Film-Opoly Board

Total Page：16

File Type：pdf, Size：1020Kb

Film to Book Sad Can Chance In/Outside - Watch a film from the 1960s Drive Go Watch a film from the year Watch a film from the 1970s you were born GO! Watch a film from the 1980s ? 1930s 1940s 1960s 1970s 1980s 1950s Water Works Railroads Watch a sad film Watch a film that was Banned adapted from a book Musical Rules: 1990s Go to Jail Chance 1. Start wherever you want on the board. You do not have to go Watch a banned film Pull a random title from the in order. ? Chance can Action 2. Record the title of the film on the corresponding board space 2000s Watch a film from the 1990s Watch a film from the 1930s in order to receive credit. Watch a film from the 2000s Kennedy Watch a film from the 2010s Watch a film from the 1940s Titles may only be used once on the board. Watch a film from the 1950s 3. After the board is complete, fill out the GO! entry form and submit your board* at the Information Desk at Maring-Hunt CineMuncie Library or Kennedy Library to enter the grand prize drawing! Free Parking Horror Watch a short film. Watch a film at a drive-in or any 4. Complete as many different boards as you like before the Watch a film 3 + hours long 2010s other outdoor screening deadline! No repeat movies on additional boards. Book to Film Bookto Watch a Musical film Luxury Tax Watch an Action film Watch a film that won the Watch a Horror film Book to Film Bookto Academy Award for Best Picture Romance Community Chest Watch a film online during MPL ? Watch a film from France, Italy, Watch Parties (or in-person Chance Can Chance or Spain when COVID-19 restrictions Watch a film from Germany, Film-opoly are eased.)* Comedy Sweden, or Russia Film Short Income Tax Electric Company Watch a documentary Watch a Sci-fi film Sci - Fi *Submission of completed boards, MPL film showings, and branch hours may be subject to change depending on COVID-19 guidelines. Watch the MPL website & GO! social media for the latest about MPL branches & events. Picture Best Complete your name, phone Watch a Romance film Animated number, and email address and All entries must be received by August 1, 2021. Watch a Comedy film submit the entire board to enter Watch an Animated film the grand prize drawing. (The 3+Hours completed boards can be returned to you after being In Jail/Just Visiting verified by an MPL staffer.) Watch a Noir or Crime film Western Silent Asian Germany, France, Italy, ? Sweden, or Spain Name: or Russia GO Email: Watch a Western film Watch a Silent film A Film from the Year You Phone #: Were Born Watch an Asian film Noir/Crime Chance Can Book to Film Documentary Maring-Hunt .

Copy Link

Recommended publications

978–0–230–30016–3 Copyrighted Material – 978–0–230–30016–3
Copyrighted material – 978–0–230–30016–3 Introduction, selection and editorial matter © Louis Bayman and Sergio Rigoletto 2013 Individual chapters © Contributors 2013 All rights reserved. No reproduction, copy or transmission of this publication may be made without written permission. No portion of this publication may be reproduced, copied or transmitted save with written permission or in accordance with the provisions of the Copyright, Designs and Patents Act 1988, or under the terms of any licence permitting limited copying issued by the Copyright Licensing Agency, Saffron House, 6–10 Kirby Street, London EC1N 8TS. Any person who does any unauthorized act in relation to this publication may be liable to criminal prosecution and civil claims for damages. The authors have asserted their rights to be identified as the authors of this work in accordance with the Copyright, Designs and Patents Act 1988. First published 2013 by PALGRAVE MACMILLAN Palgrave Macmillan in the UK is an imprint of Macmillan Publishers Limited, registered in England, company number 785998, of Houndmills, Basingstoke, Hampshire RG21 6XS. Palgrave Macmillan in the US is a division of St Martin’s Press LLC, 175 Fifth Avenue, New York, NY 10010. Palgrave Macmillan is the global academic imprint of the above companies and has companies and representatives throughout the world. Palgrave® and Macmillan® are registered trademarks in the United States, the United Kingdom, Europe and other countries. ISBN 978–0–230–30016–3 This book is printed on paper suitable for recycling and made from fully managed and sustained forest sources. Logging, pulping and manufacturing processes are expected to conform to the environmental regulations of the country of origin.
