DOCSLIB.ORG

Copyright Office 2013 Annual Report

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Copyright Office 2013 Annual Report u.s. copyright office fiscal 2013 annual report 2 12 15 Message from the Register Registration and Recordation Information and Education 4 14 16 Highlights Statutory Licensing Appendices 1 message from the register “We owe it to the next generation of creators and innovators and the public to plan for the future.” —register of copyrights, world creators summit, june 2013 Maria A. Pallante iscal 2013 was a year of great excitement and promise 1950s and 1960s and enacted in 1976. Its Internet overlay, in Priorities and Special Projects of the United States for both the copyright law and the Copyright the Digital Millennium Copyright Act, was enacted in Copyright Office, 2011–2013. Another project team solicited Office.F Review and examination of the current law was 1998, long before cloud storage, personal tablets, and comments and met with stakeholders to inform an no longer just a topic of discussion within copyright smartphone applications. Shortly thereafter, Rep. Bob upgrade of the Office’s information technology platforms, circles but the product of a full-fledged legislative Goodlatte, chairman of the House Judiciary Committee, including with respect to copyright registration process within the United States Congress. As Congress announced the committee’s intention to assess the law. processes. This public dialogue was essential and considered its vision of a 21st-century copyright law, it The chairman invited me to testify before the committee, illuminating. Among other issues, it focused on possible became clear that the needs and goals of a 21st-century and during the course of fiscal 2013, held four additional strategies to update document recordation—still a paper- Copyright Office are an essential part of the discussion. policy hearings. This leadership is gratifying, because it based 20th-century system—and the digitization, Early in the year, I delivered the Horace S. Manges is Congress, and Congress alone, that has the authority searchability, and interoperability of Copyright Office Lecture at Columbia University Law School. I called for to weigh the public good and broader equities of records more generally. This work reflects the cooperative a comprehensive review of the copyright law in light authorship and access in the digital age. and energetic spirit that our staff is known for and the of widespread recognition that it is showing the strain Meanwhile, the Register’s Office continued its focus particular leadership of our Copyright Office chief of its age, and to ensure that any specific provisions on the operation and production of the Copyright Office operating officer, our chief information officer, and our or proposals for change would be analyzed with the itself. One project team began the first overarching Associate Register and Director of Registration Policy and balance and foresight that a larger legal framework revision of the Compendium of U.S. Copyright Office Practice. provides. The law as written was negotiated in the Practices in 30 years, a high-priority item that I identified u.s. copyright office | annual report 2013 2 message from the register Left, Maria A. Pallante, testifies before Congress about the state of the U.S. copyright law, March 20, 2013. In September 2013, the Copyright Office released a process related to free trade agreements signed into reach predetermined goals. That the Office nevertheless major report and recommendations regarding small law with Colombia, Korea, and Panama, and served on achieved such significant successes in the face of these copyright claims, conducted by the Office of the General U.S. delegations and negotiating teams for the proposed challenging circumstances is due to the dedication Counsel. The report recommends a voluntary system of Trans-Pacific Partnership Agreement and the Trans- and professionalism of our staff and the talent and adjudication to be housed within the Office to resolve Atlantic Trade and Investment Partnership. participation of our stakeholder community. I look infringement claims likely to result in small monetary As always, the Office administered the copyright law forward to continuing our work together as we build the rewards. The Policy Office continued a study on a federal by conducting rulemakings, implementing regulations, 21st-century Copyright Office. resale royalty right for visual artists and invited public registering hundreds of thousands of copyright claims, comment in ongoing inquiries into orphan works, managing certain statutory licenses, and carrying out exceptions to the copyright law for libraries and archives, other responsibilities required by statute. and Copyright Office fees. We accomplished all this against a backdrop of Internationally, the Associate Register and Director of fiscal austerity and staffing shortfalls. The Office’s Register of Copyrights Policy and International Affairs joined the U.S. delegation base budget continued its disturbing decrease from Maria A. Pallante to a World Intellectual Property Organization diplomatic 2010 levels, and overall staffing levels suffered further conference in Marrakesh, Morocco, that adopted a reductions. Across-the-board federal spending cuts, historic treaty to improve access to copyrighted works better known as sequestration, resulted in existing by individuals who are blind, visually impaired, or print staff being compelled to take unpaid leave during the disabled. Staff also participated in a U.S. interagency spring and summer of the year, hampering our ability to u.s. copyright office | annual report 2013 3 united states copyright office highlights “The next great copyright act must be forward thinking but 577,000 Claims for registration Copyright flexible, and, no matter what, it Office processed must