English IV AP Summer Assignment 2021
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The Iliad Homer
The Iliad Homer BOOK I. How Agamemnon and Achilles fell out at the siege of Troy; and Achilles withdrew himself from battle, and won from Zeus a pledge that his wrong should be avenged on Agamemnon and the Achaians. Sing, goddess, the wrath of Achilles Peleus’ son, the ruinous wrath that brought on the Achaians woes innumerable, and hurled down into Hades many strong souls of heroes, and gave their bodies to be a prey to dogs and all winged fowls; and so the counsel of Zeus wrought out its accomplishment from the day when first strife parted Atreides king of men and noble Achilles. Who among the gods set the twain at strife and variance? Apollo, the son of Leto and of Zeus; for he in anger at the king sent a sore plague upon the host, so that the folk began to perish, because Atreides had done dishonour to Chryses the priest. For the priest had come to the Achaians’ fleet ships to win his daughter’s freedom, and brought a ransom beyond telling; and bare in his hands the fillet of Apollo the Far- darter upon a golden staff; and made his prayer unto all the Achaians, and most of all to the two sons of Atreus, orderers of the host; “Ye sons of Atreus and all ye well-greaved Achaians, now may the gods that dwell in the mansions of Olympus grant you to lay waste the city of Priam, and to fare happily homeward; only set ye my dear child free, and accept the ransom in reverence to the son of Zeus, far-darting Apollo.” The Iliad Homer Then all the other Achaians cried assent, to reverence the priest and accept his goodly ransom; yet the thing pleased not the heart of Agamemnon son of Atreus, but he roughly sent him away, and laid stern charge upon him, saying: “Let me not find thee, old man, amid the hollow ships, whether tarrying now or returning again hereafter, lest the staff and fillet of the god avail thee naught. -
HOMERIC-ILIAD.Pdf
Homeric Iliad Translated by Samuel Butler Revised by Soo-Young Kim, Kelly McCray, Gregory Nagy, and Timothy Power Contents Rhapsody 1 Rhapsody 2 Rhapsody 3 Rhapsody 4 Rhapsody 5 Rhapsody 6 Rhapsody 7 Rhapsody 8 Rhapsody 9 Rhapsody 10 Rhapsody 11 Rhapsody 12 Rhapsody 13 Rhapsody 14 Rhapsody 15 Rhapsody 16 Rhapsody 17 Rhapsody 18 Rhapsody 19 Rhapsody 20 Rhapsody 21 Rhapsody 22 Rhapsody 23 Rhapsody 24 Homeric Iliad Rhapsody 1 Translated by Samuel Butler Revised by Soo-Young Kim, Kelly McCray, Gregory Nagy, and Timothy Power [1] Anger [mēnis], goddess, sing it, of Achilles, son of Peleus— 2 disastrous [oulomenē] anger that made countless pains [algea] for the Achaeans, 3 and many steadfast lives [psūkhai] it drove down to Hādēs, 4 heroes’ lives, but their bodies it made prizes for dogs [5] and for all birds, and the Will of Zeus was reaching its fulfillment [telos]— 6 sing starting from the point where the two—I now see it—first had a falling out, engaging in strife [eris], 7 I mean, [Agamemnon] the son of Atreus, lord of men, and radiant Achilles. 8 So, which one of the gods was it who impelled the two to fight with each other in strife [eris]? 9 It was [Apollo] the son of Leto and of Zeus. For he [= Apollo], infuriated at the king [= Agamemnon], [10] caused an evil disease to arise throughout the mass of warriors, and the people were getting destroyed, because the son of Atreus had dishonored Khrysēs his priest. Now Khrysēs had come to the ships of the Achaeans to free his daughter, and had brought with him a great ransom [apoina]: moreover he bore in his hand the scepter of Apollo wreathed with a suppliant’s wreath [15] and he besought the Achaeans, but most of all the two sons of Atreus, who were their chiefs. -
Essay 2 Sample Responses
