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Mid-Century Modern and Florida Tropical Architecture Emily Mason College of Design, Construction and Planning, University of Florida
ISSN: 2683-0668 ____________________________________________________ Rufus Nims: Mid-century Modern and Florida Tropical Architecture Emily Mason College of Design, Construction and Planning, University of Florida Faculty mentor: Vandana Baweja, School of Architecture Abstract Mid-century modern architecture developed after the Second World War as numerous technological advancements allowed for open house plans with the increased use of glass and a reconfiguration of indoor-outdoor relationships. Rufus Nims, a Miami architect (1913–2005), hybridized emerging ideas of mid-century modernism with climatic design that emerged in the field of tropical architecture after the Second World War. Nims experimented with homes that had disappearing walls; and that could be comfortable in the hot and humid climate of Florida. This paper will analyze Rufus Nims’ role in the development of Florida Tropical Architecture, through his seamless integration of indoor and outdoor spaces. Further, this study will assess how Rufus Nims used tropical architecture strategies in South Florida, such as screened-in porches, disappearing walls, and landscape integration. The paper argues that Rufus Nims’ architectural ideas were based on an emerging redefinition of the indoor-outdoor spatial relationships as was evident in the broader mid-century modern movement and Florida Tropical Architecture. Introduction Mid-century Modern In Europe, the modernism movement began after the First World War with a need to industrialize the building production process, minimize the cost of construction, and provide a livable home designed for human habitation.1 Architects from Germany including Walter Gropius, Marcel Breuer, and Mies van der Rohe came to America during the 1930s at Harvard and changed Harvard’s emphasis from Beaux-Arts Architecture to Bauhaus modernism. -
Le Corbusier at Chandigarh
MIT Press Open Architecture and Urban Studies • The Open Hand Le Corbusier at Chandigarh Maxwell Fry Published on: Apr 23, 2021 License: Creative Commons Attribution 4.0 International License (CC-BY 4.0) MIT Press Open Architecture and Urban Studies • The Open Hand Le Corbusier at Chandigarh 2 MIT Press Open Architecture and Urban Studies • The Open Hand Le Corbusier at Chandigarh The city of Chandigarh came first into my recognition in 1948 or 1949 as the whiff of a possible commission wafted via the Royal Institute of British Architects, but remaining without substance. The Punjab Government may have at that time been sending out feelers prior to meeting Albert Mayer, whom they commissioned to make a plan, with the brilliant young architect Matthew Nowicki. However, the sudden death of Nowicki in 1950 necessitated the selection of a new architect for Chandigarh. When Prem Thapar, of the Indian Civil Service and the administrator of the project, with the chief engineer, P. L. Varma, called upon Jane Drew and myself at our office in the closing months of 1950, a complete plan existed for a city of 150,000 people, along with a detailed budget covering every ascertainable item, including thirteen grades of houses for government officials with the accommodation and the estimated cost set against each. There was also a generous infrastructure of social and educational services and provision for the supply of water, drainage, and electricity to every level of dwelling provided, so that an examination of the budget and the well-advanced Mayer plan demonstrated the clear intention of the government to construct a modern city on a site selected to serve the state at the highest level of design and execution and set a new standard for India. -
Chandigarh Heritage Furniture
