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University of Warwick institutional repository: http://go.warwick.ac.uk/wrap A Thesis Submitted for the Degree of PhD at the University of Warwick http://go.warwick.ac.uk/wrap/1200 This thesis is made available online and is protected by original copyright. Please scroll down to view the document itself. Please refer to the repository record for this item for information to help you to cite it. Our policy information is available from the repository home page. 20 'that whyche ys nedefoulle and nesesary': The Nature and Purpose of the Original Furnishings and Decoration of Hardwick Hall, Derbyshire Two Volumes (Volume One) Gillian White A thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy in the History of Art University of Warwick, Centre for the Study of the Renaissance March 2005 CONTENTS Volume One List of Tables and Illustrations page i Acknowledgements Declaration vii Abstract Chapter One: Introduction 1 Bess of Hardwick and Hardwick Hall 4 Existing Studies of Hardwick and the Scope for New Work 15 Chapter Two: The Social Architecture of Hardwick Hall 29 The Layout of Hardwick New Hall 31 The Layout of Hardwick Old Hall 34 The Social Organisation of Space at Hardwick 46 Chapter Three: The Furnishings of Hardwick Hall as Physical Objects 65 The 1601 Inventory and the Will of Bess of Hardwick 66 Wall-Hangings 80 Carpets 99 Beds 112 Furniture 136 Pictures 157 Conclusion 180 Chapter Four: The Furnishings and Decoration of Hardwick Hall as Iconographical Objects 182 The Assertion of Identity -
Aristocratic Women at the Late Elizabethan Court: Politics, Patronage and Power
Aristocratic Women at the Late Elizabethan Court: Politics, Patronage and Power Joanne Lee Hocking School of Humanities, Department of History University of Adelaide November 2015 Table of Contents Abstract i Thesis declaration iii Acknowledgments iv List of Abbreviations v Chapter 1 Introduction 1 Chapter 2 The Political Context, 1580-1603 28 Chapter 3 The Politics of Female Agency: 54 Anne Dudley, Countess of Warwick Chapter 4 The Politics of Family and Faction: 132 Anne, Lady Bacon and Elizabeth, Lady Russell Chapter 5 The Politics of Favour: the Essex Women 195 Chapter 6 Conclusion 265 Appendices Appendix A – the Russell family 273 Appendix B – the Dudley family 274 Appendix C – the Cooke family 275 Appendix D – the Devereux family 276 Appendix E – Countess of Warwick’s 277 Patronage Network Appendix F –Countess of Warwick’s will 292 Bibliography 305 Abstract This thesis examines the power of aristocratic women in politics and patronage in the final years of the Elizabethan court (1580 to 1603). Substantial archival sources are analysed to evaluate the concepts of female political agency discussed in scholarly literature, including women’s roles in politics, within families, in networks and as part of the court patronage system. A case study methodology is used to examine the lives and careers of specific aristocratic women in three spheres of court politics – the politics of female agency, the politics of family and faction, and the politics of favour. The first case study looks at Elizabeth’s long-serving lady-in-waiting, Anne Dudley, Countess of Warwick, and demonstrates that female political agents harnessed multiple sources of agency to exercise power at court on behalf of dense patronage networks. -
Redalyc.Henry Constable's Sonnets to Arbella Stuart
SEDERI Yearbook ISSN: 1135-7789 [email protected] Spanish and Portuguese Society for English Renaissance Studies España Pérez Jáuregui, Ma Jesús Henry Constable’s sonnets to Arbella Stuart SEDERI Yearbook, núm. 19, 2009, pp. 189-202 Spanish and Portuguese Society for English Renaissance Studies Valladolid, España Available in: http://www.redalyc.org/articulo.oa?id=333527606009 How to cite Complete issue Scientific Information System More information about this article Network of Scientific Journals from Latin America, the Caribbean, Spain and Portugal Journal's homepage in redalyc.org Non-profit academic project, developed under the open access initiative Henry Constable’s sonnets to Arbella Stuart Mª Jesús Pérez Jáuregui University of Sevilla ABSTRACT Although