8Aylorian 1006

Total Page:16

File Type:pdf, Size:1020Kb

8Aylorian 1006 8aylorian 1006 Courtesy of Townsend Memorial Library, University of Mary Hardin-Baylor The Daylorlaa 1..898 ' The University of Mary Hardin-Baylor Belton, Texas Courtesy of Townsend Memorial Library, University of Mary Hardin-Baylor The Bay/orion Cathy Riccaboni . .. Managing Editor Vanissa Thunnan . Assistant Editor Layna Lewis . .. ................. .......... Art Editor Dr. Donna Walker-Nixon .... ... .. ........ Faculty Sponsor Staff Members Roni Hutcheson Matthew Neese Tara Reid Fred Elder Ellen Houghton Special appreciation to Mrs. Jane Haywood, Dr. Elizabeth Huston, and Dr. Nora Stafford for their advice in making this publication possible. Special thanks to George F. Nixon, Jr., Ph. D., for the use (and sometimes abuse) of his computer equipment. Cover Art Work: Layna Lewis Copyright 19%. English Department of the University of Mary Hardin-Baylor. Published once a year in the Spring Semester. Courtesy of Townsend Memorial Library, University of Mary Hardin-Baylor 2 Uterary Award Wlnnen Evelyn McFatridge Braahean Awards All Literature . Kim Pierce Poetry Award ......... .. ...... Matthew Neese Vignette Award .. ............... Candice Button Slpa Tau Delta Short Story Award . ...... Suzanne Baird Honorable Mention Poetry . ......... ........... .. ...... ...... Jeff Clayton Personal Essay, Poetry . ................... Roni Hutcheson Short Story . Hazel Roberts Poetry . .. Stacee Winters Personal Essay ......... ..... .... .. Vicky Garland Courtesy of Townsend Memorial Library, University of Mary Hardin-Baylor 3 DEDICATION OF THE 1996 BAYLORIAN The 1994-1995 school year began on a sad note, since we lost our friend and colleague, Dr. William Frederick Hutmacher. In order to commemorate the legacy of learning, and of humor, that he left behind, we dedicate this 1996 Bay/orian to him. In the pages that follow, we have collected memories of his students and of his fellow faculty members. As a final tribute, we are including the poetry that he contributed to the Baylorian. The following article appeared in the Bells in the fall of 1994. THE LEGACY OF DR. WILLIAM FREDERICK HUTMACHER Every person is a allotted a specific number of years to live on Earth. Many people waste their years in frivolous pursuit of wealth or fame while others simply seek to enjoy their lives in ways that better the world around them. These people leave behind the legacies of full lives that never fade in the memory of the living. Very recently, one such person left his legacy to the students, faculty, and staff of the University of Mary Hardin­ Baylor ... Dr. William Frederick Hutmacher. On August 30, 1994, Dr. Hutmacher died in a Temple hospital after twenty-two years of service at UMHB. Since he worked with so many other professors and taught countless students, the memory of Dr. Hutmacher stirs vividly in the mind while a deep sense of loss weighs heavily on the heart. Many colleagues harbor fond memories of a cheerful old friend while students reminisce about a caring listener who once taught their English classes. One of his closest friends, Dr. Charles Taylor, remembers coming to UMHB as a professor along with Dr. Hutmacher. "He was the finest scholar I ever knew on material in which I had a deep interest," said Dr. Taylor. He saw Dr. .Hutmacher interact Courtesy of Townsend Memorial Library,4 University of Mary Hardin-Baylor with many of his same students and noted that those who learned from Dr. Hutmacher were the ones who really listened to him. One of these students is Shawndra Clay, an English/History double major, who bad Dr. Hutmacher for a variety of classes. She believes his greatest contribution to the University was the gift of himself. "He had more Christian values and heart-felt understanding than most men. and it all showed vividly when be taught, but mostly when be listened.; sbe added. He showed her that it was "okay not to know, but not okay to not tcy to know," Shawndra was able to enjoy his classes. She conunented, "His favorite thing to say was, 'Virtue lies in the quest, not in the attainmenL '" Shawndra is not the only student to enjoy his classes. Dale Dcli"le remembers the sense of bwnor Dr. Hutmacher bad in c l ~ "The excatement and the love he had for teaching that be brought into the classroom is probably his greatest legacy, • Dale reflected. Mrs. Jane Haywood, a colleague of Dr. Hutmacher's for the past nine years, remembers him as someone who enjoyed literature and enjoyed his students. Mrs. Haywood pointed out that his great love of literatw-e led to the publishing of a book he wrote on the subject of Geoffrey Chaucer's Canterbwy Tales. Mrs. Haywood said lhat Dr. Hutmacher's theory on teaching was that students should