Black History Committee of Orange County, Inc

Total Page:16

File Type:pdf, Size:1020Kb

Black History Committee of Orange County, Inc HERITAGE SERIES/SERIE DE PATRIMONIOS BLACKCelebratingCelebrating HISTORY CELEBRANDO LA HISTORIA NEGRA SPONSORED BY THE BLACK HISTORY COMMITTEE OF ORANGE COUNTY, INC. bhcoc.com ORANGE COUNTY REGIONAL HISTORY CENTER HERITAGE SERIES BLACKCelebratingCelebrating HISTORY SPONSORED BY THE BLACK HISTORY COMMITTEE OF ORANGE COUNTY, INC. bhcoc.com The Orange County Regional History El Centro de Historia Regional del Center is proud to present these stories Condado de Orange se enorgullece en of African American men and women presentar estas historias de hombres y who achieved amazing accomplishments. mujeres afroamericanos por sus asombrosos Their contributions have been woven into logros. Sus contribuciones están entrelazadas the fabric of our state and community’s en el tejido de nuestra historia estatal y comunitaria. Esperamos que sus biografías history. We hope their biographies inspire le inspiren a conocer más acerca de cómo you to learn more about how their legacy su legado continúa siendo parte de nuestra continues to be a part of our everyday vida diaria. lives. CONTENIDOS CONTENTS Wallace “Wally” Amos .........................3 Wallace “Wally” Amos .........................3 Mary Ann Carroll ................................4 Mary Ann Carroll ................................4 Joseph and Wealthy Crooms ..............5 Joseph and Wealthy Crooms ..............5 Napoleon “Nap” Ford..........................6 Napoleon “Nap” Ford..........................6 Jonathan C. Gibbs ................................7 Jonathan C. Gibbs ...............................7 Father Nelson Pinder ..........................8 Father Nelson Pinder ..........................8 Lawrence Silas ......................................9 Lawrence Silas ......................................9 Dr. William Wells .................................10 Dr. William Wells .................................10 Artefacto: Fotografía del Dr. Martin Artifact: Dr. Martin Luther Luther King Jr. .....................................11 King Jr. Photograph ............................11 Artefacto: Pintura de un paisaje por Artifact: Alfred Hair Painting ............11 Alfred Hair ...........................................12 65 E. Central Blvd. • Orlando, FL 32801 407-836-8500 • thehistorycenter.org WALLACE “WALLY” AMOS Born in 1936 Nació en 1936 • Entrepreneur, talent agent • Empresario, agente de talentos ally Amos was born in Tal- ally Amos nació en lahassee, Florida. He is most Tallahassee, Florida. Es well known as the founder of conocido por ser el fundador Wa cookie company called Famous Amos. Wde la compañía de galletas Famous He started his career in the 1960s in Amos. Comenzó su carrera en la the entertainment industry and was a década de los 60 en la industria del successful talent agent who discovered entretenimiento y fue un exitoso Simon & Garfunkel and worked with agente de talentos que descubrió a other superstars. A decade into his Simon & Garfunkel y trabajó con otras entertainment career, he faced financial superestrellas. A diez años de su car- hardships that led him to create the rera en el mundo del entretenimiento, Famous Amos cookie empire, which se enfrentó a dificultades financieras was wildly successful! Today, he is in his que lo llevaron a crear el imperio de eighties and travels as a motivational galletitas Famous Amos, la cual fue speaker advocating children’s literacy. altamente exitosa! Hoy día, en sus ochenta años, viaja como orador DID YOU KNOW? motivacional abogando por la Wally Amos is also an author. alfabetización infantil. He has written ten books! ¿SABÍA USTED? Wally Amos es también un autor. ¡Ha escrito diez libros! History Center Heritage Series 3 MARY ANN CARROLL Born in 1940 Nació en 1940 • Painter • Pintora ary Ann Carroll was born in ary Ann Carroll nació en Georgia and moved to Fort Georgia y se mudó a Fort Pierce, Florida, when she was Pierce, Florida, cuando tenía 8 M8 years old. In the 1960s, she began Maños de edad. En los años 60, comenzó painting with a group of African a pintar con