Church Newsletter

Total Page:16

File Type:pdf, Size:1020Kb

Church Newsletter May 2019 Newsleer Sunday Services Sunday, May 5, 2019 @ 9:30am & 11:15am Curiosity and Understanding by the Youth Religious Educaon Commiee We seek to understand the whole story by being curious about everyone’s perspecve. As we approach the 58th anniversary (May 12) of the merger between Unitarians and Universalists we will embrace the pracce of looking at something from all sides. Did you know it was the youth that actually iniated the merger? Today we will also recognize our current youth religious educaon program and the people that make it happen. YUUth Ensemble and the choir will be providing music. This is a service for all ages. Sunday, May 12, 2019 @ 9:30am & 11:15am Curiosity and Empathy by Reverend Linda Slabon Curiosity is a gi but to act on it requires courage. Empathy is a skill and to learn it enables us to move from a place of shame to compassion and courage. On this Mother's Day come listen to voices of curiosity, empathy and courage in the songs sung by Cymbal, a UU women's singing group, in the meditave music of crystal tone bowls, and in Rev. Linda's sermon: "Every Long Journey". Rev. Linda Slabon served the UU Fellowship of DeKalb for 26 years along with her spouse, Dr. Toni Tollerud, who served as Music Director. Now rered, Linda is a Minister Emerita, a DeKalb County Board member, and completes the laundry promptly. As a rered professor from Northern Illinois University, Toni does state-wide seminars on supervision and trauma, and gardens with passion. Grandma Toni and Bionic Nana Linda (with her tanium hips) love to sing songs with three year old grand-daughter Amelia. Sunday Services connued on next page... 1828 Old Naperville Road, Naperville, IL 60563 Phone: 630/505-9408 Website: hp://dupageuuchurch.org 1 Sunday Services connued ... Sunday, May 19, 2019 @ 9:30am & 11:15am Curiosity and Imaginaon by Kat Gelder and Mike Winter Curiosity and its cousin, imaginaon, are the foundaon of human innovaon and the movang force behind the scienfic method. Join Mike and Kat for an exploraon of the ways we shape our world and ourselves by asking "What if?" --and imagining the answer. Our Special Collecon will benefit SamaraCare. For over 45 years, SamaraCare has been a leader in helping people achieve their greatest potenal by being supporve and spirit-led counselors, consultants and advocates. They treat children, teens and adults who are facing some of life's more serious challenges. As “unstoppable advocates”, they teach how good mental and organizaonal health allows individuals, communies and sociees to funcon at their very best. If donang by check, please make payable to DUUC, with SamaraCare noted on the memo line. Thank you for giving generously! Sunday, May 26, 2019 @ 10:00AM only Re-Membering: A memorial day journey by Reverend Karen Mooney We know this don’t we, no one gets away in life just floang. All of us take our turn in the whirlpool something eventually brings us into a head long spin: health, work, family, the environment... life is out there and at some point it will be our turn to get sucked into a whirlpool of change that was not there a moment before. How we respond beyond the mayhem is what will define our lives. Sunday Morning Forums Forums are held on Sundays at 9:30am in the Learning Center. Sunday, May 5, 2019 Science Sunday will hold our popular Science Slam! Members of the group have 10 minutes to explore and explain a scienfic topic that is of special interest to them! Some of the topics scheduled are "The Science of Driving Fast!", "The Psychology of Climate Change", "How Does Gravity Bend Light", and much more! Come and enjoy this fast-paced and informaon laden tour through today's Science!! Sunday, May 12, 2019 Social Jusce—Come to the forum on May 12 to meet Michelle Allman; she is from Immigrant Solidarity of DuPage, the organizaon that collected our donaons for the asylum seekers in early March. Michelle will share with us their amazing experiences on the trip to South Texas, and the details about how pleased the potenal immigrants were upon receiving all the wonderful gis that were sent to them from this area. That’s Mothers’ Day, May 12, at 9:30am in the Learning Center. Prepare to enjoy the stories. Sunday, May 19, 2019 Science Sunday will culminate its seventh year with a special Science Sunday held in the Auditorium/ Sanctuary at 9:30 and 11:15am. The topic will be Science and Curiosity with Mike Winter and Kat Gelder leading. Curiosity and its cousin, Imaginaon, are