Chandigarh Heritage Furniture 74 docomomo 47 — 2012/2 docomomo_47.indd 74 08/12/12 18:29 lthough Chandigarh is linked to Le Corbusier due to the urban planning and the buildings of the Capitol complex, the footprint of the tandem between Jeanneret and the Fry–Drew team Agoes far beyond as reflected for example in different housing typologies and the design of interesting furniture collections. These have been seldom described and evaluated, perhaps partly due to the lack of attention that the authorities have towards Chandigarh’s heritage. By Ariadna Alvarez Garreta he history of Chandigarh is well known by all but when his collaborator Matthew Nowicki, the architect I will make a brief introduction in order to contex- who had to implement the project in India, died in a plane Ttualize the political background and the proposed crash. As a result, Nerhu’s commission continued search- urban scheme by architects Le Corbusier and Pierre Jean- ing for an architect and finally Le Corbusier was chosen. neret in 1950.1 Once he accepted, the commission proposed Maxwell In 1947 when India got its independence as a former Fry and Jane Drew, English architects and members of British colony driven by a new breed of young and local CIAM, to carry out the basic ideas of Meyer’s master plan, politicians led by Gandhi and Jawaharlal Nerhu,2 they teaming up with Le Corbusier. From that moment, a “great had to accept the division of the country in two, India and architecture adventure” began. Le Corbusier and Pierre Pakistan, thus giving response to the creation of a new Jeanneret started working and gave Meyer’s preliminary Muslim state. -
Modern Architecture in California
Modern architecture in California Arranged by the Department of Architecture of the Museum of Modern Art, arranged for circulation by the Department of Circulating Exhibitions Date 1935 Publisher The Museum of Modern Art Exhibition URL www.moma.org/calendar/exhibitions/2081 The Museum of Modern Art's exhibition history—from our founding in 1929 to the present—is available online. It includes exhibition catalogues, primary documents, installation views, and an index of participating artists. MoMA © 2017 The Museum of Modern Art MODERN ARCHITECTUREIN CALIFORNIA The Museum of Modern Art,New York HORARY J&jf'.asi cJ 'foaOrfl Art ARCHIVE PLEASERETURN TO OFFICE'>'e 1 0N HOE WHEELcH i PYI^Si DEPT. MODERN ARCHITECTUREIN CALIFORNIAARRANGED BY THE DEPARTMENTOF ARCHITECTUREOF THE MUSEUM OF MODERN ART Committee Philip L. Goodwin,Chairman ProfessorHenry-Russell Hitchcock, Jr. GeorgeHowe Dr. JosephHudnut Philip Johnson i AlfredH. Parr, Jr., Directorof the Museum ErnestineM. Fantl,Staff Member in Chaige Arrangedfor circulationby the Departmentof CirculatingExhibitions. For informationregarding other travellingeHubicions please write to Miss Elodie Courter,Secretary, ment of CirculatingExhibitions, Museum ot Modern Ait, 11 West 53 Street,New York, N.Y. oma * H 5- MODERN ARCHITECTURE IN CALIFORNIA FOREWORD Modern architecture in California is conspicuous for two reasons: the number and variety of the influences which have shaped its expression,and the opportunities for actual constructionwhich it has enjoyed. xne peculiar ebullience of the state which has produced the EPIC movement, the Vigilantes, Hollywood, the Four Square Gospel, the Red Menace and the Yellow Peril, has resulted in the encouragementof experimentalana reactionary ideas in architecture,as well as in poli tics, religion and entertainment. -
Introducing Pierre Jeanneret — Architect, Designer, Educator — in Chandigarh Maristella Casciato
c study centre mellon lectures 18 November 2010 20 Introducing Pierre Jeanneret — architect, designer, educator — in Chandigarh Maristella Casciato My objective in this lecture is to give an account of the architect Pierre Jeanneret’s contribution to the construction of the new capital of the state of Punjab in India, to be later named Chandigarh. The city, marked by its modern buildings and neighborhoods, its housing and leisure parks, its infrastructure and landscapes, has been fully associated with a single Western designer, known worldwide as Le Corbusier. The title of tonight’s presentation intentionally situates the two poles of Fig. 1 Portrait of Pierre Jeanneret in Chandigarh, not dated, my presentation – Pierre Jeanneret in his relationship to Chandigarh Fonds Pierre Jeanneret, Collection Centre Canadien d’Architecture / Canadian Centre for Architecture, Montréal © Jeet Malhotra – as equally essential. While examining the multifaceted aspects of Pierre Jeanneret’s responsibilities during his long mandate as “Senior Architect” for the Capital Project, I wish to reveal his role as one of the major actors in the development of the city – a role that was also instrumental in the transfer of knowledge that operates as a means of creating the language of modern Indian architecture. Let me also point out that by using the term “introducing”, I am literally proposing to initiate you into an appraisal of Pierre Jeanneret’s professional and cultural contributions to the construction of the new Punjabi capital, and beyond (Figs.1 & 2). In that respect, I would like to acknowledge the opportunity I have been given to access the extensive and not yet fully researched archival documentation – Fig. -
