DOCSLIB.ORG

Note to Users

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

NOTE TO USERS This reproduction is the best copy available. ® UMI The Kunstkammer Object in Seventeenth-Century Salzburg: A Case Study, Early Modern Collections, Transformation and Materiality Sarah Mitchell Department of Art History and Communication Studies McGill University, Montreal February 2005 A thesis submitted to McGill University in partial fulfilIment ofthe requirements ofthe degree of Masters of Arts. © Sarah Mitchell 2005 Library and Bibliothèque et 1+1 Archives Canada Archives Canada Published Heritage Direction du Branch Patrimoine de l'édition 395 Wellington Street 395, rue Wellington Ottawa ON K1A ON4 Ottawa ON K1A ON4 Canada Canada Your file Votre référence ISBN: 0-494-12748-1 Our file Notre référence ISBN: 0-494-12748-1 NOTICE: AVIS: The author has granted a non­ L'auteur a accordé une licence non exclusive exclusive license allowing Library permettant à la Bibliothèque et Archives and Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par télécommunication ou par l'Internet, prêter, telecommunication or on the Internet, distribuer et vendre des thèses partout dans loan, distribute and sell th es es le monde, à des fins commerciales ou autres, worldwide, for commercial or non­ sur support microforme, papier, électronique commercial purposes, in microform, et/ou autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriété du droit d'auteur ownership and moral rights in et des droits moraux qui protège cette thèse. this thesis. Neither the thesis Ni la thèse ni des extraits substantiels de nor substantial extracts from it celle-ci ne doivent être imprimés ou autrement may be printed or otherwise reproduits sans son autorisation. reproduced without the author's permission. ln compliance with the Canadian Conformément à la loi canadienne Privacy Act some supporting sur la protection de la vie privée, forms may have been removed quelques formulaires secondaires from this thesis. ont été enlevés de cette thèse. While these forms may be included Bien que ces formulaires in the document page count, aient inclus dans la pagination, their removal does not represent il n'y aura aucun contenu manquant. any loss of content from the thesis. ••• Canada Table of Contents Abstract ............................................................................................................................... 3 Résumé ................................................................................................................................ 4 Acknowledgements ............................................................................................................. 5 Introduction ......................................................................................................................... 6 Salzburg .......................................................................................................................... 8 Early Modem Collections ............................................................................................... 9 Transformation and Materiality .................................................................................... 10 Chapter 1- The Collection of the Archbishops ofSalzburg: A Case Study ...................... Il The Kunst-und Wunderkammer ofthe Archbishops ofSalzburg ................................ 12 Layout and Contents ................................................................................................. 12 History of Salzburg ....................................................................................................... 15 Building the Modem City ............................................................................................. 17 Conflict and Legacy ...................................................................................................... 23 Historiography .............................................................................................................. 25 Displaying the Sacred ................................................................................................... 28 Recollecting the Collection ........................................................................................... 31 Chapter 2- Early Modem Collections: Historiography and Frameworks ......................... 40 Part 1- Collecting ............................................................................................................... 41 Medieval Church Collections ....................................................................................... 41 Princely and Scientific Collections ............................................................................... 44 Princely Collections: The Habsburgs ....................................................................... 47 Part 11- Historiography ...................................................................................................... 52 Resemblance and the Art of Memory ........................................................................... 53 Primary Sources ............................................................................................................ 56 Modem Scholarship: Multi-Disciplinary Strategies ..................................................... 57 Museum Studies ........................................................................................................ 59 Cultures of Collecting ............................................................................................... 61 Displaying Wonder ................................................................................................... 62 Chapter 3- Reassessing Kunstkammer Materiality: Technology and Transformation ..... 67 Theoretical Sources: Pliny, Camillo, Quiccheberg ....................................................... 68 The Collection as Workshop: Tools, Technology and Development.. ......................... 73 Transformation- the Game of Nature ........................................................................ 76 Creation and Self-Representation ............................................................................. 80 Local and Exotic Objects .............................................................................................. 81 The Salzburg Collection ............................................................................................ 84 Rock Crystal .............................................................................................................. 84 Steinbockhorn ........................................................................................................... 85 The Collected Object: Transience and Permanence ..................................................... 86 Conclusion ........................................................................................................................ 93 Figures ............................................................................................................................. 100 Appendix ......................................................................................................................... 111 Bibliography ................................................................................................................... 118 Abstract The phenomenon of princely and scientific collections that proliferated in Europe during the sixteenth and seventeenth centuries has become an important focus for modem historical analysis. These collections provide a microcosm of contemporary political, economic and philosophical ideas, often characterized by geographical and cultural differences. The mid-seventeenth century Kunst- und Wunderkammer studied here, instituted by the archbishops of Salzburg, brings forward themes sometimes neglected in the literature. The archbishops' collection was part ofbroader efforts to reinvent the city of Salzburg as a representation ofboth sacred and secular authority. Strategies for significant display were derived from re1igious and imperial ritual, drawing on the potential of objects as signifiers. In this context, 1 also examine sorne ofthe debates within the literature on prince1y and scientific collections, where the study of wonder and science begins to merge in cross- disciplinary scholarship. Finally, 1 highlight the role of transformation and materiality in these collections to argue that the act of collecting objects and the act of making were imbricated in the process of se1f-definition. Within themes oftechnology and process, 1 investigate the pursuit of creating Kunstkammer objects, as well as the business oftheir display and use in diplomacy. Résumé Le développement exceptionnel des collections scientifiques et princières européennes pendant les XVIe et XVIIe siècles reste un thème populaire pour l'analyse historique moderne. Ces collections constituent un milieu riche en idées politiques, économiques et philosophiques contemporaines, et elles sont souvent caractérisées par de fortes différences géographiques et culturelles. Le cabinet d'art et de merveilles, instauré au milieu du XVIIe siècle par les archevêques de Salzbourg, s'avère une étude de cas intéressante pour certains aspects souvent négligés de la littérature. La collection des archevêques faisait partie d'un plan stratégique plus vaste qui visait à donner à la ville de Salzbourg une image d'autorité à la fois religieuse et séculaire.
Recommended publications
  • History and Art

