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Paper Number: 63 May 2007 Before and After the Fall: Mapping Hong
Paper Number: 63 May 2007 Before and after the Fall: Mapping Hong Kong Cantopop in the Global Era Stephen Yiu-wai Chu Hong Kong Baptist University The author welcome comments from readers. Contact details: Stephen Yiu-wai Chu, Department of Chinese Language and Literature, Hong Kong Baptist University, Hong Kong Email: [email protected] David C. Lam Institute for East-West Studies (LEWI) Hong Kong Baptist University (HKBU) LEWI Working Paper Series is an endeavour of David C. Lam Institute for East-West Studies (LEWI), a consortium with 28 member universities, to foster dialogue among scholars in the field of East-West studies. Globalisation has multiplied and accelerated inter-cultural, inter-ethnic, and inter-religious encounters, intentionally or not. In a world where time and place are increasingly compressed and interaction between East and West grows in density, numbers, and spread, East-West studies has gained a renewed mandate. LEWI’s Working Paper Series provides a forum for the speedy and informal exchange of ideas, as scholars and academic institutions attempt to grapple with issues of an inter-cultural and global nature. Circulation of this series is free of charge. Comments should be addressed directly to authors. Abstracts of papers can be downloaded from the LEWI web page at http://www.hkbu.edu.hk/~lewi/publications.html. Manuscript Submission: Scholars in East-West studies at member universities who are interested in submitting a paper for publication should send an article manuscript, preferably in a Word file via e-mail, as well as a submission form (available online) to the Series Secretary at the address below. -
Contesting and Appropriating Chineseness in Sinophone Music
China Perspectives 2020-2 | 2020 Sinophone Musical Worlds (2): The Politics of Chineseness Contesting and Appropriating Chineseness in Sinophone Music Nathanel Amar Electronic version URL: https://journals.openedition.org/chinaperspectives/10063 DOI: 10.4000/chinaperspectives.10063 ISSN: 1996-4617 Publisher Centre d'étude français sur la Chine contemporaine Printed version Date of publication: 1 June 2020 Number of pages: 3-6 ISSN: 2070-3449 Electronic reference Nathanel Amar, “Contesting and Appropriating Chineseness in Sinophone Music”, China Perspectives [Online], 2020-2 | 2020, Online since 01 June 2020, connection on 06 July 2021. URL: http:// journals.openedition.org/chinaperspectives/10063 ; DOI: https://doi.org/10.4000/chinaperspectives. 10063 © All rights reserved Editorial china perspectives Contesting and Appropriating Chineseness in Sinophone Music NATHANEL AMAR he first special issue of China Perspectives on “Sinophone Musical itself as a more traditional approach to Chinese-sounding music but was Worlds” (2019/3) laid the theoretical foundation for a musical appropriated by amateur musicians on the Internet who subvert accepted T approach to Sinophone studies (Amar 2019). This first issue notions of Chinese history and masculinity (see Wang Yiwen’s article in this emphasised the importance of a “place-based” analysis of the global issue). Finally, the last article lays out in detail the censorship mechanisms for circulation of artistic creations, promoted in the field of Sinophone studies by music in the PRC, which are more complex and less monolithic than usually Shu-mei Shih (2007), and in cultural studies by Yiu Fai Chow and Jeroen de described, and the ways artists try to circumvent the state’s censorship Kloet (2013) as well as Marc Moskowitz (2010), among others. -
Warriors As the Feminised Other
Warriors as the Feminised Other The study of male heroes in Chinese action cinema from 2000 to 2009 A thesis submitted in partial fulfilment of the requirements for the Degree of Doctor of Philosophy in Chinese Studies at the University of Canterbury by Yunxiang Chen University of Canterbury 2011 i Abstract ―Flowery boys‖ (花样少年) – when this phrase is applied to attractive young men it is now often considered as a compliment. This research sets out to study the feminisation phenomena in the representation of warriors in Chinese language films from Hong Kong, Taiwan and Mainland China made in the first decade of the new millennium (2000-2009), as these three regions are now often packaged together as a pan-unity of the Chinese cultural realm. The foci of this study are on the investigations of the warriors as the feminised Other from two aspects: their bodies as spectacles and the manifestation of feminine characteristics in the male warriors. This study aims to detect what lies underneath the beautiful masquerade of the warriors as the Other through comprehensive analyses of the representations of feminised warriors and comparison with their female counterparts. It aims to test the hypothesis that gender identities are inventory categories transformed by and with changing historical context. Simultaneously, it is a project to study how Chinese traditional values and postmodern metrosexual culture interacted to formulate Chinese contemporary masculinity. It is also a project to search for a cultural nationalism presented in these films with the examination of gender politics hidden in these feminisation phenomena. With Laura Mulvey‘s theory of the gaze as a starting point, this research reconsiders the power relationship between the viewing subject and the spectacle to study the possibility of multiple gaze as well as the power of spectacle. -
