304 Moderne Und Zeitgenössische Photographie 29. Mai 2019

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304 Moderne Und Zeitgenössische Photographie 29. Mai 2019 Photographie Frühjahr 2019 304 Zeitgenössische Photographie Zeitgenössische Photographie Moderne und 29. Mai29. 2019 Lotte Jacobi. Detail. Los 2102 MartinLisette Munkácsi.Model. Detail. Detail. Los Los 2190 2181 Moderne und Zeitgenössische Photographie 29. Mai 2019, 18 Uhr Modern and Contemporary Photographs 29 May 2019, 6 p.m. Experten Specialists Vorbesichtigung der Werke Sale Preview Ausgewählte Werke München Ausgewählte Werke: 3. und 4. Mai 2019 Kunst des 19. Jahrhunderts: 14. und 15. Mai 2019 Grisebach Türkenstraße 104 80799 München Hamburg Diandra Donecker 7. Mai 2019 +49 30 885 915 27 Galerie Commeter [email protected] Bergstraße 11 20095 Hamburg Dortmund 8. und 9. Mai 2019 Galerie Utermann Silberstraße 22 44137 Dortmund Zürich 13. bis 15. Mai 2019 Grisebach Bahnhofstrasse 14 8001 Zürich Düsseldorf 18. Mai 2019 Grisebach Susanne Schmid Bilker Straße 4–6 +49 30 885 915 26 40213 Düsseldorf [email protected] Sämtliche Werke Berlin 24. bis 28. Mai 2019 Grisebach Zustandsberichte Fasanenstraße 25, 27 und 73 Condition reports 10719 Berlin [email protected] Freitag bis Montag 10 bis 18 Uhr Dienstag 10 bis 15 Uhr Grisebach — Frühjahr 2019 R 2000 Eve Arnold 2001 Sid Avery Philadelphia 1912 – 2012 London Akron/Ohio 1918 – 2002 Los Angeles Marilyn Monroe at the billiard table. Reno, Nevada. 1960 „Rock Hudson washing his car, photographed outside his Vintage oder früher Silbergelatineabzug. Hollywood Hills home“. 1952 19,5 × 29,3 cm (23,9 × 30,5 cm) (7 ⅝ × 11 ½ in. Späterer Silbergelatineabzug. Agfa-Papier. (9 ⅜ × 12 in.)). Rückseitig Photographen- bzw. Copy- 37,4 × 46,6 cm (40,3 × 50,4 cm) (14 ¾ × 18 ⅜ in. rightstempel: „© Eve ARNOLD-Magnum“, Agentur- (15 ⅞ × 19 ⅞ in.)). Rückseitig mit Bleistift signiert, Stempel: „MAGNUM PHOTOS Ltd., MORELAND BUIL- datiert, betitelt, bezeichnet und nummeriert sowie DINGS, ... 23-25 OLD STREET, LONDON EC1V 9HL ...“ Photographen- bzw. Copyrightstempel: „COPY- sowie Ziffernstempel: „240404“. Von Eve Arnold mit RIGHT / SID AVERY ...“. Weiterer Stempel, darin mit Bleistift datiert: „60-20-7“ und beziffert: „#15“. Bleistift: „1952“ und „67-17“. Einer von 70 nummerier- [2016] ten Abzügen. [2053] EUR 1.500–2.000 EUR 1.500–2.000 USD 1,690–2,250 USD 1,690–2,250 Grisebach — Frühjahr 2019 R 2002 Ken Regan 2003 Herlinde Koelbl 2004 Bob Seidemann 1940 – New York – 2012 Lindau 1939 – lebt in Neuried New York 1941 – 2017 Vallejo/Calif. Mick Jagger and Keith Richards at Richards' Wedding. 1983 „John Cage, München“. 1992 „Janis Joplin“. 1967 Literatur und Abbildung Silbergelatineabzug, 1984. Kodak-PE-Papier. Silbergelatineabzug, 2000. 25,8 × 38 cm Silbergelatineabzug, 1996. 43 × 29,5 cm Laurie Kratochvil (Hg.): Rolling Stone. The Photo- 32 × 22,2 cm (35,5 × 24,3 cm) (12 ⅝ × 8 ¾ in. (30,4 × 40,3 cm) (10 ⅛ × 15 in. (12 × 15 ⅞ in.)). Rücksei- (50,3 × 40,5 cm) (16 ⅞ × 11 ⅝ in. (19 ¾ × 16 in.)). Im graphs. New York u.a. 1993, T. 1 (dort datiert: (14 × 9 ⅝ in.)). Rückseitig Agentur- und Copyright- tig mit Bleistift signiert, datiert (Aufnahme sowie Blattrand unten rechts mit schwarzem Filzstift sig- February 17th, 1972) stempel: „camera 5 inc., 6 WEST 20th STREET, NEW Abzug), betitelt und bezeichnet sowie Photographen- niert, unten links datiert und betitelt. Rückseitig mit YORK, N.Y. 10011 ... PLEASE CREDIT, PHOTOGRAPHER, bzw. Copyrightstempel. [2036] Bleistift signiert, datiert (Aufnahme sowie Abzug), © '83 KEN REGAN, CAMERA 5 ...