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ON the NET 24 Hours in Cyberspace
MARCH 1996 $5.75 E2.00 NNW ./ JO' . f r TIE INTERNATIONAL .+' TECHNICAL MAGAZINE FOR PRO AUDIO, POSTPRODUCTION & BROADCAST EXCLUSIVE ON THE NET 24 Hours in Cyberspace 03 HO 9 77014/.59401 7 www.americanradiohistory.com Oizce in a while a product comes along that is so unique, so powerful, that it c_ianges the way we look at things. Such a product is the Ap_iex 661 Compressor Limiter- creating a new standard by combining four Aphex irtventior s. A skillfully engineered instrument of unprecedented tlexib_lity, ea ;e of use and sonic eecellence. Tubessence® - true vacuum tube technology and warmth; High Frequency Expander (HFX)TM for automatically retaining the high frequencies lost during compression; Easyrider® circuitry for an Auto mode that really works; and the world's best VCA - the Aphex 1001, the fastest, most accurate and transparent available. The Aphex Model 661 - another revolutionary step toward improving the way the world sounds. APHEX Improving the way the world soundsd sm Tel: 818 -767 -2929, Fax: 818 -767 -2641 Y A T I V 11068 Randall Street, Sun Valley, CA 91352 www.americanradiohistory.com Editorial Tim Goodyer redesigns humans to suit today's machines Soundings Show news from MacWorld Expo, a report from the (AS (onference and developments from around the world of pro -audio International Columns Reports from Studio Sounds columnists in Europe, America and the Far East Hoboken's Waterfront Studio boasts two classic early 1970s EMI World Events The only exhaustive show and convention consoles and a wealth of unusual vintage -
How Does It Sound Now ? Legendary Engineers and Vintage Gear
How Does It Sound Now? Legendary Engineers and Vintage Gear Gary Gottlieb Course Technology PTR A part of Cengage Learning Australia . Brazil . Japan . Korea . Mexico . Singapore . Spain . United Kingdom . United States How Does It Sound Now? © 2010 Course Technology, a part of Cengage Learning. Legendary Engineers and Vintage Gear ALL RIGHTS RESERVED. No part of this work covered by the copyright herein Gary Gottlieb may be reproduced, transmitted, stored, or used in any form or by any means Publisher and General Manager, Course graphic, electronic, or mechanical, including but not limited to photocopying, Technology PTR: Stacy L. Hiquet recording, scanning, digitizing, taping, Web distribution, information Associate Director of Marketing: Sarah networks, or information storage and retrieval systems, except as permitted 107 108 1976 Panella under Section or of the United States Copyright Act, without the prior written permission of the publisher. Manager of Editorial Services: Heather Talbot Marketing Manager: Mark Hughes For product information and technology assistance, contact us at Cengage Learning Customer & Sales Support, 1-800-354-9706 Acquisitions Editor: Orren Merton Project Editor/Copy Editor: Cathleen D. For permission to use material from this text or product, submit all Small requests online at www.cengage.com/permissions Further permissions questions can be emailed to Editorial Services Coordinator: Judy [email protected] Littlefield Interior Layout Tech: MPS Limited Cover Designer: Mike Tanamachi All trademarks -
State of the Industry
METAlliance ON AI’S IMPLICATIONS FOR PRODUCTION MUSIC—PAGE 25 Desert Island Mics PAGE 27 news Volume 40 No. 10 www.prosoundnetwork.com October 2018 Recording prosoun 18 Dave Grohl’s STATE OF THE INDUSTRY Epic Play This summer, Foo Fighters frontman Dave Grohl released a 23-minute solo SOUND REINFORCEMENT RECORDING track, “Play,” performing all seven instruments in single, unbroken takes. BY CLIVE YOUNG BY STEVE HARVEY Engineer Darrell Thorp reveals how it all went down. ll industries are dependent on the state of the economy. ast year was the third straight year of growth for the The sound reinforcement business is no different— global record business, with music sales up from 2016 A which means it’s been going full steam ahead this year, L by over 8 percent, to $17.3 billion, according to the powered in part by low unemployment and a public in a spend- annual report released in April by IFP, which represents the thrift mood. recording industry worldwide. Streaming was at the heart of The U.S. Consumer Sentiment Index, tracked by the Uni- those figures, with digital revenues accounting for the first versity of Michigan, hit 96.2 in August, not far from the 101.4 it time for just over half of industry income around the world. reached in March—the highest point it’s hit since 2004. Despite “We’re in a renaissance now,” says Glenn Swan, man- signs of inflation starting to kick in, consumers are feeling good ager and director of music production for Premier Studios in about spending money, citing future income and job stabil- New York City. -
Juvenile Detention "Sound City" Crimes, We Cannot Abandon These Children to a Cell
Headlight Written by the students of Marblehead High School for our school and community mhsheadlight.weebly.com Juvenile Detention "Sound City" crimes, we cannot abandon these children to a cell. Dan Rosenberg Whether it be through re-education, therapy, or any Review other type of rehabilitation, we have a responsibility Editor-in-Chief, Junior to help these lost children, not relegate them to a cell for the rest of their lives. There are some scary things going on in the world The inherent purpose of juvenile courts is to not today. Looking at CNN, there are stories about the only punish for past crimes, but to prevent further Meredith Piela threat of the North Korean nuclear program, bomb- ones. Instead of harsher punishments, more pre- ings in Afghanistan, and turmoil in the economy. emptive measures is the better tactic to take in Field Correspondent, Sophomore But a story that struck me recently was one involv- regards to youth crime. Improvement of schools in ing two preteens, who conspired to hurt a fellow high-risk neighborhoods is the first step. More edu- “The following three weeks changed my classmate. The interesting thing about this story was cation, and safer school environments, is a deterrent life forever,” said Dave Grohl, at the that these children, these fifth graders, were being against a youth descending into crime. The second beginning of his documentary, "Sound City." tried as adults in court. I found this astounding that, step is decreasing the availability of firearms, drugs, Grohl was talking about his visit to the even with such a heinous crime, these children and other vices to adolescents.