097 TV's 1958 Adventures of Superman Episode
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Myth, Metatext, Continuity and Cataclysm in Dc Comics’ Crisis on Infinite Earths
WORLDS WILL LIVE, WORLDS WILL DIE: MYTH, METATEXT, CONTINUITY AND CATACLYSM IN DC COMICS’ CRISIS ON INFINITE EARTHS Adam C. Murdough A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2006 Committee: Angela Nelson, Advisor Marilyn Motz Jeremy Wallach ii ABSTRACT Angela Nelson, Advisor In 1985-86, DC Comics launched an extensive campaign to revamp and revise its most important superhero characters for a new era. In many cases, this involved streamlining, retouching, or completely overhauling the characters’ fictional back-stories, while similarly renovating the shared fictional context in which their adventures take place, “the DC Universe.” To accomplish this act of revisionist history, DC resorted to a text-based performative gesture, Crisis on Infinite Earths. This thesis analyzes the impact of this singular text and the phenomena it inspired on the comic-book industry and the DC Comics fan community. The first chapter explains the nature and importance of the convention of “continuity” (i.e., intertextual diegetic storytelling, unfolding progressively over time) in superhero comics, identifying superhero fans’ attachment to continuity as a source of reading pleasure and cultural expressivity as the key factor informing the creation of the Crisis on Infinite Earths text. The second chapter consists of an eschatological reading of the text itself, in which it is argued that Crisis on Infinite Earths combines self-reflexive metafiction with the ideologically inflected symbolic language of apocalypse myth to provide DC Comics fans with a textual "rite of transition," to win their acceptance for DC’s mid-1980s project of self- rehistoricization and renewal. -
Relationality and Masculinity in Superhero Narratives Kevin Lee Chiat Bachelor of Arts (Communication Studies) with Second Class Honours
i Being a Superhero is Amazing, Everyone Should Try It: Relationality and Masculinity in Superhero Narratives Kevin Lee Chiat Bachelor of Arts (Communication Studies) with Second Class Honours This thesis is presented for the degree of Doctor of Philosophy of The University of Western Australia School of Humanities 2021 ii THESIS DECLARATION I, Kevin Chiat, certify that: This thesis has been substantially accomplished during enrolment in this degree. This thesis does not contain material which has been submitted for the award of any other degree or diploma in my name, in any university or other tertiary institution. In the future, no part of this thesis will be used in a submission in my name, for any other degree or diploma in any university or other tertiary institution without the prior approval of The University of Western Australia and where applicable, any partner institution responsible for the joint-award of this degree. This thesis does not contain any material previously published or written by another person, except where due reference has been made in the text. This thesis does not violate or infringe any copyright, trademark, patent, or other rights whatsoever of any person. This thesis does not contain work that I have published, nor work under review for publication. Signature Date: 17/12/2020 ii iii ABSTRACT Since the development of the superhero genre in the late 1930s it has been a contentious area of cultural discourse, particularly concerning its depictions of gender politics. A major critique of the genre is that it simply represents an adolescent male power fantasy; and presents a world view that valorises masculinist individualism. -
Aruffo to Hjnts
VOLUME 31/NUMBER ~!WI[j)ENER COLLEGE/F~IDAY, OCT. 8,1976 Under fire the SAC looks.· ahead by Michele Sinex S.A.C. President Anita Perrone over is a mater of student opinion. "Just think, yesterday I was a ,gave her reply. To this, Anita replies that any meaninJl;less little accountant and Perrone approves of the ex student who does not like the band today I . am the producer of a planations offerd by the Dome as to chosen should jZo to the S.A.C. and Broadway Flop!" Thus did Mel why the concert was not a try to su,gJl;est other jZroups or Brooks' character Leo Bloom screamin,g success. The bijZjZest musical styles that have been unknowin,gly summarize the plijZht problem was Widener's inability to overlooked. Most important of all, of the Student Activities- Com use outside media for advertisinjZ. they should join the S.A.C. to have mittee (S.A.C.). At the bejZinninjZ That cannot be helped but a hand in the votinjl. Anita stresses of the year, the S.A.C. was just the hopefully avoided in the future. that the S.A.C desperately needs ,gan,g who put the "Disco" in Anita says what can be helped is :new blood, especially un "Disco Collejle." After ' the less the choice of the jZroup. Under the derclassmen, and she adds that than successful Starz-AnjZel present system, S.A.C.'s promo disgusted students who do not air concert, all eyes were turned mana,ger, Bill Honey, informs the Ut1!!fJ! epinions to the S.A.C are not towards the S.A.C. -
