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Jenna Gribbon a Young Woman Is Surprised to Find Herself in a Painting of Lee Miller, 2016 Oil on Linen 30 X 40 Inches $5,500

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Jenna Gribbon a Young Woman Is Surprised to Find Herself in a Painting of Lee Miller, 2016 Oil on Linen 30 X 40 Inches $5,500 The Therapist Office April 29 - June 10, 2018 Opening: Sunday, April 29 from 6 - 8pm Exhibition Checklist (Dimensions of artworks are height x width and do not include frame sizes.) Inquiries: Quang Bao [email protected] +1-212-777-2172 Christopher Arvans Field, 2018 oil on canvas 16h x 12w inches $2,200 Pau Atela Untitled, 2018 salt, ink and watercolor 9 x 7 1/2 inches $550 Daniella Brahms The Door in the Snow, 2018 oil on canvas 36 x 24 inches $4,000 Daniella Brahms Heaven on Earth #7, 2018 oil on wood 20 x 20 inches, w/ artist frame, painted wood $12,000 Sophie Calle Le nez / The plastic surgery digital print on 100% cotton paper 28 x 20 inches, framed price upon request Robert Fry untitled, 2015 etching on zinc plate 18 x 12 inches, framed unique ( + 1 AP ) $5,700 I Julien Gardair March 29 2016, 2016-2018 wax and pigment on hand-cut rag paper 18 x 24 inches $2,000 (+ frame) Julien Gardair March 28 2016, 2016-2018 wax and pigments on rag paper 24x18 inches $2,000 (+ frame) Gary Gissler transcriptions, 2017 typewriter ink on paper, tape, woven 8.5 x 8.5 inches, framed $3,000 Quinn Gorbutt Don’t Lose Your Shape, 2017 C-print mounted to aluminium dibond 45 x 36 inches edition 5/10 $4,000 (+ frame) Jenna Gribbon A Young Woman is Surprised to Find Herself in a Painting of Lee Miller, 2016 oil on linen 30 x 40 inches $5,500 Jenna Gribbon Sunday afternoon, 2018 oil on linen 4 x 6 inches $2,000 Ken Griffen Escapism, 2018 pencil on paper 15 x 19 inches, framed $1,200 KB Jones Untitled, 2017 watercolor on paper 9.25 x 8 inches, framed $450 KB Jones Untitled, 2017 watercolor on paper 9.25 x 8 inches, framed $450 Amina Kerimova Rooftop, 2016 oil on linen 40 x 29 inches $2,800 Amina Kerimova Window 1, 2017 44 x 30 inches oil on canvas $3,000 Amina Kerimova Window 2, 2017 oil on canvas 44 x 30 inches $3,000 Matt Lifson He keeps them down, 2018 oil on linen, wood frame 23 x 13 inches $3,400 Matt Lifson Reflector, 2017 oil on linen 18 x 18 inches $3,000 Christoph Niemann Trompe-l’Oeil (early sketch 1), 2018 pencil on paper, framed 11.6 x 9.1 inches $2,100 Christoph Niemann Trompe-l’Oeil (early sketch 2), 2018 pencil on paper, framed 11.6 x 9.1 inches $2,100 Christoph Niemann Trompe-l’Oeil (early sketch 3), 2018 pencil on paper 11.6 x 9.1 inches, framed $2,100 David Packer PiggyBack, 2018 glazed ceramic 14 inches (height) $1,500 David Packer Pilgrimage, 2018 glazed ceramic 14 inches (height) $1,500 Michael Polubiec Reverse, 2018 graphite on paper 8 x 9 inches, framed $950 Andrew Salgado Bitter Artist, 2018 oil, oil pastel, spray paint, coloured pencil and collage on paper 20 x 15 inches, framed $5,000 Andrew Salgado CAKE, 2018 17 ½ x 21 ¼ inches oil, pastel and mixed media on linen price upon request Vahid Sharifian Hell Song , 2018 oil, acrylic and pastels on paper 8 ½ x 11 inches, framed $800 Chris Taylor glass rubber bands please contact for image and price Kyle Utter St. John, 2018 18 x 16 inches acrylic and spray paint on canvas, artist frame in white wood $2,200 DANIELLA BRAHMS (born in 1978, in Jerusalem, Israel) After briefly living in France, her family moved to the United States, where they moved continuously for many years. She did not attend art school, but studied art independently. In 2009 she established The Good Club Press, in order to produce books she writes, illustrates and designs. In addition to works on paper, Daniella also paints large-scale paintings. In her work she aims "to reflect the beauty of existence as consolation for the pain." She has been in a number of group shows and her paintings are held in various private col- lections in France and the United States. SOPHIE CALLE (born 9 October 1953) is a French writer, photographer, installation artist, and conceptual artist. Calle's work is distinguished by its use of arbitrary sets of constraints, and evokes the French literary move- ment of the 1960s known as Oulipo. Her work frequently depicts human vulnerability, and examines identity and intimacy. She is recognized for her detective-like ability to follow strangers and investigate their private lives. JULIEN GARDAIR develops a proteiform practice varying from cut out, drawings and paintings to public art and immersive site specific video in- stallations. He builds contradictory spaces where a diversity of cultures and histories meet to stimulate new interpretations. While his Savonnerie carpet is currently on display at the Elysee Palace in Paris, in Brooklyn