Contexts of Appearance of Water in the Pyramid Texts an Introduction
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The Presence of Myth in the Pyramid Texts
The Presence of Myth in the qnamid Texts A thesis submitted in conformity with the nquirements for the degree of Doctor of Philosophy Graduate Department of Near and Middk Eastern Civilizations University of Toronto National CiBrary Bibiioth ue nationale u*m of Canada du Cana% The author has granteci a non- L'auteur a accordé une licence non exclusive ticence allowing the exclusive pennettant a la National Library of Canada to Bibliothèque nationale du Canada de reproduce, Ioan, distri'btûe or sen reproduire, prêter, disbn'buer ou copies of this thesis in microfonn, vendre des copies de cette thèse sous paper or electronic formats. la fome de microfiche/& de reproduction sur papier ou sur fomiat électronique. The author retains ownership ofthe L'auteur conserve la propriété du copyright in this thesis. Neither the choit d'auteur qni protège cette thèse. thesis nor substantid exûacts fiom it Ni la thèse ni des extraits substantiels may be printed or otherwise de celle-ci ne doivent être miphés reproduced without the author's ou autrement reproduits sans son permission. autorisation. THE PRESENCE OF MYTH IN THE PYRAMID TEXTS Doctor of Philosophy 200 1 Jeder Elisabeth Hellum Graduate Department of Near and Middle Eastern Civilizations University of Toronto The Pyramid Texts, written on the waUs of the entrance corridors, antechambers, and funerary chambers of the royal pyramids of the late Fiifth and entire Skth Dynasties, are filied with mythic statements and allusions, without using prose or poetic narrative. They hctioned as a holistic group, each distinct from the other, yet each working within the group to create a situation paraHehg the mythic, celestial worid of the afterlife. -
Functions and Uses of Egyptian Myth Fonctions Et Usages Du Mythe Égyptien
Revue de l’histoire des religions 4 | 2018 Qu’est-ce qu’un mythe égyptien ? Functions and Uses of Egyptian Myth Fonctions et usages du mythe égyptien Katja Goebs and John Baines Electronic version URL: http://journals.openedition.org/rhr/9334 DOI: 10.4000/rhr.9334 ISSN: 2105-2573 Publisher Armand Colin Printed version Date of publication: 1 December 2018 Number of pages: 645-681 ISBN: 978-2-200-93200-8 ISSN: 0035-1423 Electronic reference Katja Goebs and John Baines, “Functions and Uses of Egyptian Myth”, Revue de l’histoire des religions [Online], 4 | 2018, Online since 01 December 2020, connection on 13 January 2021. URL: http:// journals.openedition.org/rhr/9334 ; DOI: https://doi.org/10.4000/rhr.9334 Tous droits réservés KATJA GOEBS / JOHN BAINES University of Toronto / University of Oxford Functions and Uses of Egyptian Myth* This article discusses functions and uses of myth in ancient Egypt as a contribution to comparative research. Applications of myth are reviewed in order to present a basic general typology of usages: from political, scholarly, ritual, and medical applications, through incorporation in images, to linguistic and literary exploitations. In its range of function and use, Egyptian myth is similar to that of other civilizations, except that written narratives appear to have developed relatively late. The many attested forms and uses underscore its flexibility, which has entailed many interpretations starting with assessments of the Osiris myth reported by Plutarch (2nd century AD). Myths conceptualize, describe, explain, and control the world, and they were adapted to an ever-changing reality. Fonctions et usages du mythe égyptien Cet article discute les fonctions et les usages du mythe en Égypte ancienne dans une perspective comparatiste et passe en revue ses applications, afin de proposer une typologie générale de ses usages – applications politiques, érudites, rituelles et médicales, incorporation dans des images, exploitation linguistique et littéraire. -
PYRAMIDS and ZIGGURATS AS the ARCHITECTONIC REPRESENTATIONS of the ARCHETYPE of the COSMIC MOUNTAIN. Part I
