MATT BROWNE, D.M.A 310 First Ave. Apt. 8A, New York, NY, 10009 • (719) 651-8943 • [email protected] • www.mattbrownecomposer.com

EDUCATION ACADEMIC DEGREES Doctor of Musical Arts in Composition 2013-2016 University of Michigan at Ann Arbor Certificate in Music Theory Pedagogy Mentors: Walter Everett, Karen Fournier Cognates: Music Theory, Musicology, Performing Arts Technology, Electronic Music, Arts Administration and Entrepreneurship. Master of Music in Composition 2011-2013 University of Michigan at Ann Arbor Bachelor of Music in Composition 2007-2011 University of Colorado at Boulder

Magna Cum Laude PRIMARY COMPOSITION INSTRUCTORS Michael Daugherty, Evan Chambers, Kristin Kuster (University of Michigan) Carter Pann, Daniel Kellogg, Richard Toensing, John Drumheller, Jeffrey Nytch (University of Colorado) PRIMARY CONDUCTING INSTRUCTORS Alan Pierson (Alarm Will Sound)

Allan McMurray, Matt Roeder (University of Colorado)

PROFESSIONAL DEVELOPMENT COMMISSIONS AND PROJECTS 2021 Forthcoming commission, Omaha Opera Poetry and Music Project 2021 Forthcoming commission, Coda’s Journey, educational work for orchestra and theater players 2021 Forthcoming commission, Zelda, a chamber opera based on the later lives of F. Scott and Zelda Fitzgerald 2021 Forthcoming commission, Fantasy Etudes, for the Sinta Quartet 2020 Omaha Opera Poetry and Music Project 2019 States of Mind for Percussion Quartet, commissioned by Hannah Weaver at the Eastman School of Music 2019 The Course of Empire, Symphony No. 1 commissioned by the Santa Rosa and Eugene Symphonies 2018 Termite Terrace, for sax sextet and concert band commissioned by the Moanin’ Frogs 2017 Cabinet of Curiosities (wind version), consortium organized by the U. of Miami Wind Ensemble – Miami, FL 2017 List of Lights, brass quintet fanfares commissioned by the Michigan Lighthouse Landmark Legacy 2017 Eclipse, commissioned by a consortium of high school and university concert bands 2017 Pentimento, commissioned by the Johnstown Symphony Orchestra – Johnstown, PA 2017 Evidence of a Violent Struggle on a Frozen Landscape, commissioned by Surfaces – Miami, FL 2017 On the Immortality of a Crab, written for the Copland House Ensemble 2016 Alcoholic Dissertations, commissioned by a consortium of 19 saxophonists 2016 Conversation Piece, commissioned by the Michigan Music Teachers’ Association ______1. Matthew Browne – Curriculum Vitae

COMMISSIONS AND PROJECTS (con’t.) 2016 Writers’ Room, written for Alarm Will Sound 2015 Warm Summer Sun, commissioned by Harold Rosenbaum and the New York Virtuoso Singers 2012 Three Doggerel Dances, commissioned by a consortium of high school bands

AWARDS AND HONORS 2020 Winner, New Classics International Competition of the Moscow Conservatory 2017 Winner, ASCAP Foundation Rudolf Nissim Prize 2016 Honorable Mention, ASCAP/CBDNA Frederick Fennel Prize 2016 Winner, Michigan Music Teachers’ Association (MTNA) Commission 2016 Winner (Division 1), Tribeca Young Composer Competition 2016 Honorable Mention, ASCAP Foundation Rudolf Nissim Prize 2015 Winner, PUBLIQuartet PUBLIQ Access 2015 Winner, BMI Student Composer Composer Award 2014 Winner, ASCAP Morton Gould Young Composer Award 2014 Winner, New England Philharmonic Call for Scores 2014 Winner, American Viola Society Maurice Gardner Composition Award 2014 Second Place, Villiers Quartet New Works Composition Competition 2014 Finalist, Arapahoe Philharmonic Composer-In-Residence 2010-20 Multiple ASCAPLUS (ASCAP) Award Recipient 2008 Winner, CU Dean’s Undergraduate Commission Prize