the foundaon of human innovaon and the movang force behind the scienfic method. Join Mike and Kat for an exploraon of the ways we shape our world and ourselves by asking "What if?" --and imagining the answer. We will be planning to open Pandora's Box right in front of everyone, so come early and get a good seat for the show!! Sunday, May 26, 2019 A forum will not be held this day. 2 News & Events DUUC Library and Book Help Wanted! Store May Featured The Board of Trustees is seeking an individual with management and/or Book of the Month human resources experience to fill a DUUC Library and Book three-year term on the Personnel Commiee, beginning Store: Morning Watch wrien June 1, 2019. The Personnel Commiee plays an by Barbara Pescan, a rered UU minister, is a collecon of important role in overseeing our church's Human thirty-four poems and prayers on love, spirit, and is a Resources and employees and works with the Minister to classic UUA meditaon manual. This book is available to ensure that we are adhering to UUA Staffing guidelines borrow from the Library or purchase from the Book Store. and best pracces and that we are a faithful employer. The me commitment for this role will be Bringing a food dish to a DUUC event about 2-4 hours per month, and most meengs are via or potluck and the food dish is allergy or Zoom. If you have the qualificaons, we sincerely need diet friendly like gluten-free? Feel free to your help! Interested people should reach out to put the gluten-free sign available in the Commiee Chair, Jenny Hobbs DUUC kitchen by your food dish. Thanks at [email protected]. for respecng the food needs of DUUC members and guests by making our hospitality more Budget Review Session inclusive! Do you have a suggeson for another allergy or A Budget review session has been diet friendly sign? Let the AIM Commiee know. scheduled for May 19 aer each service. This session offers the opportunity to give your input on The Comparave the budget for the new church year. Religion Discussion Club At the Annual Meeng on June 9, quesons can be asked focuses on the examinaon and but changes to the budget will not be accepted, since the discussion of historical and budget will be presented for an up or down vote. contemporary religious texts and essays. This includes Jewish and Chrisan texts, as well as less familiar religious Single Service Discussion texts to understand their meaning and value. We typically Aer each service on May 5th a meet on the third Sunday at 3:00 pm at the church. For discussion will be held regarding our further informaon please contact Bob Wunderlich possible move to a single service. If at [email protected] or Michael Marn you haven’t had a chance to share at [email protected]. your opinion we would love for you to join us. Social Jusce Book Reviews From the SMILE Project ( Students, are back! Mentors, Internship with Local Employers) fundraising commiee: We will be starng our 2019 Book Thank you to all who have been so Reviews in May, this moth (dates to be generous to the SMILE Project 2019! Your determined). The first book to be reviewed and discussed support means so much to these young will be Robin DiAngelo - “White Fragility.” This book is a people who are looking forward to being part of this call to white folk everywhere to see their whiteness for summer’s internship. These students are not only our what it is and to seize the opportunity to make things future, they are our now. Although we have not yet met beer now. A must read for everyone. our goal of raising enough funds for all the students who Begin your read, then sign up on the Kiosk in Kreves for a have interviewed, we are sll hopeful that those who convenient book review me with facilitators Karen Hu have pledged or are thinking of pledging will donate or Ken Koresch. before we have to turn down a student. So give today! Thank You! 3 News & Events Summer Flowers Sign-up Newsleer Deadline Now Available! The deadline for the June newsleer is The sign-up sheet is posted on the kiosk TUESDAY, May 28, 2019 @ 9AM. Please in Kreves Hall. Pick a date and neatly email your submissions to Sheri at write your name and dedicaon as you offi[email protected]. would like it to appear in the order of service. There are two ways to provide flowers during the summer: Date Change for June 1. Bring flowers from your garden or favorite store. Board Meeng 2. On select dates only, Pat Clancy will make an Our June meeng has been moved! arrangement for you with flowers from the church Due to a conflict with UUA General grounds.