un grupo de artistas af- American artists who would later be roamericanos que luego serían conocidos known as the Florida Highwaymen. They como Florida Highwaymen. Pintaban painted colorful landscapes and traveled paisajes coloridos y viajaban a lo largo del across the state selling their paintings estado vendiendo sus pinturas a oficinas to doctor’s offices, banks, motels, and de médicos, bancos, moteles y otros other small businesses. It was a way establecimientos pequeños. Era una for them to make money during the forma de hacer dinero durante la era Jim Jim Crow era, when job opportunities Crow, cuando las oportunidades para for African Americans were extremely los afroamericanos era extremadamente limited. In 2004, the Highwaymen were limitada. En el 2004, los Highwaymen inducted into the Florida Artists Hall of fueron introducidos al Salón de la Fama Fame. de los Artistas de Florida. DID YOU KNOW? ¿SABÍA USTED? ¡Mary Ann Mary Ann Carroll is the only female Carroll es la única mujer artista Florida Highwaymen artist! componente de los Florida Highwaymen! 4 Celebrating Black History JOSEPH AND WEALTHY CROOMS Joseph, 1880-1957 Wealthy, 1886 -1982 • Educators/Educadores ogether, Joseph and Wealthy untos, Joseph y Wealthy Crooms Crooms founded the first high fundaron la primera escuela school for African Americans in secundaria para afroamericanos TSeminole County. Joseph, from Or- enJ el Condado de Seminole. Joseph, lando, and Wealthy, from Winter Park, de Orlando y Wealthy, de Winter donated land and paid for the Crooms Park, donaron la tierra y pagaron por la Academy to be built in order to bet- construcción de la Academia Crooms ter prepare black students for college. que prepararías estudiantes negros para Today, the academy has won national la universidad. Hoy día, la academia awards and is recognized as one of ha obtenido premios nacionales y es the country’s leading high schools in reconocida como una de las principales technology-based curriculum. Before escuelas secundarias de la nación con un creating the Crooms Academy, Joseph programa de estudios de base tecnológi- and Wealthy Crooms were leaders at ca. Antes de crear la Academia Crooms, the Hopper Academy, the only African Joseph y Wealthy Crooms eran líderes American school in Sanford at the time. en la Academia Hopper, la única escuela afroamericana en Sanford durante esos DID YOU KNOW? tiempos. The Croomses were close to the Hur- ston family and were the godparents of ¿SABÍA USTED? Los Crooms Zora Neale Hurston’s brother Clifford. eran allegados a la familia Hurston y fueron los padrinos de Clifford, el hermano de Zora Neale Hurston. History Center Heritage Series 5 NAPOLEON “NAP” FORD 1927 – 1998 • Educator, Orlando City commissioner • Educador, Comisionado de la Ciudad de Orlando apoleon “Nap” Ford is consid- apoleon “Nap” Ford es consid- ered an Orlando hero. He was erado un héroe de Orlando. Fue an educator for 20 years and educador por 20 años y ense- Ntaught at Jones High School, Winter Nñaba en las Escuelas Secundarias Jones Park High School, and the University y Winter Park, y en la Universidad de of Central Florida. He served on the Florida Central. Sirvió en el Consejo de Orlando City Council for 18 years, la Ciudad de Orlando por espacio de 18 representing District 5. Before coaching años, representando al Distrito 5. Antes youth sports, he was one of the city’s de ser entrenador de equipos deportivos best post-World War II baseball players! juveniles, era uno de los mejor jugadores He played with the Jackie Robinson All- de béisbol de la ciudad luego de la II Stars team in a post-season exhibition Guerra Mundial! Jugó con el Equipo de game at Carter Street Park in 1949. Estrellas Jackie Robinson en un juego de exhibición fuera de temporada en el DID YOU KNOW? Parque de la Calle Carter en 1949. Nap Ford helped Arthur “Pappy” Kennedy win the 1972 election ¿SABÍA USTED? as the first African American Nap Ford ayudó a Arthur “Pappy” elected to the Orlando City Council. Kennedy a ganar las elecciones de 1972 como el primer afroamericano elegido al Consejo de la Ciudad de Orlando. 