St. Martin's Press May 2015
ST. MARTIN'S PRESS MAY 2015 Beach Town Mary Kay Andrews A delightful new novel by the New York Times bestselling author of Save The Date. Greer Hennessy is a struggling movie location scout. Her last location shoot ended in disaster when a film crew destroyed property on an avocado grove. And Greer ended up with the blame. Now Greer has been given one more chance—a shot at finding the perfect undiscovered beach town for a big budget movie. She zeroes in on a sleepy Florida panhandle town. There’s one motel, a marina, a long stretch of pristine beach and an old fishing pier with a community casino—which will be perfect for the film’s climax—when the bad guys blow it up in an allout assault on the FICTION / CONTEMPORARY townspeople. WOMEN St. Martin's Press | 5/19/2015 9781250065933 | $26.99 / $31.50 Can. Greer slips into town and is ecstatic to find the last unspoilt patch of the Florida Hardcover | 400 pages | Carton Qty: 12 gulf coast. She takes a room at the only motel in town, and starts working her 6.1 in W | 9.3 in H | 1 lb Wt charm. However, she finds a formidable obstacle in the town mayor, Eben Other Available Formats: Thinadeaux. Eben is a bornagain environmentalist who’s seen huge damage done Audio ISBN: 9781427261007 Ebook ISBN: 9781466872912 to the town by a huge paper company. The bay has only recently been reborn, a Hardcover ISBN: 9781250077233 fishing industry has sprung up, and Eben has no intention of letting anybody screw with his town again. -
Music Styles
Music Styles OK guys…here it is….Your research results for the styles of music which we have been investigating. Good work!!! Bluegrass Description: acoustic, fast paced, upbeat mixture of country, gospel, and blues. Origin: US, mid 1940’s Artists: Earl Scruggs, Bill Monroe, Riki Skaggs Instruments: Banjo, Fiddle, mandolin, guitar, dobro, ukeleles, harmonicas, and dulcimers Blues Description: an emotional, vocal music based on “blues notes” Origin: Southern states of USA, late 1890’s Artists: BB King, Muddy Waters, Jimi Hendrix, Eric Clapton Instruments: Guitar, harmonica(blues harp), bass guitar, drums, saxophone, trumpet Celtic Rock Description: mixture of celtic or folk with rock, resulting in fast, driving, upbeat tempo Origin: Ireland and Scotland, 1970’s. Artists: Dropkick Murphy’s, Flogging Molly, The Killdares Instruments: bagpipes, distorted guitar, drums, fiddle, tin whistle, accordion Christian Rock Description: style which resembles rock music with a focus on spiritual lyrics Origin: USA, 1960’s Artists: Casting Crowns, Jeremy Camp, Stryper Inatruments: guitars, drums, bass, keyboards, vocals Classical Description: style which includes several sub genres, such as, opera, symphony, choral, vocal, and instrumental. Origin: 9th century, Europe Artists: Beethoven, Mozart, Tchaikovsky Instruments: all orchestral instruments Classic Rock Description: hit rock songs from mid 60’s to early 80’s. Among best selling , and most popular recordings in the world. Origins: USA, UK Artists: The Beatles, TheWho, Pink Floyd Inatruments: Guitar, drums, keyboards, bass Comedy Rock Description: rock music with humorous lyrics Origins: USA, 1980’s Artists: Weird Al Yankovic, Adam Sandler, Arrogant Worms Instruments: guitar, drums, bass, keyboards, vocals Country Description: popular style of music which blends several other popular styles of music such as, blues, gospel, folk, and rock. -
Artist Description
Kei Li 绮丽 Lee Ming Hui Hi, I am Kei Li. I am an illustrator from Malaysia. My name is Lee Ming Hui and I’m currently taking a I have two cats and I love to have them involve in my arts. Diploma in Graphic Design in IACT College. Although I love painting on canvases or drawing I enjoy sketching with pencil as I like to see the strokes with my digital tablet, there’s just something special performing in the traditional way. about using my face as a canvas because it can be Most of the time black and white shows reminiscence and erased and painted on again and again, grieved, I hope you feel the warmth through anytime I want. my drawings where they are in monotone. Hope you like my arts! Instagram : @minghui.psd https://www.facebook.com/keili.arts Aeslinn Noel Siew Fung Lim Hello! My name is Aeslinn Noel, and I'm an artist and writer born I was born in 1995 and currently work as a 3D Compositor. and raised in Malaysia. I only just started doing embroidery since the beginning of I grew up in a small town, and was very close to my Indian 2018, but my mother had thought me how to cross stitch grandparents, which influenced many of my cultural values. My when I was a kid. I was inspired by Sheena Liam and I mostly art style varies between pen and ink and watercolour, but my doing portrait embroidery. My philosophy in embroidery is that favourites to create are collages and journal-style art. -