serve the public interest.” —register of copyrights, horace s. manges lecture, march 2013 9,672 Documents Copyright Office recorded he United States Copyright Office is the principal Works deposited with copyright registrations and these reductions, the Office processed more than 577,000 advisor to Congress on national and international acquired through the mandatory deposit provision of claims for registration and recorded 9,672 documents Tcopyright matters. It provides leadership and impartial the copyright law have helped to make the Library of containing hundreds of thousands of titles of works. expertise on copyright law and policy and administers Congress the largest library in the world. In fiscal 2013, Office staff answered 219,596 inquiries by phone and the national copyright system as set forth in the the Library obtained more than 641,000 copies of works email; retrieved and copied 2,290 copyright deposit Copyright Act. with a net value of $30 million through the copyright records for parties involved in litigation; and assisted The Office was founded in 1870, when Congress system. About half these works were acquired through 8,504 in-person visitors. removed copyright registration from the district courts registration; the other half arrived through mandatory The Office also provided critical law and policy and central ized it in the Library of Congress. In 1897, deposit. services in fiscal 2013, among them domestic and Congress established the Copyright Office as a separate In fiscal 2013, the Office continued to face serious international policy analysis; litigation support; department within the Library and created the position budgetary and staffing challenges. Since 2010, the Office assistance to courts and executive branch agencies; of Register of Copyrights to lead it. Today, the Office’s has experienced a reduction of nearly 10 percent to its participation on U.S. delegations to international registration system and its companion recordation base budget, and the number of employees remains meetings; and public information and education. Since system constitute the world’s largest database of below 400. In addition, across-the-board federal budget spring 2013, the Copyright Office has actively supported copyrighted works and copyright ownership information. cuts known as “sequestration” required all Library of an ongoing review by Congress of U.S. copyright law This database constitutes an unparalleled record of Congress employees, including Copyright Office staff, to that began following a major lecture by the Register of American cultural heritage. take unpaid leave in spring and summer 2013. Despite Copyrights at Columbia University Law School. u.s. copyright office | annual report 2013 4 highlights The Subcommittee on Courts, Intellectual Property, and the Internet of the House Judiciary Committee hears testimony about the need to review the copyright law, May 16, 2013. The Copyright Office also continued to administer U.S. copyright law, noting that the last major revision of Register’s Call for Updates to U.S. Copyright Law.” statutory licenses in the copyright law, collecting, the law concluded in 1976. Although Congress has since Subsequently, in a speech at the Library of Congress managing, and dispersing royalty fees paid by cable updated the law, most notably in the Digital Millennium in recognition of World Intellectual Property Day, Rep. and satellite systems and providers of digital audio Copyright Act of 1998, policy making has not kept pace Goodlatte announced that the subcommittee would hold recording technology. In fiscal 2013, the Office collected with the evolution of technology and the copyright a comprehensive series of hearings on the copyright law. $315.5 million in royalty fees and distributed more
Load more

Recommended publications
  • Country Report Netherlands
    Country Report for the United States Annual Report to the IFLA CLM committee Helsinki, 2012 Copyright Proposed legislation Sound Recording Simplification Act. The Sound Recording Simplification Act (H.R. 2933), introduced on September 14, 2011, would bring pre-1972 sound recordings under federal copyright protection by amending §301 of the U.S. Copyright Act. No legislative action was taken by Congress. On December 28, 2011, the U.S. Copyright Office issued a report on Federal Copyright Protection for Pre-1972 Sound Recordings, following a notice of inquiry, request for comments, and public hearings held in May and June 2011. The report, prepared after receiving written and oral input from stakeholders, recommends that sound recordings made before February 15, 1972 be brought into the federal copyright regime. On April 13, 2011, the Association of Research Libraries (ARL) and the American Library Association (ALA) submitted reply comments to the U.S. Copyright Office stating that federalization of protection for pre-1972 sound recordings would create significant challenges for libraries, at http://www.copyright.gov/docs/sound. SOPA, PIPA, and OPEN Stop Online Piracy Act. The Stop Online Piracy Act (H.R. 3261) (SOPA) was introduced on October 26, 2011 “to promote prosperity, creativity, entrepreneurship, and innovation by combating the theft of U.S. property.” Its twin bill in the Senate was the Preventing Real Online Threats to Economic Creativity and Theft of Intellectual Property Act of 2011 (Protect IP Act) (S. 968) (PIPA), introduced on May 12, 2011 “to prevent online threats to economic creativity and theft of intellectual property.” This legislation would curtail copyright violations on the Internet by blocking access to and cutting revenue sources for foreign websites primarily dedicated to infringing or counterfeit goods, referred to as “rogue websites.” There was enormous opposition to these bills from technology industry, public interest groups, the library and educational community, and the public.