Recommended publications
  • Our Season of Rejoicing
    VOLUME 125 NUMBER 2 OCTOBER 2019 ShalomTHE BULLETIN OF REFORM CONGREGATION KENESETH ISRAEL & THE MEYERS LIBRARY Our Season of Rejoicing From KI Leadership Why Bimah Honors on the High Holy Days? President’s Tekiah! Teruah! Tekiah! The High Holy Days communal and embrace the rich liturgical voices of Message are here and with them the beginning of our “new” the Jewish past with the aspirations of our people year. 5780 has arrived! today. Everyone who participates in our services During the High Holy Days, many in our either by taking part as an honoree or as a commu- congregation are called up for Holy Day Honors. nity participant can be moved by the experiences As varied as our members are, so are these groups, offered in this innovative set of prayer books. from HaMotzi Volunteers, to Greenfaith committee For the last three years, I have read one of the members, to those who have made extraordinary opening poems. I feel great pride that I am called donations to our beloved synagogue and to those upon to use my voice to set the pace for others who donate lots and lots of volunteer time to our to follow. I take a deep breath as I stand before synagogue. In our new prayer books, Mishkan the congregation and think the Days of Awe are Janice Hanefesh, beyond the traditional prayers we are beginning and here I am on the Bimah. Everyone Schwartz-Donahue, so familiar with, there are many opportunities is quiet, I look out and begin to read, a prayer President for poems and prayers to be read by congregants.
    [Show full text]
  • UCLA Philharmonia Programs 2005-2018
    UCLA PHILHARMONIA 2005 - 2018 November 10, 2005 Takemitsu Ceremonial: An Autumn Ode for orchestra with sho (1992) Dvorak Concerto for Cello in B minor, Op. 104 Prokofiev Symphony No. 5, Op. 100 Kazuyuki Kawata, sho Antonio Lysy, cello Neal Stulberg, conductor Schoenberg Hall; UCLA * * * * * December 8, 2005 Brahms Sonata for Violin and Piano in D minor, Op. 108 Brahms Sonata for Violin and Piano in D minor, Op. 108 (arranged for orchestra by John Carter; world premiere) Jonathan Beard Life and a Funeral (2005) (world premiere) Strauss Till Eulenspeigel's Merry Pranks Mary Hofman, violin Anli Tong, piano John Carter, conductor Schoenberg Hall; UCLA * * * * * January 27, February 3; 2:00 PM January 29, February 5, 2006 OPERA UCLA Puccini Suor Angelica Puccini Gianni Schicchi Neal Stulberg and Daniel Cummings, conductors Peter Kazaras, director Schoenberg Hall; UCLA * * * * * February 16, 2006 All-Star Concert – an evening of concerto performances featuring UCLA’s finest student soloists Tartini Trumpet Concerto (3rd movement) Kevin Gebo, trumpet Glazounov Alto Saxophone Concerto Gregory Chambers, alto saxophone Walton Viola Concerto (1st movement) Jing Jin, viola Khachaturian Violin Concerto (3rd movement) Eric Wuest, violin Crusell Clarinet Concerto (3rd movement) Anthony Thurmond, clarinet Debussy Premiere Rhapsodie for Clarinet Chelsea Howell, clarinet Rachmaninoff Piano Concerto No. 2 (1st movement) Lisa Iwaki, piano Liszt Totentanz Hye-Won Cho, piano Neal Stulberg, conductor Schoenberg Hall; UCLA * * * * * March 16, 2006 7:00 Concert Prelude: A discussion with Gail Zappa and Zappa “vaultmeister” Joe Travers concerning Zappa’s life and work, featuring archival film of a 1982 live Stockholm festival performance of the original rock-band version of “Dupree’s Paradise” 8:00 PM: Philharmonia concert Frank Zappa Dupree’s Paradise (1982) Beethoven Symphony No.