Labor Chief Speeds up Work Permit Procedure
Ad-Phuket dot com K. Anna AV Volume 13 Issue 18 News Desk - Tel: 076-236555May 6 - 12, 2006 Daily news at www.phuketgazette.net 25 Baht The Gazette is published in association with Labor Chief Crowne Plaza speeds up work permit IN THIS ISSUE procedure NEWS: THAI and Bangkok Air- sold for B3.7bn By Natcha Yuttaworawit ways sign deal; Beware of fakes cops, Police Chief By Gazette Staff PHUKET CITY: Work permits warns. Pages 2 & 3 are being renewed in just 15 min- INSIDE STORY: Rising oil KARON: The Crowne Plaza utes and new work permits ap- prices and the knock-on effect Karon Beach Phuket resort has proved faster than ever thanks for Phuket. Pages 4 & 5 been bought by Dubai-listed ho- to streamlining of procedures at AROUND THE ISLAND: If the cap tel and resort investment com- the Phuket Provincial Employ- fits… Page 8 pany Kingdom Hotel Invest- ment Office (PPEO). AROUND THE REGION: Revis- ments (KHI), which is headed by PPEO Chief Boonchok iting the Khao Lak blues. Saudi Arabia’s Prince Alwaleed Maneechot explained that before Page 9 Bin Talal Bin Abdul Aziz Al-Saud. implementing the new proce- PEOPLE: Off The Wall. KHI paid US$98.5 million dures he had consulted with em- Pages 10 & 11 (3.7 billion baht) for the property, ployment officers for a month in including US$30.5 million (1.1 order to determine the most effi- LIFESTYLE: Summer fashion. billion baht) in debt. cient way to process work per- Pages 12 & 13 Prince Alwaleed was listed mits. -
Ha Mam: Concerns Will Be Heard'
VOLUME Llll, NUMBER 38 DREXEL UNIVERSITY, PHILADELPHIA, PA. FRIDAY, MAY 26. 1978 Coming next fall: More PM classes by Mary McGuiness have their schedules adjusted when The plan was developed after a b’aced with the largest sections are balanced. three year study by Dr. M. Jerry enrollment in Drexel’s historv, the Neal feels that this plan will Kenig. Assistant to the President, administration will institute a new relieve overcrowding without in the Registrar's office and by the scheduling plan designed to better creasing costs and still give up- Academic Deans. It has also been utilize available classroom space. fKTclass students the perrogative of discussed with Student Congress Starting with the Fall Quarter of section selection. He appealed to the faculty, and the Board of next year, each academic depart the students for their coop>eration to Trustees ment will offer more classes during "help us hold the line on tuition and A number of ideas were con the aftern<x»n and at 8:00 AM. avoid Saturday classes ” sidered before this solution was Students will be asked to schedule The plan also includes shifting the advanced. A new classroom at least half their classes during traditional 3:30 activities period building was rejected because the these non-peak hours. According to from Wednesday to Tueaday. This cost of land, construction, debt John W. Neal, Registrar, students adjustment will allow better use of service, and maintenance would who do not observe these the three hour Monday-Wcdnesday- increase tuition The feasibility of requirements will be the first to Friday scheduling block Saturday and even Sunday classes was al.so considered and rejected. -
An Ideological Analysis of the Birth of Chinese Indie Music
REPHRASING MAINSTREAM AND ALTERNATIVES: AN IDEOLOGICAL ANALYSIS OF THE BIRTH OF CHINESE INDIE MUSIC Menghan Liu A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS December 2012 Committee: Jeremy Wallach, Advisor Kristen Rudisill Esther Clinton © 2012 MENGHAN LIU All Rights Reserved iii ABSTRACT Jeremy Wallach, Advisor This thesis project focuses on the birth and dissemination of Chinese indie music. Who produces indie? What is the ideology behind it? How can they realize their idealistic goals? Who participates in the indie community? What are the relationships among mainstream popular music, rock music and indie music? In this thesis, I study the production, circulation, and reception of Chinese indie music, with special attention paid to class, aesthetics, and the influence of the internet and globalization. Borrowing Stuart Hall’s theory of encoding/decoding, I propose that Chinese indie music production encodes ideologies into music. Pierre Bourdieu has noted that an individual’s preference, namely, tastes, corresponds to the individual’s profession, his/her highest educational degree, and his/her father’s profession. Whether indie audiences are able to decode the ideology correctly and how they decode it can be analyzed through Bourdieu’s taste and distinction theory, especially because Chinese indie music fans tend to come from a community of very distinctive, 20-to-30-year-old petite-bourgeois city dwellers. Overall, the thesis aims to illustrate how indie exists in between the incompatible poles of mainstream Chinese popular music and Chinese rock music, rephrasing mainstream and alternatives by mixing them in itself. -