Classics / WAGS 23: Second Essay Responses Grading: I replaced names with a two-letter code (A or B followed by another letter) so that I could read the essays anonymously. I grouped essays by levels of success and cross-read those groups to check that the rankings were consistent. Comments on the assignment: Writers found all manner of things to focus on: Night, crying, hospitality, the return of princes from the dead (Hector, Odysseus), and the exchange of bodies (Hector, Penelope). Here are four interesting and quite different responses: Essay #1: Substitution I Am That I Am: The Nature of Identity in the Iliad and the Odyssey The last book of the Iliad, and the penultimate book of the Odyssey, both deal with the issue of substitution; specifically, of accepting a substitute for a lost loved one. Priam and Achilles become substitutes for each others' absent father and dead son. In contrast, Odysseus's journey is fraught with instances of him refusing to take a substitute for Penelope, and in the end Penelope makes the ultimate verification that Odysseus is not one of the many substitutes that she has been offered over the years. In their contrasting depictions of substitution, the endings of the Iliad and the Odyssey offer insights into each epic's depiction of identity in general. Questions of identity are in the foreground throughout much of the Iliad; one need only try to unravel the symbolism and consequences of Patroclus’ donning Achilles' armor to see how this is so. In the interaction between Achilles and Priam, however, they are particularly poignant. -
1 Share the Badass Manifesto on the Badass Manifesto Live Like You Have a Pair
1 Share the Badass Manifesto on The Badass Manifesto Live Like You Have a Pair By Lisa Creech Bledsoe The Glowing Edge | Fight For It Dallas: Well... some of you may have figured out we're not home yet, we're only half way there. Mother's interrupted the course of our journey. She's programmed to do that should certain conditions arise. They have. It seems that she has... intercepted a transmission of unknown origin. She got us up to check it out. Ripley: A transmission? Out here? Lambert: What kind of a transmission? Dallas: Acoustical beacon. It, uh... repeats at intervals of 12 seconds. Kane: S.O.S.? Dallas: I don't know. Ripley: Human? Dallas: Unknown. – Alien, 1979 2 Share the Badass Manifesto on Shit you should know before you start First of all you may be asking yourself, could I write this book without swearing? The answer is yes. But I didn't. I don't plan to coddle you in other ways, either. There are plenty of websites and gurus who will give you the message that everything's fine, you're okey-dokey just the way you are, don't worry about those mean people – they don't understand you like I do, the timing isn't right, wait for your prince or ship or winning lottery ticket, etc. I hope you're sick of that shit. I know I am. The reason I wrote this is because I think you've been coddled for too long. You have a sneaking suspicion that there's waaay more to life, love, art, relationships, health, and work than you've gotten so far. -
Virgil, Aeneid 11 (Pallas & Camilla) 1–224, 498–521, 532–96, 648–89, 725–835 G
Virgil, Aeneid 11 (Pallas & Camilla) 1–224, 498–521, 532–96, 648–89, 725–835 G Latin text, study aids with vocabulary, and commentary ILDENHARD INGO GILDENHARD AND JOHN HENDERSON A dead boy (Pallas) and the death of a girl (Camilla) loom over the opening and the closing part of the eleventh book of the Aeneid. Following the savage slaughter in Aeneid 10, the AND book opens in a mournful mood as the warring parti es revisit yesterday’s killing fi elds to att end to their dead. One casualty in parti cular commands att enti on: Aeneas’ protégé H Pallas, killed and despoiled by Turnus in the previous book. His death plunges his father ENDERSON Evander and his surrogate father Aeneas into heart-rending despair – and helps set up the foundati onal act of sacrifi cial brutality that caps the poem, when Aeneas seeks to avenge Pallas by slaying Turnus in wrathful fury. Turnus’ departure from the living is prefi gured by that of his ally Camilla, a maiden schooled in the marti al arts, who sets the mold for warrior princesses such as Xena and Wonder Woman. In the fi nal third of Aeneid 11, she wreaks havoc not just on the batt lefi eld but on gender stereotypes and the conventi ons of the epic genre, before she too succumbs to a premature death. In the porti ons of the book selected for discussion here, Virgil off ers some of his most emoti ve (and disturbing) meditati ons on the tragic nature of human existence – but also knows how to lighten the mood with a bit of drag. -