    [Show full text]
  • Section 108 Study Group: Copyright Exceptions for Libraries and Archives
    70434 Federal Register / Vol. 71, No. 232 / Monday, December 4, 2006 / Notices time of the preparation of the notice of TUV will meet all the terms of its (preferred) to the e–mail address the preliminary finding. recognition and will always comply [email protected], or (2) by hand OSHA’s recognition of TUV, or any with all OSHA policies pertaining to delivery by a private party or a NRTL, for a particular test standard is this recognition; and commercial, non–government courier or limited to equipment or materials (i.e., TUV will continue to meet the messenger, addressed to the Office of products) for which OSHA standards requirements for recognition in all areas Strategic Initiatives, Library of Congress, require third-party testing and where it has been recognized. James Madison Memorial Building, certification before use in the Edwin G. Foulke, Jr., Room LM–637, 101 Independence workplace. Consequently, if a test Avenue S.E., Washington, DC 20540, Assistant Secretary of Labor. standard also covers any product(s) for between 8:30 a.m. and 5 p.m. E.S.T. If which OSHA does not require such [FR Doc. E6–20406 Filed 12–1–06; 8:45 am] delivering by courier or messenger testing and certification, an NRTL’s BILLING CODE 4510–26–P please provide the delivery service with scope of recognition does not include the Office of Strategic Initiatives phone that product(s). number: (202) 707–3300. (See Many UL test standards also are LIBRARY OF CONGRESS Supplementary Information, Section 4: ‘‘Procedures for Submitting Requests to approved as American National Copyright Office Standards by the American National Participate in Roundtable Discussions Standards Institute (ANSI).
    [Show full text]
  • U.S. Copyright Office: the Register's Perspective on Copyright Review
    Statement of MARIA A. PALLANTE UNITED STATES REGISTER OF COPYRIGHTS AND DIRECTOR OF THE U.S. COPYRIGHT OFFICE BEFORE THE COMMITTEE ON THE JUDICIARY United States House of Representatives “THE REGISTER’S PERSPECTIVE ON COPYRIGHT REVIEW” April 29, 2015 Statement of MARIA A. PALLANTE UNITED STATES REGISTER OF COPYRIGHTS AND DIRECTOR OF THE U.S. COPYRIGHT OFFICE BEFORE THE COMMITTEE ON THE JUDICIARY United States House of Representatives “THE REGISTER’S PERSPECTIVE ON COPYRIGHT REVIEW” April 29, 2015 Chairman Goodlatte, Ranking Member Conyers, and Members of the Judiciary Committee: It is a great honor to appear before you again to discuss issues of copyright law and copyright administration. My staff and I wish to thank you for the attention this Committee has invested in reviewing the Copyright Act and related provisions of Title 17 during the past two years. During this time, you convened twenty hearings and traversed the formidable span of Title 17. This represents the most comprehensive focus on copyright issues in over four decades. I. BACKGROUND AND THEMES Although copyright law has grown more legally complex and economically important in recent years, Congress is uniquely positioned to sort through the many competing equities that comprise the public interest in this modern era.1 Questions include: how best to secure for authors the exclusive rights to their creative works; how to ensure a robust copyright marketplace; how to craft essential exceptions, safe harbors, and limitations; and how to provide appropriate direction, oversight, and regulation. This balancing act is not 1The United States Congress is not alone in this undertaking.
