Walking with 'Trane
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The Shubert Foundation 2020 Grants
The Shubert Foundation 2020 Grants THEATRE About Face Theatre Chicago, IL $20,000 The Acting Company New York, NY 80,000 Actor's Express Atlanta, GA 30,000 The Actors' Gang Culver City, CA 45,000 Actor's Theatre of Charlotte Charlotte, NC 30,000 Actors Theatre of Louisville Louisville, KY 200,000 Adirondack Theatre Festival Glens Falls, NY 25,000 Adventure Theatre Glen Echo, MD 45,000 Alabama Shakespeare Festival Montgomery, AL 165,000 Alley Theatre Houston, TX 75,000 Alliance Theatre Company Atlanta, GA 220,000 American Blues Theater Chicago, IL 20,000 American Conservatory Theater San Francisco, CA 190,000 American Players Theatre Spring Green, WI 50,000 American Repertory Theatre Cambridge, MA 250,000 American Shakespeare Center Staunton, VA 30,000 American Stage Company St. Petersburg, FL 35,000 American Theater Group East Brunswick, NJ 15,000 Amphibian Stage Productions Fort Worth, TX 20,000 Antaeus Company Glendale, CA 15,000 Arden Theatre Company Philadelphia, PA 95,000 Arena Stage Washington, DC 325,000 Arizona Theatre Company Tucson, AZ 50,000 Arkansas Arts Center Children's Theatre Little Rock, AR 20,000 Ars Nova New York, NY 70,000 Artists Repertory Theatre Portland, OR 60,000 Arts Emerson Boston, MA 30,000 ArtsPower National Touring Theatre Cedar Grove, NJ 15,000 Asolo Repertory Theatre Sarasota, FL 65,000 Atlantic Theater Company New York, NY 200,000 Aurora Theatre Lawrenceville, GA 30,000 Aurora Theatre Company Berkeley, CA 40,000 Austin Playhouse Austin, TX 20,000 Azuka Theatre Philadelphia, PA 15,000 Barrington Stage Company -
Curricula Guide Firstworks Arts Learning Presents Urban Bush
FirstWorks Arts Learning Presents Urban Bush Women Create Dance. Create Community For a special student performance/demonstration celebrating the history of UBW, movement for everyone & “Walking w/’Trane”. February 26, 2016 11:00 am @ The Vets 1 Avenue of the Arts Providence, RI 02903 Curricula Guide About FirstWorks Arts Learning FirstWorks has built deep, ongoing relationships with over 30 public and charter schools across Rhode Island to provide access to artists and help fill the gap left from severe public spending cuts. The program features workshops taught by leading artists who provide rich experiential learning in a classroom setting, allows students and their families to attend world-class performances, and provides professional development and lesson plans for teachers. “FirstWorks is clearly becoming a cultural beacon in its community and state. It’s very exciting to see how they’ve mobilized a community.” - National Endowment for the Arts Please visit us online at www.first-works.org for further information about Arts Learn- ing programming and season offerings. © FirstWorks 2016 WWW.FIRST-WORKS.ORG Table of Contents Theatre Etiquette. 1 Snapshot . .2 What is Modern Dance? . .5 African American Modern Dance . 7 Meet Jawole! . 8 Modern Dance Coloring Page! . 10 “Walking with ‘Trane” . 11 John Coltrane . 12 How People Feel About “A Love Supreme”. 14 Glossary. 16 K-4 Lesson: Jazz, Dance, & Poetry . 17 K-4 Lesson: Telling a Story Through Dance . 19 6-12 Lesson: Teaching Science Through Dance . 21 Additional Resources . 22 National Core Arts Standards . 23 Teacher Survey . 24 Student Survey . 25 WWW.FIRST-WORKS.ORG WWW.FIRST-WORKS.ORG | 1 1 Theatre Etiquette Be prepared and arrive early. -
Dance Theatre of Harlem
François Rousseau François DANCE THEATRE OF HARLEM Founders Arthur Mitchell and Karel Shook Artistic Director Virginia Johnson Executive Director Anna Glass Ballet Master Kellye A. Saunders Interim General Manager Melinda Bloom Dance Artists Lindsey Croop, Yinet Fernandez, Alicia Mae Holloway, Alexandra Hutchinson, Daphne Lee, Crystal Serrano, Ingrid Silva, Amanda Smith, Stephanie Rae Williams, Derek Brockington, Da’Von Doane, Dustin James, Choong Hoon Lee, Christopher Charles McDaniel, Anthony Santos, Dylan Santos, Anthony V. Spaulding II Artistic Director Emeritus Arthur Mitchell PROGRAM There will be two intermissions. Friday, March 1 @ 8 PM Saturday, March 2 @ 2 PM Saturday, March 2 @ 8 PM Zellerbach Theatre The 18/19 dance series is presented by Annenberg Center Live and NextMove Dance. Support for Dance Theatre of Harlem’s 2018/2019 professional Company and National Tour activities made possible in part by: Anonymous; The Arnhold Foundation; Bloomberg Philanthropies; The Dauray Fund; Doris Duke Charitable Foundation; Elephant Rock Foundation; Ford Foundation; Ann & Gordon Getty Foundation; Harkness Foundation for Dance; Howard Gilman Foundation; The Dubose & Dorothy Heyward Memorial Fund; The Klein Family Foundation; John L. McHugh Foundation; Margaret T. Morris Foundation; National Endowment for the Arts; New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature; New England Foundation for the Arts, National Dance Project; Tatiana Piankova Foundation; May and Samuel Rudin -
Qurrat Ann Kadwani: Still Calling Her Q!
