10 Best Sellers on Coin-Machines Argentine Ban on Disks, Radios

Total Page:16

File Type:pdf, Size:1020Kb

10 Best Sellers on Coin-Machines Argentine Ban on Disks, Radios pRQrt • .hernlay, July 23, 1947 10 Best sellers on Coin-Machines ( Harmonicats 1. Peg O' My HearH.- ai t (9i (Robbins) } Three Suns. ( Martha Tilton 2. I Wonder, I Wonder (6) (Robbiru) ( Tony Pastor, ( Perry Como. 3. Chi Baba, Chi Baba (8) (Oxford). | Blue Barron.. ( Fiarikie Laine flereury 4. That's My Desire US) (Mills* ) Sammy Kaye .Victor Wednesday, Angna. 20, 1947 | Mills Bros Decca 5. Across Alley From Alamo (11) (Capitol) ( Woody Herman Columbia 1 Ray McKinley.. .Majestic 6. Red Slocking. Green Pe're (6V- fMorris). | Tony Pastor Columbia Argentine Ban on Disks, Radios, Music 7. When Were Sweet 16 (3) (Shapiro- B) . Perry Como Victor I Dick Haymes Decca 8. Mam'selle (8) (Feist) I Art Lund M- G- M Cues Fear for Biz Setups Future (Jo Stafford Capitol 9. Sunday Kind of Love (121 (Maurice) \ Claude Thornhill. .Columbia 10. Temptation (1) (Robbins) Ingle- Stafford Capitol Beneke Cops Det. Poll Coining Up Duke; Sinatra, Whiting, Feudin' and Fightin' (Chappell). Dorothy Shay Columbia ( Bing Crosby ,f Decca King Cole Also Score Tallahassee (Famous) '/ Mercer- Pied Pipers .Capitol Detroit, Aug. 19. 1 Jo Stafford. Capitol Smash interest was shown in the Ivy (Burke- VH) ' j Vaughn Monroe Victor 1947 annual Motor City radio poll QUIRER 1 Tex Beneke Victor by WJBK here to determine the cw York, N. Y. As Long As I'm Dreaming (Burke- VH). j Harry James Columbia most popular dance orchestra, male singer, female singer and small I Eddy Howard Majestic Midnight Masquerade (S- B) combo. Popularity conducted by ) Sammy Kaye.... Victor •Jack the Bellboy." WJBK disk Smoke, Smoke. Smoke (Amjtican) . Tex Williams Capitol jockey here named Tex Beneke- j Frank Sinatra Columbia Glertn Miller orchestra as first place Stella Bjyaiarlight (Beverly).... j Dick Haymes'.. Decca winner trailed by Stan Kenton and Harry James. It's Same Old Dream (Sinatra)... Tommy Dorsey Victor ROADWAY Frank Sinatra captured top spot (Frank Sinatra Columbia I Believe (Sinatra) among the male singers. Perry Como (Louis Armstrong.. ..Victor second and Andy Russell third. Bing (Tex Beneke Victor My Heart Is a Hobo (Burke- VH).... 'rosby rated seventh. Margaret j Ray Noble Columbia HEADLINES 'hiting topped the female vocalists, Dreams Are Dime Dozen (Criterion). Vaughn Monroe Victor ..ith Peggy Lee second and Jr - ^ss=Sm\ By WILLIAM SCOTT (^RIFFIT^| (Margaret Whiting. ..Capitol ord. third. Dinah Shore was^' Old Devil Moon (Crawford) } Charlie Spivak Victor lorothy Shay was 10th'.. id JEAN SABLON are only klddin After Graduation Day (T. B. Harms)..,, Sammy Kaye Victor Small combo ribbon • •tit the ing Cole Trio, which » -1., When I Write My Song (Exclusive) Herb Jeffries Exclusive Tomorrow (Morris) ......... Charlie Spivak Victor Ask Anyone Who Knows (Witmark) Margaret Whiting Capitol 1 Wonder Who's Kissing Her (E. B. Marks Perry Como.. Victor Sloop Bleep (Morris) .