[Show full text]
Cross-Generational Romance in Mainstream American Cinema
Edith Cowan University Research Online Theses : Honours Theses 2009 From dreams to nightmares : Cross-generational romance in mainstream American cinema Sol Stern Edith Cowan University Follow this and additional works at: https://ro.ecu.edu.au/theses_hons Part of the Critical and Cultural Studies Commons, and the Other Film and Media Studies Commons Recommended Citation Stern, S. (2009). From dreams to nightmares : Cross-generational romance in mainstream American cinema. https://ro.ecu.edu.au/theses_hons/1315 This Thesis is posted at Research Online. https://ro.ecu.edu.au/theses_hons/1315 Edith Cowan University Copyright Warning You may print or download ONE copy of this document for the purpose of your own research or study. The University does not authorize you to copy, communicate or otherwise make available electronically to any other person any copyright material contained on this site. You are reminded of the following: Copyright owners are entitled to take legal action against persons who infringe their copyright. A reproduction of material that is protected by copyright may be a copyright infringement. Where the reproduction of such material is done without attribution of authorship, with false attribution of authorship or the authorship is treated in a derogatory manner, this may be a breach of the author’s moral rights contained in Part IX of the Copyright Act 1968 (Cth). Courts have the power to impose a wide range of civil and criminal sanctions for infringement of copyright, infringement of moral rights and other offences under the Copyright Act 1968 (Cth). Higher penalties may apply, and higher damages may be awarded, for offences and infringements involving the conversion of material into digital or electronic form.
[Show full text]
In Love in a Movie : Women and Contemporary Romantic Comedy
IN LOVE IN A MOVIE: WOMEN AND CONTEMPORARY ROMANTIC COMEDY By ANDREA ROCHELLE MABRY A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 2004 Copyright 2004 by Andrea Rochelle Mabry For Olivia and Grace ACKNOWLEDGMENTS This dissertation is very much a collaborative effort, and for its existence I am indebted to a great many people. I first wish to express my appreciation to the faculty of the University of Florida Department of English, particularly the members of my dissertation committee. Professor Maureen Turim, my advisor and dissertation director, has been an invaluable mentor, not only over the course of this project, but throughout my studies at Florida. Her guidance in the writing of this dissertation, from the original seed of an idea to the final reading, has been invaluable. I am also truly grateful to Professors Susan Hegeman, Roger Beebe, and Nora Alter for their enthusiasm, their advice, and their encouragement to take my work to new levels. My thanks also go out to my fellow graduate students in the Florida English Department for their friendship and their good humor. The camaraderie of other students helped lighten many a stressful day as I worked to complete this journey. Finally, my family—Mom, Dad, Linda, Christine, Tony, Olivia and Grace—have always provided me with love and support, not just as I wrote this dissertation, but all along the road I have taken to get to this point. For that they have my love and my thanks.
[Show full text]
A Tumblr Book: Platform and Cultures
McCracken, Allison. a Tumblr Book: Platform and Cultures. E-book, Ann Arbor, MI: University of Michigan Press, 2020, https://doi.org/10.3998/mpub.11537055. Downloaded on behalf of Unknown Institution 2RPP a tumblr book McCracken, Allison. a Tumblr Book: Platform and Cultures. E-book, Ann Arbor, MI: University of Michigan Press, 2020, https://doi.org/10.3998/mpub.11537055. Downloaded on behalf of Unknown Institution 2RPP McCracken, Allison. a Tumblr Book: Platform and Cultures. E-book, Ann Arbor, MI: University of Michigan Press, 2020, https://doi.org/10.3998/mpub.11537055. Downloaded on behalf of Unknown Institution 2RPP a tumblr book platform and cultures Allison McCracken Alexander Cho Louisa Stein Indira Neill Hoch EDITORS University of Michigan Press Ann Arbor McCracken, Allison. a Tumblr Book: Platform and Cultures. E-book, Ann Arbor, MI: University of Michigan Press, 2020, https://doi.org/10.3998/mpub.11537055. Downloaded on behalf of Unknown Institution Master Pages Copyright © 2020 by Allison McCracken, Alexander Cho, Louisa Stein, Indira Neill Hoch, editors Some rights reserved This work is licensed under a Creative Commons Attribution- NonCommercial- NoDerivatives 4.0 International License. Note to users: A Creative Commons license is only valid when it is applied by the person or entity that holds rights to the licensed work. Works may contain components (e.g., photographs, illustrations, or quotations) to which the rightsholder in the work cannot apply the license. It is ultimately your responsibility to independently evaluate the copyright status of any work or component part of a work you use, in light of your intended use.