the Elizabethan poet and courtier Henry Constable is best known for his sonnet-sequence Diana (1592), he also wrote a series of sonnets addressed to noble personages that appear only in one manuscript (Victoria and Albert Museum, MS Dyce 44). Three of these lyrics are dedicated to Lady Arbella Stuart – cousin-german to James VI of Scotland–, who was considered a candidate to Elizabeth’s succession for a long time. Two of the sonnets were probably written on the occasion of Constable and Arbella’s meeting at court in 1588, and praise the thirteen-year old lady for her numerous virtues; the other one seems to have been written later on, as a conclusion to the whole book, implying that Constable at a certain moment presented it to Arbella in search for patronage and political protection. At a time when the succession seemed imminent, Constable’s allegiance to the Earl of Essex, who befriended Arbella and yet sent messages to James to assure him of his circle’s support, raises the question of the true motivation of these sonnets. -
A Companion to the Cavendishes
A COMPANION TO THE CAVENDISHES Companions Arc Humanities’ Reference Works bring together the best of international research in authoritative edited collections that have enduring beneit to scholars and students alike. Topics are carefully selected to stand the test of time and, in the best cases, these works are consulted for decades. The program includes historical, textual, and material source books, readers for students that collate and curate required essays for courses, and our Companions program. Arc’s Companions program includes curated volumes that have a global perspective and that earn their shelf space by their authoritative and comprehensive content, up-to- date information, accessibility, and relevance. As well as providing an overview of the topics, contributing authors are encouraged to challenge the status quo and recognize con- tentious issues and cutting- edge concerns. The Companions acknowledge diversity and inclusivity and open students up to the idea that research is evolving, debatable, and contested and not always deinitive. FOR PRIVATE AND NON-COMMERCIAL USE ONLY A COMPANION TO THE CAVENDISHES Edited by LISA HOPKINS and TOM RUTTER For Chris and Sam, and for Sophie, Caedmon, and Aphra British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library. © 2020, Arc Humanities Press, Leeds The authors assert their moral right to be identiied as the authors of this work. Permission to use brief excerpts from this work in scholarly and educational works is hereby granted pro- vided that the source is acknowledged. Any use of material in this work that is an exception or limitation covered by Article 5 of the European Union’s Copyright Directive (2001/29/ EC) or would be determined to be “fair use” under Section 107 of the US Copyright Act September 2010 Page 2 or that satisies the conditions speciied in Section 108 of the US Copyright Act (17 USC §108, as revised by PL 94– 553) does not require the Publisher’s permission. -
The Duchess' Privy Chamber
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by bepress Legal Repository The Duchess’ Privy Chamber: Early Modern Marriage and the Eviction of Women from the Public Sphere in The Duchess of Malfi 1 Carla Spivack In December of 1603, several months after the coronation of James the Sixth of Scotland as Jam es the First of England, John Harington, a failed courtier from Elizabeth’s reign - her godson, in fact - was summoned, as others, to the new monarch’s “closet” - the innermost and most private of the many royal chambers - for an introduction. For Haringt on, it was an opportunity to greet the new king and set the stage for improving his fortunes under the new regime. After waiting an hour, he was led to a small chamber where pens and paper were laid out, and the King quickly appeared. James asked whether Harington were related to a courtier of the same name whom James had recently made a baron, and inquired about Harington’s education, bringing to Harington’s mind his “examiner at Cambridge aforetyme.” The king posed the philosophical question of “what pure witte [white] was made of” and “whom it best