NOTABLE PERFORMERS/ENSEMBLES Alarm Will Sound Albany Symphony American Opera Projects Copland House Ensemble Donald Sinta Quartet Indiana University Symphony Orchestra Michigan State University Symphony Band Minnesota Orchestra Milwaukee Symphony Orchestra New England Philharmonic New Jersey Symphony The New York Virtuoso Singers PRISM Quartet PUBLIQuartet SEVEN)SUNS Tesla Quartet University of Michigan Symphony Orchestra University of Miami Symphonic Wind Ensemble Villiers Quartet

NOTABLE PERFORMANCE VENUES DiMenna Center for Classical Music, New York, NY National Sawdust, New York, NY Orchestra Hall, Minneapolis, MN Grace Rainey Rogers Auditorium, Metropolitan Museum of Art (The MET), New York, NY ______2. Matthew Browne – Curriculum Vitae

NOTABLE PERFORMANCE VENUES (con’t.) Kings Place, London, UK Preston Bradley Hall, Chicago Cultural Center, Chicago, IL Experimental Media and Performing Arts Center (EMPAC), Troy, NY Richardson Auditorium, Princeton University, Princeton, NJ Tsai Performance Center, Boston University, Boston, MA Missouri Theater, University of Missouri, Columbia, MO Auer Hall, Jacobs School of Music, Bloomington, IN Wharton Center, Michigan State University, East Lansing, MI

COMPOSITION RESIDENCIES AND FELLOWSHIPS Composer-in-Residence, Omaha Opera – Omaha, NE Composer-in-Residence, Santa Rosa Symphony – Santa Rosa, CA Composer-in-Residence, Eugene Symphony – Eugene, OR Composer-in-Residence, Opera Omaha – Omaha, NB Guest Composer, Eastman School of Music – Rochester, NY Guest Composer, Garth Newel Music Center, Hot Springs, VA Resident Composer, Copland House CULTIVATE Fellowship – Mt. Kisko, NY Guest Composer, College-Conservatory of Music, University of Cincinnati Guest Composer, Eastman School of Music – Rochester, NY Guest Composer, Frost School of Music, University of Miami Resident Composer, Alarm Will Sound Mizzou International Composer Festival – Columbia, MO Resident Composer, New Jersey Symphony Edward Cone Composition Institute – Princeton, NJ Resident Composer, Albany Symphony ‘Composers to Center Stage’ Reading Session – Troy, NY Resident Composer, Minnesota Orchestra Composers Institute – Minneapolis, MN Guest Composer, Chamber Music Festival of Saugatuck Guest Composer, Michigan State University Resident Composer, Nief Norf Summer Festival – Greenville, SC

GUEST LECTURES AND PRESENTATIONS 2019-20 Composer-in-residence, Santa Rosa Symphony (Santa Rosa, CA) 2019-20 Composer-in-residence, Eugene Symphony (Eugene, OR) 2018 Guest lecture on my music/creative work, University of Miami Frost SoM (Coral Gables, FL) 2018 Guest lecture on my music/creative work, Grand Valley State University (Grand Rapids, MI) 2017 Guest lecture on my music/creative work, College-Conservatory of Music (Cincinnati, OH) 2016 Guest lecture on my music/creative work, University of Colorado (Boulder, CO) 2015 Guest lecture on my music/creative work, University of Indiana (Bloomington, IN)

JURIED CONFERENCE AND FESTIVAL PERFORMANCES Mar. 2018 North American Saxophone Alliance National Conference – Cincinnati, OH Sep. 2016 Michigan Music Teachers’ Association (MTNA) Conference Jun. 2016 Albany Symphony American Music Festival – Troy, NY Apr. 2016 Tribeca New Music Festival – New York, NY Feb. 2015 Florida State (FSU) New Music Festival – Tallahassee, FL Jun. 2014 American Viola Society Biennial Conference – Los Angeles, CA Mar. 2013 GAMMA-UT New Music Festival – Austin, TX Mar. 2013 Manchester University New Music Festival – North Manchester, IN 2011-2016 Midwest Composers Symposium – Ann Arbor, Cincinnati, Iowa City, Bloomington, IN

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OTHER CONFERENCE AND FESTIVAL PERFORMANCES Jul. 2018 Texas Bandmasters Association (TBA) Convention – San Antonio, TX Feb. 2018 College Band Directors National Association (CBDNA) Southern Div. Conference – Tampa, FL Mar. 2017 North American Saxophone Alliance Regional (NASA) – Fort Wayne, IN Mar. 2014 North American Saxophone Alliance Biennial (NASA) – Urbana, IL Jan. 2012 Navy Band International Saxophone Symposium