    [Show full text]
  • Peermusic Classical 250 West 57Th Street, Suite 820 New York, NY 10107 Tel: 212-265-3910 Ext
    classical RentalRentalSalesSales CatalogCatalogCatalogCatalog 20092009 Peermusic Classical 250 West 57th Street, Suite 820 New York, NY 10107 tel: 212-265-3910 ext. 17 fax: 212-489-2465 [email protected] www.peermusicClassical.com RENTAL CATALOG REPRESENTATIVES WESTERN HEMISPHERE, JAPAN Subito Music Corp. 60 Depot Rd. Verona, NJ 07044 tel:973-857-3440 fax: 973-857-3442 email: [email protected] www.subitomusic.com CONTINENTAL EUROPE UNITED KINGDOM AUSTRALIA/NEW ZEALAND Peermusic Classical GmbH Faber Music Ltd. Hal Leonard Australia Pty Ltd. Mühlenkamp 45 3 Queen Square 4 Lentara Court D22303 Hamburg London WC1N 3AU Cheltenham Victoria 3192 Germany England Australia tel: 40 278-37918 tel: 0171 278-7436 tel: 61 3 9585 3300 fax: 40 278-37940 fax: 0171 278-3817 fax: 61 3 9585 8729 email: [email protected] email: [email protected] email: [email protected] www.peermusic-classical.de www.fabermusic.com www.halleonard.com.au Please place rental orders directly with our representatives for the territories listed above. Contact Peermusic Classical New York for all other territories. Scores indicated as being published for sale may be ordered from: Hal Leonard Corp., 7777 West Bluemound Rd., PO Box 13819, Milwaukee, WI 53213 tel: (414) 774-3630 fax: (414) 774-3259 email: [email protected] www.halleonard.com Perusal scores: [email protected] Peermusic Classical, a division of Peermusic, publishes under four company names: Peer International Corp., Peermusic III, Ltd. (BMI), Southern Music Publishing Co., Inc., and Songs of Peer, Ltd. (ASCAP) Peer International Corporation is sole world representative for music publications of PAN AMERICAN UNION and EDICIONES MEXICANAS DE MUSICA, A.C.
    [Show full text]
  • UCLA Philharmonia Programs 2005-2018
    UCLA PHILHARMONIA 2005 - 2018 November 10, 2005 Takemitsu Ceremonial: An Autumn Ode for orchestra with sho (1992) Dvorak Concerto for Cello in B minor, Op. 104 Prokofiev Symphony No. 5, Op. 100 Kazuyuki Kawata, sho Antonio Lysy, cello Neal Stulberg, conductor Schoenberg Hall; UCLA * * * * * December 8, 2005 Brahms Sonata for Violin and Piano in D minor, Op. 108 Brahms Sonata for Violin and Piano in D minor, Op. 108 (arranged for orchestra by John Carter; world premiere) Jonathan Beard Life and a Funeral (2005) (world premiere) Strauss Till Eulenspeigel's Merry Pranks Mary Hofman, violin Anli Tong, piano John Carter, conductor Schoenberg Hall; UCLA * * * * * January 27, February 3; 2:00 PM January 29, February 5, 2006 OPERA UCLA Puccini Suor Angelica Puccini Gianni Schicchi Neal Stulberg and Daniel Cummings, conductors Peter Kazaras, director Schoenberg Hall; UCLA * * * * * February 16, 2006 All-Star Concert – an evening of concerto performances featuring UCLA’s finest student soloists Tartini Trumpet Concerto (3rd movement) Kevin Gebo, trumpet Glazounov Alto Saxophone Concerto Gregory Chambers, alto saxophone Walton Viola Concerto (1st movement) Jing Jin, viola Khachaturian Violin Concerto (3rd movement) Eric Wuest, violin Crusell Clarinet Concerto (3rd movement) Anthony Thurmond, clarinet Debussy Premiere Rhapsodie for Clarinet Chelsea Howell, clarinet Rachmaninoff Piano Concerto No. 2 (1st movement) Lisa Iwaki, piano Liszt Totentanz Hye-Won Cho, piano Neal Stulberg, conductor Schoenberg Hall; UCLA * * * * * March 16, 2006 7:00 Concert Prelude: A discussion with Gail Zappa and Zappa “vaultmeister” Joe Travers concerning Zappa’s life and work, featuring archival film of a 1982 live Stockholm festival performance of the original rock-band version of “Dupree’s Paradise” 8:00 PM: Philharmonia concert Frank Zappa Dupree’s Paradise (1982) Beethoven Symphony No.