became.” Finally, James turned to one of his favorite subjects at the time, witchcraft, and asked Harington why “the devil did worke more with anciente women than with others.” In response, Harington risked a “scurvey jeste,” and suggested that it was because, as scripture tells us, “the devil walketh in dry places.” Presumably after a chuckle, the King went on to other matters and concluded by promising to further aid the “understanding” of his courtier if he could.2 This vignette, I believe, reveals that a profound shift in gender relations and the role of women in public life took place at the time of the Jacobean succession. -
Arbitration and Elite Honour in Elizabethan England: a Case Study of Bess of Hardwick Symposium
Journal of Dispute Resolution Volume 2016 Issue 1 Article 5 2016 Arbitration and Elite Honour in Elizabethan England: A Case Study of Bess of Hardwick Symposium Francis Calvert Boorman Follow this and additional works at: https://scholarship.law.missouri.edu/jdr Part of the Dispute Resolution and Arbitration Commons Recommended Citation Francis Calvert Boorman, Arbitration and Elite Honour in Elizabethan England: A Case Study of Bess of Hardwick Symposium, 2016 J. Disp. Resol. (2016) Available at: https://scholarship.law.missouri.edu/jdr/vol2016/iss1/5 This Conference is brought to you for free and open access by the Law Journals at University of Missouri School of Law Scholarship Repository. It has been accepted for inclusion in Journal of Dispute Resolution by an authorized editor of University of Missouri School of Law Scholarship Repository. For more information, please contact [email protected]. Boorman: Arbitration and Elite Honour in Elizabethan England: A Case Study Arbitration and Elite Honour in Elizabethan England: A Case Study of Bess of Hardwick Dr. Francis Calvert Boorman* ABSTRACT: During the 1580s, Queen Elizabeth I intervened in a marital dispute between two of her foremost subjects, George Talbot, Earl of Shrewsbury and his wife, com- monly referred to as Bess of Hardwick. The Queen appointed several of her Privy Councillors to negotiate a reconciliation. These events provide a case study of the use of arbitration and mediation in resolving familial disputes among the elite of Elizabethan England, and their particular application by the Queen and her closest advisers. This article also highlights the importance of contemporary conceptions of gender and honour to dispute resolution. -
Submitted in Fulfilment for the Degree of Doctor Of
Submitted in fulfilment for the degree of Doctor of Philosophy in English, Brunel University, London February 2018. Title: Re-Reading Women’s Patronage: The Cavendish/Talbot/Ogle Circle Name: Collette Wheeler Primary Supervisor: Prof. James Knowles Secondary Supervisor: Prof. William Leahy Word Count: 108,263 1 | P a g e Re-Reading Women’s Patronage: The Cavendish/Talbot/Ogle Circle. 2 | P a g e Contents Acknowledgements 5 1. Introduction 7 2. Elizabeth Talbot, Countess of Shrewsbury: The Beginning of the Hardwick/Cavendish Legacy 78 3. The Rise, The Fall, and The Rise Again: The Political Failures and Successes of the Next Generation of Cavendish Women 121 4. The Newcastle Cavendishes: The Role of William Cavendish and his first Wife Elizabeth Bassett on the Continuance of and Alteration to the Cavendish Family Legacy 172 3 | P a g e 5. Creating Their Own Writing Through Their Pen: The Importance of Writing in the Cavendish Family and its Uses for Lady Jane Cavendish and Lady Elizabeth Bassett 232 6. Conclusion 298 Bibliography. 306 4 | P a g e Acknowledgements I suppose first and foremost I must pay homage to the women whose lives I have researched for this thesis and whom I have come to admire for their strength, self-awareness and attitude. To have led such lives that 400 years later are still worthy of attention is truly a feat of achievement. The Cavendish women have opened my eyes, all these years later, not only about what women during their own period were capable of, but what women today can be capable of as well. -
The Cases of Lady Mary Grey and Lady Arbella Stuart