I Andrzej WIERCINSKI, Warszawa PYRAMIDS AND ZIGGURATS AS THE ARCHITECTONIC REPRESENTATIONS OF THE ARCHETYPE OF THE COSMIC MOUNTAIN. Part I "Is there a man of you who by anxious thought can add a cubit to the age of his life? "(The Gospel of St. Matthew, 6, 27, according to Greek text) 1. Explanation of the problem The astrobiological religion played the role of a main ideological system which regulated societies of the formative-theocratic phase of cultural development of mankind which was distinguished by the rise of cultic centers of the monumental architecture. The latter ones were the cores of early urbanisation process. This religion has precised a model of the world with well defined position of man within it, and the sense of his activities. Its essence consisted of a dynamical and informational principle of transformation of an Absolute One into pairs of polarised opposites which, in turn, create an universal frame of reference of Cardinal Points organizing the time-spatial order of rhythmically repeating and mutually synchron ised cosmic, biological and socio-cultural processes and, at last, the psychic processes of the human individual. All these was vivified, personificated and deified ( for the main assumtions of the model see: A. Wiercinski, 19761 ). The astrobiological model of the world and man was statically patterned in mutually equivalent, due to a symbolical analogisation, archetypical (in Jungian sense) and iconic-numerical representations. Among them, the main position has been occupied by: the Cosmic Mountain, the Cosmic Tree � Cosmic Ladder � Cosmic Pillar, the Mandala, the Cosmic Man� man as Microcosmos and, © Del documento, los autores. -
Solar Eclipses in the Outlook of the Slavs
ics & Ae ys ro h sp p a o r c t e s T A e Prokofyev, J Astrophys Aerospace Technol 2014, 2:2 f c h o Journal of Astrophysics & n l o a DOI: 10.4172/2329-6542.1000107 l n o r g u y o J Aerospace Technology ISSN: 2329-6542 Research Article Open Access Solar Eclipses in the Outlook of the Slavs Prokofyev A* KITION Planetarium & Observatory, Kiti, Larnaca, Cyprus *Corresponding author: Alexandr Prokofyev, KITION Planetarium & Observatory, Ammochostou 9, Kiti, 7550, Larnaca, Cyprus. Tel: +357 99037440; E-mail: [email protected] Rec date: Jul 1, 2014, Acc date: Jul 26, 2014, Pub date: Aug 15, 2014 Copyright: © 2014 Prokofyev A. This is an open-access article distributed under the terms of the Creative Commons Attribution License, which permits unrestricted use, distribution, and reproduction in any medium, provided the original author and source are credited. Abstract The article provides an overview of descriptions of total solar eclipses in different literature forms, rites and toponyms of Slavs. It is shown that the solar eclipse had a prominent role in the worldview of the tribes. Explanations of some terms of Slavic outlook are given with suggestions for the correct terminology. A program for further investigation in Slavic and other people’s culture is proposed. Keywords: Total solar eclipse; Archeoastronomy; Mythology; Slavs; Character 'Akhet' (Figure 2) should be translated as 'eclipse' instead of Akhet; Myth of creation of the world; Myth of end of the world; 'horizon'. Then the next well-known text obtains a simple explanation. Dragon slayer; Tales During the advance of the eclipse (former translation: after sunset at the horizon) Ra joins the fight against the forces of darkness, Introduction crocodiles, snakes and so on. -
Temples and Tombs Treasures of Egyptian Art from the British Museum
Temples and Tombs Treasures of Egyptian Art from The British Museum Resource for Educators this is max size of image at 200 dpi; the sil is low res and for the comp only. if approved, needs to be redone carefully American Federation of Arts Temples and Tombs Treasures of Egyptian Art from The British Museum Resource for Educators American Federation of Arts © 2006 American Federation of Arts Temples and Tombs: Treasures of Egyptian Art from the British Museum is organized by the American Federation of Arts and The British Museum. All materials included in this resource may be reproduced for educational American Federation of Arts purposes. 212.988.7700 800.232.0270 The AFA is a nonprofit institution that organizes art exhibitions for presen- www.afaweb.org tation in museums around the world, publishes exhibition catalogues, and interim address: develops education programs. 122 East 42nd Street, Suite 1514 New York, NY 10168 after April 1, 2007: 305 East 47th Street New York, NY 10017 Please direct questions about this resource to: Suzanne Elder Burke Director of Education American Federation of Arts 212.988.7700 x26 [email protected] Exhibition Itinerary to Date Oklahoma City Museum of Art Oklahoma City, Oklahoma September 7–November 26, 2006 The Cummer Museum of Art and Gardens Jacksonville, Florida December 22, 2006–March 18, 2007 North Carolina Museum of Art Raleigh, North Carolina April 15–July 8, 2007 Albuquerque Museum of Art and History Albuquerque, New Mexico November 16, 2007–February 10, 2008 Fresno Metropolitan Museum of Art, History and Science Fresno, California March 7–June 1, 2008 Design/Production: Susan E. -