TEACHING EXPERIENCE UNIVERSITY TEACHING EXPERIENCE UNIVERSITY OF MICHIGAN (Ann Arbor) 2013-16 Graduate Student Instructor in Music Composition Taught COMP 421/422 (Creative Composition). This course was co-taught with Bright Sheng and Paul Schoenfeld (different terms). It covered the craft of composition though both lecturing on the topics of specific genres and facets of music, to private lessons on each individual students’ works. In addition, curated concerts of student works took place several times a semester. Also participated in planning meetings on how to structure the curriculum. 2015-16 Graduate Student Instructor in Music Theory Taught THEORY 239/240 (Aural Skills III/IV). Taught 1st and 2nd year aural skills. Also participated in planning meetings on how to structure the curriculum. 2015 UMich CRLT – Preparing Future Faculty Seminar Intensive, hands-on seminar offered by the Center for Research on Learning and Teaching. Subjects focused on are teaching strategies/plans, tenure-track considerations, and developing our own teaching philosophies and course syllabi. 2008-present Private Composition/Music Theory Studio Composition and Music Theory teacher and tutor. Ages 12-34 COMMUNITY TEACHING EXPERIENCE VILLAGE COMMUNITY SCHOOL (NYC) 2018-present Instructor, Young Composers and Improvisers Workshop Teach a course in music composition as a performing arts credit at the Village Community School in Greenwich Village, NYC. Uses YCIW curriculum and technology. Duties include weekly lecture and sectionals to rotation smaller groups of students, as well as the curation and execution of a mid-term workshop and end-of-year concert with the Metropolis Ensemble. YOUNG COMPOSERS & IMPROVISERS WORKSHOP (NYC) 2018-present Teaching Artist Travels between various schools utilizing the YCIW technology and curriculum and assists as needed, including running lectures and facilitating performance and rehearsal workshops/performances for student works.

THIRD STREET MUSIC SCHOOL (NYC) 2018-present Substitute Teacher in Music Theory and Composition Substitute taught courses in music theory and music composition to students ranging from the ages of 8-16. Subjects taught included part-writing, harmony, orchestration, and creative composition.

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SERVICE 2018-19 Member, American Opera Projects Composers & the Voice Alumni Committee Member of the AOP C&V alumni committee, volunteering to help with the next round of applications and advertising for the upcoming programs. 2014-15 Student Representative, UMich SMTD Dean Search Committee Student representative for the UM SMTD dean search committee. Research and interview applicants, and help make final hiring decision. 2011-15 Chair, UMich SMTD Student Composers Committee (MSCC) Organizes and runs all student composer concerts at UMich, on- and off-campus. 2012 Co-organizer, American Orchestras Summit II Does much of the behind-the-scenes work for the summit in Ann Arbor, MI, including travel arrangements and on-site services for guests. 2008-11 President, CU-Boulder College of Music Student Union Presides over the CMSU members, dealing with how to spend allotted money in any given semester to aid the music student body. 2007-11 Undergraduate Representative, CU Pendulum New Music Committee Goes over scheduling and logistics for each Pendulum New Music performance at CU- Boulder. Often aids in advertising as well.

OTHER PROFESSIONAL EXPERIENCE PROFESSIONAL AFFILIATIONS American Society of Composers, Authors, and Publishers (ASCAP) College Music Society (CMS) American Composers Forum/New Music USA

COPYING/ARRANGING WORK 2011-19 Music Copyist/Engraver for Michael Daugherty Music and Kristin Kuster 2018 Arranger for William Bolcom’s Gospel Preludes for Saxophone Ensemble 2017 Music Copyist/Engraver for Ethel Smyth’s The Prison for the Experiential Orchestra (EXO) 2016-18 Music Copyist/Engraver for William Bolcom and Warren Benson for Edward B. Marks Music 2016 Arranger for Alarm Will Sound’s Splitting Adams 2015-17 Music Copyist/Engraver for UMich Gershwin Initiative Critical Edition