not leave his class crammed with facts but having learned to enjoy literature. "His trademark was enjoying the literature," she explained. Dr. Michael Thomas, one of UMHB's modem foreign language professors, had a rather unique relationship with Dr. Hutmacher, who was fluent in Spanish, German. French and Modem Greek and who studied Japanese extensively. What made their relationship so unique was the language activities they exercised on each other. By mixing together the different languages they each knew, they fonned their own personal language. They often translated English idioms literally into Spanish. For example, "Que esta usted arriba a?" meant, "What are you up to?" Dr. Thomas attested to the fact that Dr. Hutmacher bad a great sense ofhwnor, but he also stressed how he gave his total self to students, and not just his words. "He was a Christian teacher in the best sense of the word, • Dr. Thomas affinned. Dr. Thomas also recalled a time four or five years ago when Dr. Hutmacher helped him make a crucial decision. He gave such wise and insightful counsel that Dr. Thomas believes God really spoke to him through Dr. Hutmacher. Dr. Thomas fondly remembers Dr. Hutmacher as •a gentleman scholar and Courtesy of Townsend Memorial Library, University of Mary Hardin-Baylor Christian teacher with extraordinary knowledge in his field and about the Bible." Christy Stanley recalls the dedication with which Dr. Hutmacher served as a teacher. She remembers a time when he was so sick he was in the hospital and was not able to attend his classes to administer finals. Yet, after the finals had been taken, he graded them even while he remained in the hospital. Soon after his death, in Mrs. Haywood's Advanced Grammar class, the life and legacy of Dr. Hutmacher was displayed in a most meaningful and proper way. While discussing the origins of the English language and tracing its historical path, Mrs. Haywood handed out copies of "The Lord's Prayer" in Old English. While berating herself for having ruined a tape of Dr. Hutmacher reading in Old English, Mrs. Haywood recalled that Dr. Hutmacher had always made his students memori.ze this particular version of the prayer when studying English literature. She asked how many students were present that were still able to read the prayer in Old English. Nearly half the class raised their hands. So in a reverent tribute to the memoty of the late Dr. Hutmacher, those students softly, but steadily, read the Old English version of "The Lord's Prayer." The silence that filled the room when the reading was finished was testament enough to the truth of how Dr. Hutmacher had successfully left his wealth of knowledge to the students of UMHB. With a warm tone to her voice, Mrs. Haywood stated, "It's what we have taught our students that is the real legacy, not what we have written or produced ourselves." Ann Montgomery, former secretary in the Education Department, has very fond memories of Dr. Hutmacher walking into her office every morning to rest in a chair before continuing to his classes. At the end of the day, he would saunter back into her office to rest before walking home. In the summer of 1994, summer Ann took eight hours of Dr. Hutmacher's classes in order to complete her General Studies degree. After finishing one of her finals under a tree in his front yard, she stopped to talk to him about the upcoming surgery he was scheduled to have before school started. As the two talked, Ann noted that this surgery had a deeper feeling of seriousness and held more than the usual amount of worries. Seeing her troubled expression, Dr. Hutmacher said in a matter-of-fact voice, "I've had a good life here. I'm ready to spend more time down here or a long time up there." Ann realized that he was prepared spiritually, physically and emotionally for the surgery and that he believed that whatever happened was God's will. Courtesy of Townsend Memorial Library, University of Mary Hardin-Baylor 6 Something did happen. God called him home. We should be glad that he has entered into the presence of our sweet Savior and left behind all pain forever. But we are sad because he has left us behind, and we still miss him. No more bow ties and funny jokes. No more English gentleman to raise a bushy eyebrow at us and give a low chuckJe. In reality, be is still here. He is quite alive in the memories of his friends and loved ones, and he can be spotted in the faces of students who knew him and learned more than Old English from him He showed us the JOY of hving, and he chose to express it by teaching others the joy of literature. Life is not facts and figures~ it is experiences and people. And it was the experiences he had with people that make his legacy so ncb and wonderful and so necessary to carry on.