Lectures on Greek Poetry
Lectures on Greek Poetry 1 2 ADAM MICKIEWICZ UNIVERSITY IN POZNAŃ CLASSICAL PHILOLOGY SERIES NO. 35 GERSON SCHADE Lectures on Greek Poetry POZNAŃ 2016 3 ABSTRACT. Gerson Schade, Lectures on Greek Poetry [Wykłady o poezji greckiej]. Adam Mickiewicz University Press. Poznań 2016. Pp. 226. Classical Philology Series No. 35. ISBN 978-83-232-3108-0. ISSN 0554-8160. Text in English with a summary in German. The series of lectures contained in this volume were written for students at Adam Mic- kiewicz University. A first group of these lectures are intended to serve as an introduc- tion to Greek poetry of the archaic, classical and pre-Hellenistic age. They treat a selection of texts, ranging from the eighth to the fourth century BC. A second group of these lec- tures focuses on Homer’s Iliad: while the whole work is treated, the lectures follow the story of Achilles, which is developed mainly in five books. All texts are provided in trans- lation, and secondary literature is discussed and used to make the texts more accessible for young students interested in poetry. The lectures introduce to some of the main issues that characterise the texts, such as their relationship to their primary audience, the impact of orality, and the influence of the eastern poetic tradition on the Greeks. Where appro- priate, the lectures also treat the interrelation between various texts, their intertextuality. They try to answer the questions of how poetry did work then, and why these texts do matter for the European poetic tradition. Schade Gerson, Adam Mickiewicz University in Poznań, Faculty of Polish and Classical Philology, Institute of Classical Philology, Fredry 10, 61-701 Poznań, Poland Reviewers: prof. -
Karaoke Mietsystem Songlist
Karaoke Mietsystem Songlist Ein Karaokesystem der Firma Showtronic Solutions AG in Zusammenarbeit mit Karafun. Karaoke-Katalog Update vom: 13/10/2020 Singen Sie online auf www.karafun.de Gesamter Katalog TOP 50 Shallow - A Star is Born Take Me Home, Country Roads - John Denver Skandal im Sperrbezirk - Spider Murphy Gang Griechischer Wein - Udo Jürgens Verdammt, Ich Lieb' Dich - Matthias Reim Dancing Queen - ABBA Dance Monkey - Tones and I Breaking Free - High School Musical In The Ghetto - Elvis Presley Angels - Robbie Williams Hulapalu - Andreas Gabalier Someone Like You - Adele 99 Luftballons - Nena Tage wie diese - Die Toten Hosen Ring of Fire - Johnny Cash Lemon Tree - Fool's Garden Ohne Dich (schlaf' ich heut' nacht nicht ein) - You Are the Reason - Calum Scott Perfect - Ed Sheeran Münchener Freiheit Stand by Me - Ben E. King Im Wagen Vor Mir - Henry Valentino And Uschi Let It Go - Idina Menzel Can You Feel The Love Tonight - The Lion King Atemlos durch die Nacht - Helene Fischer Roller - Apache 207 Someone You Loved - Lewis Capaldi I Want It That Way - Backstreet Boys Über Sieben Brücken Musst Du Gehn - Peter Maffay Summer Of '69 - Bryan Adams Cordula grün - Die Draufgänger Tequila - The Champs ...Baby One More Time - Britney Spears All of Me - John Legend Barbie Girl - Aqua Chasing Cars - Snow Patrol My Way - Frank Sinatra Hallelujah - Alexandra Burke Aber Bitte Mit Sahne - Udo Jürgens Bohemian Rhapsody - Queen Wannabe - Spice Girls Schrei nach Liebe - Die Ärzte Can't Help Falling In Love - Elvis Presley Country Roads - Hermes House Band Westerland - Die Ärzte Warum hast du nicht nein gesagt - Roland Kaiser Ich war noch niemals in New York - Ich War Noch Marmor, Stein Und Eisen Bricht - Drafi Deutscher Zombie - The Cranberries Niemals In New York Ich wollte nie erwachsen sein (Nessajas Lied) - Don't Stop Believing - Journey EXPLICIT Kann Texte enthalten, die nicht für Kinder und Jugendliche geeignet sind. -