Historical Deception Gives an Excellent Overview of All Things Egyptian
About the Author Moustafa Gadalla was born in Cairo, Egypt in 1944. He gradu- ated from Cairo University with a Bachelor of Science degree in civil engineering in 1967. He immigrated to the U.S.A. in 1971 to practice as a licensed professional engineer and land surveyor. From his early childhood, Gadalla pursued his Ancient Egyp- tian roots with passion, through continuous study and research. Since 1990, he has dedicated and concentrated all his time to re- searching the Ancient Egyptian civilization. As an independent Egyptologist, he spends a part of every year visiting and studying sites of antiquities. Gadalla is the author of ten internationally acclaimed books. He is the chairman of the Tehuti Research Foundation—an interna- tional, U.S.-based, non-profit organization, dedicated to Ancient Egyptian studies. Other Books By The Author [See details on pages 352-356] Egyptian Cosmology: The Animated Universe - 2nd ed. Egyptian Divinities: The All Who Are THE ONE Egyptian Harmony: The Visual Music Egyptian Mystics: Seekers of the Way Egyptian Rhythm: The Heavenly Melodies Exiled Egyptians: The Heart of Africa Pyramid Handbook - 2nd ed. Tut-Ankh-Amen: The Living Image of the Lord Egypt: A Practical Guide Testimonials of the First Edition: Historical Deception gives an excellent overview of all things Egyptian. The style of writing makes for an easy read by the non- Egyptologists amongst us. Covering a wide variety of topics from the people, language, religion, architecture, science and technol- ogy it aims to dispel various myths surrounding the Ancient Egyp- tians. If you want a much better understanding of Ancient Egypt, then you won’t be disappointed be with the straight forward, no-non- sense approach to information given in Historical Deception. -
The Iconography of the Princess in the Old Kingdom 119 Vivienne G
THE OLD KINGDOM ART AND ARCHAEOLOGY PROCEEDINGS OF THE CONFERENCE HELD IN PRAGUE, MAY 31 – JUNE 4, 2004 Miroslav Bárta editor Czech Institute of Egyptology Faculty of Arts, Charles University in Prague Academia Publishing House of the Academy of Sciences of the Czech Republic Prague 2006 OOKAApodruhéKAApodruhé sstrtr ii–xii.indd–xii.indd 3 99.3.2007.3.2007 117:18:217:18:21 Contributors Nicole Alexanian, James P. Allen, Susan Allen, Hartwig Altenmüller, Tarek El Awady, Miroslav Bárta, Edith Bernhauer, Edward Brovarski, Vivienne G. Callender, Vassil Dobrev, Laurel Flentye, Rita Freed, Julia Harvey, Salima Ikram, Peter Jánosi, Nozomu Kawai, Jaromír Krejčí, Kamil O. Kuraszkiewicz, Renata Landgráfová, Serena Love, Dušan Magdolen, Peter Der Manuelian, Ian Mathieson, Karol Myśliwiec, Stephen R. Phillips, Gabriele Pieke, Ann Macy Roth, Joanne M. Rowland, Regine Schulz, Yayoi Shirai, Nigel Strudwick, Miroslav Verner, Hana Vymazalová, Sakuji Yoshimura, Christiane Ziegler © Czech Institute of Egyptology, Faculty of Arts, Charles University in Prague, 2006 ISBN 80-200-1465-9 OOKAApodruhéKAApodruhé sstrtr ii–xii.indd–xii.indd 4 99.3.2007.3.2007 117:18:217:18:21 Contents Foreword ix Bibliography xi Tomb and social status. The textual evidence 1 Nicole Alexanian Some aspects of the non-royal afterlife in the Old Kingdom 9 James P. Allen Miniature and model vessels in Ancient Egypt 19 Susan Allen Presenting the nDt-Hr-offerings to the tomb owner 25 Hartwig Altenmüller King Sahura with the precious trees from Punt in a unique scene! 37 Tarek El Awady The Sixth Dynasty tombs in Abusir. Tomb complex of the vizier Qar and his family 45 Miroslav Bárta Die Statuen mit Papyrusrolle im Alten Reich 63 Edith Bernhauer False doors & history: the Sixth Dynasty 71 Edward Brovarski The iconography of the princess in the Old Kingdom 119 Vivienne G. -