SOFTWARE PROFICIENCY Logic, Pro Tools, Cubase, Audacity, Garage Band – Digital Audio Workstations (DAW) Sibelius, Finale, Dorico – Music Notation Software Final Cut Pro, Adobe Premiere, iMovie – Video Editing Software Adobe Photoshop – Photo Editing Software Adobe Dreamweaver – Website Editing Software Microsoft Office, Google Drive, Adobe Creative Suite

OTHER RELEVANT EXPERIENCE 2016-19 Administrative/Project Coordinator, PRISM Quartet Organize performances and presentation of PRISM’s work via online communication. Represent PRISM at the CMA conference. Also help organize and run the Prism Quartet’s New York City performances, several a year. ______5. Matthew Browne – Curriculum Vitae

OTHER RELEVANT EXPERIENCE (con’t.) 2012-13 Computer Consultant, UMich SMTD Helped keep all the faculty computers up to date and working. Assisted in faculty computer upgrades as well. 2011-12 Production Intern, University Musical Society (UMS) Aided the Artist Services coordinator in behind-the-scenes concerns (such as airport transportation) for performers during UMS shows in Ann Arbor. 2010-11 Box Office Assistant, CU Concerts Box Office Sold tickets to patrons, as well as ran the Will Call booth for many performances. 2009-11 CU Concerts Crew – Recording Technician/Stage Manager Either audio recorded CU music school concerts using Pro Tools or carried out light cues and/or stage changes for performances.

PRESS SELECTIONS 7.20.2016 Town Topics (Princeton, NJ), Review: “Browne’s music captured the vast and cold environment of Antarctica, with the piece building in intensity as one would stand on the glacier and take in more and more of the expansive view. Browne’s orchestral color was shaded with raindrops of percussion, a punctuating harp, and lean strings, as well as sweet melodies from violist Frank Foerster, cellist Ted Ackerman, and concertmaster Eric Wyrick. In the full symphonic sound of the NJSO, one could sense the wonder of the unexplored Antarctic terrain.” http://www.towntopics.com/wordpress/2016/07/20/new-jersey-symphony-orchestra-presents- works-by-the-next-generation-of-composers/ 1.20.2016 Star Tribune (Minneapolis, MN), Review: “Mathew Browne’s terrific Barnstorming Season suggests that music can be lighthearted and serious at the same time. Browne evokes the airshows of the 1920s, ‘flying circuses,’ wherein The 12th Street Rag keeps collapsing into raucous chaos.” http://www.startribune.com/future-classics-priceless-for-young-composers/367104161/ 5.9.2015 Boston Classical Review (Boston, MA), Review: “Browne unabashedly embraced Hollywood’s lush orchestral idiom as he evoked the order and chaos of space, the planets secure in their orbits until the occasional violent collision disrupts everything and creates something entirely new, such as Earth’s moon or Saturn’s rings. Familiar cinematic grooves—the pounding drums, the big string tune, the action scene driven by staccato brass, the klezmer-style clarinet—orbited and collided in Browne’s eventful piece.” http://bostonclassicalreview.com/2015/05/new-england-philharmonic-closes-season-in-eclectic- fashion-with-a-vores-premiere/ 9.24.2014 What’s on London (London, UK), Review: “The outstanding work of the evening was Matthew Browne’s String Quartet No.1 ‘A Penumbral Eclipse’. Beautifully crafted and considered, atmospheric gradients set off magnificently by searing phraseology. The composer took inspiration from his experience of a lunar eclipse, as suggestive of the eclipse of “the vast majority of our experiences…” An exquisite lightness of touch only enhanced in performance: a natural elegance impossible to contrive, slipping and sliding between the most ebullient of harmonisations. Colours at the last shone brightly, polished-off with hearteningly jazzy Swing.” http://www.whats-on- london.co.uk/review/villiers-quartet-new-works-competition/ 6.14.2014 Journal of the American Viola Society (Los Angeles, CA), Review: “Clocking in at just four minutes, Exit is a swift, breathless, virtuosic showstopper that would be an ideal closer for any recital. Not an easy piece by any means, Ng handled the challenges effortlessly in this riveting performance.” http://studio.americanviolasociety.org/journal/files/2014/08/JAVS-Summer-2014.pdf

