N°18 Dorchester Collection
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
2019 Guest Book
16 –17 OCTOBER 2018 OLYMPIA LONDON PRESENTED BY Insurance Brokers 2019 GUEST BOOK YOUR REVIEW OF THE UK’S LARGEST AND MOST ESTABLISHED BUSINESS EVENT FOR THE HOTEL COMMUNITY INDEPENDENT HOTEL SHOW 2019 GUEST DEMOGRAPHICS TOTAL VISITORS 6316 COMPANY ACTIVITY TRAVELLED FROM Hotel 59% London 35% Opening a new hotel 6% South East 29% Guesthouse / B&B 7% South West 8% Pub / Restaurant with rooms 3% Midlands 7% Serviced apartments 6% North 7% Other accommodation 12% East 2% Industry supporters / press 7% Wales 2% Scotland 2% Overseas 8% % % % % 83 80 89 91 intend to do business with one of visitors have direct of visitors said they of visitors will be or more of the exhibitors purchasing authority would recommend the returning in 2020 they met at the show within show to a friend the next 12 months or colleague ACCOMMODATION SIZE COMPANY STATUS 1–10 rooms 20% Independent 80% 11–25 rooms 18% Group owned 13% 26–50 rooms 19% Other 7% 50–100 rooms 18% 100+ rooms 25% 2 INDEPENDENTHOTELSHOW.CO.UK INDEPENDENT HOTEL SHOW 2019 THE SUPPLIER EXPERIENCE TOTAL EXHIBITORS 337 65% OF EXHIBITORS RE- BOOKED ONSITE FOR 2020 “The Independent Hotel Show is one of the “The Independent Hotel Show gave us “The Independent Hotel Show is a most important hotel shows in the country. the opportunity to engage face to face with key event in our calendar. There is no It attracts a very diverse group of people, a targeted audience and showcase our other trade show that offers the same level not just independent hoteliers, but also the products to key decision makers. -
Nails South Africa Shines
THE NO.1 MAGAZINE FOR SPA AND WELLNESS Issue 58 | June/July 2017 | www.europeanspamagazine.com WORLD OF WELLNESS THE BEST OF BRITISH EXPERT GUIDE: NAILS SOUTH AFRICA SHINES Finding balance at Oman's Look inside London's luxurious Invaluable spa mani-pedi How European brands combine Anantara Al Jabal Al Akhdar Lanesborough Club & Spa advice and product innovations with locally inspired treatments DEVELOPMENTSN APPOINTMENTSews INVESTMENT DIARY DATES EDITED BY SARAH TODD Spa town’s legacy ‘recaptured’ in new £9.5m development Rudding Park Spa in Harrogate features a striking roof-top spa garden and will use natural spring waters from the hotel grounds UK: A new £9.5m (E11.24m) spa has launched at In addition, a rooftop spa and garden includes history using natural waters from Rudding the privately-owned luxury Rudding Park hotel in a hydrotherapy infinity pool, a panoramic sauna, Park itself and features an awe-inspiring Harrogate, Yorkshire. experience showers, a garden sauna cabin and rooftop spa and garden to take our guests to Intending to enhance the town’s considerable sun deck. Speaking about his vision for the new heights of relaxation,” said spa director spa heritage, the 4,180sqm Rudding Park Spa rooftop spa garden design, leading horticulturalist Matthew Mackaness. uses natural waters from the surrounding grounds Matthew Wilson said: “I’ve created a space that The spa’s interior fixtures and fittings were and boasts a range of comprehensive facilities to is very calming with its topiary beech domes supplied by interior design company Horsley ‘enhance the wellness of mind, body and soul’. -
Nohra Haime Gallery on Thursday, September 13Th from 6 to 8 P.M
N OHRA HAIME GALLERY FOR IMMEDIATE RELEASE 7 3 0 F I F T H A V E N U E OLGA DE AMARAL PLACES September 13 – November 24, 2012 “Gold is the Abstraction of Color.” -Olga de Amaral PUEBLO O, 2012, gesso, gold leaf, linen, acrylic, 39.37 x 78.74 in. 100 x 200 cm. OLGA DE AMARAL: PLACES an exhibition of 23 three-dimensional surfaces, will open at the Nohra Haime Gallery on Thursday, September 13th from 6 to 8 p.m. First exhibited in New York at the André Emmerich Gallery in 1973, Amaral’s abstract “golden surfaces of light” are unlike anything else. Transcending any one specific media, her work plays a unique balancing act between fine art and fiber art. Filling a gap that is virtually untouched, she pulls inspiration from Pre-Colombian weaving and Colonial gilding, abstracting them to the extent of universality. Gold has become a formal