Shanghai and Beijing Travel Report 2010
Shanghai International Film Festival and Market, Shanghai and Beijing meetings Report by Chris Oliver and Ross Matthews To report that the China screen landscape is undergoing change is not new news. All facets of the screen industry development, production, distribution, exhibition and broadcasting are going through change – a change that is in a positive direction. The change in the way the Chinese industry is engaging with the rest of world’s screen industries, including the way Government instrumentalities are relating to other countries (eg treaties) will be of real benefit to the Chinese and the international screen industry. Australia is well placed to benefit from those changes if (that’s capital IF) Australian producers/players understand the rules of engagement with Chinese producers, broadcasters and exhibitors and the Chinese government departments involved in implementing government policy. Why should Australia engage with China? There are obvious commercial reasons. Firstly, the Chinese gross box office (GBO) has increased by at least 30 per cent in the last year to US$909 million – and has now surpassed Australia to be number six in the world. According to those we had discussions with in China and what can be gleaned from the screen press, the China GBO will grow by at least a further 40 per cent in the 2010 calendar year! Secondly, China’s population has an ever-increasing level of Abbreviations disposable income to underpin AIDC Australian International Documentary Conference the cinema ticket price of $6–10: CCTV China Central Television TRAVELREPORT it’s been reported that middle CFCC China Film Co-production Corporation class numbers will exceed those CFGC China Film Group Corporation in the US by 2020. -
Xtep 2011 Brand Representative Eng 1 Docx
To: Business Editor For Immediate Release Xtep Names Chinese Celebrity Han Geng as Brand Representative Strengthen Brand Representative Family to Further Enhance Brand Equity [29 June 2011, Hong Kong] Xtep International Holdings Limited (“Xtep” or the “Company”, together with its subsidiaries the “Group”, stock code: 1368), a leading fashion sportswear enterprise in the PRC, announced to name Chinese celebrity Han Geng as its brand representative under a two-year contract for its urban product series. The signing ceremony was held today in Beijing. Han is the fourth Xtep’s brand representative following Nicholas Tse, Jolin Tsai and Wilber Pan. Through various popular promotional activities with Xtep as well as coverage of his music and movies by the internet and all kinds of media, Han will help increase the public awareness of the Xtep brand. Han was previously the only Chinese member of Super Junior, a South Korean popular singing band which is renowned across Asia. “Sorry, Sorry” is Super Junior’s most popular song among all of the band’s works which were well received. The song went top of 10 music programs during its promotion, making a number of records in the industry. Han has also gained high popularity in China and Southeast Asia and won various national major music awards, including “The best male singer” in the 10th CCTV-MTV Awards 2010, “The best mainland male singer” in the 15 th Music Radio China Top Chart Awards, “The most popular newcomer” in the Global Chinese Golden Chart Awards, “All-round entertainer of the year” in the 18 th Eastern Billboard Annual Awards and “Male singer of the year” in the Sina Network Awards. -
Sheung Shui Got T Alent Olympic Spirit
Who wants to be Hong Language matters Secondary School Musical Kong's next top model? 普通話 To switch or not to switch Back C2 YP Issue No.3 All Write Summer 2008 Fung Kai Liu Man Shek Tong Secondary School see updates at www.fklmstss.edu.hk Sheung Shui Got Talent Olympic Spirit Two cats from Sheung Shui spring surprise at the 59th Hong Kong K.Y. Kong Speech Festival. If you think the Olympics are for sports enthusiasts only, take a look at this school where language learners share the passion too. Reuters in the N.T. FKLMSTSS held an English Week from 14th to 18th April featuring the A highlight of this year’s Speech Festival, held between 28 November and 19 December, was the immensely competitive event, dramatic duologue. The adjudicator had a hard Olympics. During the week, time choosing the winner but was particularly impressed with the stunning performance different activities were delivered by two Form Four students from a CMI school in Sheung Shui, Fung Kai Liu organized for students to have Man Shek Tong Secondary School. Lam Hui Tung and Yip Chun Chun staged an episode fun and learn more about of the all-time favourite musical Cats, capturing the audience with their incredibly lively the Games. For example, acting and fabulous costumes. Lam and Yip were awarded second place with only one Form Four and Six students mark separating them from the champion. Their trainer Mrs Lui was very proud of the operated a number of game duo, who shone amongst the 23 teams which were mostly from EMI schools in the city.