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PRESS SELECTIONS (con’t.) 11.10.2013 Journal Sentinel (Milwaukee, WI), Review: “The evening ended with Matthew Browne's "How the Solar System Was Won," a musical homage to the film work of Stanley Kubrick. Making good use of Kubrick's penchant for juxtaposition, Browne created a compelling piece that moved suddenly from ethereal passages to driving rhythms and from delicate whispered lines to big, bold full- orchestra sounds.” http://archive.jsonline.com/entertainment/arts/milwaukee-symphony-plays-program-of-new- works-by-young-composers-b99137641z1-231353991.html

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REFERENCES Michael Daugherty Steven Mackey Professor of Composition Professor of Composition University of Michigan Princeton University Department of Music School of Music, Theater, and Dance 316 Woolworth Center 1100 Baits Drive Princeton, NJ 08544 Ann Arbor, MI 48109 P: (609) 258-4243 P: (734) 276-0614 E: [email protected] E: [email protected]

Kristin Kuster Kevin E. Korsyn Professor and Chair of Composition Professor of Music Theory University of Michigan University of Michigan School of Music, Theater, and Dance School of Music, Theater, and Dance 1100 Baits Drive 1100 Baits Drive Ann Arbor, MI 48109 Ann Arbor, MI 48109 P: (917) 674-7707 P: (734) 764-5578 E: [email protected] E: [email protected]

Mark Clague Jeannette Miller Associate Professor of Musicology Music Specialist and Music Dept. Coordinator Director of Entrepreneurship and Career Services Village Community School Associate Dean for Academic & Student Affairs 272 W 10th St. Editor-in-Chief, Gershwin Initiative New York, NY 10014 University of Michigan P: (646) 334-3293 School of Music, Theater, and Dance E: [email protected] 1100 Baits Drive Ann Arbor, MI 48109 P: (734) 647-9416 E: [email protected]

Walter Everett Carter Pann Professor of Music Theory Professor of Composition University of Michigan University of Colorado School of Music, Theater, and Dance 301 UCB 1100 Baits Drive Boulder, CO 80309 Ann Arbor, MI 48109 P: (970) 819-2494 P: (734) 763-2039 E: [email protected] E: [email protected]

Derek Bermel Robert Carnochan Composer, Director of Cultivate Copland House Director of Wind Ensemble Activities E: [email protected] Conductor of the Frost Wind Ensemble University of Miami Frost School of Music 1314 Miller Drive Coral Gables, FL 33146 P: (305) 284-2211 E: [email protected]

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LIST OF WORKS ORCHESTRAL Symphony no. 1 The Course of Empire (2019) for Symphony Orchestra – 35 minutes Commissioned by the Santa Rosa Symphony and Eugene Symphony Premiered 02/2020 by the Santa Rosa Symphony, Francesco Lecce-Chong, conductor Performed 03/2020 by the Eugene Symphony, Francesco Lecce-Chong, conductor Pentimento (2017) for Symphony Orchestra – 8 minutes Commissioned by the Johnstown Symphony Premiered 11/2017 by the Johnstown Symphony, James Blachly, conductor Writers’ Room (2016) for Sinfonietta – 8 minutes Premiered 07/2016 by Alarm Will Sound, Alan Pierson, conductor Farthest South (2015) for Symphony Orchestra – 8 minutes Read 06/2016 by the Albany Symphony, David Allan Miller, conductor Premiered 07/2016 by the New Jersey Symphony, David Robertson, conductor Cabinet of Curiosities (2015-16) for Saxophone Quartet and Orchestra – 25 minutes DMA Dissertation at the University of Michigan, Ann Arbor Premiered 04/2016 by the Donald Sinta Quartet and the UMich School of Music SWARM (2015) for String Orchestra – 8 Minutes Premiered 11/2015 by the Indiana University Chamber Orchestra Barnstorming Season (2014) for Symphony Orchestra – 7 Minutes Performed 1/2016 by the Minnesota Orchestra, Osmo Vänskä, conductor Premiered 2/2015 by the University of Michigan Symphony Orchestra Winner of a 2015 BMI Student Composer Award How the Solar System Was Won (2012) for Symphony Orchestra – 8 Minutes Performed 5/2015 by the New England Philharmonic Performed 7/2014 by the Arapahoe Philharmonic Performed 11/2013 by the Milwaukee Symphony Orchestra Premiered 2/10/2013 by the University of Michigan Symphony Orchestra Winner of a 2014 ASCAP Morton Gould Award Concerto (2009) for Violoncello and Youth Orchestra – 20 Minutes Premiered 12/2009 by the CU Campus Orchestra and Anna Seda, Cello Rhapsody (2007) for Alto Saxophone and Symphony Orchestra – 18 Minutes Recorded 12/2007 by CU Symphony Orchestra Sinfonietta (2006) for Orchestra – 8 Minutes Recorded 5/2007 by the Lewis-Palmer HS Symphonic Band