    History and Art

    Mediterranean, Knowledge, Culture and Heritage 6 Erminio FONZO – Hilary A. HAAKENSON Editors MEDITERRANEAN MOSAIC: HISTORY AND ART 0 - 8 0 - 99662 - 88 - 978 ISBN Online: ISBN Online: Mediterranean, Knowledge, Culture and Heritage 6 Mediterranean, Knowledge, Culture and Heritage Book Series edited by Giuseppe D’Angelo and Emiliana Mangone This Book Series, published in an electronic open access format, serves as a permanent platform for discussion and comparison, experimentation and dissemination, promoting the achievement of research goals related to three key topics: Mediterranean: The study of southern Europe and the Mediterranean world offers a historical perspective that can inform our understanding of the region today. The findings collected in this series speak to the myriad policy debates and challenges – from immigration to economic disparity – facing contemporary societies across the Great Sea. Knowledge: At its core, this series is committed to the social production of knowledge through the cooperation and collaboration between international scholars across geographical, cultural, and disciplinary boundaries. Culture and Heritage: This series respects and encourages sharing multiple perspectives on cultural heritage. It promotes investigating the full scope of the complexity, hybridity, and morphology of cultural heritage within the Mediterranean world. Each manuscript will be submitted to double-blind peer reviewing. Scientific Board Ines Amorin (UP – Portugal), Paolo Buchignani (UNISTRADA – Italy), Rosaria Caldarone (UNIPA
  • Carriere, Famiglie E Proprietà Di Nobili Friulani in Austria Tra Seicento E Settecento

    Carriere, Famiglie E Proprietà Di Nobili Friulani in Austria Tra Seicento E Settecento

    UNIVERSITÀ DEGLI STUDI DI TRIESTE XXIV CICLO DI DOTTORATO DI RICERCA IN SCIENZE UMANISTICHE, INDIRIZZO STORICO E STORICO ARTISTICO AL SERVIZIO DEGLI ASBURGO: CARRIERE, FAMIGLIE E PROPRIETÀ DI NOBILI FRIULANI IN AUSTRIA TRA SEICENTO E SETTECENTO Settore scientifico-disciplinare: M-STO/02 - Storia moderna DOTTORANDA VANIA SANTON DIRETTORE DELLA SCUOLA PROF. GUIDO ABBATTISTA COORDINATORE DELL’INDIRIZZO PROF. GIUSEPPE TREBBI RELATORI PROF. GIUSEPPE TREBBI PROF. ANDREA ZANNINI ANNO ACCADEMICO 2010 / 2011 Sommario. Introduzione ...................................................................................................................... p. 7 Capitolo 1. Corteggiare la corte. I nobili friulani in Austria tra Cinquecento e Seicento. Porcia, Colloredo, Della Torre: dalle origini ai primi spostamenti in Austria .................. p. 17 1.1. Felix Austria: meta d’attrazione per la nobiltà friulana ............................................ p. 17 1.2. I Porcia del Colonnello di Sotto ................................................................................ p. 25 1.2.1. Ermes Porcia .......................................................................................................... p. 28 1.2.2. Giovanni Sforza Porcia .......................................................................................... p. 38 1.2.3. Giovanni Ferdinando Porcia .................................................................................. p. 45 1.3. I Della Torre Valsassina ...........................................................................................
  • Institute of Historical Sciences Faculty of Arts and Philosophy University of Pardubice