“ sowie weiterer betitelt und beziffert sowie Photographen- bzw. Stempel: „USED IN PEOPLE ... PAGE ...“, darin Datums- EUR 800–1.200 Copyrightstempel. [2063] stempel: „JAN 9 1984“ sowie mit schwarzem Kugel- USD 899–1,350 Provenienz schreiber Seitenangabe: „21“. Von unbekannter Hand Privatsammlung, Bayern mit schwarzem und rotem Farbstift beschriftet und beziffert. [2033] EUR 2.500–3.000 USD 2,810–3,370 EUR 1.800–2.500 USD 2,020–2,810 2002 2003 Grisebach — Frühjahr 2019 R R 2005 Philippe Halsman 2006 Sid Avery Riga 1906 – 1979 New York Akron/Ohio 1918 – 2002 Los Angeles Marilyn Monroe posing for LIFE. 1952 Literatur und Abbildung Elizabeth Taylor on the Set of 'Giants', Marfa, Texas. 1955 Vintage. Silbergelatineabzug, Kontaktbogen. LIFE, Bd. 32, Nr. 14 (7.4.1952), Titel (Ausschnitt) / Phil- Späterer Silbergelatineabzug. Agfa-Papier. 25,4 × 20,6 cm (10 × 8 ⅛ in.). Rückseitig von Philippe ippe Halsman. Retrospektive. Zürich, New York 1998, 25,6 × 25,4 cm (35,4 × 27,7 cm) (10 ⅛ × 10 in. Halsman mit Bleistift beziffert: „1792“. Mit S. 130 / Marilyn Monroe und die Kamera. München (13 ⅞ × 10 ⅞ in.)). Rückseitig mit Bleistift signiert Gebrauchsspuren. [2031] 2000, S. 80 sowie Photographen- bzw. Copyrightstempel: „COPY- RIGHT / SID AVERY ...“ und Ziffernstempel: „24 - 12“. EUR 2.000–3.000 [2031] USD 2,250–3,370 EUR 2.000–3.000 USD 2,250–3,370 Grisebach — Frühjahr 2019 R 2007 Alfred Eisenstaedt 2008 F.C. Gundlach Dirschau 1898 – 1995 Martha's Vineyard Heinebach 1926 – lebt in Hamburg Sophia Loren, Rom. 1964 „’Die andere Romy‘. Romy Schneider, Hamburg“. 1962 Vintage oder früher Silbergelatineabzug. 24 × 16,2 cm Späterer Silbergelatineabzug. 11 × 7,4 cm (21 × 17,9 cm) (25,2 × 20,3 cm) (9 ½ × 6 ⅜ in. (9 ⅞ × 8 in.)). Rückseitig (4 ⅜ × 2 ⅞ in. (8 ¼ × 7 in.)). Rückseitig mit Bleistift Copyrightstempel: „ ... TIME-LIFE Picture Agency © signiert, datiert und betitelt. [2058] Gerahmt. Time Inc. ...“, darin Photographenstempel: „ALFRED EISENSTAEDT“ sowie mit schwarzem Filzstift Nummer EUR 800–1.200 der Aufnahme: „C 70775“. Von verschiedenen Händen USD 899–1,350 mit Bleistift und schwarzem Filzstift datiert, beschrif- tet und beziffert. [2031] Literatur und Abbildung Film und Frau, Jg. 1962, Nr. 11, S. 10 / Ausst.-Kat.: Die EUR 1.500–2.500 Erinnerung ist oft das Schönste. Fotografische Por- USD 1,690–2,810 träts von Romy Schneider. Rüsselsheim, Stiftung Opelvillen, 2008, S. 53, Abb. 30 (dort datiert: 1961) / Ausst.-Kat.: F.C. Gundlach. Das photographische Werk. Hamburg, Deichtorhallen, Haus der Photogra- phie, 2008, S. 270 (Abb. in Originalgröße) Grisebach — Frühjahr 2019 2009 Martin Schoeller München 1968 – lebt in New York George Clooney. 2007 Digitaler C-Print, 2008. 