part of her vocabulary and renders her work collectively recognizable. Methodically assembled with a myriad of rectangular pre-fabricated pieces of fiber made into strips and rolls, the artist recreates the inner world of the universe. She choreographs these compositions with a labyrinth of winding, swirling and twisting interwoven patterns. Wind, light, mountains, trees, and rivers take heroic grandeur in her exploration of the universe. Departing from the static world of the two dimensional surface, she conceives monochromatic environments of shimmering presence and seduct ive forms. She weaves, cuts, molds, marks and tints her materials, fusing and merging them to create a tension that redefines the natural order of things. -
FESTIVAL to the Volcanoes of Auvergne – Unforgettable
InsPIrIng you to reach your dreams #19 /JuLy-AUGUST 2010 Glorious Cannes, Glamorous summer MICK JAGGER A Stone in exile? PAlme d’oR wInner Exclusive interview AlEx Cox British film expert BElGIAn EU PRESIdEnCY Back in business? EDITORIAL Cannes-tastic! Cannes is one of those places cocktails, courtesy of chivas and the utter where you feel anything could exhilaration of being handed the controls of J happen. Away from the glitz craft’s latest speedboat the Torpedo as it and glamour of La Croisette topped 40 knots in Cannes harbour, we did our best to enjoy ourselves. and its famous red carpet, a whole industry throbs in the Of course, it’s not all parties. Closer to home, Andy background. Carling returns with a sideways look at how Belgium may handle its six months as head of n such a city of movers and shakers, a the EU’s rotating presidency. There’s still time to place which seems practically never to get yourself in trim for the beach, too – let Together sleep and a town in which new stars are and Power Plate Institute Brussels introduce you born, Together is right at home. To save to the latest exercise craze, with our fantastic you the trouble of trekking the thousand- readers giveaway. oddI kilometres to Cannes, we selflessly ventured there to bring you the very best in fashion shows, Plus, as we know you’ve come to expect and private parties and everything you might expect enjoy by now, there’s a beautiful fashion from the hardest working (and hardest partying) photoshoot, Kimberley Lovato’s sensual magazine in Brussels. -
Olga De AMARAL CV EDIT
Olga DE AMARAL b. 1932, Bogotá, Colombia Lives and works in Bogotá. EDUCATION 1954-55 Fabric Art, Cranbrook Academy of Art, Bloomfield Hills, MI, USA. 1951-52 Architectural Design, Colegio Mayor de Cundinamarca, Bogotá, Colombia. SELECTED SOLO EXHIBITIONS 2019 Olga de Amaral, Victoria Beckham/Richard Saltoun Gallery, London, UK. The Light of Spirit, Galerie La Patinoire Royale/Valerie Bach, Miami, FL, USA. 2013 Olga de Amaral: Selected Works, Louise Blouin Foundation, London, UK. 2008 Golden Fleece, Eretz Israel Museum, Tel Aviv, Israel. 2007 Strata, Centro Cultural Casa de Vacas, Madrid, Spain. 2005 Resonancias, Centro Cultural de Belèm, Lisbon, Portugal. 2004 Threaded Words, Colombian Embassy in the United States, Washington D.C., USA. 2002 Tiempos y tierra, Museo de la Nación, Lima, Peru. Museo de Arte Moderno, Barranquilla, Colombia. 2001 Mes de Colombia, Museo Nacional de Bellas Artes, Buenos Aires, Argentina. 1999 Hillside Terrace, Tokyo, Japan. Kreismuseum, Zons, Dormagen, Germany. Textilmuseum Max Berk, Heidelberg, Germany. Olga de Amaral: Woven Gold, The Albuquerque Museum, Albuquerque, NM, USA. 1998 Cranbrook Academy of Art, Bloomfield Hills, MI, USA. Indianapolis Museum of Art, Indianapolis, IN, USA. 1997 Museo de Arte Moderno La Tertulia, Cali, Colombia Art Museum of the Americas, Washington D.C., USA. Cleveland Institute of Art, Cleveland, OH, USA. Rétrospective, Musèe de la Tapisserie Contemporaine, Angers, France Olga de Amaral: Seven Stelae, Federal Reserve Board, Washington D.C., USA. University Art Museum Downtown, The University of New Mexico, Albuquerque, NM, USA. 1996 Museo de Arte de Pereira, Pereira, Colombia Nine Stelae and other Landscapes, Fresno Art Museum, Fresno, CA, USA. OUNM Center for the Arts, Albuquerque, NM, USA. -
Olga De Amaral