    [Show full text]
  • UCLA Philharmonia Programs 2005-2019
    UCLA PHILHARMONIA 2005 - 2019 November 10, 2005 Takemitsu Ceremonial: An Autumn Ode for orchestra with sho (1992) Dvorak Concerto for Cello in B minor, Op. 104 Prokofiev Symphony No. 5, Op. 100 Kazuyuki Kawata, sho Antonio Lysy, cello Neal Stulberg, conductor Schoenberg Hall; UCLA * * * * * December 8, 2005 Brahms Sonata for Violin and Piano in D minor, Op. 108 Brahms Sonata for Violin and Piano in D minor, Op. 108 (arranged for orchestra by John Carter; world premiere) Jonathan Beard Life and a Funeral (2005) (world premiere) Strauss Till Eulenspeigel's Merry Pranks Mary Hofman, violin Anli Tong, piano John Carter, conductor Schoenberg Hall; UCLA * * * * * January 27, February 3; 2:00 PM January 29, February 5, 2006 OPERA UCLA Puccini Suor Angelica Puccini Gianni Schicchi Neal Stulberg and Daniel Cummings, conductors Peter Kazaras, stage director Schoenberg Hall; UCLA * * * * * 1 February 16, 2006 All-Star Concert – an evening of concerto performances featuring UCLA’s finest student soloists Tartini Trumpet Concerto (3rd movement) Kevin Gebo, trumpet Glazounov Alto Saxophone Concerto Gregory Chambers, alto saxophone Walton Viola Concerto (1st movement) Jing Jin, viola Khachaturian Violin Concerto (3rd movement) Eric Wuest, violin Crusell Clarinet Concerto (3rd movement) Anthony Thurmond, clarinet Debussy Premiere Rhapsodie for Clarinet Chelsea Howell, clarinet Rachmaninoff Piano Concerto No. 2 (1st movement) Lisa Iwaki, piano Liszt Totentanz Hye-Won Cho, piano Neal Stulberg, conductor Schoenberg Hall; UCLA * * * * * March 16, 2006 7:00 Concert Prelude: A discussion with Gail Zappa and Zappa “vaultmeister” Joe Travers concerning Zappa’s life and work, featuring archival film of a 1982 live Stockholm festival performance of the original rock-band version of “Dupree’s Paradise” 8:00 PM: Philharmonia concert Frank Zappa Dupree’s Paradise (1982) Beethoven Symphony No.