CLA 2323A Greek Mythology
Outline of the Iliad CLCV 2000A Classical Mythology Book 1 C. Hektor finds Andromache and Astyanax (369-502) I. The Quarrel (1-430) V. Paris and Hektor return to the fighting (503-529) II. Return of Chryseis to her home (430-492) Book 7 III. Balancing scene among the gods (493-611) I. Hektor and Paris return to battle (1-16) Book 2 II. Duel between Hektor and Aias (17-322) I. Agamemnon tests the army (1-154) III. Fighting halted to bury the dead (323-482) A. Odysseus recalls the troops (155-210) A. Greeks dig walls around ships (323-344) B. Thersites episode (211-332) B. Paris refuses to return Helen but offers other gifts (345-397) C. Nestor’s counsel (333-483) C. Greeks refuse Paris’ gifts (398-420) II. Catalogue of Greek Ships (484-785) D. Cremation of dead, Greeks build walls (421-482) III. Catalogue of Trojan troops (786-877) Book 8 Book 3 I. Assembly of gods; Zeus forbids gods to take part in battle (1-52) I. Truce by single combat between Paris and Menelaos (1-120) II. A day of fighting (53-349) II. The Teichoskopeia (Helen’s ‘View from the Wall’) (121-244) A. Battle begins with the scales of Zeus (53-65) III. The duel and the rescue (245-382) B. Nestor threatened by Hektor, rescued by Diomedes (78-166) IV. Helen and Paris (383-461) C. Advance of Trojans under Hektor (167-216) Book 4 D. Agamemnon rallies troops (217-334) I. Pandaros breaks the truce (1-122) E. -
Real Life RPG, Or the VIDEO GAME PLAY by Reynaldo Piniella
1 Real Life RPG, or THE VIDEO GAME PLAY by Reynaldo Piniella Commissioned by Baltimore Center Stage Ben Izzo A3 Artists Agency 350 5th Ave. - 38th Fl. New York, NY 10118 (646) 491-9383 [email protected] 1 2 When should you read this play? When you’re feeling overwhelmed, tired of being stuck in the house or just in need of a laugh, read this play. If you can, gather some friends and family and read it out loud. You’ll be laughing at each other by the end if it or laughing at me for thinking of this silliness. A Video Game Play? When I thought about what “Play At Home” meant to me, I realized that I’ve been playing a lot of video games at home these days. So, this play is based on some of my favorite RPGs (role playing games.) For those of you who know nothing about video games, don’t fret. You’ll get to wear cool clothes, fight with crazy weapons and save the world before going back to the beginning to do it all over again. Note This play is modeled after a video game demo where you’ll get to play the first mission of a broader narrative. This is just the start of your adventure, not the end. And because it’s a demo, it’s a work-in-progress not the final product. This play is a “choose your own adventure” so the choices you make will affect the world around you. Choose wisely. These life changing questions will be bolded. -
Trojan War Pdf, Epub, Ebook
TROJAN WAR PDF, EPUB, EBOOK Kamini Khanduri,Jeff Anderson | 160 pages | 28 Mar 2008 | Usborne Publishing Ltd | 9780746090145 | English | London, United Kingdom Trojan War PDF Book Home Software. What had Paris been up to all this time? Web Browser Exploits Trojan horses can get onto systems through browser vulnerabilities. The developers of these applications typically use spamming techniques to send out hundreds or even thousands of e-mails to unsuspecting people; those who open the messages and download the attachment end up having their systems infected. After the death of Achilles, Calchas uttered yet another prophecy. But Agamemnon saw through Odysseus' ruse and Odysseus tricked Achilles into revealing himself, and so, all the leaders who had promised to join did so. The message encourages the recipient to open his attachment. Learn different types of networks, concepts, architecture and Diomedes' grandfather was Adrastus, king of Argos, whom Diomedes succeeded on