Recommended publications
  • Say Yes to the Text
    Journal of Contemporary Rhetoric, Vol. 5, No.1/2, 2015, pp. 42-49. Say Yes to the Text Jennifer Burg In this essay, the author describes her experience as a participant in the reality television show Say Yes to the Dress. She delves into the production aspects of the show and her own feelings of identification with the production staff. She also considers the multiple audiences, both present and not present, in applying for, producing, and par- ticipating in a reality television show. Keywords: Audience, Autoethnography, Bridal Rituals, Femininity, Reality Television, Wedding Rituals Proposal For years when we were single, my best friend Jackie and I would come home from late nights out in NYC, climb into her bed with bowls of cereal, and watch TV until we fell asleep. Our fa- vorites were shows that aired on TLC, and of those we most loved Say Yes to the Dress. We took great pleasure in watching the brides-to-be try on, reject and select their dream dresses in the sparkly showroom of Kleinfeld, in the heart of Manhattan. We critiqued every ensemble, mar- veled at every price point, and added our own snarky commentary to that of the friends and fami- ly who came along to assist the soon-to-be-wed. We scrutinized everything from the tiaras to the toe clips and the whole lot in between. We had our favorite designers, and we knew the Kleinfeld consultants by name. Never did we think that we might actually have the experience that we so often watched: Jackie has two kids and is divorced; I was engaged once years ago, but that didn’t work out.
    [Show full text]
  • Wiarnon How Do You Cook Leg of Lamb?
    A A. PAGE TWENTY-F0UR\ i ' THURSDAY, SEPTEMBER 4, 1969 ■ N ilanirlTPBtrr lEtiming fcralii ^ AviNage Dsily Net Press Run 9 m The W e e k M M Thp Weather VFW Auxiliary will hold a An open house will be held for A m 38, U M Cloudy with chance of drizzle About Town rummage sale next Wednesday Mi^ and Mrs. Thomas Albro, GOP Lead 35 Weiss Teaches at the poet home. Members may through Saturday noon. Low to­ formerly of 80 Winter St., on St. Bridget R o s a ^ Society bring articles for sAle to the Manchester • Democrats Course at MCC a s , 4 5 9 night in _the 60s. ’Tom onow’s will have its annual installation meeting Tuesday. Those wish­ Sunday from 2:30 to 8 p.m., at continue to cut Into the R e ­ high in the 7Da. 'v Town Manager Robert Weiss banquet Sept. 16 , at 6:30 p.m. ing to have articles picked up tlve home of their daughter and publican lead in registered,, Manehemter— A City of Pillage Charm started teaching a class la.t at W illie’s Steak House. Reser­ may call Mrs. Florence Plltt of son-ln-Iaw, Mr. and MrSj_ Jack voters, and the GOP margin, 816 Main St. night at Manchester Community VOL. LXXXVm. NO. 286 (TWENTY-FOUR PAGES—TWO SECTIONS) vations will close Monday. The Krafjack, . 100 Meadow Lark as of today,; is dofVn to 35, How do You MANCHESTER, OONN, FRIDAY, SEPTEMBER 5, 1969 / (C A M e m e M s m P li«e M ) College, and will conduct the PRICE TEN CENTS Rev.
    [Show full text]
  • Desperate Housewives a Lot Goes on in the Strange Neighborhood of Wisteria Lane
    Desperate Housewives A lot goes on in the strange neighborhood of Wisteria Lane. Sneak into the lives of five women: Susan, a single mother; Lynette, a woman desperately trying to b alance family and career; Gabrielle, an exmodel who has everything but a good m arriage; Bree, a perfect housewife with an imperfect relationship and Edie Britt , a real estate agent with a rocking love life. These are the famous five of Des perate Housewives, a primetime TV show. Get an insight into these popular charac ters with these Desperate Housewives quotes. Susan Yeah, well, my heart wants to hurt you, but I'm able to control myself! How would you feel if I used your child support payments for plastic surgery? Every time we went out for pizza you could have said, "Hey, I once killed a man. " Okay, yes I am closer to your father than I have been in the past, the bitter ha tred has now settled to a respectful disgust. Lynette Please hear me out this is important. Today I have a chance to join the human rac e for a few hours there are actual adults waiting for me with margaritas. Loo k, I'm in a dress, I have makeup on. We didn't exactly forget. It's just usually when the hostess dies, the party is off. And I love you because you find ways to compliment me when you could just say, " I told you so." Gabrielle I want a sexy little convertible! And I want to buy one, right now! Why are all rich men such jerks? The way I see it is that good friends support each other after something bad has happened, great friends act as if nothing has happened.