« .Danny Kaye Decca. Ie Vous Arnie (Crawford) i'Andy Russell Capitol LadyFrom 29 Palms (Martini j Freddy Martin Victor Come to MardI Gras (Southern > ( Dick- Jurgcns Columbia ) Three Suns Victor Portland, Oregon Radio Advertiser (Cir. 3,000) Oltltll.S I It AS- >l I MC Auu 1947 • 37i Jock's* Jukes and Disks SUN. <v SONGBIRDS IN THE EVENING Baltimore, Md. ^ By George Frazier Slarsarrt Whiting does one of her [athcr'a tunes. "My Future Just Passed." and a new number, "You on her latest Capitol.' She handles "Future" with considerable Heeling, but we wish she and Frank eVol had taken it at a brisker | tempo. Their version has a tendency ig. "You Do." an extract from iar Wore Tights," strikes us •r the better face. ecorad: s By HUNT RYAN Park Avenue Voice rl ,rT "•° "^ Yv"t" - "' SINGS (CipiUl, tour ten- inch records).' : Miss Whiting'i voice is strictly Park Avenue. Sometimes she gets a torchy moan in her tones, but always in a refined way. Her sing- ing is not always Warmhearted but lt is alwaysjftylish. Frank Pe Vol and hi', mriir ira (five out with an accompaniment sug- lic!>'<r"""'r'sh""' ',"V','v.,""w.,;i"",'/'".'i *"i'ra-° ««••»/ "*«/««/«>• >,>„, *,.„.«„,/..•• < KOIK, gesting whlte- tip- and tall*. San> , ollywood, Calif, pies from' the, set: "Little Girl I i . I <- r.>»hy»n CM 15 each Monday. II .- dnrsday and Friday ..„.„,'„« a, S:30. Th.- > Blue," I'This Cant Be %Ove,"l itizen News »mg to the music of Jerry (.ray „,„t his orchestra. Sponsor: Camphrll soups. "My Heart Stood S ., ' and. the Cir. 30,000) best disk in the albutn, "Thou ' Swell." T^LBBBBBBBBBH JUL 1 1947 r- T'^Cl ; Paramo nt Pictures' subsid. Famous Music, has permitted Beverly Music 11 .HI v Shayne- Dick HaymVs' firm i to revive the late Dick Whit- The Observation Ifta's tunc. ".My Future Just Passed." Famous owns the copyright, and mains it of course, and will merely tender Beverly a slice of earnings from lalter's effort Famous apparently was indifferent about reprising Post (1947) the tune itself. Already Haymes has disked it for Decca, as has the late composer's daughter, Margaret Whiting, for Capitol. Another etching is NrWYflRllr'july l.- Burden- Ronnie Kemper's, version for Signature. ed w| h\ lhe*atom bomb, tormented by lie cries of the hungry, plagued w.th labor unrest, th* world in 1947 has turned hack the clock to remcrrtWP $fi»r and hap- d is m a n pier days, . |» fly t li j: I test in the wACfcpllsongs that " the singers of^*w*ry arc ol- • fering again fox sale. Crosby, Sin- atra. Como. Dinah Shore. M«rgM» i et Whiting. Jo Stafford" and all By Harry Crocker trU' tin natrcU aren t singing* 'new songs; they're > ringing the songs that your Pop and Ma used From CROCKERY— to hum. ... The name bands are playing old songs, and Decca, Co- POST- GAZETTE A complete set of stilt pictures lumbia, and Victor are engraving in which 15 Los Angeles City r the jte Pittsburgh, Pa. them on platters for firemen appear with Ginger Rog- whgjj^BI boxes, because that is ers and Cornel Wilde . her- public wants, and in ,1 ,fM7 sent by Don Hartman, producer- matter, John Q. Publi [termining voice. director of "It Had to Be Yon," • * • to the fhe department archives. Good albums Capitol's "Mar- Voice of Broadway garet Whiting Sings Rogers and -By Dorothy^ Kilgallen- Hart" and "Dick Haymes Sou venir Album." Jo^tings in Pencil EW tpHK — Jean Stlblon, ihe French thrush, and Ntoaragretre t " . Whiting, the U. S. •JTalB, ait - kinging "Je t'aime' to e&'ch other. .