WIND ENSEMBLE/BAND Termite Terrace (2018) for Saxophone Sextet and Concert Band – 10 minutes Commissioned by The Moanin’ Frogs Saxophone Sextet Performed 07/2018 by The Moanin’ Frogs and the US Air Force Band of the West Eclipse (2017) for Concert Band – 8 minutes Cabinet of Curiosities (2017) for Saxophone Quartet and Wind Ensemble – 25 minutes Barnstorming Season (2016) for Wind Ensemble – 7 Minutes Alcoholic Dissertations (2016) for Alto Saxophone and Chamber Winds – 20 Minutes Three Doggerel Dances (2012) for Soprano Saxophone and Concert Band – 11 Minutes Commissioned by a consortium of high school band directors Performed 12/11/2012 by Palmer Ridge HS Wind Ensemble Performed 2/6/2013 by the Elizabeth HS Concert Band

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Kill Screen (2010) for Wind Ensemble – 6 Minutes Special distinction in 2016 ASCAP Rudolf Nissim Prize Performed 4/2016 by University of Michigan Concert Band Performed 10/2015 by South Carolina Symphonic Winds Performed 11/2014 by Michigan State University Symphony Band Recorded 4/2010 by University of Colorado Wind Ensemble Starry Night over the Rhone (2008-9) for Concert Band – 6 Minutes Premiered 5/2009 by Palmer Ridge HS Wind Ensemble March Locrianus (2008) for Concert Band – 5 Minutes Recorded 9/2008 by the CU Campus Band Nightingale the Robber (2008) for Wind Ensemble – 12 Minutes Recorded 4/2008 by the CU Wind Ensemble

CHAMBER States of Mind (2019-20) for Percussion Quartet – 20 Minutes Commissioned by the Eastman School of Music Percussion Studio Premiered 06/2020 by the Eastman School of Music Percussion Studio Breathless (2018) for Alto Saxophone (or Clarinet) and Percussion – 10 Minutes Fever Dream (2017) for String Trio and Jazz Quartet – 7 Minutes Lisztomania (2017) for Piano Solo – 6 Minutes Written for the Jeannette Fang and the Garth Newel Music Center On the Immortality of a Crab (2017) for Clarinet, Violin, Cello, and Piano – 6 Minutes Written for the Copland House CULTIVATE Composer Workshop Correspondences (2016) for Violin and Piano – 7 Minutes Commissioned by the Chamber Music Festival of Saugatuck Turbulent Flow (2015) for Flute or Saxophone Solo – 4 Minutes Performed 6/2013 by Neal Postma, Saxophone – Beijing, China List of Lights (2015-17) for Brass Quintet – 5 Minutes Commissioned by the Michigan Lighthouse Landmark Legacy If I told Him (2014) for Narrator, Flute, Violin, Violoncello, and Percussion – 7 Minutes Commissioned by Erika Boysen, Flute Conversation Piece (2014) for Violin and Violoncello – 9 Minutes Commissioned by the Michigan Music Teachers’ Association States of Mind, II. Those Who Go (2014) for Percussion Quartet and Piano – 5 Minutes Performed 6/2014 by at the Nief Norf Summer Festival – Furman University Great Danger, Keep Out (2013) for String Quartet – 5 Minutes Written for the Tesla Quartet Winner of a 2015 PUBLIQ Access award Two Fractals (2013) for Bassoon and Piano – 6 Minutes Performed 4/2013 by Scott Bartlett (Bassoon) and Jeanette Fang (Piano) SWARM (2013) for Nine Saxophones – 8 Minutes Performed 3/2014 by the DSQ and others at the North American Sax Alliance Premiered 4/2013 by the Donald Sinta Quartet and the UM saxophone studio. Exit, Pursued by a Bear (2012) for Viola or Cello Solo – 4 Minutes Performed 1/2015 by Pamela Ryan, Viola – FSU New Music Festival Performed 6/2014 by Jarita Ng, Viola – American Viola Society Primrose festival Performed 3/2013 by Andrew Stiefel, Viola – GAMMA UT Performed 12/16/2012 Juliette Herlin, Cello – U of M Performed 12/18/2012 Andrew Briggs, Cello – Juilliard Winner of the 2014 American Viola Society Maurice Gardner Award ______10. Matthew Browne – Curriculum Vitae