    [Show full text]
  • Desperate Housewives
    Desperate Housewives Titre original Desperate Housewives Autres titres francophones Beautés désespérées Genre Comédie dramatique Créateur(s) Marc Cherry Musique Steve Jablonsky, Danny Elfman (2 épisodes) Pays d’origine États-Unis Chaîne d’origine ABC Nombre de saisons 5 Nombre d’épisodes 108 Durée 42 minutes Diffusion d’origine 3 octobre 2004 – en production (arrêt prévu en 2013)1 Desperate Housewives ou Beautés désespérées2 (Desperate Housewives en version originale) est un feuilleton télévisé américain créé par Charles Pratt Jr. et Marc Cherry et diffusé depuis le 3 octobre 2004 sur le réseau ABC. En Europe, le feuilleton est diffusé depuis le 8 septembre 2005 sur Canal+ (France), le 19 mai sur TSR1 (Suisse) et le 23 mai 2006 sur M6. En Belgique, la première saison a été diffusée à partir de novembre 2005 sur RTL-TVI puis BeTV a repris la série en proposant les épisodes inédits en avant-première (et avec quelques mois d'avance sur RTL-TVI saison 2, premier épisode le 12 novembre 2006). Depuis, les diffusions se suivent sur chaque chaîne francophone, (cf chaque saison pour voir les différentes diffusions : Liste des épisodes de Desperate Housewives). 1 Desperate Housewives jusqu'en 2013 ! 2La traduction littérale aurait pu être Ménagères désespérées ou littéralement Épouses au foyer désespérées. Synopsis Ce feuilleton met en scène le quotidien mouvementé de plusieurs femmes (parfois gagnées par le bovarysme). Susan Mayer, Lynette Scavo, Bree Van De Kamp, Gabrielle Solis, Edie Britt et depuis la Saison 4, Katherine Mayfair vivent dans la même ville Fairview, dans la rue Wisteria Lane. À travers le nom de cette ville se dégage le stéréotype parfaitement reconnaissable des banlieues proprettes des grandes villes américaines (celles des quartiers résidentiels des wasp ou de la middle class).
    [Show full text]
  • The Bride in American Media: a Feminist Media Studies And
    THE BRIDE IN AMERICAN MEDIA: A FEMINIST MEDIA STUDIES AND CRITICAL ANALYSIS, 1831-2012 by EMILIA NOELLE BAK (Under the Direction of Janice Hume) ABSTRACT This dissertation examined the figure of the bride in American media. Today, the bride is a ubiquitous figure. She graces the covers of magazines, websites are devoted to her, and multiple television series star her. This study aimed to understand the American bride contemporarily and historically by examining magazine media from the nineteenth and twentieth centuries as well as today’s reality television programming. Pulling from feminist media studies and critical cultural studies and proceeding from the standpoint that representations matter, portrayals of the bride were analyzed in terms of gender, class and race for ways in which these representations affirmed and/or resisted the dominant ideology. The bride was examined in media targeted at women to understand how media meant for women talked about the bride, a uniquely female figure. The nineteenth-century women’s magazine Godey’s Lady’s Book, the twentieth-century women’s magazine Ladies’ Home Journal and today’s most notorious reality bride show, Bridezillas, were all examined. INDEX WORDS: bride, Godey’s Lady’s Book, Ladies’ Home Journal, Bridezillas, feminist media studies, cultural studies, wedding THE BRIDE IN AMERICAN MEDIA: A FEMINIST MEDIA STUDIES AND CRITICAL ANALYSIS, 1831-2012 by EMILIA NOELLE BAK AB, University of Georgia, 2007 MA, University of Georgia, 2009 A Dissertation Submitted to the Graduate Faculty of The
    [Show full text]
  • [email protected] Hometown of P a S C a G O U L a , Miss