Heap O Livin,A
A Heap o' Livin' by Edgar A. Guest To Marjorie and Buddy this little book of verse is affectionately dedicated by their Daddy WHEN YOU KNOW A FELLOW When you get to know a fellow, know his joys and know his cares, When you've come to understand him and the burdens that he bears, When you've learned the fight he's making and the troubles in his way, Then you find that he is different than you thought him yesterday. You find his faults are trivial and there's not so much to blame In the brother that you jeered at when you only knew his name. You are quick to see the blemish in the distant neighbor's style, You can point to all his errors and may sneer at him the while, And your prejudices fatten and your hates more violent grow As you talk about the failures of the man you do not know, But when drawn a little closer, and your hands and shoulders touch, You find the traits you hated really don't amount to much. When you get to know a fellow, know his every mood and whim, You begin to find the texture of the splendid side of him; You begin to understand him, and you cease to scoff and sneer, For with understanding always prejudices dis- appear. You begin to find his virtues and his faults you cease to tell, For you seldom hate a fellow when you know him very well. When next you start in sneering and your phrases turn to blame, Know more of him you censure than his business and his name; For it's likely that acquaintance would your prejudice dispel And you'd really come to like him if you knew him very well. -
By JOHN WELLS a M E R I C a N C H R O N I C L E S
AMERICAN CHRONICLES THE 1965-1969 by JOHN WELLS Table of Contents Introductory Note about the Chronological Structure of American Comic Book Chronicles ................. 4 Note on Comic Book Sales and Circulation Data.......................................... 5 Introduction & Acknowledgements ............ 6 Chapter One: 1965 Perception................................................................8 Chapter Two: 1966 Caped.Crusaders,.Masked.Invaders.............. 69 Chapter Three: 1967 After.The.Gold.Rush.........................................146 Chapter Four: 1968 A.Hazy.Shade.of.Winter.................................190 Chapter Five: 1969 Bad.Moon.Rising..............................................232 Works Cited ...................................................... 276 Index .................................................................. 285 Perception Comics, the March 18, 1965, edition of Newsweek declared, were “no laughing matter.” However trite the headline may have been even then, it wasn’t really wrong. In the span of five years, the balance of power in the comic book field had changed dramatically. Industry leader Dell had fallen out of favor thanks to a 1962 split with client Western Publications that resulted in the latter producing comics for themselves—much of it licensed properties—as the widely-respected Gold Key Comics. The stuffily-named National Periodical Publications—later better known as DC Comics—had seized the number one spot for itself al- though its flagship Superman title could only claim the honor of -
Growing up with Vertigo: British Writers, Dc, and the Maturation of American Comic Books
CORE Metadata, citation and similar papers at core.ac.uk Provided by ScholarWorks @ UVM GROWING UP WITH VERTIGO: BRITISH WRITERS, DC, AND THE MATURATION OF AMERICAN COMIC BOOKS A Thesis Presented by Derek A. Salisbury to The Faculty of the Graduate College of The University of Vermont In Partial Fulfillment of the Requirements For the Degree of Master of Arts Specializing in History May, 2013 Accepted by the Faculty of the Graduate College, The University of Vermont, in partial fulfillment of the requirements for the degree of Master of Arts, specializing in History. Thesis Examination Committee: ______________________________________ Advisor Abigail McGowan, Ph.D ______________________________________ Melanie Gustafson, Ph.D ______________________________________ Chairperson Elizabeth Fenton, Ph.D ______________________________________ Dean, Graduate College Domenico Grasso, Ph.D March 22, 2013 Abstract At just under thirty years the serious academic study of American comic books is relatively young. Over the course of three decades most historians familiar with the medium have recognized that American