Fall 2017, Vol. 20, No. 4, Eden
Fall 2017 Journal of the California Garden & Landscape History Society Volume 20, Number 4 JOURNAL OF THE CALIFORNIA GARDEN & LANDSCAPE HISTORY SOCIETY EDEN EDITORIAL BOARD Guest Editor: Steven Keylon Editorial Board: Phoebe Cutler, Steven Keylon, Ann Scheid, Libby Simon Consulting Editors: Marlea Graham, Barbara Marinacci Regional Correspondents: Bay Area: Phoebe Cutler San Diego: Vonn Marie May Graphic Design: designSimple.com Submissions: Send scholarly papers, articles, and book reviews to the editor: [email protected] Memberships/Subscriptions: Join the CGLHS and receive a subscription to Eden. Individual $40 • Family $60 Sustaining $100 and above Student $20 Nonprofit/Library $50 Visit www.cglhs.org to join or renew your membership. Or mail your check to Julie Arshonsky, P.O. Box 220237, Newhall, CA 91322-0237. Questions or Address Changes: [email protected] CGLHS BOARD OF DIRECTORS President: Steven Keylon Vice President: Libby Simon Recording Secretary: Nancy Carol Carter Membership Officer: Brandy Kuhl Contents Treasurer: Judy Horton Directors at large: Antonia Adezio, Thomas Eddy, David Laws, Christine E. O'Hara, Ann Scheid, Jennifer Trotoux The Founding Mothers of Palm Springs Past President: Kelly Comras Renee Brown and Steven Keylon ..........................................................................................................4 HONORARY LIFE MEMBERS The Landscape of the Palm Springs Woman’s Club Virginia Gardner Steven Keylon ...........................................................................................................................18 -
Architecture You LOVE Monday, May 15, 2017
From: North Carolina Modernist Houses <[email protected]> on behalf of North Carolina Modernist Houses <[email protected]> Sent: Monday, May 15, 2017 9:53 AM To: [email protected] Subject: Thursday T4A Leo Gaev / New: Fallingwater Tour / USMR: Capurro-Hodge-Davis Connect with Mr.Modernism's Instagram feed and get daily doses of incredible Modernist houses from NCMH's Executive Director George Smart. Architecture You LOVE Is this email not displaying correctly? View it in your browser. Monday, May 15, 2017 "Like" Us Tweet Us Share Us Modernist Houses For Sale or Rent. Keeping Modernist houses occupied is the best way to preserve NCMH travelled to London, Brussels, Antwerp, Rotterdam, The them! Check this Hague, and Amsterdam last week with 25 architectural exclusive statewide adventurers just like you! Here we are outside Zaha Hadid's new list. port building addition in Antwerp, Belgium. To get first dibs on next year's trip to Shanghai and Hong Kong, plus discounts on most local tours, plus free admission to this year's Modern Homes Architecture Movie Series, and more, join the Mod Squad! Thirst4Architecture, this Thursday, May 18, 6-8pm, Leo Gaev Metalworks, 102 Lloyd Street, Carrboro, celebrating ten years in the Triangle! This exciting, informal happy hour is free and open to the public. We welcome Modernist homeowners, architects, artists, designers, realtors, engineers, contractors, property investors, building managers, materials and furniture dealers – or anyone with a huge crush on great architecture. 2017 T4A's are sponsored by realtor Lesley McAdams. Free! Details! New: The Frank Lloyd Wright/Fallingwater Tour, Thursday- Friday, September 14-15. -
3 Term—Day—Time: Spring 2021—Tuesdays—10:00Am-12:50