    Institute of Historical Sciences Faculty of Arts and Philosophy University of Pardubice

    Institute of Historical Sciences Faculty of Arts and Philosophy University of Pardubice Theatrum historiae 19 2016 Pardubice 2016 The cover image was taken from Státní oblastní archiv [State Regional Archive] Plzeň, the section in Klášter, Rodinný archiv Windischgrätzů [the Windischgrätz Family Archive], inv. No. 1428, sign. 128, Kart. 197, Kayserlicher Hof- und Ehren-Calender / Auff das Jahr nach unsers Seeligmachers JEsu Christi Geburt 1711..., Wien: bey Joh. Jacob Koll, Buchbinder, am Stock in Eysen 1711. It is a product of Austrian Habsburg propaganda. Casa d´Austria manifests its right to rule the Spanish monarchy with all its states and colonies. This issue results from the solution of the standard grant project Nr 13–12939S Bohemian and Moravian Nobility in the Diplomatic Service of the Austrian Habsburgs (1640–1740) and its publication was supported by the Grant Agency of the Czech Republic. © University of Pardubice, 2017 Registration number MK ČR E 19534 ISSN 1802–2502 Contents Jiří HRBEK Acting on behalf of the Bohemian King: Ferdinand Ernst von Waldstein’s Journey to Westphalia (1645–1647) 9 Zsuzsanna CZIRÁKI Language Students and Interpreters at the Mid-seventeenth-century Habsburg Embassy in Constantinople 27 Monika KONRÁDOVÁ – Rostislav SMÍŠEK The Illusion of Power or Relentless Reality? Ceremonial and Ritual Practices at the Court of Moscow in the Middle of the 17th Century through the Eyes of the Imperial Diplomats 45 Martin BAKEŠ Shaping the Danish and Imperial Legation Chapels in Vienna and Copenhagen during the Period after the Thirty Years’ War 73 Laura OLIVÁN SANTALIESTRA Judith Rebecca von Wrbna and Maria Sophia von Dietrichstein: Two Imperial Ambassadresses from the Kingdom of Bohemia at the Court of Madrid (1653–1674) 95 Lenka MARŠÁLKOVÁ Dominik Andreas von Kaunitz during the 80’s and the early 90’s of the 17th Century.
  • Marzanna Jagiełło-Kołaczyk* Dwarfs and Other Curiosities in The

    Marzanna Jagiełło-Kołaczyk* Dwarfs and Other Curiosities in The

    Dwarfs and other curiosities in the european gardens 23 Marzanna Jagiełło-Kołaczyk* Dwarfs and other curiosities in the european gardens Introduction1 Over the last few years the interest in the phe- many gardens today [2], [3], [11], [17], [18], [23], nomenon of garden gnomes has been evidently [29], [33]. growing. Their older brothers – stone dwarfs – are in The monographs on residential complexes with their a way put aside on the margin of these elaborate sculptures of dwarfs proved much more helpful to us. deliberations. So far, however, no monograph has These works brought factual information necessary for been presented which would comprehensively ana- further research [5], [8], [12], [16], [19], [20], [26], [32], lyze all aspects connected with the role played by [34]. stone dwarf figures in the European gardens. The The publications specifically on stone dwarfs regard- monographic studies regarding the subject focused ing a few garden designs such as the one on the dwarf on their historical as well as cultural and anthropo- theater in the Mirabell Gardens, the first known group logical aspects, treating stone dwarfs as a stage lead- of this kind of sculptures in the European gardens, ing to the main subject of the deliberations – ceram- proved definitely most helpful for further deliberations ic, colorful figures wearing red hats which are put in [2]. Dwarfs in antiquity The contradiction regarding placing an adult person Bes2. He was a very popular household deity revered in in a small child’s body caused by a twist of fate has fas- small chapels who protected Egyptians against misfor- cinated people since antiquity.