    [Show full text]
  • Calendar of Events
    Contact: Jessica Wolf, Communications Manager [email protected] 310.825.7789 Image Library: cap.ucla.edu/press CENTER FOR THE ART OF PERFORMANCE AT UCLA 2013-2014 SEASON 2012-2013 Venues Royce Hall 340 Royce Drive Parking: Lot 5 Schoenberg Hall 445 Charles E. Young Dr., East Parking: Lot 2 Freud Playhouse at Macgowan Hall 245 Charles E. Young Dr., East Parking: Lot 3 Little Theater at Macgowan Hall 245 Charles E. Young Dr., East Parking: Lot 3 Fowler Museum at UCLA 308 Charles E. Young Dr., North The Actor’s Gang at The Ivy Substation 9070 Venice Blvd. Culver City 90232 Parking: Street/Lot Ticket information : UCLA Central Ticket Office 310.825.2101 Subscription packages on sale April 23. Individual tickets on sale July 11. Ticket prices listed are advertised price. Season subscriptions in Theater, Dance, Spoken Word, Jazz, Roots/Folk, Global Music, Contemporary Music, Tune-In Festival L.A., Family and Royce Choice include a 15 percent discount off advertised price. Create-Your-Own subscriptions of five or more performances include a 10 percent discount. *Indicates no-discount shows. **Indicates UCLA student ticket price. All prices and programs are subject to change. Calendar of Events SEPTEMBER The Moth: Saints and Sinners Spoken Word/ Royce Hall Tues., Sept. 10 – 8 p.m. $50/40/$35/$40/$25/$15** Outlaws and angels, on the cusp of darkness or drawn to the light. Join us for true stories of haloes and horns, good and evil, the naughty and the nice and those who dabble on both sides of the spectrum.
    [Show full text]
  • Dean Bliss Empathy for the Voice
    Boosey & Hawkes Music Publishers Limited June 2010 2010/2 converts some of Carey’s unlikable characters into more sympathetic figures.” The Australian “To his well-known skills as an orchestral Golijov composer, Dean has added an under-utilised Dean Bliss empathy for the voice. The sung lines drive the Brett Dean’s new opera travels from Australia to Europe, with Included in this issue: musical and dramatic pace, underscored by Passion Andriessen performances at the Edinburgh Festival and a second production at beautifully detailed instrumental textures, wrought La Commedia in Los Angeles Hamburg State Opera with an innate feeling for the expressive power of and New York instrumental timbre, watched over by counterpoint and fine motivic workmanship.” Sydney Morning Herald In addition to Edinburgh, Dean appears at festivals in multiple roles as composer, violist and conductor. Following a feature at the Risor Chamber Music Festival in Norway (22-26 June), he is resident at the Cheltenham Music Festival (6-12 July) including the UK premiere of Recollections and world premiere of Epitaphs for string quintet when he joins the Australia Quartet. For first US performances of Epitaphs in August he joins the Orion Quartet at festivals Deutsche Grammophon has released a new in Santa Fe and La Jolla. The BBC Proms Photo: Opera Australia/Branco Gaica box set of Osvaldo Golijov’s La Pasión según features Amphitheatre with the Australian Turnage Peter Coleman-Wright as Harry Joy in the premiere of Brett Dean's Bliss at the Sydney Opera House San Marcos, containing a DVD of the 2008 Interview about new orchestral Youth Orchestra conducted by Mark Elder Holland Festival production, plus an audio- work Hammered Out It is rare for a new opera to enjoy two Amanda Holden’s masterly distillation of Peter (30 July) and Carlo with I Fagiolini (21 August).