TOPICS IN MODERN ARCHITECTURE IN SOUTHERN CALIFORNIA ARCH 404 Units: 3 Term—Day—Time: Spring 2021—Tuesdays—10:00am-12:50pm Location: ZOOM Instructor: Kenneth Breisch Office Hours: Tuesdays—2-3pm or by appointment Contact Info: [email protected] (I will respond to emails/voicemails within 24 hours Monday-Friday, and on the Monday following a weekend or holiday break) Class Assistant: Ani Mnatsakanyan Contact Info: [email protected] COURSE DESCRIPTION There are few regions in the world where it is more exciting to explore the scope of twentieth-century architecture than in Southern California. It is here that European and Asian influences combined with the local environment, culture, politics and vernacular traditions to create an entirely new vocabulary of regional architecture and urban form. Lecture topics range from the stylistic influences of the Arts and Crafts Movement and European Modernism to the impact on architecture and planning of the automobile, World War II, or the USC School of Architecture during the 1950s. LEARNING OBJECTIVES By the end of this course, students will be able to: 1. read and interpret architectural plans, sections and elevations 2. Identify major periods of development and architects in the history of Southern California architecture, planning and landscape design from prehistory to the present day 3. Critically analyze the relationship between architectural or landscape forms (sometimes identified with the idea of style) and the cultural, political and economic forces that shaped them PREREQUISITE(S): Students in this class come from a broad range of disciplines, some of whom will have a background in architecture, but this is not necessary to take this class. -
City of Palm Springs
City of Palm Springs Department of Planning Services Memorandum Date: August 24, 2020 To: HSPB From: Ken Lyon, RA, Associate Planner Subject: Case HSPB #83 – The Palm Springs Racquet Club 2743 N. Indian Canyon Historic Resources Report dated July 14, 2020 Dear Board Members, In 2017, the HSPB voted unanimously to recommend that the City Council designate the Palm Springs Racquet Club as a Class 1 historic site. The recommendation was based upon a historic resources report written by the John Ash Group in 2004. The property owner had the property listed for sale and requested the City Council Public Hearing be postponed. The property is still for sale, however at its September 2019 meeting, the HSPB again requested staff to prepare the HSPB’s recommendation for City Council consideration. Given the length of time since the Ash Group’s report was completed in 2004, Staff commissioned a professional services firm to provide an updated analysis and report about the site to determine whether, in its current condition, the site is still eligible for consideration as a historic resource. That report is attached here for your consideration. Recommendation: Direct staff to schedule a public hearing of the HSPB to consider the updated report and determine whether to re-state its previous recommendation or to establish a new recommendation to the City Council for possible designation of the Palm Springs Racquet Club as a historic resource. Attachment (via e-mail): July 14, 2020 Historic Resources Report on the Palm Springs Racquet Club. Vicinity Map. 3200 E. Tahquitz Canyon Way, Palm Springs, CA 92262 Tel: (760) 323-8245 Fax: (760) 322-8360 E-mail: [email protected] Department of Planning Services Vicinity Map CITY OF PALM SPRINGS 2743 N INDIAN CANYON DRIVE HISTORIC RESOURCES ASSESSMENT REPORT Palm Springs Racquet Club July 14, 2020 HISTORIC RESOURCES GROUP 12 S. -
In Chandigarh, Pierre Jeanneret Had the Thankless Task of Supervising
Le Corbusier and Pierre Jeanneret in Chandigarh, India © FLC/ADAGP, 2016 Image provided by Kukje Gallery In Chandigarh, Pierre Jeanneret had the thankless task of supervising, step by step, the creation of the new capital city, of sticking to the plans and carrying them through when the path was difficult and strewn with obstacles. I am very appreciative of it and I owe him a huge debt of gratitude. - Le Corbusier As a part of the annual design exhibition program1, Kukje Gallery is pleased to present Swiss-Franco modernist, architect, and designer Pierre Jeanneret (1896-1967) in the exhibition Le Corbusier, Pierre Jeanneret: Chandigarh, India, 1951-66. The exhibition will take place at the gallery’s K2 space from April 26 to May 29, 2016. As a celebrated architect and designer, Pierre Jeanneret pursued a progressive architectural philosophy that integrated design into everyday living. His ideas were practical yet driven by a refined aesthetic, and he expanded the boundaries of design in the 20th century, moving it beyond the privileged classes and improving peoples’ standards of living through innovation. Jeanneret is best known for his more than fifty-year collaboration with his cousin, the architect Le Corbusier, and their numerous high profile architectural projects such as Villa Savoye (1929), and the Pavillon Suisse of Cité Internationale Universitaire in Paris (1932-33). Palace of Assembly, Chandigarh, India. 