    [Show full text]
  • The Next Great Copyright Act
    THE NEXT GREAT COPYRIGHT ACT Twenty-Sixth Horace S. Manges Lecture by Maria A. Pallante1 I. INTRODUCTION Tonight my topic is the next great copyright act, but before I speak about the future, I would like to talk a little about the past, including the role of the Copyright Office in past revision activities. In my remarks, I will address the need for comprehensive review and revision of U.S. copyright law, identify the most significant issues, and suggest a framework by which Congress should weigh the public interest, which includes the interests of authors. I also will address the necessary evolution of the Copyright Office itself. Those of you who have been to our offices in Washington know that we have a conference room featuring portraits of the former Registers of Copyright dating back to 1897.2 When guests are seated at our table, the former Registers preside on high, wearing a variety of expressions and overseeing complex conversations about copyright law in the digital age. Sometimes I think they would be startled by the discussions we have, but then again it might all sound familiar. Solberg (1887-1933) Thorvald Solberg was the first and longest-serving Register of Copyrights. He seems inspired in his portrait, and for good reason. Solberg was a visionary leader, a champion of authors’ rights, and an early advocate for the United States’ adherence to the Berne Convention for the Protection of Literary and Artistic Works (“Berne Convention”).3 Under his care, the Copyright Office grew from a handful of employees to more than a hundred professional staff, and took on the many assorted roles that are still critical to the mission of the Office today.
    [Show full text]
  • Section 108: Draft Revision of the Library and Archives Exceptions in U.S
    This document is scheduled to be published in the Federal Register on 06/07/2016 and available online at http://federalregister.gov/a/2016-13426, and on FDsys.gov LIBRARY OF CONGRESS U.S. Copyright Office [Docket No. 2016-4] Section 108: Draft Revision of the Library and Archives Exceptions in U.S. Copyright Law AGENCY: U.S. Copyright Office, Library of Congress. ACTION: Notice of inquiry. SUMMARY: The United States Copyright Office is inviting interested parties to discuss potential revisions relating to the library and archives exceptions in the Copyright Act, 17 U.S.C. 108, in furtherance of the Copyright Office’s policy work in this area over the past ten years and as part of the current copyright review process in Congress. The Copyright Office has led and participated in major discussions on potential changes to section 108 since 2005, with the goal of updating the provisions to better reflect the facts, practices, and principles of the digital age and to provide greater clarity for libraries, archives, and museums. To finalize its legislative recommendation, the Copyright Office seeks further input from the public on several remaining issues, including, especially, provisions concerning copies for users, security measures, public access, and third-party outsourcing. The Copyright Office therefore invites interested parties to schedule meetings in Washington, DC to take place during late June through July 2016, using the meeting request form referenced below. DATES: Written meeting requests must be received no later than 11:59 p.m. Eastern Time on [INSERT DATE 30 DAYS AFTER PUBLICATION IN THE FEDERAL REGISTER].
    [Show full text]
  • Rights in the PREMIS Data Model
    Rights in the PREMIS Data Model A Report for the Library of Congress by Karen Coyle December 2006 Rights in the PREMIS Data Model By Karen Coyle December 2006 Preface …………………………………………………………………………………………………………………3 Executive Summary ……………………………………………………………………………………………….4 I. Rights for Digital Preservation .................................................................................5 Introduction................................................................................................................ 5 The Right to Preserve .................................................................................................. 5 Rights Metadata Today ................................................................................................ 6 The PREMIS Rights Entity ............................................................................................ 9 References.................................................................................................................10 II. Digital Preservation Strategies and Rights Implications ..........................................11 Introduction...............................................................................................................11 Digital preservation actions .........................................................................................12 Rights In the Law .......................................................................................................15 Exceptions to Legal Rights ..........................................................................................18
    [Show full text]
  • Collective Management of Copyright: Solution Or Sacrifice?
    WASOFF Final 12/5/2011 8:42 PM Symposium: Collective Management of Copyright: Solution or Sacrifice? If Mass Digitization Is the Problem, Is Legislation the Solution? Some Practical Considerations Related to Copyright Lois F. Wasoff* INTRODUCTION Copyright law is intended to be “technology neutral.” Despite that, technological development is clearly putting pressure on certain aspects of copyright. Readily available technological tools make digital copying and distribution simple and seamless. This can make the legal “obstacles” to the full use of those tools resulting from the need to comply with copyright seem inconvenient and archaic. In particular, the issues arising in connection with mass digitization projects, where compliance can require identifying and locating large numbers of copyright owners and seeking appropriate permissions, are complicated. We hear often about the potential benefits that could be derived from mass digitization projects; we hear less often about some of the risks they may create. But the widespread interest in facilitating such projects, at least for certain purposes, is clear. Collective licensing schemes may be one way to accomplish that; targeted exceptions to copyright may be another. Either may require making changes to current copyright law. Many discussions about issues related to current copyright law are taking place. There are discussions about extensive, overall “reform” and about less “global” approaches as well. Significant work has been done with respect to several aspects of the present law that are relevant to mass digitization initiatives. The orphan works study, report and legislative recommendations of the Copyright Office * Lois Wasoff is an attorney in private practice with more than thirty years experience in communications, publishing, media, technology and entertainment law.