Recommended publications
  • Purches Collection a to Z List of Principal Artists and Performers
    Purches Collection A to Z List of Principal Artists and Performers Organization of this list: The principal performer is listed surname first in bold type with role/s in (parentheses); after the forward slash / any associated performers, or groups are listed; for groups using a pseudonym the 'real name’ / identity of group is shown in [square brackets] ; the original Cutter number (assigned to most performers who were primarily featured on the recordings) is listed on the far right hand side. A Aaronson, Irving (Bandleader) - A111 Abrams, Irwin (Bandleader) - A161 Adler, Larry (Harmonica) - A236 Adrian, Lou (Orchestra) / Eddy Howard (Vocal) Adrian's Ramblers (Danceband) / Adrian Rollini (Bandleader) Alamo, Tony (Vocal) / Sammy Kaye (Bandleader) Alberts, Al (Vocal) / The Four Aces (Vocal) Alexander, Archie (Bandleader) / George Barclay (Vocal) Les Allen (Vocal) Alexander, Jeff (Chorus, Choir)/ Bing Crosby (Vocal), Frank Sinatra (Vocal) Alfredo (Bandleader) - A391 Allen, Bob (Vocal) / Hai Kemp (Bandleader) Allen, Fred (Vocal)/ Bing Crosby (Vocal) Allen, Gracie (Comedienne)/ George Bums (Comedian) Allen, Henry 'Red' (Bandleader) - A425 Allen, Les (Vocal) - A427 Allen, Rosalie (Vocal) / Elton Brett (Vocal) Allen, Terry (Vocal) / Red Norvo (Bandleader) Alley, Ben (Vocal) All Star Band - A4412 All Star Orchestra - A4415 All Star Stompers - A4418 Alper, Rose (Vocal) / Joe Loss (Bandleader) Alston, Ovie (Vocal) / Claude Hopkins (Bandleader) Ambassador Trio, The (Vocal) / Gus Arnheim (Bandleader) Ambassadors, The (Danceband) - A491 Ambrose (Bandleader)
    [Show full text]
  • The Sam Eskin Collection, 1939-1969, AFC 1999/004
    The Sam Eskin Collection, 1939 – 1969 AFC 1999/004 Prepared by Sondra Smolek, Patricia K. Baughman, T. Chris Aplin, Judy Ng, and Mari Isaacs August 2004 Library of Congress American Folklife Center Washington, D. C. Table of Contents Collection Summary Collection Concordance by Format Administrative Information Provenance Processing History Location of Materials Access Restrictions Related Collections Preferred Citation The Collector Key Subjects Subjects Corporate Subjects Music Genres Media Formats Recording Locations Field Recording Performers Correspondents Collectors Scope and Content Note Collection Inventory and Description SERIES I: MANUSCRIPT MATERIAL SERIES II: SOUND RECORDINGS SERIES III: GRAPHIC IMAGES SERIES IV: ELECTRONIC MEDIA Appendices Appendix A: Complete listing of recording locations Appendix B: Complete listing of performers Appendix C: Concordance listing original field recordings, corresponding AFS reference copies, and identification numbers Appendix D: Complete listing of commercial recordings transferred to the Motion Picture, Broadcast, and Recorded Sound Division, Library of Congress 1 Collection Summary Call Number: AFC 1999/004 Creator: Eskin, Sam, 1898-1974 Title: The Sam Eskin Collection, 1938-1969 Contents: 469 containers; 56.5 linear feet; 16,568 items (15,795 manuscripts, 715 sound recordings, and 57 graphic materials) Repository: Archive of Folk Culture, American Folklife Center, Library of Congress, Washington, D.C. Summary: This collection consists of materials gathered and arranged by Sam Eskin, an ethnomusicologist who recorded and transcribed folk music he encountered on his travels across the United States and abroad. From 1938 to 1952, the majority of Eskin’s manuscripts and field recordings document his growing interest in the American folk music revival. From 1953 to 1969, the scope of his audio collection expands to include musical and cultural traditions from Latin America, the British Isles, the Middle East, the Caribbean, and East Asia.