    THE STUDENT NEWSPAPER OF MERCYHURST COLLEGE SINCE 1929 ARTS& ~LAKER ENTERTAINMENT Jimmy Carter accepts Nobel Peace Prize SPORTS StarTrek : Nemsis' boldly Men's Basketball pounds goes . Nowhere Page 2 Point Park 102-68 PAGE 9 PAGE 12 Vol. B B S 10 H^^^^^Hffi^B wtm m HSBWH HBafi wmmmimm m mm ^ Happy Chanukah What signals are you sending? MSG lecture on sex signals brings awareness to students # *6&it By Kelly Rose Duttine News Editor More than 250 Mercyhurst students packed into the Dr. Barrett and Catherine Walker Recital Hall in the new Hirt Academic Center t o talk about sex. G wen Druyor and Christian Murphy from Bass/Schuler Entertainment presented a 90 minute long presentation on Dec. 12 as part of Mercyhurst Happy Kwanza Student Government's 2002** 2003 Lecture Series. The dynamic pair presented a lively and energetic lecture about the sex signals we send and receive from others. The presentation included stereo- types about what typical men and women want, sexual in- nuendoes, and reversed roles in relationships. Druyor and JodyM- :od photographer Murphy used many funny KWANZAA pickup lines, jokes, and skits JodyM that took place at typical bar w/iwiwjiiwv'av 1 Gwen Druyor and Christian Murphy get "friendly" during MSG's lecture "Sex Signals' receives positive audience and party scenes, familiar to feedback. Please see signals on page 3on e of their skits. Merry Christmas MNE going after $1 t o $2 Students receive awards millionfederal grant Community service and dedication honored at open reception By Scott Mackar // wasn 't like this Assistant news editor 44 By Kristin Purdy Being the third year for this rec- "I got an invitation [to the re- grant came out of the sky, Editor-in-Chief ognition ceremony, the criteria for ception] in the mail and I was Mercyhurst North East received we had to work really hard eligible students is wide, yet in- surprised.
    [Show full text]
  • An Interview with C. Brett Bode Illinois Supreme Court Historic Preservation Commission
    An Interview with C. Brett Bode Illinois Supreme Court Historic Preservation Commission C. Brett Bode was in private practice and was an assistant city attorney for East Peoria, from 1968-70, and then was a public defender in Tazewell County from 1970-72 while also maintaining a private practice. In 1972 he was elected State’s Attorney of Tazewell County and served in that position until 1976, when he returned to private practice. Bode also served as a public defender in Tazewell County after he was State’s Attorney from 1976-82. He became an Associate Judge in the Tenth Judicial Circuit in 1982 and served in that position until his retirement in 1999. Interview Dates: April 2nd, 2015; October 23rd, 2015; and December 15th, 2015 Interview Location: Judge Bode’s home, Pekin, Illinois Interview Format: Video Interviewer: Justin Law, Oral Historian, Illinois Supreme Court Historic Preservation Commission Technical Assistance: Matt Burns, Director of Administration, Illinois Supreme Court Historic Preservation Commission Transcription: Interviews One and Two: Benjamin Belzer, Research Associate/Collections Manager, Illinois Supreme Court Historic Preservation Commission Interview Three: Audio Transcription Center, Boston Massachusetts Editing: Justin Law, and Judge Bode Total pages: Interview One, 65; Interview Two, 57; Interview Three, 60 Total time: Interview One, 02:49:07; Interview Two, 02:26:37; Interview Three, 02:48:38 1 Abstract C. Brett Bode Biographical: Carlton Brett Bode was born in Evanston, Illinois on July 9th, 1939, and spent his early life in Irving Park, Illinois and teenage years in Fox River Grove, Illinois. Graduating from Crystal Lake High School in 1957 he joined the Marine Corps and became a helicopter pilot.