comics, since becoming a mass-cultural product in 1939, have matured beyond their humble beginnings as a monthly publication for children. However, historians are not yet in agreement as to when the medium became mature. This thesis proposes that the medium’s maturity was cemented between 1985 and 2000, a much later point in time than existing texts postulate. The project involves the analysis of how an American mass medium, in this case the comic book, matured in the last two decades of the twentieth century. The goal is to show the interconnected relationships and factors that facilitated the maturation of the American sequential art, specifically a focus on a group of British writers working at DC Comics and Vertigo, an alternative imprint under the financial control of DC. -
Section Handout
CS106B Handout 26 Autumn 2012 October 29th, 2012 Section Handout Discussion Problem 1: Planetarium Memory Trace Analyze the following program, starting with the call to littledipper, and draw the state of memory at the one point indicated. Be sure to differentiate between stack and heap memory, note values that have not been initialized, and identify where memory has been orphaned. struct planet { double pluto; planet *saturn[4]; planet **earth; }; void littledipper() { planet venus; venus.pluto = 93.1; venus.saturn[0] = new planet; venus.saturn[0]->saturn[3] = &venus; venus.saturn[1] = venus.saturn[0]; planet *mars = &venus; mars->saturn[2] = NULL; venus.earth = &venus.saturn[1]; venus.earth[1] = new planet[2]; for (int i = 0; i < 4; i++) { venus.earth[1]->saturn[i] = venus.saturn[i/2 + 1]; } venus.earth[2] = NULL; ⇐ Draw the state of memory just before littledipper returns. } 2 Discussion Problem 2: Superheroes Then and Now Analyze the following program, starting with the call to elektra, and draw the state of memory at the two points indicated. Be sure to differentiate between stack and heap memory, note values that have not been initialized, and identify where memory has been orphaned. struct superhero { int wonderwoman; superhero *isis; int *superman[2]; }; static void elektra() { superhero marineboy[2]; superhero *ironman; ironman = &marineboy[1]; marineboy[0].wonderwoman = 152; marineboy[0].superman[0] = new int[2]; marineboy[0].superman[1] = &(ironman->wonderwoman); ironman->superman[0] = marineboy[0].superman[1]; ironman->superman[1] = &(marineboy[0].superman[0][1]); *(ironman->superman[1]) = 9189; marineboy[1].isis = ironman->isis = ironman; ⇐ First, draw the state of memory just prior to the call to barbarella. -
Novedades Diciembre 2010 Kiosco Diciembre 2010
NOVEDADES DICIEMBRE 2010 KIOSCO DICIEMBRE 2010 LA NOCHE MÁS OSCURA Nº 08 • Guión: Geoff Johns • Dibujo: Ivan Reis • Edición original: Blackest Night # 08 USA • Formato: Comic-book, 48 págs., color. • PVP: 3,95€ DC COMICS Durante milenios, los Guardianes del Universo han afi rmado que la vida se originó en el planeta Oa, pero era mentira. La vida nació en la Tierra gracias a la Entidad, un poderoso ser de luz blanca cuya existencia había que proteger a toda costa. Ahora, Nekron la ha despertado y pretende matarla para que la muerte asole el universo. Consciente de que, como Parallax o Ion, la Entidad necesita un guía, Sinestro se ha fundido con ella y se ha convertido en el primer White Lantern. Mientras tanto, el Anti-monitor ha intentado escapar de la Gran Batería negra utilizando a Paloma, pero ya vuelve a estar preso gracias a algo que parecía impensable: la unión de todos los agentes de los cuerpos del espectro emocional, que por fi n han llegado a la Tierra. •2• www.planetadeagostinicomics.comwww.planetadeagostinicomics.com EXCLUSIVAS DICIEMBRE 2010 GREEN LANTERN Nº 12 • Guión/Dibujos: Geoff Johns/Doug Mahnke • Edición original: Green Lantern # 50- 52 USA • Formato: Comic Book, 80 págs., color. • Precio: 5,95€ • ISBN: 978-846-74-8409-0 9 7 8 8 4 6 7 4 8 4 0 9 0 DC COMICS Hal Jordan ya ha reunido a los representantes del espectro emocional, que se enfrentan sin éxito con Nekron, el líder de los Black Lanterns, en las calles de Coast City. A la espera de refuerzos, Ganthet crea copias temporales de los anillos y los entrega a diversos héroes y villanos. -
British Writers, DC, and the Maturation of American Comic Books Derek Salisbury University of Vermont