6 Celebrating Black History JONATHAN C. GIBBS 1821 – 1874 • Florida secretary of state • Secretario de Estado de Florida onathan Clarkson Gibbs was an onathan Clarkson Gibbs fue un activist who fought strongly for activista que luchó ferozmente por African American rights in the los derechos afroamericnos en los añosJ siguientes a la Guerra Civil. Luego de yearsJ after the Civil War. After graduat- ing from college, he became an ordained graduarse de la universidad, fue ordenado minister and traveled throughout the como ministro y viajó a través del sur antes South before settling in Florida to de establecerse en Florida para abogar por advocate for education for African la educación para los afroamericanos. En Americans. In 1868, his influence in the 1868, su influencia en la comunidad captó community caught the eye of Florida’s la atención del gobernador de Florida, governor, Harrison Reed, who appointed Harrison Reed, quien lo nombró como el primer afroamericano en desempeñarse Gibbs to be the first African American como Secretario de Estado de Florida. to serve as Florida’s secretary of state. Gibbs también fue superintendente de Gibbs also served as superintendent instrucción pública e hizo innumerables of public instruction and made many contribuciones al sistema educativo del contributions to the state’s education estado, incluyendo la entrega de libros a la system, including the issuing
Recommended publications
  • FY14 Tappin' Study Guide
    Student Matinee Series Maurice Hines is Tappin’ Thru Life Study Guide Created by Miller Grove High School Drama Class of Joyce Scott As part of the Alliance Theatre Institute for Educators and Teaching Artists’ Dramaturgy by Students Under the guidance of Teaching Artist Barry Stewart Mann Maurice Hines is Tappin’ Thru Life was produced at the Arena Theatre in Washington, DC, from Nov. 15 to Dec. 29, 2013 The Alliance Theatre Production runs from April 2 to May 4, 2014 The production will travel to Beverly Hills, California from May 9-24, 2014, and to the Cleveland Playhouse from May 30 to June 29, 2014. Reviews Keith Loria, on theatermania.com, called the show “a tender glimpse into the Hineses’ rise to fame and a touching tribute to a brother.” Benjamin Tomchik wrote in Broadway World, that the show “seems determined not only to love the audience, but to entertain them, and it succeeds at doing just that! While Tappin' Thru Life does have some flaws, it's hard to find anyone who isn't won over by Hines showmanship, humor, timing and above all else, talent.” In The Washington Post, Nelson Pressley wrote, “’Tappin’ is basically a breezy, personable concert. The show doesn’t flinch from hard-core nostalgia; the heart-on-his-sleeve Hines is too sentimental for that. It’s frankly schmaltzy, and it’s barely written — it zips through selected moments of Hines’s life, creating a mood more than telling a story. it’s a pleasure to be in the company of a shameless, ebullient vaudeville heart.” Maurice Hines Is .
    [Show full text]
  • Guide to Ella Fitzgerald Papers
    Guide to Ella Fitzgerald Papers NMAH.AC.0584 Reuben Jackson and Wendy Shay 2015 Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Arrangement..................................................................................................................... 3 Biographical / Historical.................................................................................................... 2 Scope and Contents........................................................................................................ 3 Names and Subjects ...................................................................................................... 4 Container Listing ............................................................................................................. 5 Series 1: Music Manuscripts and Sheet Music, 1919 - 1973................................... 5 Series 2: Photographs, 1939-1990........................................................................ 21 Series 3: Scripts, 1957-1981.................................................................................. 64 Series 4: Correspondence, 1960-1996.................................................................