Distribution Agreement in Presenting This Thesis Or Dissertation As A
Distribution Agreement In presenting this thesis or dissertation as a partial fulfillment of the requirements for an advanced degree from Emory University, I hereby grant to Emory University and its agents the non-exclusive license to archive, make accessible, and display my thesis or dissertation in whole or in part in all forms of media, now or hereafter known, including display on the world wide web. I understand that I may select some access restrictions as part of the online submission of this thesis or dissertation. I retain all ownership rights to the copyright of the thesis or dissertation. I also retain the right to use in future works (such as articles or books) all or part of this thesis or dissertation. Signature: _____________________________ ____3/31/16__________ Shelley Burian Date Flowers of Re: The floral origins and solar significance of rosettes in Egyptian art By Shelley Burian Master of Arts Art History _________________________________________ Rebecca Bailey, Ph.D., Advisor _________________________________________ Gay Robin, Ph.D., Committee Member _________________________________________ Walter Melion, Ph.D., Committee Member Accepted: _________________________________________ Lisa A. Tedesco, Ph.D. Dean of the James T. Laney School of Graduate Studies ___________________ Date Flowers of Re: The floral origins and solar significance of rosettes in Egyptian art By Shelley Burian B.A., First Honors, McGill University, 2011 An abstract of A thesis submitted to the Faculty of the James T. Laney School of Graduate Studies of Emory University in partial fulfillment of the requirements for the degree of Master of Arts In Art History 2016 Abstract Flowers of Re: The floral origins and solar significance of rosettes in Egyptian art By Shelley Burian Throughout the Pharaonic period in Egypt an image resembling a flower, called a rosette, was depicted on every type of art form from architecture to jewelry. -
Egyptian Religion a Handbook
A HANDBOOK OF EGYPTIAN RELIGION A HANDBOOK OF EGYPTIAN RELIGION BY ADOLF ERMAN WITH 130 ILLUSTRATIONS Published in tile original German edition as r handbook, by the Ge:r*rm/?'~?~~ltunf of the Berlin Imperial Morcums TRANSLATED BY A. S. GRIFFITH LONDON ARCHIBALD CONSTABLE & CO. LTD. '907 Itic~mnoCLAY B 80~8,L~~II'ED BRIIO 6Tllll&I "ILL, E.C., AY" DUN,I*Y, RUFIOLP. ; ,, . ,ill . I., . 1 / / ., l I. - ' PREFACE TO THE ENGLISH EDITION THEvolume here translated appeared originally in 1904 as one of the excellent series of handbooks which, in addition to descriptive catalogues, are ~rovidedby the Berlin Museums for the guida,nce of visitors to their great collections. The haud- book of the Egyptian Religion seemed cspecially worthy of a wide circulation. It is a survey by the founder of the modern school of Egyptology in Germany, of perhaps tile most interest- ing of all the departments of this subject. The Egyptian religion appeals to some because of its endless variety of form, and the many phases of superstition and belief that it represents ; to others because of its early recognition of a high moral principle, its elaborate conceptions of a life aftcr death, and its connection with the development of Christianity; to others again no doubt because it explains pretty things dear to the collector of antiquities, and familiar objects in museums. Professor Erman is the first to present the Egyptian religion in historical perspective; and it is surely a merit in his worlc that out of his profound knowledge of the Egyptian texts, he permits them to tell their own tale almost in their own words, either by extracts or by summaries. -
Downloaded from Brill.Com09/29/2021 06:13:37AM Via Free Access 314 Listing One