Olga de Amaral Née en 1932 à Bogotà, Colombie. Vit et travaille à Bogotà, Colombie. 1954-55 Fabric Art, Cranbrook Academy of Art, Bloomfield Hills, Michigan 1951-52 B.S. in Architectural Design, Colegio Mayor de Cundinamarca, Bogotá, Colombia SOLO EXHIBITION 2017 Latin American Masters, Santa Monica, Olga de Amaral 2016 Galerie Agnès Monplaisir, Paris, Cortex de notre Terre Bellas Artes Gallery, Santa Fe, Olga de Amaral : 30 Años con Bellas Artes 2015 Rook & Raven, London, Alchemist Bellas Artes Gallery, Santa Fe, Olga de Amaral : El Oro Es Color "Olga de Amaral: Color Sombra," Galeria La Cometa, Bogota, February 19 to April 2. 2014 "Olga de Amaral: El Dorado Thread," Galerie Agnès Monplaisir, Paris, France, September 12 to October 25. "Olga de Amaral," Sp-arte (Sao Paulo International Art Fair), Sao Paulo, Brasil, April 9 to 12. Art Rio '14. Galerie Agnès Monplaisir. Rio de Janeiro, Brasil. Miami Art+Design. Galerie Agnès Monplaisir. Miami. 2013 "Olga de Amaral: Selected Works," Louise Blouin Foundation (in collaboration with the Galerie Agnès Monplaisir), London, England, October 14 to October 30. "Olga de Amaral: Pozos Azules," Bellas Artes Gallery, Santa Fe, New Mexico, August 1 to September 28. 2012 “Olga de Amaral Places,” Nohra Haime Gallery, New York “Boundaries,” Latin American Masters Gallery, Los Angeles, California 2011 “VII Pueblos & VII Polícromos,” Bellas Artes Gallery, Santa Fe, New Mexico 2010 “Entre Pueblos” & oeuvres récentes installation by Juan Montoya, Galerie Jean- Jacques Dutko, Paris, France 2009 Plus Ultra al -
Deliberate Entanglements: the Impact of a Visionary Exhibition Emily Zaiden
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Textile Society of America Symposium Proceedings Textile Society of America 9-2014 Deliberate Entanglements: The mpI act of a Visionary Exhibition Emily Zaiden [email protected] Follow this and additional works at: http://digitalcommons.unl.edu/tsaconf Part of the Art and Design Commons, and the Art Practice Commons Zaiden, Emily, "Deliberate Entanglements: The mpI act of a Visionary Exhibition" (2014). Textile Society of America Symposium Proceedings. 887. http://digitalcommons.unl.edu/tsaconf/887 This Article is brought to you for free and open access by the Textile Society of America at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Textile Society of America Symposium Proceedings by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Deliberate Entanglements: The Impact of a Visionary Exhibition Emily Zaiden Figure 1. Deliberate Entanglements exhibition announcement designed by Timothy Andersen, UCLA Art Galleries, 1971. Courtesy Craft in America Center Archives. In the trajectory of fiber art history, the 1971 UCLA Art Galleries exhibition, Deliberate Entanglements, was exceptional in that it had an active and direct influence on the artistic movement. It has been cited in numerous sources, by participating artists, and by others who simply visited and attended as having had a lasting impact on their careers. In this day and age, it is rare for exhibitions at institutions to play such a powerful role and have a lasting impact. The exhibition was curated by UCLA art professor and fiber program head, Bernard Kester. From his post at UCLA, Kester fostered fiber as a medium for contemporary art. -
Why the Eternal City Could Become the Next Hotspot for Luxury Hotels
FEBRUARY 2015 | PRICE £350 IN FOCUS: ROME WHY THE ETERNAL CITY COULD BECOME THE NEXT HOTSPOT FOR LUXURY HOTELS Christof Bertschi Senior Associate Sophie Perret Director www.hvs.com HVS London | 7-10 Chandos Street, Cavendish Square, London W1G 9DQ, UK ‘Why should luxury travellers pay less for a hotel in Rome than in London, Paris or New York? We have the same guests here...,’ a General Manager of a luxury hotel in Rome asked me recently during an interview. His remark poses an interesting question: why are luxury hotels in Rome not able to charge similar rates as those in London or Paris, when they supposedly attract a similar clientele? A comparison with other European gateway cities illustrates that the business mix of the hotels in Rome is actually slightly different to that of London and Paris. Whilst the latter are not only tourism hot spots but