    [Show full text]
  • FORUM : the Magazine of the Florida Humanities Florida Humanities
    University of South Florida Scholar Commons FORUM : the Magazine of the Florida Humanities Florida Humanities 9-1-2010 Forum : Vol. 34, No. 03 (Fall : 2010) Florida Humanities Council. Johnny Bullard Jennine Capo Crucet Follow this and additional works at: https://scholarcommons.usf.edu/forum_magazine Recommended Citation Florida Humanities Council.; Bullard, Johnny; and Crucet, Jennine Capo, "Forum : Vol. 34, No. 03 (Fall : 2010)" (2010). FORUM : the Magazine of the Florida Humanities. 51. https://scholarcommons.usf.edu/forum_magazine/51 This Article is brought to you for free and open access by the Florida Humanities at Scholar Commons. It has been accepted for inclusion in FORUM : the Magazine of the Florida Humanities by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. THE MAGAZINE OF THE FLORIDA HUMANITIES COUNCIL The Art and Soul of Florida FROM THE DIRECTOR 2010 Board of Directors letter Rachel Blechman,Chair Miami B. Lester Abberger Tallahassee Carol J. Alexander Jacksonville WITH FLORIDA PIONEERS Julia Tuttle and Henry Meredith Morris Babb Ormond Beach Flagler intertwined among a primordial tangle of mangrove roots, the cover of this issue of FORUM reminds us that John Belohlavek, Vice-Chair Tampa barely a century ago Miami’s Biscayne Bay, now lined with Frank Billingsley Orlando sleek steel skyscrapers and luxury hotels, was a mangrove William Carlson Tampa forest. In a series of paintings of mangroves—a tree that David Colburn Gainesville thrives in the brackish places between land and sea—Miami Juan Carlos Espinosa Miami artist Xavier Cortada provides us with a potent metaphor for Jeanne Godwin Miami Florida’s resilience and adaptability.
    [Show full text]
  • Black History Month
    Black History Month As part of our passionaTe commitment to building an inclusive future for our communities, The Adecco Group proudly celebraTes the contributions, achievements, heritage and culture of African Americans during Black HisTory Month and throughout the year. To fosTer a culture of belonging and purpose, we’re offering this downloadable resource on our Diversity and Inclusion resource page. Here, you can learn more about the origins of Black HisTory Month, as well as ways to appreciaTe Black music, literature and entrepreneurship during this month and beyond. Black History Month: How It Started What started out as one week dedicated to the contributions and celebration of African American’s by Carter G. Woodson in 1926, expanded into one month starting in 1976. Woodson chose the month of February because it housed the birthdays of two men –Frederick Douglass and Abraham Lincoln– who greatly influenced the history of the Black American culture. For more information on the observance of Black History Month (also known as National African American History Month), please refer to the links provided below: Origins of Black History Month African American History Month The Continuing Importance of Black History Month The Black American Music Experience African American influence permeates every facet of our lives and culture throughout history, and music is no exception. Much of the struggle and triumph from Black Americans has been continuously chronicled through music. We present this curated playlist of artists, from sacred music to hip hop and rap, who have made a long-lasting impression throughout different genres and periods in history.
    [Show full text]
  • CONGRESSIONAL RECORD— Extensions of Remarks E812 HON
    E812 CONGRESSIONAL RECORD — Extensions of Remarks March 30, 2009 Engine Repair Shop. The USS Tutuila func- of the Year by the United States Track & Field tion on Florida folk life while working for the tioned as a repair ship for the hundreds of and Cross Country Coaches Association WPA’s Federal Writers Project. As a result of small armed craft, or swift boats, used by the (USTFCCCA). her extensive anthropological research, her U.S. Navy and their South Vietnamese coun- Overall, the win marks SUNY Cortland’s writings have become invaluable sources on terparts in patrolling the numerous inland and 22nd national team title, including 16 NCAA African American life during the Harlem Ren- coastal waterways. Mr. Nissen and his fellow crowns in seven different sports. aissance. In all, Hurston wrote four novels and sailors worked around the clock to keep the Madam Speaker, I am honored to represent more than 50 published short stories, plays, swift boats functioning. They were often re- such skilled and hard-working athletes in my and essays, and she is best known for her sponsible for towing boats out of hostile areas district. Please join me in congratulating the 1937 novel ‘‘Their Eyes Were Watching God.’’ and transporting wounded sailors to safety. team and wishing them the best of luck in Madam Speaker, I would also like to recog- During his service on the USS Tutuila, Mr. their future athletic and scholarly pursuits. nize Dr. Gladys Pumariega Soler. Dr. Soler Nissen became interested in the work of the f was born in Cuba in 1930 and earned a med- medical staff and became a ‘‘striker’’ for a rat- ical degree from Havana University in 1955.
