday, equipped with a laser sight — from March 25, 2014. While I commend elected city officials who remain involved with the community, I take ex- a holster and pointed it at the ception to your public comments made at that meeting. It is my understanding that you were not present for officers. Fearing for their safety, the initial report about the Bernal Heights shooting incident. Yet, you felt compelled to publicly lambaste and and the safety of the people in the berate members of the San Francisco Police Department. -
Literariness.Org-Barbara-Gurr-Eds.-Race-Gender-And-Sexuality-In-Post-Apocalyptic-TV-And
Race, Gender, and Sexuality in Post-Apocalyptic TV and Film Also by Barbara Gurr Reproductive Justice: The Politics of Healthcare for Native American Women Race, Gender, and Sexuality in Post-Apocalyptic TV and Film Edited by Barbara Gurr RACE, GENDER, AND SEXUALITY IN POST-APOCALYPTIC TV AND FILM Selection and editorial content © Barbara Gurr 2015 Individual chapters © their respective contributors 2015 Softcover reprint of the hardcover 1st edition 2015 978-1-137-50150-9 All rights reserved. No reproduction, copy or transmission of this publication may be made without written permission. No portion of this publication may be reproduced, copied or transmitted save with written permission. In accordance with the provisions of the Copyright, Designs and Patents Act 1988, or under the terms of any licence permitting limited copying issued by the Copyright Licensing Agency, Saffron House, 6-10 Kirby Street, London EC1N 8TS. Any person who does any unauthorized act in relation to this publication may be liable to criminal prosecution and civil claims for damages. First published 2015 by PALGRAVE MACMILLAN The authors have asserted their rights to be identified as the authors of this work in accordance with the Copyright, Designs and Patents Act 1988. Palgrave Macmillan in the UK is an imprint of Macmillan Publishers Limited, registered in England, company number 785998, of Houndmills, Basingstoke, Hampshire, RG21 6XS. Palgrave Macmillan in the US is a division of Nature America, Inc., One New York Plaza, Suite 4500, New York, NY 10004-1562. Palgrave Macmillan is the global academic imprint of the above companies and has companies and representatives throughout the world.