1 More Next Blog» Create Blog Sign In InfiniteBody art and creative consciousness by Eva Yaa Asantewaa Tuesday, May 6, 2014 Your Host Qurrat Ann Kadwani: Still calling her Q! Eva Yaa Asantewaa Follow View my complete profile My Pages Home About Eva Yaa Asantewaa Getting to know Eva (interview) Qurrat Ann Kadwani Eva's Tarot site (photo Bolti Studios) Interview on Tarot Talk Contact Eva Name Email * Message * Send Contribute to InfiniteBody Subscribe to IB's feed Click to subscribe to InfiniteBody RSS Get InfiniteBody by Email Talented and personable Qurrat Ann Kadwani (whose solo show, They Call Me Q!, I wrote about Email address... Submit here) is back and, I hope, every bit as "wicked smart and genuinely funny" as I observed back in September. Now she's bringing the show to the Off Broadway St. Luke's Theatre , May 19-June 4, Mondays at 7pm and Wednesdays at 8pm. THEY CALL ME Q is the story of an Indian girl growing up in the Boogie Down Bronx who gracefully seeks balance between the cultural pressures brought forth by her traditional InfiniteBody Archive parents and wanting acceptance into her new culture. Along the journey, Qurrat Ann Kadwani transforms into 13 characters that have shaped her life including her parents, ► 2015 (222) Caucasian teachers, Puerto Rican classmates, and African-American friends. Laden with ▼ 2014 (648) heart and abundant humor, THEY CALL ME Q speaks to the universal search for identity ► December (55) experienced by immigrants of all nationalities. ► November (55) Program, schedule and ticket information ► October (56) ► September (42) St. -
Dancewatch Weekly: White Bird Turns 20, OBT Season Opens | Oregon
Oregon ArtsWatch ABOUT DONATE CONTACT ADVERTISE NEWSLETTER ART CULTURE DANCE FAMILY FILM LIT MUSIC NEWS THEATER COAST YAMHILL DANCE DanceWatch Weekly: White Bird turns 20, OBT season opens A big week in dance starts with White Bird and Oregon Ballet Theatre and then moves to Indian dance and "Moving Through Darkness" OCTOBER 5, 2017 // DANCE // JAMUNA CHIARINI Twenty years ago Paul King and Walter Jaffe moved to Portland from New York City and launched White Bird, Portland’s biggest dance presenter and the sole, dance-only presenter West of the Rockies. Their 20-year contribution to Portland’s dance scene and to the dance community at large is huge. Over the 20 years they have presented 250 dance companies from around the world, commissioned and co-commissioned 36 new works in a range of styles and choreographers from Portland and beyond, and have developed some of the most enthusiastic, dedicated, and educated dance audiences I have ever seen. White Bird’s 20th season is dedicated to those audiences. Complexions Contemporary Ballet from New York, co-directed by Dwight Rhoden and Desmond Richardson, opens that season. Rhoden was a principal dancer with Alvin Ailey American Dance Theatre and Richardson was the first Black American Principal dancer at American Ballet Theater. The company is 23 years old itself, and has been called “America’s original multicultural dance company.” They pride themselves on being based in ballet but not limited to it, expanding their movement vocabulary into any and every genre, proposing an alternate view of classical ballet. Jamuna Chiarini The company will perform three pieces, all choreographed by Rhoden: Ballad Unto…. -
EFA Repertoire History | 2002-2018