also global business hubs, Rome’s client mix is more leisure and government focused. Although Rome is the political centre of Italy and benefits from demand generated from embassy and government-related events, Italy’s business powerhouse remains in the north in the area around Milan. As a must-see destination for every leisure traveller, Rome enjoys high popularity, but the city does not have the same status and perception as a luxury shopping and lifestyle destination such as London, Paris, Milan, Venice or the French Riviera. Additionally, supply related factors, such as underinvestment and a lower number of international luxury hotel brands, have so far prevented the Rome luxury hotel market from reaching comparable room rates with these other destinations. -
Programme 2017
THE HOTEL OPERATIONS CONFERENCE 2017 event Programme 2017 23 & 24 May 2017 “ There are three pillars of www.hoteloperationsconference.com value in the hotel business – property, operations and brand. – Jumeirah Carlton Tower, LondonInvestment conferences focus on the real estate and the rise of digital has brought brand to the forefront but operations, specifically the value embedded in how hotels are run, is usually overlooked.” Andrew Sangster, editorial director of Hotel Analyst news analysis services and creator of the Hotel Operations Conference Powered by THE HOTEL OPERATIONS CONFERENCE 2017 HOC Programme 24th May 2017 9.00 - 9.10am Welcome and opening remarks 11.05 - 11.35am Break Andrew Sangster, owner of ZTZ Communications, 11.35 - 11.50am Profitability: examining margin erosion: publisher of Hotel Analyst Session 7 - Presentation 9.10 - 9.30am Opening overview: Unbundling management, Rather than focusing on the top line, investors need brand & property: Session 1 - Presentation to drill down to see what is happening to profitability. This session will scene set the distinction between Where are the cost challenges? A detailed examination property, operational management and brand. It will of the key trends. look at the rise and rise of third-party management Jonathan Langston, Co-Founder, Hotstats companies and the increased appetite by investors for 11.50 - 12.30pm Productivity and guest experience: management company platforms. How are management Session 8 - Panel companies valued? How is this different to hotel groups How hotels can be made more productive and the guest with a significant real estate component? experience more effective: hear from technology experts, Charles Human, Managing Director, HR specialists and others on the challenges ahead. -
Oral History Interview with Anne Wilson, 2012 July 6-7
Oral history interview with Anne Wilson, 2012 July 6-7 Funding for this interview was provided by the Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America. Transcription of this oral history interview was made possible by a grant from the Smithsonian Women's Committee. Contact Information Reference Department Archives of American Art Smithsonian Institution Washington. D.C. 20560 www.aaa.si.edu/askus Transcript Preface The following oral history transcript is the result of a recorded interview with Anne Wilson on July 6 and 7, 2012. The interview took place in the artist's studio in Evanston, Illinois, and was conducted by Mija Riedel for the Archives of American Art, Smithsonian Institution. This interview is part of the Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America. Anne Wilson and Mija Riedel have reviewed the transcript. Their heavy corrections and emendations appear below in brackets with initials. This transcript has been lightly edited for readability by the Archives of American Art. The reader should bear in mind that they are reading a transcript of spoken, rather than written, prose. Interview MIJA RIEDEL: This is Mija Riedel with Anne Wilson at the artist's studio in Evanston, Illinois, on July 6, 2012, for the Smithsonian Institution's Archives of American Art. This is disc number one. So, Anne, let's just take care of some of the early biographical information first. You were born in Detroit in 1949? ANNE WILSON: I was. MS. RIEDEL: Okay. And would you tell me your parents' names? MS. -
Who's Pulling the Strings?