    [Show full text]
  • Miami-Dade County Public School District's Universal Parent/Student Handbook
    MIAMI-DADE COUNTY PUBLIC SCHOOL DISTRICT’S UNIVERSAL PARENT/STUDENT HANDBOOK ZORA NEALE HURSTON ELEMENTARY SCHOOL 13137 S.W. 26 ST. Miami, Fl. 33175 305-222-8152 Office Hours: 8:00 a.m. to 4:00 p.m. http://znhurston.dadeschools.net Before/After School Care Hours: 7:00 a.m. - 6:00 p.m. Facebook: Facebook.com/zoranealehurstonelem Twitter: @znhelem Instagram: znh_elem 1 MIAMI-DADE COUNTY PUBLIC SCHOOL DISTRICT’S UNIVERSAL PARENT/STUDENT HANDBOOK Miami-Dade County Public Schools The School Board of Miami-Dade County, Florida Ms. Perla Tabares Hantman, Chair Dr. Steve Gallon III, Vice Chair Dr. Dorothy Bendross-Mindingall Ms. Susie V. Castillo Dr. Lawrence S. Feldman Dr. Martin Karp Dr. Lubby Navarro Dr. Marta Pérez Ms. Mari Tere Rojas Student Advisor Maria Martinez SUPERINTENDENT OF SCHOOLS Mr. Alberto M. Carvalho SCHOOL OPERATIONS Mrs. Valtena G. Brown Deputy Superintendent/Chief Operating Officer 2 MIAMI-DADE COUNTY PUBLIC SCHOOL DISTRICT’S UNIVERSAL PARENT/STUDENT HANDBOOK Vision Statement We provide a world class education for every student. Mission Statement To be the preeminent provider of the highest quality education that empowers all students to be productive lifelong learners and responsible global citizens. Values Excellence - We pursue the highest standards in academic achievement and organizational performance. Equity - We foster an environment that serves all students and aspires to eliminate the achievement gap. Student Focus - We singularly focus on meeting our students’ needs and supporting them in fulfilling their potential. Innovation - We encourage creativity and adaptability to new ideas and methods that will support and improve student learning. Accountability - We accept responsibility for our successes and challenges and seek to transparently share our work in an ethical manner, as we strive towards continuous improvement.
    [Show full text]
  • The 19Th Amendment
    National Park Service U.S. Department of the Interior Women Making History: The 19th Amendment Women The right of citizens of the United States to vote shall not be denied or abridged by the United States or by any State on account of sex. Congress shall have power to enforce this article by appropriate legislation. —19th Amendment to the United States Constitution In 1920, after decades of tireless activism by countless determined suffragists, American women were finally guaranteed the right to vote. The year 2020 marks the 100th anniversary of the 19th Amendment. It was ratified by the states on August 18, 1920 and certified as an amendment to the US Constitution on August 26, 1920. Developed in partnership with the National Park Service, this publication weaves together multiple stories about the quest for women’s suffrage across the country, including those who opposed it, the role of allies and other civil rights movements, who was left behind, and how the battle differed in communities across the United States. Explore the complex history and pivotal moments that led to ratification of the 19th Amendment as well as the places where that history happened and its continued impact today. 0-31857-0 Cover Barcode-Arial.pdf 1 2/17/20 1:58 PM $14.95 ISBN 978-1-68184-267-7 51495 9 781681 842677 The National Park Service is a bureau within the Department Front cover: League of Women Voters poster, 1920. of the Interior. It preserves unimpaired the natural and Back cover: Mary B. Talbert, ca. 1901. cultural resources and values of the National Park System for the enjoyment, education, and inspiration of this and All rights reserved, including the right to reproduce this work future generations.