EFA Repertoire History | 2002-2018 2017-2018 Alice In Wonderland by Grand Rapids Ballet Air Play by Acrobuffos Circular Abstrations: Bull’s Eye Quilts Division of Birds/Survey of Sounds and Photographs by Mary Whalen and Dr. Sharon Gill Fantastic Fur and Feathers Traveling Exhibition Julien Labro My Hero! Contemporary Art & Superhero Action Take Me To The River: Memphis Soul and Rhythm & Blues Revue Taylor 2 The Polar Bears Go Up! by Fish And Game 2016-2017 Chanticleer Complexions Contemporary Ballet Ensemble Español Spanish Dance Theater Gershwin’s Magic Key by Kalamazoo Symphony Orchestra *Jeremy Thatcher, Dragon Hatcher by the Western Michigan University Department of Theatre Orchid Ensemble Marcia Wood: Kalamazoo Sculptor Poetry of Content: Five Contemporary Realist Artists *Prints from Ox-Bow Traveling Exhibition The Man Who Planted Trees by Puppet State Theatre Company The Moon’s A Balloon by Patch Theatre Company 2015-2016 Ailey II Alchemia by MOMIX Anderson and Roe Piano Duo Caladh Nua Common Ground: African American Art from Flint Institute of Arts, Kalamazoo Institute of Arts and Muskegon Museum of Art Love That Dog by Theatergroep Kwatta People in Places Samite Trio Snowflake by Gale LaJoye The Face of America: Photographing the Great Depression Traveling Exhibition 2014-2015 *Charlotte’s Web by Western Michigan University Department of Theatre Diavolo: Architecture in Motion Double Take: Artists Respond to the Collection Kachinas Traveling Exhibition Manxmouse by Theatergroep Kwatta Nature As Seen Through The Eyes of Charley -
The Curriculum
The Curriculum . 3 Literature . 63 Africana Studies . 3 Mathematics . 73 Anthropology . 3 Middle Eastern and Islamic Studies . 76 Architecture and Design Studies . 7 Modern and Classical Languages and Art History . 7 Literatures . 77 Asian Studies . 10 Music . 78 Biology . 13 Philosophy . 88 Chemistry . 16 Physics . 91 Chinese . 19 Political Economy . 93 Classics . 20 Politics . 93 Cognitive and Brain Science . 20 Psychology . 97 Computer Science . 21 Public Policy . 107 Dance . 24 Religion . 108 Development Studies . 29 Russian . 111 Economics . 30 Science and Mathematics . 112 Environmental Studies . 33 Pre-Health Program Ethnic and Diasporic Studies . 34 Social Science . 113 Film History . 35 Sociology . 113 Filmmaking, Screenwriting and Media Spanish . 116 Arts . 37 Theatre . 118 French . 38 Urban Studies . 131 Games, Interactive Art, and New Genres 40 Visual Arts . 132 Gender and Sexuality Studies . 41 Architectural Design Geography . 41 Drawing German . 42 Filmmaking Greek (Ancient) . 44 New Media Health, Science, and Society . 45 Painting History . 45 Photography International Studies . 55 Printmaking Italian . 56 Sculpture Japanese . 58 Visual Fundamentals Latin . 59 Writing . 149 Latin American and Latino/a Studies . 60 Faculty . 161 Lesbian, Gay, Bisexual, and Transgender Studies . 60 Sarah Lawrence College is accredited by the Middle Modern Language and Literature (1101) BA States Association and the New York State Music (1004) BA Education Department. Philosophy (1509) BA Politics (2207) BA The following programs are registered by the New Premedical (4901) BA York State Education Department* for the degrees Psychology (2001) BA listed (registration number in parentheses). Religion (1510) BA Enrollment in other than registered or otherwise Sociology (2208) BA approved programs may jeopardize a student’s Theatre (1007) BA eligibility for certain student-aid awards. -
UNIVERSITY of CALIFORNIA, IRVINE Dance in the Era of #Metoo THESIS Submitted in Partial Satisfaction of the Requirements for Th
UNIVERSITY OF CALIFORNIA, IRVINE Dance in the Era of #MeToo THESIS submitted in partial satisfaction of the requirements for the degree of MASTER OF FINE ARTS in Dance by Kiara Justine Kinghorn Thesis Committee: Professor Jennifer Fisher, Ph.D., Chair Professor Mary Corey Professor S. Ama Wray, Ph.D. 2020 © 2020 Kiara Justine Kinghorn DEDICATION This thesis is dedicated to all the working women whose #MeToo story will never be heard because they are too busy cleaning your house or serving you food; And to anyone who is currently facing harassment and assault, or who is triggered by this work: It’s okay to log off. It’s okay to not participate. It’s okay. “I’ve only known for ten years that no is a full sentence.” —Jane Fonda ii TABLE OF CONTENTS Page ACKNOWLEDGEMENTS iv ABSTRACT OF THESIS: Dance in the Era of #MeToo v CHAPTER ONE: Volatility Introduction 1 #MeToo Ignites Online 3 #MeToo and Dance 4 Methods and Literature 6 CHAPTER TWO: Vulnerability Culture of Silence 10 Power Dynamics 14 Authoritarian Pedagogical Legacies 16 Outdated Patriarchal Systems 17 Echoes of Rape Culture in Dance 20 The “Disembodied Experience” of Dance Pedagogy 24 Touching 26 Consent 28 CHAPTER THREE: Visibility Whistle While You Work 32 Historical Perspectives on Putting the Body Back Together 34 Urban Bush Women 36 CHAPTER FOUR: Voice Choreographing a Dance Concert 38 The Three Fates 42 Nevertheless She Persisted 46 Beginning in the Middle 49 The Aggressor Solo 53 “A Rapist in Your Path” 54 iii Finishing in the Beginning 57 Harmful if Swallowed 59 Conclusion 59 WORKS CITED 62 APPENDIX : Concert Poster, Publicity Photos 66 iv ACKNOWLEDGEMENTS I would like to express my deepest gratitude to my Master of Fine Arts chair, Dr. -
2013-14 Organizational Member List
2013-14 Organizational Member List Agents/Artist Representatives Arc Dance Company Groundworks Dance Theater Bernard Schmidt Productions, Inc. Arts Ballet Theatre of Florida Heidi Duckler Dance Theatre Cadence Arts Network Atlanta Ballet Houston Ballet CAMI Spectrum Attack Theatre Houston Metropolitan Dance Cathy Pruzan Artist Representative AXIS Dance Company Company Elsie Management The Australian Ballet* Hubbard Street Dance Chicago H-Art Management Ballet Austin Island Moving Company Joanne Rile Artists Management Backhausdance Invertigo Dance Theater Laird Rodet/Kronos Quartet Ballet Memphis James Sewell Ballet Le Trait d’Union Ballet Mink Joffrey Ballet Lisa Booth Management Ballet Pensacola Kansas City Ballet PMG Arts Management BalletX Karen Peterson and Dancers Inc. Piccadilly Arts Bandaloop Kathy Harty Gray Dance Theatre Rena Shagan Associates Blue Lapis Light KEIGWIN + COMPANY Siegel Artist Management Boston Ballet Kun-Yang Lin/Dancers Boulder Ballet L.A. Contemporary Dance Bowen McCauley Dance Company Business Affiliates Buglisi Dance Projects LehrerDance American Harlequin Corp. Calpulli Mexican Dance Company Lily Cai Chinese Dance Company Arts Consulting Group Inc. Canada’s Royal Winnipeg Ballet* Liss Fain Dance Body Wrappers Carolyn Dorfman Dance Company Louise Reichlin & Dancers/LA Capezio/Ballet Makers Dance Cedar Lake Contemporary Ballet Choreographers & Dancers Foundation Chamber Dance Project Lucky Plush Productions Dance Magazine Chen Dance Center Malashock Dance EMC Arts, Inc. Chicago Dance Crash Mark Foehringer -
National Endowment for the Arts Winter Award Announcement for FY 2021
National Endowment for the Arts Winter Award Announcement for FY 2021 Artistic Discipline/Field List The following includes the first round of NEA recommended awards to organizations, sorted by artistic discipline/field. All of the awards are for specific projects; no Arts Endowment funds may be used for general operating expenses. To find additional project details, please visit the National Endowment for the Arts’ Grant Search. Click the award area or artistic field below to jump to that area of the document. Grants for Arts Projects - Artist Communities Grants for Arts Projects - Arts Education Grants for Arts Projects - Dance Grants for Arts Projects - Design Grants for Arts Projects - Folk & Traditional Arts Grants for Arts Projects - Literary Arts Grants for Arts Projects - Local Arts Agencies Grants for Arts Projects - Media Arts Grants for Arts Projects - Museums Grants for Arts Projects - Music Grants for Arts Projects - Musical Theater Grants for Arts Projects - Opera Grants for Arts Projects - Presenting & Multidisciplinary Works Grants for Arts Projects - Theater Grants for Arts Projects - Visual Arts Literature Fellowships: Creative Writing Literature Fellowships: Translation Projects Research Grants in the Arts Research Labs Applications for these recommended grants were submitted in early 2020 and approved at the end of October 2020. Project descriptions are not included above in order to accommodate any pandemic-related adjustments. Current information is available in the Recent Grant Search. This list is accurate as of 12/16/2020. Grants for Arts Projects - Artist Communities Number of Grants: 36 Total Dollar Amount: $685,000 3Arts, Inc $14,000 Chicago, IL Alliance of Artists Communities $25,000 Providence, RI Atlantic Center for the Arts, Inc. -