    [Show full text]
  • COMPARE BUY Imagine Paying 10%, 20%, Or 25% Per Month on Short Term Loans
    FINAL-1 Sat, Mar 4, 2017 3:09:00 PM tvupdateYour Weekly Guide to TV Entertainment For the week of March 12 - 18, 2017 Right and wrong Felicity Huffman stars in “American Crime” INSIDE •Sports highlights Page 2 •TV Word Search Page 2 •Family Favorites Page 4 •Hollywood Q&A Page14 The anthology crime drama created by “12 Years a Slave” (2013) writer John Ridley may not be a ratings beast, but “American Crime” has garnered much critical acclaim for its raw portrayal of difficult subjects. Season 3 puts a spotlight on American labor issues and exploitation, with Felicity Huffman (“Desperate Housewives”), Regina King (“Ray,” 2004) and the rest of the core cast falling admirably into their new roles. The new season of “American Crime” premieres Sunday, March 12, on ABC. WANTED MOTORCYCLES, SNOWMOBILES, OR ATVS COMPARE BUY Imagine paying 10%, 20%, or 25% per month on short term loans. Sounds absurd! Well, people do at pawn shops all the time. Mass pawn shops charge 10% per month SELL WINTER ALLERGIES plus fees. NH Pawn shops charge 20% and more. Example: A $1,000 short term loan TRADE ARE HERE! means you pay back $1,400-$1,800 depending on where you do business. Bay 4 DON’T LET IT GET YOU DOWN PARTS & ACCESSORIES Group Page Shell SALES & SERVICE We at CASH FOR GOLD SALEM, NH charge Motorsports Alleviate your mold allergies this season. 5 x 3” MASS. 0% interest. MOTORCYCLE 1 x 3” Call or schedule your appointment INSPECTIONS online with New England Allergy today. THAT’S RIGHT! NO INTEREST for the same 4 months Borrow $1000 - Pay back $1000.
    [Show full text]
  • WITNESS to AUSCHWITZ Excerpts from 18 Centropa Interviews WITNESS to AUSCHWITZ Excerpts from 18 Centropa Interviews
    WITNESS TO AUSCHWITZ excerpts from 18 Centropa interviews WITNESS TO AUSCHWITZ Excerpts from 18 Centropa Interviews As the most notorious death camp set up by the Nazis, the name Auschwitz is synonymous with fear, horror, and genocide. The camp was established in 1940 in the suburbs of Oswiecim, in German-occupied Poland, and later named Auschwitz by the Germans. Originally intended to be a concentration camp for Poles, by 1942 Auschwitz had a second function as the largest Nazi death camp and the main center for the mass extermination of Europe’s Jews. Auschwitz was made up of over 40 camps and sub-camps, with three main sec- tions. The first main camp, Auschwitz I, was built around pre-war military bar- racks, and held between 15,000 and 20,000 prisoners at any time. Birkenau – also referred to as Auschwitz II – was the largest camp, holding over 90,000 prisoners and containing most of the infrastructure required for the mass murder of the Jewish prisoners. 90 percent of Auschwitz’s victims died at Birkenau, including the majority of the camp’s 75,000 Polish victims. Of those that were killed in Birkenau, nine out of ten of them were Jews. The SS also set up sub-camps designed to exploit the prisoners of Auschwitz for slave labor. The largest of these was Buna-Monowitz, which was established in 1942 on the premises of a synthetic rubber factory. It was later designated the headquarters and administrative center for all of Auschwitz’s sub-camps, and re-named Auschwitz III. All the camps were isolated from the outside world and surrounded by elec- trified barbed wire.
    [Show full text]
  • Teacher's Guide for a Two-Week Cycle
    Teacher’s Guide for a two-week cycle Second Edition 2018 The green dress DEAR TEACHER Wordworks is a non-profit organisation established in 2005 to support Stellar training early language and literacy development. The Stellar programme was For teachers training to use the Stellar programme, there is a set of designed by Wordworks to support Grade R teachers in their important Teacher Workbooks that takes you through the different elements of role as teachers of language and emergent literacy. We focus on the programme while deepening your understanding about why each Grade R because evidence shows that strong early language and element is important. literacy skills support all later learning. Your stories Early language and literacy development We know that teachers are creative about using whatever is available In order to learn to read and write, children need to have opportunities to them. We encourage you to adapt the activities in this guide to to build their competence and understanding in two key areas: suit your context and the resources available to you. As you become • language skills (listening, speaking, vocabulary and comprehension) familiar with the two-week framework in the Stellar programme, you • code-related skills (phonological awareness and letter–sound will be able to use your own story books and oral stories as a basis for knowledge). teaching language and emergent literacy. Children also need many opportunities to see how reading and writing Meet Stella work, and for these processes to be modelled by teachers. They need to You will see that there is a teacher present read and enjoy books and use drawing and early writing to share their throughout this Teacher’s Guide.