    [Show full text]
  • Blizzard Voices THURSDAY MARCH 5, 2015 8:00 Blizzard Voices THURSDAY MARCH 5, 2015 8:00 JORDAN HALL at NEW ENGLAND CONSERVATORY
    Blizzard Voices THURSDAY MARCH 5, 2015 8:00 Blizzard Voices THURSDAY MARCH 5, 2015 8:00 JORDAN HALL AT NEW ENGLAND CONSERVATORY Pre-concert talk with the composers, hosted by Robert Kirzinger at 7:00 STEPHANIE ANN BOYD Ondine (2014) Winner of the 2014-15 BMOP/NEC Composition Competition world premiere Prologue—Above the waves I. Below, sparkling II. Below, deep Epilogue—Above the waves JOHN HARBISON Concerto for Bass Viol (2005) I. Lamento II. Cavatina III. Rondo Edwin Barker, bass INTERMISSION PAUL MORAVEC The Blizzard Voices (2008) I. Prologue: The Plains IX. Telegraph II. There Was a Day X. Minnie Freeman III. The Blizzard Bore Down XI. My Sister Was Born IV. Billy XII. In the Morning V. I Never See a Sunflower XIII. Light the Fire VI. All Night the Wind Moaned XIV. The Searching Parties VII. Lois Mae Royce XV. In Remembrance VIII. Fare Thee Well, Mother XVI. Epilogue Emily Pulley, soprano Deborah Selig, soprano Erica Brookhyser, mezzo-soprano Matthew DiBattista, tenor David Kravitz, baritone David Cushing, bass-baritone New England Conservatory Concert Choir, Erica J. Washburn, Director of Choral Activities GIL ROSE, Conductor Free admission to tonight’s concert is made possible by a generous donation from the Gregory E. Bulger Foundation/Gregory Bulger & Richard Dix. PROGRAM NOTES 5 By Robert Kirzinger The Blizzard Voices is the name of Paul Moravec’s 2008 oratorio, a work composed, and scheduled for the current BMOP season, long before this winter’s surprises. With a hope nonetheless that the biggest snows of the year are behind us, we might see this moving JULIUS AHN JULIUS piece as providing some perspective on our own challenges.
    [Show full text]
  • Devotional Music and Healing in Badakhshan, Tajikistan: Preventive and Curative Practices
    DEVOTIONAL MUSIC AND HEALING IN BADAKHSHAN, TAJIKISTAN: PREVENTIVE AND CURATIVE PRACTICES DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Benjamin David Koen, M.A. ***** The Ohio State University 2003 Dissertation Committee: Approved by Professor Margarita Mazo, Adviser Professor Daniel Avorgbedor ________________________ Adviser Professor Ron Emoff School of Music Copyright by Benjamin David Koen 2003 ABSTRACT The dissertation examines current practices of music and prayer in healing among the Pamiri people of Badakhshan, Tajikistan. Over the last decade, the field of ethnomusicology has become increasingly concerned with the role of music in healing. Simultaneously, clinical research into music and healing, as well as prayer and healing has dramatically increased. Yet, the link between music and prayer in healing has not been critically examined, either in ethnomusicology or health science. To approach the topic holistically, an interdisciplinary team of researchers was assembled in Badakhshan. Through an integrated methodology of traditional ethnomusicological techniques and physiological experiments, the dissertation investigates the phenomenon of music and prayer in healing in Tajik Badakhshan. By working with master musicians, traditional healers, local religious leaders and physicians, ethnographic and physiological data were collected that form the basis of the dissertation. In the Pamir Mountains of Tajikistan, the preeminent vocal and instrumental genre of devotional music is known as maddâh. It serves several cultural functions and provides an example of how music and prayer function as a unified whole in the ii context of traditional healing. Maddâh has been little researched in ethnomusicology, and its role in healing has not been explored in the literature.
    [Show full text]
  • P R O G R a M N O T
    PROGRAM NOTES KU WIND ENSEMBLE - PAUL W. POPIEL, CONDUCTOR TUESDAY SEPTEMBER 27, 2016 | 7:30 P.M. | LIED CENTER OF KANSAS Second Suite in F (1911) Gustav Holst/ed. Matthews 1. March (1874-1934) 2. Song Without Words 3. Song of the Blacksmith 4. Fantasia on the ‘Dargason’ Le cathédrale engloutie (1910) Claude Debussy/trans. Patterson (1862-1918) Rocky Point Holiday (1969) Ron Nelson (b. 1929) Brooke Humfeld, guest conductor --intermission— Symphony No. 4: In the Shadow of No Towers (2013) Mohammed Fairouz 1. The New Normal (b. 1985) 2. Notes of a Heartbroken Narcissist 3. One Nation Under Two Flags 4. Anniversaries SECOND SUITE IN F (1911) Gustav Holst (1874-1934) was a British composer and teacher. After studying composition at London’s Royal College of Music, he spent the early part of his career playing trombone in an opera orchestra. It was not until the early 1900s that his career as a composer began to take off. Around this same time, he acquired positions at both St. Paul’s Girls’ School and Morley College that he would hold until retirement, despite his rising star as a composer. His music was influenced by his interest in English folk songs and Hindu mysticism, Late-Romantic era composers like Strauss and Delius, and avant-garde composers of his time like Stravinsky and Schoenberg. He is perhaps best known for composing The Planets, a massive orchestral suite that depicts the astrological character of each known planet. His works for wind band (two suites and a tone poem, Hammersmith) are foundational to the modern wind literature.