[Show full text]
APPM 2360 Lab 2: Movie Ranking Due March 23, 2017 by 11:59 Pm 1 the Model
APPM 2360 Lab 2: Movie Ranking Due March 23, 2017 by 11:59 pm 1 The Model Sometimes watching a movie can provide an enjoyable break from the study routine; however, as hard working students in this course, viewing a less than preferable film can be a depressing waste of precious time. That's why, in this project, you will construct a model that identifies films that meet your imposed preferences based on genre and its relationship to other similar movies. The goals of this lab are to Construct a preference model in MATLAB based on concepts from linear algebra. Consider the attached Excel file, pg movies, on the course website (originally obtained as a subset from http://had.co.nz/data/movies/). You will find a list of PG-rated movies with sev- eral other measurement parameters, such as the length of the film, it's genre, and so forth, each of which is separated by a semicolon (\;"). As we will see, these are important inputs that will ultimately determine our preferences in the MATLAB model we will construct. While there are numerous ways to approach this problem, we will focus on utilizing eigenval- ues and eigenvectors to rank our choices - a fundamental concept associated with the PageRank algorithm used by Google Search to sort websites based on user data, as well as other methods such as Principal Component Analysis in Statistics. At a basic level, perhaps you personally enjoy comedies - you might at first search a movie database simply based on films with this attribute. The number of titles returned, though, could be potentially daunting, and we can suppose that films related to other movies you enjoyed previously should be ranked higher.
[Show full text]
Bluebeard's Wives
P a g e | 202020 Bluebeard’s Wives: Horror, Quality and the Gothic (or Paranoid) Woman’s Film in the 1940s Mark Jancovich Although a body of work now exists on the Gothic (or paranoid) woman’s film of the 1940s, 1 most of this work ignores or explicitly denies any association between these films and the horror film more generally. As a result, the following essay presents a study of the critical reception of these films during the period that demonstrates that at the time of their initial release these films were clearly understood as women’s horror films. It starts out from a survey of the academic debates over these films and their relationship to horror before moving on to explore the strategies through which these films were generically understood and critically evaluated on their release in the United States. In the process, it argues that many key examples of the Gothic (or paranoid) woman’s film were championed as the epitome of cinematic quality films, rather than being denigrated as low-brow entertainment. At the same time, other films were condemned as pretentious exercises that sought to disguise lowbrow materials as quality productions, or as quality productions that lacked visceral thrills and failed to deliver as horror films. 1 I use the term “Gothic (or paranoid) woman’s film” as a composite given that there are so many overlapping terms used to describe these films; the Gothic film, the Gothic woman’s film, the paranoid woman’s film, the female Gothic, and so forth. Furthermore, while different generic terms are rarely synonymous with one another, these terms operate as a rare case where critics do seem to be using different terms to refer to the same films, and seem to be directly engaging with one another’s work.
[Show full text]
Kjærlighetsfilm
Bibliotekarstudentens nettleksikon om litteratur og medier Av Helge Ridderstrøm (førsteamanuensis ved OsloMet – storbyuniversitetet) Sist oppdatert 09.12.20 Kjærlighetsfilm (_film, _sjanger) Også kalt romantisk drama. Engelsk: “romance film”. En film der en kjærlighetshistorie er svært sentral i handlingen (er hovedhandlingen). Filmens tema er kjærlighet. Filmen skal vekke romantiske følelser/emosjoner, først og fremst når en ung kvinne og en mann forelsker seg i hverandre og kjærligheten får dem til å overvinne hindringer. I noen filmer gjelder det kjærligheten mellom et gift par som støter på problemer som setter deres relasjon på prøve (f.eks. sykdom, økonomiske eller sosiale problemer). “Romance film can be defined as a genre wherein the plot revolves around the love between two protagonists. This genre usually has a theme that explores an issue within love, including but not limited to: love at first sight, forbidden love, love triangles, and sacrificial love. The tone of Romance film can vary greatly. Whether the end is happy or tragic, Romance film aims to evoke strong emotions in the audience.” (http://thescriptlab.com/screenplay/genre/romance; lesedato 25.09.13) En av undersjangrene er romantisk komedie, der historiene slutter lykkelig. På et overordnet nivå skilles det mellom romantiske dramaer (kjærlighetsfilmer) og romantiske komedier (kjærlighetskomedier). I romantiske dramaer kan det være mye emosjonell smerte og ende ulykkelig. “[T]here are two dominant Hollywood love stories: the first is the romantic comedy, which film scholars have explored extensively; the second stands in opposition and focuses on passion. […] there is a group of films that share similar traits, which make up a genre that could be called “romantic drama”.