    [Show full text]
  • Section 108 Study Group
    February 10, 2006 SECTION 108 STUDY GROUP INFORMATION FOR THE MARCH 2006 PUBLIC ROUNDTABLES AND REQUEST FOR WRITTEN COMMENTS INTRODUCTION: This document provides background information and detailed discussion on the issues set forth in the February 15, 2006 Federal Register notice titled “Notice of public roundtables with request for comments,” issued by the Copyright Office and the Office of Strategic Initiatives of the Library of Congress. Parties wishing to participate in the March public roundtables and/or submit comments should read this background document thoroughly. Please note that this document is intended to supplement the Federal Register notice. For convenience, it also includes all logistical and procedural information from the Federal Register notice. SUMMARY: The Section 108 Study Group of the Library of Congress seeks comment on certain issues relating to the exceptions and limitations applicable to libraries and archives under section 108 of the Copyright Act, and announces public roundtable discussions. The Federal Register notice (1) requests written comments from all interested parties on the specific issues identified in the notice, and (2) announces public roundtable discussions regarding certain of those issues, as described in the notice. The issues covered in the notice relate primarily to eligibility for the section 108 exceptions and copies made for purposes of preservation and replacement. DATES: Roundtable Discussions: The first public roundtable will be held in Los Angeles, California on Wednesday, March 8, 2006, from 8:30 a.m. to 4:00 p.m. P.S.T. An additional roundtable will be held in Washington, D.C. on Thursday, March 16, 2006 from 9:00 a.m.
    [Show full text]
  • Copyright-Law-Cannot-Copyright
    Mitchell Hamline Law Review Volume 47 Issue 3 Article 4 2021 Copyright Law Cannot Copyright Law—Georgia v. Public.Resource.Org Inc., 140 S.CT. 1498 (2020) Andy Taylor Follow this and additional works at: https://open.mitchellhamline.edu/mhlr Part of the Intellectual Property Law Commons Recommended Citation Taylor, Andy (2021) "Copyright Law Cannot Copyright Law—Georgia v. Public.Resource.Org Inc., 140 S.CT. 1498 (2020)," Mitchell Hamline Law Review: Vol. 47 : Iss. 3 , Article 4. Available at: https://open.mitchellhamline.edu/mhlr/vol47/iss3/4 This Note is brought to you for free and open access by the Law Reviews and Journals at Mitchell Hamline Open Access. It has been accepted for inclusion in Mitchell Hamline Law Review by an authorized administrator of Mitchell Hamline Open Access. For more information, please contact [email protected]. © Mitchell Hamline School of Law Taylor: Copyright Law Cannot Copyright Law—Georgia v. Public.Resource.Org COPYRIGHT LAW CANNOT COPYRIGHT LAWGEORGIA V. PUBLIC.RESOURCE.ORG, INC., 140 S. CT. 1498 (2020) Andy Taylor ǂ I. INTRODUCTION ............................................................................... 977 II. THE PUBLIC.RESOURCE.ORG DECISION ...................................... 978 A. Facts and Procedural History ................................................ 978 B. U.S. Supreme Court’s Decision ............................................ 982 C. Understanding the Stakeholders’ Interests ........................... 985 1. What is Public.Resource.Org? ............................................