    [Show full text]
  • Protecting Water Quantity in the Marjory Stoneman Douglas Wilderness
    Protecting Water Quantity in the Marjory Stoneman Douglas Wilderness The lower 15% of the Everglades ecosystem and watershed have been designated as the Everglades National Park (ENP), and about 87% of ENP is designated the Marjory Stoneman Douglas Wilderness. The natural quality of the wilderness has been impacted by longstanding and pervasive upstream water manipulation. As an undeveloped area of land, it appears as wilderness, but ecologically is unnatural; in particular, related to water conditions. In the early 1900s, several uncoordinated efforts upstream of the ENP dredged canals to move water to agriculture and domestic uses, and away from areas where urban development was occurring. In response to unprecedented flooding during the 1947 hurricane season, Congress established the Central and Southern Florida Flood Control Project to systematically regulate the Everglades hydrology through 1,700 miles of canals and levees upstream of what is now designated wilderness. Little consideration was given to the ecology of the Everglades. Currently, the wilderness receives more water than natural in the wet season when developed areas in southern Florida are trying to prevent flooding. During the dry season, agricultural and domestic uses create a demand for water that results in significantly diminished flows entering the wilderness. A key provision of Everglades National Park's 1934 enabling legislation identified the area as "...permanently reserved as a wilderness...and no development shall be undertaken which will interfere with the preservation intact of the unique flora and fauna and essential primitive natural conditions..." A critical goal to meet this mission is to replicate the natural systems in terms of water quantity, quality, timing, and distribution.
    [Show full text]
  • The Influence of Female Jazz Musicians on Music and Society Female Musicians Tend to Go Unrecognized for Their Contributions to Music
    Cedarville University DigitalCommons@Cedarville The Research and Scholarship Symposium The 2016 yS mposium Apr 20th, 3:00 PM - 3:20 PM Swing It Sister: The nflueI nce of Female Jazz Musicians on Music and Society Kirsten Saur Cedarville University, [email protected] Follow this and additional works at: http://digitalcommons.cedarville.edu/ research_scholarship_symposium Part of the Musicology Commons, Music Performance Commons, and the Women's Studies Commons Saur, Kirsten, "Swing It Sister: The nflueI nce of Female Jazz Musicians on Music and Society" (2016). The Research and Scholarship Symposium. 15. http://digitalcommons.cedarville.edu/research_scholarship_symposium/2016/podium_presentations/15 This Podium Presentation is brought to you for free and open access by DigitalCommons@Cedarville, a service of the Centennial Library. It has been accepted for inclusion in The Research and Scholarship Symposium by an authorized administrator of DigitalCommons@Cedarville. For more information, please contact [email protected]. Kirsten Saur, 1 Kirsten Saur Swing It, Sister: The Influence of Female Jazz Musicians on Music and Society Female musicians tend to go unrecognized for their contributions to music. Though this has changed in recent years, the women of the past did not get the fame they deserved until after their deaths. Women have even tried to perform as professional musicians since ancient Greek times. But even then, the recognition did not go far. They were performers but were not seen as influences on music or social standings like male composers and performers were. They were not remembered like male performers and composers until past their time, and the lives of these women are not studied as possible influences in music until far past their times as well.
    [Show full text]
  • Black History Trivia Bowl Study Questions Revised September 13, 2018 B C D 1 CATEGORY QUESTION ANSWER
    Black History Trivia Bowl Study Questions Revised September 13, 2018 B C D 1 CATEGORY QUESTION ANSWER What national organization was founded on President National Association for the Arts Advancement of Colored People (or Lincoln’s Birthday? NAACP) 2 In 1905 the first black symphony was founded. What Sports Philadelphia Concert Orchestra was it called? 3 The novel Uncle Tom’s Cabin was published in what Sports 1852 4 year? Entertainment In what state is Tuskegee Institute located? Alabama 5 Who was the first Black American inducted into the Pro Business & Education Emlen Tunnell 6 Football Hall of Fame? In 1986, Dexter Gordan was nominated for an Oscar for History Round Midnight 7 his performance in what film? During the first two-thirds of the seventeenth century Science & Exploration Holland and Portugal what two countries dominated the African slave trade? 8 In 1994, which president named Eddie Jordan, Jr. as the Business & Education first African American to hold the post of U.S. Attorney President Bill Clinton 9 in the state of Louisiana? Frank Robinson became the first Black American Arts Cleveland Indians 10 manager in major league baseball for what team? What company has a successful series of television Politics & Military commercials that started in 1974 and features Bill Jell-O 11 Cosby? He worked for the NAACP and became the first field Entertainment secretary in Jackson, Mississippi. He was shot in June Medgar Evers 12 1963. Who was he? Performing in evening attire, these stars of The Creole Entertainment Show were the first African American couple to perform Charles Johnson and Dora Dean 13 on Broadway.