2008 Photo: Ben Lepley, 2016 Image provided by Kukje Gallery Jeanneret also collaborated with his cousin and famous modernist architect Le Corbusier for fifty year on a variety of architectural projects. While introverted and sensitive compared to his more well-known and charismatic cousin Le Corbusier, Jeanneret was robust with imagination and also a skilled artisan. -
Albert Frey Bel Vista Home: ______1164 N Calle Rolph Palm Springs, CA 92262
City of Palm Springs Department of Planning Services Memorandum Date: February 8, 2016 To: The Historic Site Preservation Board From: Ken Lyon, RA, Associate Planner Subject: Case HSPB #100 –. An application by Todd Hays, owner, for Class 1 historic designation of “The Bel Vista Residence” located at 1164 Calle Rolph. Please find attached the historic resources report date stamped January 7, 2016 from the property owner, Todd Hays requesting Class 1 historic site designation for the subject parcel. Aerial View of Site RECOMMENDATION: 1. Receive the historic resources report and initiate study and investigation pursuant to PSMC 8.05.135 on the subject site in consideration of the Class 1 historic site application submitted by the applicant. 2. Continue the matter to a noticed public hearing of March 9, 2016 and direct staff to arrange site visits for board members to familiarize themselves with the content of the report and the conditions at the site. Attachment: Application and historic resources report date stamped January 7, 2016. 3200 E. Tahquitz Canyon Way, Palm Springs, CA 92262 Tel: (760) 323-8245 Fax: (760) 322-8360 E-mail: [email protected] Albert Frey Bel Vista Home: __________________ 1164 N Calle Rolph Palm Springs, CA 92262 ________________________________________________________ Nomination Application For City of Palm Springs Class 1 Historic Site __________________ Prepared By Todd Hays 2 Bel Vista Home: 1164 N Calle Rolph Class 1 Historic Site Nomination Table of Contents _________________________________________ -
Will the Real Jeanneret Please Stand
Will The Real WHILE SWIPING through images on an iPad, interior designer Billy Cotton recalls the process of hunting down furnishings for the project on- Jeanneret screen, a family home he’s finishing up not far from his office in downtown Brooklyn. A banquette stretching to diving-board length slides by, Please followed by a cluster of ’50s chairs against a wall of abstract paintings. In the living room, a cube-shaped Stand Up? fireplace is flanked by a pair of vin- tage armchairs by the Swiss architect Pierre Jeanneret, their teak frames blanketed in loden green cowhide. When he gets to a shot of the study, Cotton stops. He pinches and zooms Navigating the turbulent to highlight a desk the color of but- terscotch with compass-style legs: market for Pierre Jeanneret’s another piece by Jeanneret. Chandigarh furniture. “The first time I saw it in person was on the jobsite, during installa- BY SARAH MEDFORD tion,” Cotton says, explaining that PHOTOGRAPHY BY MARTIEN MULDER the desk had been purchased online and warehoused until the house was renovated. “I looked at it and I imme- diately said, ‘That is a fake. We’ve been screwed.’ ” The chairs, purchased from a European dealer, had passed muster, but the desk was another story. “There was a perfect angularity to it,” Cotton says. “And that’s the thing—those pieces were not perfect. The joints were made by hand; they’re not exact. On the underside, the wood was just too uniform. And the finish was too new. It had a little patina to it—it looked like maybe vintage ’70s.” After explaining the problem to his client, Cotton forced the vendor to replace the desk.