(Dancer) Senegalese and French, She Founded Her First Dance Studio in Dakar, 1968
Germaine Acogny (dancer) Senegalese and French, she founded her first dance studio in Dakar, 1968. Thanks to the influence of the dances she had inherited from her grandmother, a Yoruba priest, and to her studies of traditional African dances and Occidental dances (classic, modern) in Paris and New York, Germaine Acogny created her own technique of Modern African Dance and is considered as the “mother of Contemporary African dance” Between 1977 and 1982 she was artistic director of MUDRA AFRIQUE (Dakar), created by Maurice Béjart and the Senegalese president and poet Leopold Sedar Senghor. In 1980, she writes her first book untitled “African Dance”, edited in three languages. Once Mudra Afrique had closed, she moved to Brussels to work with Maurice Béjart’s company, she organised international African dance workshops, which showed a great success among the European audience. This same experience was repeated in Africa, in Fanghoumé, a small village in Casamance, in the south of Senegal. People from Europe and all over the world travelled to this place. Germaine Acogny dances, choreographs and teaches on all continents, becoming a real emissary of the African Dance and Culture. Her work and personality is highly respected in Africa and worldwide. Together with her husband, Helmut Vogt, she sets up in 1985, in Toulouse, France, the “Studio-Ecole- Ballet-Théâtre du 3è Monde”. After having been away from the stage for several years, Germaine Acogny has her come back as a dancer and choreographer in 1987. She works with Peter Gabriel for a video clip and creates her solo “Sahel”. Other choreographies follow. -
THE SUZANNE FARRELL BALLET Thu, Dec 4, 7:30 Pm Carlson Family Stage
2014 // 15 SEASON Northrop Presents THE SUZANNE FARRELL BALLET Thu, Dec 4, 7:30 pm Carlson Family Stage Swan Lake Allegro Brillante The Concert (Or, The Perils of Everybody) Natalia Magnicaballi and Michael Cook in Balanchine's Swan Lake. Photo © Rosalie O'Connor. Dear Northrop Dance Lovers, Northrop at the University of Minnesota Presents What a wonderful addition to our holiday season in Minnesota–a sparkling ballet sampler with the heart-lifting sounds of live classical music. Tonight’s presentation of The Suzanne Farrell Ballet is one of those “only at Northrop” dance experiences that our audiences clamor for. We’re so happy you are here to be a part of it. Suzanne Farrell is a name recognized and respected the world over as the legendary American ballerina and muse of choreographer George Balanchine. As a dancer, Farrell was SUZANNE FARRELL, Artistic Director in a class all her own and hailed as “the most influential ballerina of the late 20th century.” For most of her career, which spanned three decades, she danced at New York City Ballet, where her artistry inspired Balanchine to create nearly NATALIA MAGNICABALLI HEATHER OGDEN* MICHAEL COOK thirty works especially for her–most of them are masterpieces. ELISABETH HOLOWCHUK Christine Tschida. Photo by Patrick O'Leary, Since retiring from NYCB in 1989, Farrell has dedicated her University of Minnesota. life to preserving and promoting the legacy of her mentor. She has staged Balanchine ballets for many of the world’s VIOLETA ANGELOVA PAOLA HARTLEY leading companies, including St. Petersburg’s Mariinsky Ballet (known at the time as Leningrad’s Kirov).