LIVES AND LETTERS, VOL. 4, NO. 1, AUTUMN 2012 Female Captivity and the Rhetoric of Supplication: The Cases of Lady Mary Grey and Lady Arbella Stuart Abstract: This article examines the epistolary production of two high-ranking women, Lady Mary Grey and Lady Arbella Stuart, who experienced various forms of captivity. It argues that they inhabited a carceral milieu where both men and women were exposed to the possibility of periodic imprisonment. Both Grey and Stuart were obsessed with the notion of liberty and its obverse, the ever present threat of captivity or execution that overshadowed their lives. Male and female prisoners sought to improve their lot by securing an intercessor to plead on their behalf, thereby manipulating the patronage system to their advantage. Pressures on these women drove them to retreat into a fantasy world. Attention is also paid to the rhetorical strategies used in their letter-writing, including an appeal to ethos (good character) and pathos (emotions) that were privileged at the expense of logos (reason). The article focuses on comparative analysis of the different rhetorical styles deployed by Grey and Stuart, and charts how Stuart’s linguistic usage varied according to changes in her personal circumstances. Key Words: Captivity, liberty, patronage system, rhetorical strategies, pleading, fantasy Biography: Dr Alison Thorne is a Senior Lecturer in English at the University of Strathclyde. She is the author of Vision and Rhetoric in Shakespeare (Basingstoke, Hampshire: Macmillan Press, 2000); Alison Thorne (ed.), Shakespeare’s Romances (Basingstoke, Hampshire: Palgrave Macmillan, 2003). She is co-editor with Jennifer Richards and contributor to Rhetoric, Women and Politics in Early Modern England (London and New York: Routledge, 2007), as well as co-editor of a special issue on ‘The Rhetoric of Complaint: Ovid’s Heroides in the Renaissance and Restoration’, Renaissance Studies, vol. -
Seeing Through Costume
Actes des congrès de la Société française Shakespeare 26 | 2008 Costume et déguisement dans le théâtre de Shakespeare et de ses contemporains Seeing Through Costume Stephen Orgel Electronic version URL: http://journals.openedition.org/shakespeare/1464 DOI: 10.4000/shakespeare.1464 ISSN: 2271-6424 Publisher Société Française Shakespeare Printed version Date of publication: 20 December 2008 Number of pages: 87-106 ISBN: 2-9521475-5-8 Electronic reference Stephen Orgel, « Seeing Through Costume », Actes des congrès de la Société française Shakespeare [Online], 26 | 2008, Online since 20 December 2008, connection on 10 December 2020. URL : http:// journals.openedition.org/shakespeare/1464 ; DOI : https://doi.org/10.4000/shakespeare.1464 © SFS Costume et déguisement dans le théâtre de Shakespeare et de ses contemporains actes du Congrès organisé par la SOCIÉTÉ FRANÇAISE SHAKESPEARE les 13, 14 et 15 mars 2008 textes réunis par Pierre KAPITANIAK sous la direction de Jean-Michel DÉPRATS COUVERTURE : Edouard Lekston, William en carton et ses habits à découper, 2008 [email protected] conception graphique et logo Pierre Kapitaniak © 2008 Société Française Shakespeare Institut du Monde Anglophone Université de Paris III – Sorbonne Nouvelle 5 rue de l’École de Médecine 75006 Paris www.societefrancaiseshakespeare.org Tous droits de traduction, de reproduction et d’adaptation réservés pour tous les pays SEEING THROUGH COSTUME Stephen ORGEL Disguises in Elizabethan drama are always presumed to be impenetrable, effectively concealing the self, whereas costume is designed to adorn the self, to make the self more strikingly recognizable. Both concepts are essential elements of theater, though costume, as a defining feature of almost any social role, is also essential to the functioning of every human culture. -
Riddling the Body Politic in the Broken Heart