89 × 71 cm (109 × 89 cm) (35 × 28 in. (42 ⅞ × 35 in.)). Auf Aluminiumplatte aufgezogen, darauf rückseitig Etikett des „Martin Schoeller Studio“ mit gedruckten Werkangaben, u.a. Editionsnummer, darin mit schwarzem Filzstift sig- niert und Datum des Abzugs. Exemplar Artist Proof. [2027] Gerahmt. Provenienz Privatsammlung, Berlin EUR 8.000–12.000 USD 8,990–13,500 Martin Schoeller gehört zu den bekanntesten Porträtphoto- graphen der Gegenwart. Zahlreiche Prominente saßen bereits für seine extremen Nahaufnahmen Modell, darunter Barack Obama, Bill Clinton, Angela Merkel, Bill Gates, Jack Nicholson, Meryl Streep. Über seine Arbeitsweise sagt Schoeller: „Sie sind plötzlich sehr verletztlich, wenn sie vor mir sitzen. Nicht anders als andere Menschen auch. Ich behandele sie alle gleich, ob Promi oder Freund oder ein Obdachloser von der Lower East Side. Sie kriegen dasselbe Licht, denselben Hintergrund, dieselbe Kamera, dieselbe Behandlung.“ Martin Schoellers Porträts werden weltweit ausgestellt und sind Teil der ständigen Sammlung der „National Portrait Gal- lery, Smithsonian Institution, Washington, D.C.“ Grisebach — Frühjahr 2019 R R 2010 Bert Stern 2011 Helmut Newton 1929 – New York – 2013 Berlin 1920 – 2004 Los Angeles Marilyn Monroe, aus „The Last Sitting“. 1962 Daily Telegraph, Scotland. 1969 C-Print, 1978. Kodak-Papier. 48 × 48 cm Farbpolaroid. Unikat. 9,5 × 7,3 cm (10,8 × 8,6 cm) (60,7 × 50,5 cm) (18 ⅞ × 18 ⅞ in. (23 ⅞ × 19 ⅞ in.)). (3 ¾ × 2 ⅞ in. (4 ¼ × 3 ⅜ in.)). Rückseitig mit schwar- Im Blattrand unten rechts mit schwarzem Filzstift zem Filzstift signiert sowie von weiteren Händen mit signiert. Rückseitig mit schwarzem Filzstift beziffert. Bleistift beziffert. Im Bild und im Blattrand von weite- Mit Farbveränderungen sowie im Blattrand vergilbt. ren Händen mit verschiedenfarbigen Filzstiften [2034] beschriftet und beziffert. [2046] Provenienz EUR 2.000–3.000 Ehemals Sammlung Gert Elfering USD 2,250–3,370 EUR 3.000–5.000 Literatur und Abbildung USD 3,370–5,620 Bert Stern: Marilyn Monroe. The Complete Last Sitting. München 1992, S. 40 Literatur und Abbildung June Newton (Hg.): Helmut Newton. Polaroids. Köln 2011, S. 13 (spiegelverkehrt) (Abb. in Originalgröße) Grisebach — Frühjahr 2019 2012 Suse Byk 2013 August Sander 2014 August Sander Berlin 1886 – 1964 New York Herdorf 1876 – 1964 Köln Herdorf 1876 – 1964 Köln Opernsänger Eduard Kandl. Um 1934 Schwester Aquina-Maria. Städtisches Waisenhaus, Köln- Dienstmann, München. 1928 Vintage. Silbergelatineabzug. 21,8 × 16,3 cm Sülz. 1930 Späterer Silbergelatineabzug. 37,5 × 27 cm (8 ⅝ × 6 ⅜ in.). Im Negativ unten rechts signiert. Auf Vintage. Silbergelatineabzug. 17,8 × 11,9 cm (38,2 × 27,8 cm) (14 ¾ × 10 ⅝ in. (15 × 11 in.)). Rück- Original-Karton (32,2 x 21 cm) aufgezogen, darauf (7 × 4 ⅝ in.). Im Bild unten links Prägestempel des seitig Photographenstempel: „Aug. Sander CÖLN- unten rechts Prägeaufdruck: „Suse Byk“. Auf Karton- Photographen: „AUG. SANDER KÖLN-LINDENTHAL“. LINDENTHAL, Dürenerstr. 201“. Mit schwachen vorderseite von Eduard Kandl mit schwarzer Tinte Rückseitig Photographenstempel: „Aug. Sander Tinten flecken. [2049] Widmung: „Meiner werten [...] u. lieben Kollegin Liesl CÖLN-LINDENTHAL, Dürenerstr. 201“ sowie mit Wiechert zum freundl. Gedenken an Eduard Kandl. blauem Kugelschreiber beschriftet. Beigabe: EUR 3.500–5.500 Deutsches Opernhaus Charlottenburg, Weihnachten 9 weitere Photos aus dem Familienbesitz. [2022] USD 3,930–6,180 1934“. Rückseitig
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