    [Show full text]
  • THE SECTION 108 STUDY GROUP Laura N. Gasaway * Libraries
    GASAWAY.FINAL.JERRY.4-18-07.DOC 12/17/2007 11:09:57 AM AMENDING THE COPYRIGHT ACT FOR LIBRARIES AND SOCIETY: THE SECTION 108 STUDY GROUP Laura N. Gasaway * Libraries house copyrighted books and journals in their collections, provide intellectual access to them through catalogs and indexes, and make them available to users. Many researchers and readers are able to use library copies of the works over time, so access to the work is shared. Most libraries exist for this very purpose. Archival collections perform a similar function in that they collect papers—both unpublished and published works, organize them and make them available—often to the general public, again for shared access. These organizations, along with museums, serve public missions and each is recognized as a public good. The Copyright Act of 1976,1 for the first time in the history of copyright, specifically recognized the unique and important role that libraries and archives play in our society. For the purposes of this paper, the word “libraries” also refers to archives as well unless they are specifically differentiated in the particular section. The digital environment has permanently altered both the library landscape and the society they serve. Not only do libraries continue to acquire works in print but they also acquire access to materials through license agreements to provide electronic access to works, some of which are born digital. Libraries may even acquire the same work in multiple formats including both print and digital. In their role as preservers of works of literature, other written materials and media, libraries use digital technology to preserve works and make them available to users.
    [Show full text]
  • The Librarian's Copyright Companion / by James S
    William & Mary Law School William & Mary Law School Scholarship Repository Library Staff Publications The Wolf Law Library 2012 The Librarian’s Copyright Companion James S. Heller Paul Hellyer [email protected] Benjamin J. Keele Follow this and additional works at: https://scholarship.law.wm.edu/libpubs Part of the Intellectual Property Law Commons, and the Law Librarianship Commons Repository Citation Heller, James S.; Hellyer, Paul; and Keele, Benjamin J., "The Librarian’s Copyright Companion" (2012). Library Staff Publications. 147. https://scholarship.law.wm.edu/libpubs/147 Copyright c 2012 by the authors. This article is brought to you by the William & Mary Law School Scholarship Repository. https://scholarship.law.wm.edu/libpubs The Librarian’s Copyright Companion SECOND EDITION The Librarian’s Copyright Companion SECOND EDITION by James S. Heller Paul Hellyer Benjamin J. Keele William S. Hein & Co., Inc. Buffalo, New York 2012 Publisher’s Cataloging in Publication Heller, James S. The librarian's copyright companion / by James S. Heller, Paul Hellyer, Benjamin J. Keele. — 2nd ed. — Buffalo, NY : William S. Hein, 2012. p. ; cm. ISBN: 978-0-8377-3872-7 (print) Revision of the 2004 edition by James S. Heller. Includes bibliographical references and index. Summary: The transition from print to digital continues. The Copyright Act has changed a little, but not for the better. This book begins with the premise that copyright exists to promote the dissemination of information, and while creators have certain rights, so do users. This new edition updates every chapter and adds a new chapter on the library as a publisher. Also included is information on recent developments such as Creative Common licenses and the use of digital video (e.g.
    [Show full text]
  • Support of Respondents
    No. 18-877 ================================================================================================================ In The Supreme Court of the United States --------------------------------- --------------------------------- FREDERICK L. ALLEN, et al., Petitioners, v. ROY A. COOPER, III, as Governor of North Carolina, et al., Respondents. --------------------------------- --------------------------------- On Writ Of Certiorari To The United States Court Of Appeals For The Fourth Circuit --------------------------------- --------------------------------- BRIEF OF AMICI CURIAE AMERICAN LIBRARY ASSOCIATION, ASSOCIATION OF COLLEGE AND RESEARCH LIBRARIES, ASSOCIATION OF RESEARCH LIBRARIES, SOCIETY OF AMERICAN ARCHIVISTS, AND SOFTWARE PRESERVATION NETWORK IN SUPPORT OF RESPONDENTS --------------------------------- --------------------------------- JONATHAN BAND Counsel of Record JONATHAN BAND PLLC 21 Dupont Circle NW, Suite 800 Washington, D.C. 20036 (202) 296-5675 [email protected] September 27, 2019 ================================================================================================================ COCKLE LEGAL BRIEFS (800) 225-6964 WWW.COCKLELEGALBRIEFS.COM i TABLE OF CONTENTS Page INTEREST OF AMICI CURIAE ............................ 1 SUMMARY OF ARGUMENT ................................ 3 ARGUMENT ........................................................... 6 I. State-Run Libraries and Archives Have Not Abused State Sovereign Immunity ............. 6 II. Copyright Holders Have Sufficient Means of Enforcing
    [Show full text]