Connotations Vo!. 6.3 (1996/97) "I am not Oedipus": Riddling the Body Politic in The Broken Heart USA HOPKINS In 1988 Verna Ann Foster and Stephen Foster published an extremely incisive article in English Literary Renaissance in which they argued that close parallels between the situation in John Ford's play The Broken Heart, and the political history of the later years of Elizabeth I, made Ford's Sparta a clear analogue for Elizabethan England.1 In particular, they pointed, as others have done before, to similarities between the tragic love-stories of Ithocles and Calantha and Orgilus and Penthea, and the real-life histories of the Earl of Essex, his sister Penelope Devereux, and the Queen herself. This, they suggested, is essentially the "truth" to which Ford refers in his prologue to the play.2 They also perform the very unusual critical manoeuvre of reading The Broken Heart partially in relation to Ford's later play Perkin Warbeck, which dramatises the negotiations for the marriage of Margaret Tudor to James N of Scotland;3 this enables them to argue that the two works together represent both the beginning and the end of the dynastic path which eventually took the Stuart dynasty to the English throne.4 While agreeing substantially with every point of the Fosters' very telling analysis, I should like to take it one step further, by arguing that a concern about the relationships between different nations is not confined to The Broken Heart, or even to Perkin Warbeck, but is a recurrent element of Ford's dramatic work as a whole. -
Introduction Lisa Hopkins
Introduction Lisa Hopkins I n the mid - seventeenth century Lady Jane Cavendish, daughter of the earl of Newcastle, wrote a poem entitled ‘On my honourable Grandmother Elizabeth Countess of Shrewsbury’. 1 It ran as follows: Madam You weare the very Magazine of rich With spirit such & wisdome which did reach All that oppos ’ d you, for your wealth did teach Our Englands law, soe Lawyers durst not preach Soe was your golden actions, this is true As ever will you live in perfect veiw Your beauty great, & you the very life And onely patterne of a wise, good wife; But this your wisdome, was too short to see Of your three sonns to tell who great should bee Your eldest sonn your riches had for life ’Caus Henry wenches loved more then his wife Your second children had, soe you did thinke On him your great ambition fast to linke Soe William you did make before your Charles to goe Yet Charles his actions hath beene soe Before your Williams sonn doth goe before Thus your great howse is now become the lower And I doe hope, the world shall ever see The howse of Charles before your Williams bee For Charles his William has it thus soe chang ’ d As William Conquerer hee may well bee named And it is true his sword hath made him great Thus his wise acts will ever him full speak. 2 Bess of Hardwick: new perspectives In both its accuracies and its inaccuracies, this poem off ers a neat summation of what was known and thought about Bess of Hardwick during her own lifetime and in the generation or so after her death. -
443 444 Hamlet Apollo–Beza
INDEX QUEEN. Ay me, what act, That roars so loud, and thunders in the Index —Hamlet (3.4.58–59) Aaron (Titus Andronicus), 146, 211, 231, 315 All Hallows Eve, 287, 316 Abel, 214, 373, 383, 387, 395 Alleyn, Edward, and acting 46, 109, 117, Abigail (The Jew of Malta), 56, 149 421; known as Roscius, 271, 381; in Ed- Achilles, 247 ward III, 109; and Fortune theatre, 167, Act of Conformity, 214 417; and Marlowe, 128; as the “upstart Act to Restrain Players, 196 Crow,” 127, 128, 386–387, 413; and Ur- Act of Supremacy, 27, 41 Hamlet, 271; and the Player in Hamlet, Act of Uniformity, 41, 166, 214, 320 271, 325, 421; and London spectacle, 335 Acteon, 365 Allen, Cardinal William, 239 Actors. See Theater: The London Stage. All’s Well That Ends Well (Shakespeare), 359 Acts (New Testament), 412 Alymer, Bishop John, 42, 112 Acts and Monuments (Foxe), 144 America, 95, 293, 320 Adam, 257, 337, 395 Amintae Gaudia (Watson), 132, 146 Admiralty, 95, 97 Amleth, Prince of Denmark (Saxo Gram- Admonition (Cartwright), 213 maticus), 187–189, 209, 251, 296, 297, Admonition (Field and Wilcox), 379 307, 308, 365 Adonis, 130, 131, 250, 297, 338 Amlodhi, 294 Adriana (Comedy of Erro r s), 139, 140, Amores (Ovid), 124 262, 315 Anabaptists, 48, 51 Advancement of Learning (Bacon), 120 Ancient Liberties, 21, 288, 315 Aeneas, 56, 146, 184, 243, 270, 289, 356, Andromeda, 291, 227, 376 382, 400, 421 Anglican, 407 Aeneid (Virgil), 30, 104, 146, 154, 206, Anne, Queen, 154–155, 176, 199, 274 209, 243, 270, 322, 353, 357, 423 Anti-Martin Marprelate, 57, 145, 212, 239 Aeschylus,