    [Show full text]
  • Download Booklet
    120762bk DorseyBros 14/2/05 8:43 PM Page 8 The Naxos Historical labels aim to make available the greatest recordings of the history of recorded music, in the best and truest sound that contemporary technology can provide. To achieve this aim, Naxos has engaged a number of respected restorers who have the dedication, skill and experience to produce restorations that have set new standards in the field of historical recordings. Available in the Naxos Jazz Legends and Nostalgia series … 8.120625* 8.120628 8.120632* 8.120681* 8.120697* 8.120746* * Not available in the USA NAXOS RADIO Over 70 Channels of Classical Music • Jazz, Folk/World, Nostalgia www.naxosradio.com Accessible Anywhere, Anytime • Near-CD Quality 120762bk DorseyBros 14/2/05 8:43 PM Page 2 THE DORSEY BROTHERS Personnel Tracks 1, 3 & 4: Bunny Berigan, trumpet; Tracks 8-11: Manny Klein & unknown, trumpet; ‘Stop, Look and Listen’ Original 1932-1935 Recordings Tommy Dorsey, trombone; Jimmy Dorsey, Tommy Dorsey, Glenn Miller, trombones; clarinet, alto sax; Larry Binyon, tenor sax; Jimmy Dorsey, clarinet, alto sax; unknown, alto Whether you call them The Fabulous or The over to the newly formed American Decca label. Fulton McGrath, piano; Dick McDonough, sax; Larry Binyon (?), tenor sax; Fulton Battling Dorsey Brothers, Tommy (1905-1956) In the two knock-down drag-out years that guitar; Artie Bernstein, bass; Stan King, drums McGrath (?), piano; Dick McDonough, guitar; and Jimmy Dorsey (1904-1957) were major followed, the Dorseys produced some Track 2: Bunny Berigan, trumpet; Tommy Artie Bernstein (?), bass; Stan King or Ray influences on the development of jazz in the outstanding and exciting jazz, all the while Dorsey, trombone; Jimmy Dorsey, clarinet; McKinley, drums 1920s and ’30s.
    [Show full text]
  • North Castle History Volume 12
    Armonk's Log Cabin gained greatest fame in Big Band Era. Vol 111 The North Castle Historical Society 1985 The Jazz World in Armonk North Castle's First Subdivision 1935 - 1942 North Castle's Early Transportation The xrth Castle Fstorical Society Bedford Road, Armonk, New York 10504 PRESIDENT'S MESSAGE Dear Members and Friends, The lifeblood of The North Castle Historical Society is the volunteer. Whatever success we have achieved in membership growth, fundmising, building restoration, educational programs, historical exhibitions, library services and a host of routine maintenance chores is primarily due to dedicated and available volunteers. The record of volunteer accomplishments is impressive and heartwarming. lmpressiue as the record is, thne are still uniimited horirons before us - horizons that can be yeached only with additional volunteer help. Whatever talents you have to offer, whatever time you want to contribute -somewhere in the Society's many endeavors and operations is a place where you can make a meaningful contribution. Come, join us! Make a commitment! If that is more than you are ready for now, how about a short-term trial? We would appreciate hearing from you. For more information, stop by the Tavern any Tuesday morning, or give me a call. Thank you. s7Y/9A Guy H. Papale THEJAZZ WORLD IN ARMONK - 1935-1942 By James D. Hopkins Photo: Collection of Sybil Hussar Big Band jazz flourished in the 19301s and early '40's all over the country. Jazz is of course the original contribution of America to the art of music. It was slow in coming, compounded as it was from the rhythm and blues of black sources, with additions of creole songs, Scotch-Irish folk ballads and country hoe-down.
    [Show full text]
  • BENNY GOLSON NEA Jazz Master (1996)
    1 Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. BENNY GOLSON NEA Jazz Master (1996) Interviewee: Benny Golson (January 25, 1929 - ) Interviewer: Anthony Brown with recording engineer Ken Kimery Date: January 8-9, 2009 Repository: Archives Center, National Museum of American History, Smithsonian Institution Description: Transcript, 119 pp. Brown: Today is January 8th, 2009. My name is Anthony Brown, and with Ken Kimery we are conducting the Smithsonian National Endowment for the Arts Oral History Program interview with Mr. Benny Golson, arranger, composer, elder statesman, tenor saxophonist. I should say probably the sterling example of integrity. How else can I preface my remarks about one of my heroes in this music, Benny Golson, in his house in Los Angeles? Good afternoon, Mr. Benny Golson. How are you today? Golson: Good afternoon. Brown: We’d like to start – this is the oral history interview that we will attempt to capture your life and music. As an oral history, we’re going to begin from the very beginning. So if you could start by telling us your first – your full name (given at birth), your birthplace, and birthdate. Golson: My full name is Benny Golson, Jr. Born in Philadelphia, Pennsylvania. The year is 1929. Brown: Did you want to give the exact date? Golson: January 25th. For additional information contact the Archives Center at 202.633.3270 or [email protected] 2 Brown: That date has been – I’ve seen several different references. Even the Grove Dictionary of Jazz had a disclaimer saying, we originally published it as January 26th.