will soon be unveiled an ensemble of stainless steel sculptures as part of the MTA Arts & Design program. In January, he launched Surprise, a monthly edition cutout series available by subscription and he is currently working on a new series of paintings. GARY GISSLER is an American artist working with language and text. Gissler’s work is an exploration of language. Large panels, as well as works on paper, investigate the consequences of pace, the implication of process and the presence of the hand. Despite apparently simple rules of execution, these intimate and complex works belie a meditative and deeply considered analysis of the nature of how we find meaning in the world. In addition to his ongoing studio practice, Gissler is in private practice as a psychoanalyst. He finds his work as an analyst informs him as an artist, and vice versa - “the extensive daily dialogue with patients over the nuances of meaning, the nature of being and how we perceive and interpret our world, is fundamentally the same dialogue that occurs in the studio.” Employing such classic texts such as “the Interpretation of Dreams”, “Moby Dick”, “Through the Looking Glass” and “Finnegan’s Wake”, as well as fairy tales, these narratives are harvested for their content and are fully exploited for their mythic status. However, acknowledging the reductivity of mini- malism, this content is methodically reduced to it’s to meaninglessness, wherein “nothing” is it’s everything. QUINN GORBUTT was born in Arlington, TX and grew up in Washing- ton, D.C. He received a BFA from the Massachusetts College of Art and Design, Boston in 2012 and an MFA from Yale University, New Haven, CT in 2015. He lives and works in NY. JENNA GRIBBON is an artist who lives and works in New York City. Her paintings have been the subject of solo exhibitions at Priska C. Juschka Fine Art in New York, and at Shoshana Wayne Gallery in Los Angeles, and of numerous group exhibitions in the U.S. and abroad. Some of these in- clude shows at Sargent’s Daughters in New York, Zevitas Marcus Gallery in Los Angeles, Babel Kunst in Trondheim, Norway; the Georgia Museum of Contemporary Art in Atlanta, GA; the National Academy Museum & School of Fine Arts in New York, NY, the Finnish Academy of Fine Arts in Helsinki, Finland, Kunsthalle Emden, and Kunsthalle der Hypo-Kulturs- tiftung in Munich. In 2010 she co- founded the Oracle Club, an arts club in Long Island City, which functioned as workspace and a social gathering place for artists and writers until 2017. Gribbon is also known for collabo- rations such as her print collaboration with fashion designer Samantha Pleet, her live visual projections with musician Annie Hart of Au Revoir Simone, and paintings commissioned by Sofia Coppola for her film Marie Antoinette. She received her BFA from the University of Georgia and is currently pursuing an MFA at Hunter college in New York City. KEN GRIFFEN, New York (b. 1988) Grew up in Auckland, New Zealand. In 2006 he was awarded a University Scholarship for Visual Arts. He went on to graduate with excellence from AUT (Auckland University of Tech- nology) in 2009. Since his graduation, Griffen has done two artist-in-resi- dency programs in Berlin and LA, and has held several solo exhibitions. Griffen’s work is rooted in observations of the human condition and em- ploys heavy, inconsistent line work depict people and feelings. The result is a form of abstract portraiture that depicts the broad spectrum of society, from our collective foibles and angst to our unadulterated beauty and al- lure. Griffen’s oeuvre comments on the challenges we face both personally and as a collective, with this work for the ‘Therapists Office’ he employs drawing to conceptualize what a lack talking looks like in a society where it is not accepted. KB JONES studied art and philosophy at Columbia University and lived and worked in New York City before receiving her MFA from the Universi- ty of New Mexico this past May. She has recently completed projects with the Center for Contemporary Art, Santa Fe, New Mexico, SITE Santa Fe, and High Desert Test Sites. AMINA KERIMOVA (b. Makhachkala, Russia, 1984) received her Mas- ters of Fine Arts from the New York Academy of Art in 2017, where she studied painting. She has been the recipient of multiple awards including the FLAG Art Foundation Scholarship and the Central Academy of Fine Arts Residency in Beijing, China. Kerimova lives and works in Brooklyn, NY. MATT LIFSON Lifson’s paintings engage the shifting nature of pictures and the stories we choose to tell through them. Drawing from his collection of personal and found photographs, his paintings warily thin the boundaries between the tangible banal world and its preternatural reflection.
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