Who Are We This Time (2012) for String Quartet – 6 Minutes Thought Disorders (2012) – for Piano Solo – 10 Minutes Premiered 10/22/2012 by Cezarre Strydom, Piano Dementophobia (2011) for Two Saxophones and Percussion Quartet – 8 Minutes Premiered 1/29/2012 by UM Students Ancient Machines (2010-11) for Saxophone Quartet – 7 Minutes Performed 5/2015 by the Fiero Saxophone Quartet Performed 4/2012 by the Black Label Saxophone Quartet Premiered 10/2011 by the Elysium Saxophone Quartet On the Formation of the Cosmos (2010) for Baritone and Sextet – 10 Minutes Premiered 10/2010 by CU Students String Quartet 'A Penumbral Eclipse’ (2009) for String Quartet – 14 Minutes Finalist in the 2014 Villiers Quartet New Works Competition Premiered 5/2010 by the Tesla String Quartet Palinchrome (2009) for MIDI-controlled Player Piano – 2009 – 3 Minutes Premiered 3/2009 as part of a player piano installation Sonata (2008) for Alto Saxophone and Piano – 9 Minutes Premiered 1/2009 by Luis Zuniga, saxophone Variations on a Theme by Johannes Brahms (2007) for Octet – 8 Minutes Premiered 1/2008 by CU Students Ostinato (2005) for Saxophone Quartet – 5 Minutes Premiered 10/2006 by the Lewis-Palmer HS Sax Quartet

OPERA, CHORAL, AND VOCAL Coming From Afar (2020) Song Cycle for Solo Cello and Renaissance Vocal Quintet – 20 Minutes Premiered 5/2020 by Solis Singers and Amanda Gookin at The TANK, Rangely, Colorado Nebraska (2020) Song Cycle for Vocalists and Piano– 20 Minutes Commissioned by Opera Omaha Premiered 4/2020 by Opera Omaha Better Than It Sounds (2018) Opera for Actor, Soprano, Bass, and Piano– 20 Minutes Written for the American Opera Projects Composers and the Voice workshop Premiered 9/2018 by American Opera Projects Eldorado (2018) for Tenor and Piano – 3 Minutes Written for the American Opera Projects Composers and the Voice workshop Premiered 2/2018 by Blake Friedman Oread (2018) for Soprano and Piano – 3 Minutes Written for the American Opera Projects Composers and the Voice workshop Premiered 3/2018 by Tookah Sapper Beat! Beat! Drums! (2018) for Baritone and Piano – 5 Minutes Written for the American Opera Projects Composers and the Voice workshop Premiered 2/2018 by Mario Diaz-Moresco Feels Like Old Times (2017) for Mezzosoprano and Piano – 6 Minutes Written for the American Opera Projects Composers and the Voice workshop Premiered 1/2018 by Blythe Gaissert Levitt Dream Within a Dream (2017) for Soprano and Piano – 6 Minutes Written for the American Opera Projects Composers and the Voice workshop Premiered 1/2018 by Jennifer Goode Cooper In Flanders Fields (2017) for Bass-baritone and Piano – 6 Minutes Written for the American Opera Projects Composers and the Voice workshop Premiered 10/2017 by Adrian Rojas ______11. Matthew Browne – Curriculum Vitae

Warm Summer Sun (2015) for SATB Choir – 4 Minutes Commissioned by the New York Virtuoso Singers, Harold Rosenbaum, conductor Published by Peer Music Premiered 11/2015 by the New York Virtuoso Singers

OTHER Hello from the Children of Planet Earth (2015) Fixed Media Electronics The Women of Trachis (2012) Incidental Music Premiered 4/2012 In the Deathroom (2009) Film Score Premiered 5/2009

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