    [Show full text]
  • 17. Big Bands of the 19505
    17. Big Bands of the 19505 he big bands were losing their great popularity in Anthony, meanwhile went into the Navy in 1942 for the early 1950s for many reasons, most of them four years. Teconomic. But there were a number ofbig bands After World War II, Anthony returned to Cleveland, still recording and some were still touring. Two of the formed another band, and signed a contract with Capitol most popular were from Greater Cleveland and one, Records. It was during this period, the late 1940s, that launched in 1952, performed not only for a high school there was a revival of Glenn Miller music. Anthony prom in Cleveland, but also with the Cleveland began playing many of the old Miller tunes, including Orchestra. his own arrangement of "Tuxedo Junction." His band was not playing much jazz, but it did swing at times and Ray Anthony became very popular, making dozens of records and Anthony was born playing countless college proms. For his recording Raymond Antonini in dates, Anthony frequently used top studio jazz Bentleyville, musicians including Conrad Gozzo, Georgie Auld, Pennsylvania January Skeets Herfurt, Mel Lewis and Plas Johnson, who later 20, 1922 and moved played Clevelander Henry Mancini's "Pink Panther to Cleveland with Theme" for the movie soundtrack. Anthony's most his parents and five popular record was the theme song of a popular radio brothers when he and television series Dragnet. was very young. His Leading a band through the 1950s, Anthony helped father, who led a extend the big band era. He eventually settled in band in Cleveland, California and in the 1980s was conducting a mail order gave him trumpet service for big band and jazz records.
    [Show full text]
  • Rochester TV Guide; March 10-16, 1951
    15c JIMMY O'FLYNN'S LIFE STORY .... MARCH 10-16, . 1951 COLUMBIA OPEN DAILY FROM 10 A. M. to 9 P. M. Zenith Giant - Circle or Rectangular TV Screens- Marvels for Performance! Zenith TV Prices Start at $209.95 • • . Want to enioy TV at its best? Then get TV Set a new TODAY! Columbia presents the fol- lowing shows for your TV e nferfainmenf 4 WAYS TO PAY AT COLUMBIA Sun.-Who Said That? I. No down payment--30 day 3. No down payment- on at 10:30 charge. Immediate delivery Co lumbia's Eq uity Plan. Mon .-Speak-up at 8:30 and installation. Delivery of merchandise Tue.-Cinderella Weekend 2. 90 day terms. No interest when 25% down payment at 9:00 or carrying charges. Im· is complete. Wed.- Bob Turn r Sport mediate delivery and in- 4. 25% down-balance with- Show a t 7:30 stallation. in 65 weeks. Immediate delivery. Fri .- Atk th Kids! at 7:30 Sat.---Wrestling Matches at 10:30 ROCHESTER'S TV AND APPLIANCE CENTER 77 Clinton Ave. So. * from Crib to Camera ... JIMMY O'FLYNN "TV TWINKLING STAR" *The most talked-about youngster in Rochester today is a blue-eyed, taffy-haired* tyke blessed with the disposition of a puppy and the courage of a lion. His name is James Michael O'flynn-or "Jimmy" as he is known to his thous- ands of devoted television friends. Jimmy O'Flynn is not an ordinary boy. A great deal has happened in his six short years-more, possibly, than should ever happen to any youngster.
    [Show full text]
  • 2Nd Fry- Lin.Numbers
    Table 1 Name Artist Comments Bei Mir Bist Du Schon The Andrews Sisters Med / More bippy than boppy Fly Me To The Moon The Don Miller Orchestra Slow / Jazzy String of Pearls Jerry Gray Med / Classic / Crackly, cant be noisy in room Mama Loves Papa Bing Crosby Med Happy Sweet Pea Amos Lee Slow / perfect Ain't That a Kick In the Head Dean Martin Med Happy Wade in the Water Eva Cassidy Slow / Dreamy Just Dance Scott Bradlee & Postmodern Jukebox MedSlow / boss A Wink and a Smile Harry Connick Jr. Slow / Smooth You've Got a Friend In Me (Wheezy's Version) Robert Goulet Med/Fast Fun Too Marvelous for Words Billie Holiday Lindy. Med, smooth, tinny In The Mood Glenn Miller Orchestra Med / Classic Singin' in the Rain (with Count Basie) Joe Williams & Count Basie Fast, playful, smooth Solid as a Rock Ella Fitzgerald Med / Poppy Your Feet's Too Big Fats Waller Slow, playful, fun pauses Don't Sit Under the Apple Tree The BBC Big Band Orchestra Fast / Thin / Happy **Seven Nation Army (feat. Haley Reinhart) Scott Bradlee's Postmodern Jukebox Lexy's Pennsylvania 6-5000 Glenn Miller and His Orchestra Lindy. Classic, Med 720 In The Books Jan Savitt and His Orchestra Med / Great old recording Hit That Jive Jack Fast / Smooth A Kiss to Build a Dream On (Single Version) Louis Armstrong Late night Yes Indeed (L) Tommy Dorsey Orchestra Kind of dies at 1:20 until about 1:35 Devil's Dance Big Bad Voodoo Daddy MedFast / Dixie Fun Lindyhop 5 Alarm Music Med Anthem Hello, Dolly! Louis Armstrong & His All Stars Med/Fast, classic Good Morning Jan Savitt and His Top Hatters Med / Perfect T'ain't What You Do Fats Waller Med / Very Fats Cheek to Cheek Ella Fitzgerald Slow / Smooth Mack the Knife Bobby Darin Mack the Knife.