the throne. In still another, Diomedes dies of old age. Learn about each of the five generations of computers and major technology developments that have led to the computing devices that we use A keylogger monitors and logs every keystroke it can identify. Patroclus tried to persuade Achilles to fight because Achilles was so capable a warrior that he could turn the tide of battle. Exactly what is a zero-day vulnerability? We know about the Trojan War primarily from the works of the poet Homer the Iliad and the Odyssey , as well as stories told in other ancient literature, known as the Epic Cycle. Heracles was a paternal uncle. For example, the LastPass password manager can insert your passwords into a web form through a few mouse clicks, and a virtual keyboard lets you type using your mouse. -
The Trojan War
THE TROJAN WAR PART ONE: THE ORIGINS OF THE TROJAN WAR have actually revealed weaker stonework on the western walls of Troy, suggesting that a genuine difference in construction led to the myth that The city of Troy had several mythical founders and kings, the two gods built the other walls. including Teucer, Dardanus, Tros, Ilus and Assaracus. The most widely accepted story makes Ilus the actual founder, Mythical reasons behind the Trojan War and from him the city took the name it was best-known by in ancient times, Ilium. In an episode similar to the founding During Priam's of Thebes, Ilus was given a cow and told to found a city lifetime Troy where it first lay down. As instructed, he followed the reached its animal, and on the land where it rested drew up the greatest boundaries of his city. He then received an additional sign prosperity, but from the gods, a legless wooden statue called the Palladium, when he was a which dropped from the heavens with the message that it very old man it should be carefully guarded as it 'brought empire'. Some say was tota lly it was a statue of Athene's friend Pallas, but most believe it destroyed after a was of Athene herself and that this statue was to make Troy ten-year siege by a great city. warriors from Greece. Some say Laomedon's Troy Zeus himself Ilus was succeeded by his son Laomedon, who built great caused the Trojan walls around his city with the help of a mortal, Aeacus, and War to thin out the two gods Poseidon and Apollo. -
Lecture 14 Aeneid 12: War in Italy MDS1TRW the Roman World: Myth
MDS1TRW The Roman World: Myth and Empire Lecture 14 Aeneid 12: War in Italy hp://www.eBay.co.uk/itm/The-Aeneid-Rare-Card-LieBiG-Set-Part-II-Greece-Greek-Camille-Nisus-Gladiator/130940254241?_trksid=p2047675.m1850&_trkparms=aid%3D222002%26alGo%3DSIC.FIT%26ao %3D1%26asc%3D11%26meid%3D1158694072794277908%26pid%3D100011%26prG%3D1005%26rk%3D4%26rkt%3D5%26sd%3D380663535810%26 AENEID BOOKS 7-12 WAR IN LATIUM 7: Allecto ‘infects’ Turnus and Amata 8: Aeneas visits Evander at Pallanteum (’Rome’) 9: NiGht raid: Nisus and Euryalus (c.f. Iliad 10 Doloneia) 10: Turnus vs. Pallas, Aeneas vs. Mezenaus 11: MourninG for Pallas; truce; Camilla 12: Final duel AENEID BOOKS 7-12: THE ‘GREATER WORK’ New proem: 7.40 (p.141) – ‘Come now, Erato’ Use of first person sinGular ‘I shall tell’ REPLAYING THE TROJAN WAR Love trianGles: • Helen, Menelaus, Paris • Lavinia, Turnus, Aeneas • c.f. 7.96 (p.143) oracle: no marriage to a Lan Sibyl’s prophey (6.82f. = p.117) • ‘A second Achilles’ [Iliad and anGer of Achilles] • son of a Goddess – Venilia // Thes • N.B. father Daunus, Rutulian king (//Priam?) • sister Juturna (// Apollo – protector of Hector) • A. & T. as Achilles and Hector: But which is which? Book of fathers and sons 1. Turnus vs. Pallas 10.440-509 • aer Pallas’ aristeia • T: ‘Pallas is mine, and mine alone. I wish his father were here to see it.’ • Pallas also Bloodthirsty (10.459f.) • c.f. Evander’s paranG speech (8.560f. pp.166): ‘my only source of joy’ • P. killed in spear comBat • T. strips Body – Belt // Hector & Patroclus (Iliad 18) FUROR AND PIETAS IN BOOK 10 Aeneas: revenGe and furor • vicams (incl.