    [Show full text]
  • Philharmonia Press Quotes 6.21
    UCLA PHILHARMONiA PRESS QUOTES The UCLA Philharmonia and the entire performance (of Ian Krouse’s Armenian Requiem) is led by Neal Stulberg in a work that still has me reeling after listening to it three times…This work is definitely worth the effort. The sound is excellent: full and spacious with great stereo definition. Highly recommended to all choral buffs and people who need proof that there still are composers who can summon the heights and depths of humanity in their music. American Record Guide UCLA Philharmonia, Lark Mastersingers, Tziatzan Treble Choir September/October 2019 Ian Krouse’s powerful Armenian Requiem, commissioned by Vatsche Barsoumian’s Lark Music Society, draws on traditional liturgical chant and poetry to make a powerful case for redemption through music…With the composer producing, conductor Neal Stulberg’s command of the assembled forces – including many of LA’s finest musicians, such as the UCLA Philharmonia’s concertmaster Movses Pogossian – brings with it the assurance of authority. Gramophone UCLA Philharmonia, Lark Mastersingers, Tziatzan Treble Choir June 2019 Ian Krouse’s Armenian Requiem calls for very large forces and outstanding performers. The UCLA Philharmonia, based in Los Angeles, sounds like nothing short of a high ranking American professional orchestra. Equally incisive is the large chorus using the much acclaimed Lark Master Singers, and they too have a very demanding role to fulfill. Of the soloists I have to point to the admirable tenor, Yeghishe Manucharyan, in his exacting role, and Shoushik Barsoumian’s soprano effortlessly soaring on high in the Fourth Interlude. For the conductor, Neal Stulberg, it must have been a very challenging assignment, which he commandingly dispatches.
    [Show full text]
  • Brettdean Brett Dean
    BrettDEAN Brett Dean Introduction 1 English 1 CONTENTS German 1 Biography 2 OF English 2 German 4 Abbreviations 6 Works 7 Stage Works 7 TABLE Full Orchestra 8 Chamber Orchestra 13 Solo Instrument(s) and Orchestra 16 Voice(s) and Orchestra 18 Ensemble and Chamber without Voice(s) 19 Ensemble and Chamber with Voice(s) 23 Vocal 25 Piano 25 Instrumental 26 Choral 27 Miscellaneous Works 28 Arrangements 29 Recordings 30 Boosey & Hawkes addresses 31 Composers list 33 Cover photo: Noosa Weekender Magazine Printed by DMP Digital- und Offsetdruck Druck, Berlin rev. Jun 2008 If Brett Dean were a writer, he would belong to the category of keen and committed observers. His hallmark would be clarity of statement in a sophisticated yet comprehensible language characterised by humanity. Although it is not surprising to find such character attributes in a composer and musician, it is astounding that the composer Brett Dean can communicate so directly in a musical language that is unconditionally contemporary. This may be due to the open-mindedness of a man for whom it is not enough to write music for music’s sake but who wants to present to an audience his love of playfulness, pensive reflection and emotional engagement. The spectator experiences this range like a kaleidoscope in the ballet One of a Kind; hundreds and thousands focuses on building a bridge to INTRODUCTION popular music; and Carlo is evocative of the sensibility of the Renaissance. Dean’s compositions Intimate Decisions and Beggars and Angels were inspired by cycles of works of the same title by his wife, the painter Heather Betts.
    [Show full text]