    [Show full text]
  • T-86 1959 Heart Foundation with Jack Benny 15 Ex Syn T
    T-86 1959 HEART FOUNDATION WITH JACK BENNY 15 EX SYN T-198 ABBOTT AND COSTELLO #103 WITH RUDY VALLEE 2/15/1945 AFRS 30 VG-EX AFRS T-258 ADVENTURE TRAIL #1 STAMPED ON THE CHISUM TRAIL 3/22/1946 15 EX SYN T-147 ADVENTURES OF MARCEL 9/28/1950 NBC 30 EX SYN T-121 ALDRICH FAMILY, THE #64 (VERY SCRATCHY) 5/11/1944 AFRS 30 AFRS T-293 AMERICAN RED CROSS 1948 WITH DICK HAYMES 15 EX T-294 AMERICAN RED CROSS 1948 WITH FRANK SINATRA 15 EX T-315 AMOS AND ANDY #5 THE BEAUTY CONTEST AFRS 30 EX AFRS T-316 AMOS AND ANDY THE LORDS PRAYER 5 EX SYN T-199 ARCH OBOLER'S PLAYS THE PARADE 8/2/1945 MUT. 30 EX SYN T-241 AVENGER. THE HIGH SPEED MURDER 12/9/1941 30 EX SYN T-242 BABY SNOOKS #76 PICKING HORSES 2/3/1946 AFRS 30 EX SYN T-140 BABY SNOOKS #133 VACATION 4/28/1946 AFRS 30 VG+ AFRS T-112 BEULAH NEICE 5/18/1954 CBS 15 EX SYN T-113 BEULAH NEICE IS STILL VISITING 5/19/1954 CBS 15 EX SYN T-104 BEULAH FLOWER CONTEST 5/24/1954 CBS 15 EX SYN T-105 BEULAH FLOWER CONTEST 5/25/1954 CBS 15 EX SYN T-106 BEULAH FLOWER CONTEST 5/28/1954 CBS 15 EX SYN T-107 BEULAH PICNIC 5/31/1954 CBS 15 EX SYN T-110 BEULAH TOWN STAGE SHOW (DISC SKIP AT FIRST) 6/1/1954 CBS 15 EX SYN T-111 BEULAH PTA FUND RAISING SHOW 6/2/1954 CBS 15 EX SYN T-108 BEULAH MOVIE DIRECTOR 1954 CBS 15 EX SYN T-109 BEULAH APRIL SHOWERS 1954 CBS 15 EX COM T-114 BEULAH THE LODGE 1952 CBS 15 EX SYN T-115 BEULAH SUMMER VACATION 1952 CBS 15 EX SYN T-317 BEURAU OF AERONAUTICS, U.S.
    [Show full text]
  • WU Spring 2019
    201Spring S9emester JANUARY THROUGH APRIL Hello and thank you for your interest in Watermark University! The foundation of Watermark University (WU) is to provide meaningful opportunities to learn, teach and grow, resulting in a life of overall well-being. Research shows that learning and keeping our mind active and sharp supports healthy aging. At Watermark Retirement Communities® we are committed to encouraging our residents and associates to lead balanced lives, full of meaning and purpose, grounded in self-awareness and infused with curiosity. Our Watermark University courses help achieve this goal. By focusing on the Seven Dimensions of Well-being: Physical, Social, Intellectual, Spiritual, Emotional, Environmental, and Vocational, we offer the opportunity to achieve a balanced life and we see the benefits across the country in every class, every day. Sincerely, Patty Jo Groenendaal Patty Jo Groenendaal Community Life Director COURSES FACULTY DAY AND TIME LOCATION 2018 World Series Friday, February 8th Candice Polaikis Multi Purpose Room Champions 11:00 am The Boston Red Sox 2018 Worlds Series Champions. Learn about the exciting years of the team and about their journey that led them to the World Series. Find out the history, stats and some of the key players of this team. Saturday, April 20th Acrylic Painting Class Diana Furman Multi Purpose Room 2:00 pm Diana will walk you through a step by step painting program. You will be surprised with the masterpiece you will have created within the hour with your own two hands. The Art of Napkin Wednesday, April 16th Dining Associates Gardens Folding 2:00 pm The Art of Napkin Folding- is something fun and useful for every day.