[Show full text]
The Norton Simon Museum Presents “Unexpected Romance” Film Series Four Films Exploring How Sometimes Opposites Attract to Screen Every Friday in February
January 2017 Media Contacts: Leslie Denk | [email protected] | (626) 844-6941 Emma Jacobson-Sive | [email protected]| (323) 842-2064 The Norton Simon Museum Presents “Unexpected Romance” Film Series Four films exploring how sometimes opposites attract to screen every Friday in February Pasadena, CA— Every Friday evening in February, enjoy a film exploring how sometimes opposites can attract, with the series “Unexpected Romance.” Screenings take place in the Museum’s theater on Friday evenings throughout February. Films are free with admission; no reservations are needed. General public inquiries can be directed to [email protected]. It Happened One Night (1934), NR Directed by Frank Capra Friday, February 3, 5:30–7:15 p.m. Opposites attract with magnetic force in this romantic road-trip delight. A roguish man-of-the-people reporter (Clark Gable) is determined to get the scoop on the scandalous disappearance of spoiled socialite (Claudette Colbert). Ball of Fire (1941), NR Directed by Howard Hawks Friday, February 10, 5:30–7:20 p.m. Hoping to update his chapter on modern slang, encyclopedia writer Professor Bertram Potts (Gary Cooper) ventures into a chic nightclub, where he encounters a burlesque performer, "Sugarpuss" O'Shea (Barbara Stanwyck). Fascinated by her command of popular jargon, Potts invites her to stay with him. -more- Barefoot in the Park (1967), G Directed by Gene Saks Friday, February 17, 5:30–7:15 p.m. Paul (Robert Redford), a conservative young lawyer, marries the vivacious Corie (Jane Fonda). Their highly passionate relationship descends into comical discord in a five-flight New York City walk-up apartment.
[Show full text]
Love in the Age of Communism
STOCKHOLMS UNIVERSITET MKI / Vt. 2006 Filmvetenskapliga institutionen Handledare: Anu Koivunen LOVE IN THE AGE OF COMMUNISM Soviet romantic comedy in the 1970s MK-uppsats framlagd av Julia Skott Titel: Love in the age of communism; Soviet romantic comedy in the 1970s Författare: Julia Skott Institution: Filmvetenskapliga institutionen, Stockholms universitet Handledare: Anu Koivunen Nivå: Magisterkurs 1 Framlagd: Vt. 2006 Abstract: The author discusses three Soviet comedies from the 1970s: Moskva slezam ne verit (Moscow Does Not Believe in Tears, Vladimir Menshov, 1979), Osenniy marafon (Autumn Marathon, Georgi Daneliya, 1979), and Ironiya Sudby, ili S lyogkim parom (Irony of Fate, Eldar Ryazanov, 1975), and how they relate to both conventions of romance and conventions of the mainstream traditions of the romantic comedy genre. The text explores the evolution of the genre and accompanying theoretic writings, and relates them to the Soviet films, focusing largely on the conventions that can be grouped under an idea of the romantic chronotope. The discussion includes the conventions of chance and fate, of the wrong partner, the happy ending, the temporary and carnevalesque nature of romance, multiple levels of discourse, and some aspects of gender, class and power. In addition, some attention is paid to the ways in which the films connect to specific genre cycles, such as screwball comedy and comedy of remarriage, and to the implications that a communist system may have on the possibilities of love and romance. The author argues that Soviet and Hollywood films share many conventions of romance, but for differing reasons. TABLE OF CONTENTS Introduction -------------------------------------------------------------- p. 1 Concepts; method; previous scholarship – p.
[Show full text]
From Love at First Sight to Soul Mate: Romantic Ideals in Popular Films and Their Association with Young People‘S Beliefs About Relationships
FROM LOVE AT FIRST SIGHT TO SOUL MATE: ROMANTIC IDEALS IN POPULAR FILMS AND THEIR ASSOCIATION WITH YOUNG PEOPLE‘S BELIEFS ABOUT RELATIONSHIPS BY VERONICA HEFNER DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Speech Communication in the Graduate College of the University of Illinois at Urbana-Champaign, 2011 Urbana, Illinois Doctoral Committee: Professor Barbara J. Wilson, Chair Associate Professor John P. Caughlin Associate Professor Kristen Harrison Associate Professor Travis L. Dixon ABSTRACT Romantic comedy films have been popular since motion pictures first entered the media world. Scholars have speculated why these movies remain appealing to viewers and have argued for several reasons. These movies might foster hope about real-life romance (Galician, 2004), or demonstrate that that there are no limits to how love may manifest itself (Harvey, 1998). Despite this speculation, few studies have systematically investigated the content of these movies or the effects they may have on viewers. The purpose of this dissertation was to investigate that potential. In particular, I conducted two studies that explored the nature of romantic ideals in romantic comedy films and their influence on viewer endorsement of romantic beliefs. The first study was a content analysis of the themes or romantic ideals embedded in romantic comedies. The second study was a survey designed to explore whether exposure to such films encourages the learning of romantic ideals among young people. The theories of uses and gratifications, social cognitive, and cultivation served to inform this project. I first analyzed the content of over 50 top-grossing films from the romantic comedy genre.