UNITED STATE DUNHILL REVS UP OF MIND THE LABEL’S A BUOYANT NEW SCENT, AMERICAN MARKET WAS ICON, IS SET A KEY TOPIC AT THE PITTI THE DRESS RACE IS ON TO LAUNCH IMMAGINE UOMO TRADE WITH THE OSCAR NOMINEES SET, THE FOCUS MONDAY. SHOW. PAGES 4 AND 5 TURNS TO WHO WILL WEAR WHAT. PAGE 11 PAGE 7 WWDFRIDAY, JANUARY 16, 2015 ■ $3.00 ■ WOMEN’S WEAR DAILY END OF AN ERROR Target Exiting Canada, Court OKs Liquidation “I came hoping to fi nd a path By SHARON EDELSON that would allow us to continue operations in Canada,” Cornell BRIAN CORNELL CONTINUES said during a conference call with to shake things up at Target. retail analysts on Thursday. “My The retailer on Thursday de- strong preference was to develop a cided to end its money-losing plan to fulfi ll that vision. I realized business in Canada and received the solution would not be easy.” permission from a Canadian Cornell said that when he realized court to begin the liquidation the extent to which Target had process, including the appoint- disappointed Canadian consum- ment of Alvarez & Marsal Canada, ers, he decided the problems were under the Companies’ Creditors insurmountable. Target will close Arrangement Act. 133 stores, which will result in a When Cornell joined Target loss of about 17,600 jobs. Corp. as chairman and chief execu- Target’s entry into Canada tive offi cer in August, he promised began in 2011, when it acquired employees and shareholders that 220 Zellers leases from Hudson’s he would take a “good, hard look at Bay Co. -
Sheila Hicks CV
SHEILA HICKS Born Hastings, Nebraska 1934 EDUCATION 1959 MFA, Yale University, New Haven, CT 1957 BFA, Yale University, New Haven, CT SELECTED SOLO EXHIBITIONS 2018 Sheila Hicks: Life Lines, Centre Pompidou, Paris, France, February 6 – April 30, 2018. Sheila Hicks: Send Dessus Dessous, Domaine de Chaumont-sur Loire Centre d’Arts et de Nature, Chaumont-sur Loire, France, March 30, 2018 – February 2, 2019. Down Side Up, Sikkema Jenkins & Co., New York, NY, May 24 – July 6, 2018. 2017 Sheila Hicks: Glossolalia, Domaine de Chaumont-sur Loire Centre d’Arts et de Nature, Chaumont-sur Loire, France, April 1 – November 5, 2017. Sheila Hicks: Hilos Libres. El Textil y Sus Raíces Preshispánicas, 1954-2017, Museo Amparo, Puebla, Mexico, November 4, 2017 – April 2, 2018. Sheila Hicks: Stones of Piece, Alison Jaques Gallery, London, England, October 4 – November 11, 2017. Sheila Hicks: Hop, Skip, Jump, and Fly: Escape from Gravity, High Line, New York, New York, June 2017 – March 2018. Sheila Hicks: Au-delà, Museé d’Arte Moderne de la Ville de Paris, Paris, France, December 1 – May 20, 2018. 2016 Si j’étais de laine, m’accepteriez-vous?, galerie frank elbaz, Paris, France, September 10 – October 15, 2016. Apprentissages, Festival d’Automne, Musée Carnavalet, Paris, France, September 13 – October 2, 2016; Nanterre-Amandiers, Paris, France, December 9 – 17, 2016. Sheila Hicks: Material Voices, Joslyn Art Museum, Omaha, Nebraska, June 5 – September 4, 2016; travels to: Textile Museum of Canada, Toronto, Canada, October 6, 2016 – February 5, 2017. Sheila Hicks: Why Not?, Textiel Museum, Tilburg, The Netherlands, March 5 – June 5, 2016.