    [Show full text]
  • The Jerry Gray Story
    THE JERRY GRAY STORY THE JERRY GRAY STORY “The Jerry Gray Story” has been compiled to provide researchers and music fans an overview of the musical life of Jerry Gray (1915-1976) following his discharge from the US Army Air Force in late 1945. This chronology documents all known daily activities, media articles, commercial recording sessions, transcription library recording sessions, radio broadcasts, film productions, television appearances, theater appearances, and personal appearances of Jerry Gray post-WWII. This encompasses three primary locations and time frames: The New York City Years 1945-1947; The Hollywood Years 1947-1969; and The Dallas Years 1969-1977. These are presented as: Part 01 - 1945-1946 Part 02 – 1947 Part 03 – 1948 Part 04 – 1949 Part 05 – 1950 Part 06 – 1951-1952 Part 07 – 1953-1954 Part 08 – 1955-1960 Part 09 – 1961-1968 Part 10 – 1969-1977 Additionally, we will eventually include as: Part 11 – Song Index Part 12 – Location Index Part 13 – Artist Index Part 14 – Recording Session Index Part 15 - Discography This is a work-in-progress. There are still many items, articles, stories, photographs, and label scans to be reviewed and confirmed. They will be included in future versions. As of today, our full work product is about 2,342 pages and 526,447 words. Events are posted chronologically. However, like topics are grouped together when possible [such as record reviews and media reports of a specific event]. Recording sessions will show only the matrix number and the primary released recordings for each song. Part 1 - Page 2 of 200 Part 15 - Discography to follow will document all known commercial and transcription recording sessions and radio/film/television/personal performances and their known releases in detail.
    [Show full text]
  • “Big Band News”
    OCTOBER 2016 “BIG BAND NEWS” COMPILED BY MUSIC LIBRARIAN CHRISTOPHER POPA A COUPLE DOZEN NEW COMPACT DISCS SPECTACULAR SPIVAKS, MARVELOUS MAYNARDS “Charlie Spivak At The King Charles Room” Music Boutique CD-R If you can get only one of the month’s five Spivak CDs, pick this. It’s Charlie and his fine 12-piece big band in a South Carolina recording studio in 1967, including Stardreams and This Is No Laughing Matter. “A Night At Ye Olde Fireplace” Charlie Spivak Music Boutique CD-R Recorded live in 1968. Like the rest of these, originally on the 3C’s label, named for Charlie, his musician and friend Charlie Russo, and Charlie Gribbs, owner of the restaurant where Spivak was appearing. Charlie Spivak “...just good music” Music Boutique CD-R Covers of mostly then-recent chart hits like Raindrops Keep Falling On My Head, (Where Do I Begin?) Love Story, It’s Too Late, Rainy Days and Mondays, If, and Joy to the World, recorded in a studio in 1972. Charlie Spivak “Most Requested” Music Boutique CD-R Crowd pleasers taped live on-location in 1973. Charlie offers several spoken introductions added afterwards. But the “bonus” track, Waiting, recorded for King in 1952, doesn’t belong with these. “Spivak’s Music From The 40s To The Top 40” Charlie Spivak Music Boutique CD-R I’m impressed that Charlie kept up with the current pops such as It Was Almost Like A Song, though the best cuts are Tippin’ In, A Very Precious Love, and Close to You. Eddy Duchin and His Orchestra “’Heart and Soul’” Crystal Stream Audio (Aus) IDCD 338 A generous compilation of 27 Duchin 78s made for Victor, Brunswick, or Columbia between 1936 and 1941, with the expected Heart and Soul and Ol’ Man Mose, and still others that were tunes of the day.
    [Show full text]