    [Show full text]
  • Comes to Life in ELLA, a Highly-Acclaimed Musical Starring Tina Fabrique Limited Engagement
    February 23, 2011 Jazz’s “First Lady of Song” comes to life in ELLA, a highly-acclaimed musical starring Tina Fabrique Limited engagement – March 22 – 27, 2011 Show features two dozen of the famed songstresses’ greatest hits (Philadelphia, February 23, 2011) — Celebrate the “First Lady of Song” Ella Fitzgerald when ELLA, the highly-acclaimed musical about legendary singer Ella Fitzgerald, comes to Philadelphia for a limited engagement, March 22-27, 2011, at the Annenberg Center for the Performing Arts. Featuring more than two-dozen hit songs, ELLA combines myth, memory and music into a stylish and sophisticated journey through the life of one of the greatest jazz singers of the 20th century. Broadway veteran Tina Fabrique, under the direction of Rob Ruggiero (Broadway: Looped starring Valerie Harper, upcoming High starring Kathleen Turner), captures the spirit and exuberance of the famed singer, performing such memorable tunes as “A-Tisket, A-Tasket,” “That Old Black Magic,” “They Can’t Take That Away from Me” and “It Don’t Mean A Thing (If It Ain’t Got That Swing).” ELLA marks the first time the Annenberg Center has presented a musical as part of its theatre series. Said Annenberg Center Managing Director Michael J. Rose, “ELLA will speak to a wide variety of audiences including Fitzgerald loyalists, musical theatre enthusiasts and jazz novices. We are pleased to have the opportunity to present this truly unique production featuring the incredible vocals of Tina Fabrique to Philadelphia audiences.” Performances of ELLA take place on Tuesday, March 22 at 7:30 PM; Thursday, March 24 at 7:30 PM; Friday, March 25 at 8:00 PM; Saturday, March 26 at 2:00 PM & 8:00 PM; and Sunday, March 27 at 2:00 PM.
    [Show full text]
  • The Art of Jazz Singing - “Diane's Enthusiasm for Her Subject Was Infectious
    Audience feedback: - “Diane Nalini demonstrated particular aspects of various singers' jazz artistry and brought her points across with concrete and specific details. I heard nuances in various singers' styles that I had never heard before. Brava!” - “Nalini’s engagement with the audience, and her superb vocals, aided her demonstrations of jazz singing. She's a very good teacher.” The Art of Jazz Singing - “Diane's enthusiasm for her subject was infectious. Her own vocal demonstrations WED. OCT 15, ONLINE were lovely to listen to, but also very instructive.” 6:30 P.M. – 8:30 P.M. $25.00 (HST INCLUDED) Join jazz singer and songwriter Diane Nalini for an entertaining Singer/songwriter Diane Nalini and engaging exploration of the art of jazz singing. With composes and sings in four examples from Bessie Smith, Ella Fitzgerald, Nat King Cole, languages. She has been a Sarah Vaughan, Billie Holiday, and others, she will provide professional jazz singer for insights into what made these singers so unique. over 25 years and has recorded and produced four Diane will also do live demonstrations, so participants will come critically-acclaimed albums, with a fifth out this year. She away with a better understanding of how singers approach has sung at jazz festivals phrasing, interpreting a song, and interacting with musicians. around the globe, and given This lecture is open to anyone with an interest in music - but no gala performances for musical background is required. President Bill Clinton and Sir Paul McCartney. To register, visit: carleton.ca/linr/registration/ Offered through Carleton University carleton.ca/linr .
    [Show full text]