[Show full text]
Hollywood Extravaganza Auction VI
Welcome to Hollywood Live Auction’s Holiday Extravaganza Live Auction event weekend. We have assembled an incredible collection of rare iconic movie props and costumes featuring items from fi lm, television and music icons including John Wayne, Marilyn Monroe, Christopher Reeve, Michael Jackson, Don HollywoodJohnson and Kirk Douglas. Extravaganza Auction VI From John Wayne’s Pittsburgh costume, Michael Jackson’s deed and signed check to Th e Neverland Ranch, signed Billie Jean lyrics and signed, stage worn Fedora from the HIStory Tour, James Brown’s stage worn jumpsuit, Marilyn Monroe’sDay 2 gold high heels, Christopher Reeve’s Superman costume, Steve McQueen’s Enemy of the People costume, Robert Redford’s Th e Natural costume, Kirk Douglas’ Top Secret Aff air costume, Johnny Depp’s Blow costume, Don Johnson and Philip Michael Th omas’ Miami Vice costumes, and many more! Also from the new Immortals starring Mickey Rourke, bring home some of the most detailed costumes and props from the fi lm! If you are new to our live auction events and would like to participate, please register online at HollywoodLiveAuctions.com to watch and bid live. If you would prefer to be a phone bidder and be assisted by one of staff members, please call us to register at (866) 761-7767. We hope you enjoy Hollywood Live Auctions’ Holiday Extravaganza event and we look forward to seeing you on March 24th – 25th for Hollywood Live Auctions’ Auction Extravaganza V. Special thanks to everyone at Premiere Props for their continued dedication in producing these great events. Have fun and enjoy the weekend! Sincerely, Dan Levin Executive VP Marketing CALL TO BID @ 1-888-761-PROP (7767) 109 Lot 502.
[Show full text]
October 2017 Monthly Edition
ONIROS FILM AWARDS FINALISTS AND WINNERS - OCTOBER 2017 MONTHLY EDITION BEST FEATURE FILM BEST SHORT FILM BEST UNDER 5 MIN FILM Mama (WINNER) Yellow’s Anxiety (WINNER) The Chess Player (WINNER) Rendez-vous (WINNER) Compulsion The Hybrids Family Deconnexion Unexpected Bandidos & Balentes Take my hand Cold Black Heart Dissension Alice’s gift Land of Smiles White line Little Thief Day of Reckoning BEST TRAILER BEST WEB-SERIES BEST B-MOVIE The Heritage (WINNER) Caffeine and Gasoline (WINNER) Something in the Woods (WINNER) Lorraine Russo’s Family Diaries BEST ANIMATION BEST DOCUMENTARY BEST STUDENT FILM Ragamuffin (WINNER - Student Music Video) The Circus (WINNER) The Sunrise Storyteller (WINNER) Ota Benga Destroyer Release from Heaven (WINNER) Endgame Tainted Love Hope Hao Wela Dissension Painting Doors Day of Reckoning I don’t believe you BEST EXPERIMENTAL FILM BEST MUSIC VIDEO BEST SILENT FILM Fawn (WINNER) Dissension (WINNER - Student Experimental) Kingsbane (WINNER) Just Desserts (WINNER) Grey (WINNER - Experimental Short Film) Ragamuffin Dissension The Bill Destroyer TodMachine Long Yearning Victorius BEST COMEDY FILM BEST FANTASY/SCI-FI FILM BEST ACTION FILM The Hybrids Family (WINNER - Fantasy Feature) Compulsion (WINNER - Comedy Short Film) Rendez-vous (WINNER - Fantasy Short) Lorraine Russo’s Family diaries (WINNER - Dancer (WINNER) Little Thief (WINNER - Sci-Fi Short Film) Comedy Web-Series) Screen Cowboy Deconnexion Attachment Goodbye, mister D BEST HORROR/DRAMA FILM BEST THRILLER/MYSTERY FILM BEST NOIR FILM Land of Smiles (WINNER
[Show full text]