    [Show full text]
  • Desperate Housewives, Miroir Tendu Au(X) Féminisme(S) Américain(S) ?
    UNIVERSITÉ FRANÇOIS - RABELAIS DE TOURS ÉCOLE DOCTORALE SCIENCES DE L’HOMME ET DE LA SOCIÉTÉ GROUPE DE RECHERCHE ANGLO-AMÉRICAINE DE TOURS (GRAAT) THÈSE présentée par : Virginie MARCUCCI soutenue le : 27 novembre 2010 pour obtenir le grade de : Docteur de l’Université François - Rabelais Discipline/ Spécialité : Anglais/Civilisation américaine DESPERATE HOUSEWIVES, MIROIR TENDU AU(X) FÉMINISME(S) AMÉRICAIN(S) ? THÈSE dirigée par : M. GUILBERT, Georges-Claude Professeur des Universités, Université François – Rabelais - Tours RAPPORTEURS : Mme ANDREOLLE, Donna Professeur des Universités, Université Stendhal Grenoble III Mme FILLARD, Claudette Professeur des Universités, Université Lumière Lyon II JURY : Mme ANDREOLLE, Donna Professeur des Universités, Université Stendhal Grenoble III Mme FILLARD, Claudette Professeur des Universités, Université Lumière Lyon II Mme FRAU-MEIGS, Divina Professeur des Universités, Université Paris III (Présidente) M. GUILBERT, Georges-Claude Professeur des Universités, Université François-Rabelais Mme MICHLIN, Monica Maître de Conférences, Université Paris IV A Nicolas, qui rend tout possible 1 Remerciements Merci tout d’abord à Monsieur Georges-Claude Guilbert d’avoir accepté de diriger ce travail de recherche, de m’avoir guidée tout au long de ces trois années par ses conseils avisés, de m’avoir encouragée dans les moments de doute et fait découvrir un monde d’idées que je n’imaginais pas. Merci à Mesdames Donna Andréolle, Claudette Fillard, Divina Frau-Meigs et Monica Michlin d’avoir accepté de faire partie de mon jury et de lire ce travail de recherche. Merci aux doctorants du GRAAT pour leur écoute et leurs conseils et merci à mes collègues (parfois compagnons de thèse) Mathias, Romain et Valérie.
    [Show full text]
  • Deaf Theatre ~ Presents
    .. - -- -- -- --- -- --.- -.-..-- -- --------.-.--~0"" ;.1 ~! i LIGHTS ON! Deaf theatre ~ presents: • D1Dg- A PLAY OF OUR OWN" Rochester School for the Deaf November 12.15, 1992 • • • • • Directed by Vicki Nordquist • Written by Dorothy Miles • Producted by LIGHTS ON! Deaf theatre • \''b--~\o'~~ ~L>L~ ~~[\0.\N<S" A PLAY QE OUR Ol'lN In three short Acts Dcvtlloped by the HARTFORD THESPIANS under the direction of Dorothy rUles t-'\.~'\ \q~~ Recorded in writing by DOROTHY MILES CHARACTERS IN ORDER OF APPEARANCE DOnA DANIELS: Deaf. Age between 45 and 50. At her first enterance, in Act I, she is wearing some kind of apron or smock over her dress to show that she is doing housework. At the beginning of Act II, she is dressed for going out--something plain but suitable for wearing at dinner later. She should be fluent in the sign language, but may choose between using idiomatic signs and "Signed English," except where the script calls for specific idioms. She does not speak, but can mouth words. Deaf. A little older tban his wife. At his first enterance, he is wearing pajamas with a bathrobe over them--though he may need to be partly dressed ~nder the pajarr~s for a quick change before his second enterance. At this enterance, he is dresRed casual:y--slacks, with a shirt or sweater--bu~ ;;a:nefu::'ly enough to be acceptable to the visitors later. ;Ie wears bed .. uu:~ sltppel''; until after his second exit, then chanBes to socks and shoes. His choice of communication is the same as his wife. THENEIGHEOR: Dear or hard of hearing.
    [Show full text]