LISTING ONE PYRAMID TEXTS BY TYPOLOGY AND DISPOSITION 821 Pyramid Texts were examined for typology. The typological classification was primarily according to the person of the beneficiary, and secondarily by recurring series and motifs. In this way Pyramid Texts were divided into two categories: Sacerdotal Texts and Personal Texts. The Coda went on to assert a subdivision of the categories into types: Offering Texts and Priestly Recitations for the category of Sacerdotal Texts, and Apotropaic, Transition, and Provisioning Texts for the category of Personal Texts. Figure 18 represents this as a schematic hierarchy. Except for four exceptional texts,1053 the types are subdivisions of par- ent categories. The features distinctive to the types are, consequently, also distinctive to categories. Figure 19 represents their relations heuristically. It is intended to show that, for instance, a priestly motif distinguishes a text not only from those of the offering type but also from texts of the personal category. Listing One is organized according to the texts’ numerical order. For each text, informa- tion is given about category, person of the beneficiary, person citation, type, recurring series, motifs, and group. In the context of typology, references to ‘Coffin Texts Series’ and ‘Coffin Texts’ indicate Middle Kingdom texts which have not been classified in the present work. In this case the term ‘Coffin Texts’ is not meant to indicate a genre of text concerned, but rather that they are not attested in the Old Kingdom. The listing does not give an explicit indication of the comparative weight of a given text’s typological attributes: the core motifs are not distinguished from the secondary motifs, which are sometimes sparsely attested in the opposing category. -
99516 Bickel OLA Funerary Texts ID 07 BICKEL.Indd
This pdf is a digital offprint of your contribution in S. Bickel & L. Díaz-Iglesias (eds), Studies in Ancient Egyptian Funerary Literature, ISBN 978-90-429-3462-7 The copyright on this publication belongs to Peeters Publishers. As author you are licensed to make printed copies of the pdf or to send the unaltered pdf file to up to 50 relations. You may not publish this pdf on the World Wide Web – including websites such as academia.edu and open-access repositories – until three years after publication. Please ensure that anyone receiving an offprint from you observes these rules as well. If you wish to publish your article immediately on open- access sites, please contact the publisher with regard to the payment of the article processing fee. For queries about offprints, copyright and republication of your article, please contact the publisher via [email protected] ORIENTALIA LOVANIENSIA ANALECTA ————— 257 ————— STUDIES IN ANCIENT EGYPTIAN FUNERARY LITERATURE edited by SUSANNE BICKEL and LUCÍA DÍAZ-IGLESIAS PEETERS LEUVEN – PARIS – BRISTOL, CT 2017 TABLE OF CONtENtS Abbreviations VII Susanne Bickel, Lucía Díaz-Iglesias Introduction XIII Florence Albert Un groupe de papyrus funéraires tardifs 1 James P. Allen The Pyramid Texts as Literature 29 Bernard Arquier Le double sarcophage de Mésehti: l’espace, le verbe et le temps 43 Burkhard Backes Re-reading Pyramids? Gedanken zu Korrelationen zwischen Inhalt, Anbringungsort und hypothetischer Lesefolge funerärer Texte anhand PT 313‒321 73 Susanne Bickel Everybody’s Afterlife? “Pharaonisation” -
Pyramid of Unas : 11 Unas (Unis)(C. 2356
11 : Pyramid of Unas . Unas (Unis)(c. 2356 - 2323 BC) was the last king of the Fifth Dynasty. The pyramid dedicated to this king lies to the south of the Step Pyramid. The Pyramid of Unas (Unis) is in poor condition however, the burial chambers are worth the visit. In this chamber, you will find the earliest Egyptian funerary texts carved into the walls and filled with a blue pigment. These are referred to as the Pyramid Texts. They are the rituals and hymns that were said during the in the walls of the pyramids. burial. Before this time, nothing was engraved The pyramid, when it was complete stood about 62 ft (18.5 m). The core of the pyramid was loose blocks and rubble and the casing was of limestone. Today it looks like a pile of dirt and rubble, especially from the east side. Although the outside of the pyramid is in ruin, the inside is still sound. You may enter the pyramid from the north side. Trying to block the way, are three huge slabs of granite. Once inside the chamber, you will find the Pyramid Texts that were intended to help the pharaoh's soul in the afterworld. They were to help the soul find Re, the sun god. 12 : Pyramid of Pepi II . South Saqqara is completely separate from Saqqara. It is located about 1km south of the pyramid of Sekhemkhet, which is the most southern of all the pyramids in Saqqara. South Saqqara was founded in the 6th Dynasty (2345 - 2181 BC) by the pharaohs.