University of Vermont ScholarWorks @ UVM Graduate College Dissertations and Theses Dissertations and Theses 2013 Growing up with Vertigo: British Writers, DC, and the Maturation of American Comic Books Derek Salisbury University of Vermont Follow this and additional works at: https://scholarworks.uvm.edu/graddis Recommended Citation Salisbury, Derek, "Growing up with Vertigo: British Writers, DC, and the Maturation of American Comic Books" (2013). Graduate College Dissertations and Theses. 209. https://scholarworks.uvm.edu/graddis/209 This Thesis is brought to you for free and open access by the Dissertations and Theses at ScholarWorks @ UVM. It has been accepted for inclusion in Graduate College Dissertations and Theses by an authorized administrator of ScholarWorks @ UVM. For more information, please contact [email protected]. GROWING UP WITH VERTIGO: BRITISH WRITERS, DC, AND THE MATURATION OF AMERICAN COMIC BOOKS A Thesis Presented by Derek A. Salisbury to The Faculty of the Graduate College of The University of Vermont In Partial Fulfillment of the Requirements For the Degree of Master of Arts Specializing in History May, 2013 Accepted by the Faculty of the Graduate College, The University of Vermont, in partial fulfillment of the requirements for the degree of Master of Arts, specializing in History. Thesis Examination Committee: ______________________________________ Advisor Abigail McGowan, Ph.D ______________________________________ Melanie Gustafson, Ph.D ______________________________________ Chairperson Elizabeth Fenton, Ph.D ______________________________________ Dean, Graduate College Domenico Grasso, Ph.D March 22, 2013 Abstract At just under thirty years the serious academic study of American comic books is relatively young. Over the course of three decades most historians familiar with the medium have recognized that American comics, since becoming a mass-cultural product in 1939, have matured beyond their humble beginnings as a monthly publication for children. -
An Elegant Line of Bookletts, Etchings Ami Photogravures, Gift Ami Miscellaneous Books, Albums, Etc., at LITTELL’S (L£L) the 1
* r -;" T5 ' y: An Elegant Line of Bookletts, Etchings ami Photogravures, Gift ami Miscellaneous Books, Albums, etc., at LITTELL’S (l£L) The 1 VOL XXVI—NO. i\V ST. JOHNS, MICH., THURSDAY MORNING, DECEMBER 10, 1891. WHOLE NO.—13lV 2^ The Mercantile Company's lilndir for 1891. —On Monday morning last, Chandler merchants in St. Johns, and too well I Notice, An elegant line of Juvenile Books Ferguson fell upon the avenue in a fit. and favorably known to require any ex- The regular session of Clinton county at Fn.D EW & Millman ’s. —Dr. S. E. Gillam’s growing business tended words of commendation at our Pomona Grange will be held at the Olive has made it necessary ror him to add to hands. Grange hall, on December 16th. At Wanted. his office room. Fowler & Ball, proprietors of the old this meeting the election of offi- A middle-aged woman to do house- —The electric lights, with the aid of AND ST. JOHNS MERCHANTS ARK reliable, double mammoth hardware cers will occur, hence a full attend- W’ork in a country family of three. A the snow, light up Clinton avenue in a READY FOR IT. house of Clinton county, still hang out ance of Pomona members is desired, good home for the right party. Ref very satisfactory manner. their sign over there on the corner, and An interesting program will be pre erences exchanged. Address box 118, —Loren Stone has returned to this continue to supply the multitude with pared, with the discussion of such St. Johns, Mich. -
BATMAN: a HERO UNMASKED Narrative Analysis of a Superhero Tale
BATMAN: A HERO UNMASKED Narrative Analysis of a Superhero Tale BY KELLY A. BERG NELLIS Dr. William Deering, Chairman Dr. Leslie Midkiff-DeBauche Dr. Mark Tolstedt A Thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts Department of Communication UNIVERSITY OF WISCONSIN Stevens Point, Wisconsin August 1995 FORMC Report of Thesis Proposal Review Colleen A. Berg Nellis The Advisory Committee has reviewed the thesis proposal of the above named student. It is the committee's recommendation: X A) That the proposal be approved and that the thesis be completed as proposed, subject to the following understandings: B) That the proposal be resubmitted when the following deficiencies have been incorporated into a revision: Advisory Committee: Date: .::!°®E: \ ~jjj_s ~~~~------Advisor ~-.... ~·,i._,__,.\...,,_ .,;,,,,,/-~-v ok. ABSTRACT Comics are an integral aspect of America's development and culture. The comics have chronicled historical milestones, determined fashion and shaped the way society viewed events and issues. They also offered entertainment and escape. The comics were particularly effective in providing heroes for Americans of all ages. One of those heroes -- or more accurately, superheroes -- is the Batman. A crime-fighting, masked avenger, the Batman was one of few comic characters that survived more than a half-century of changes in the country. Unlike his counterpart and rival -- Superman -- the Batman's popularity has been attributed to his embodiment of human qualities. Thus, as a hero, the Batman says something about the culture for which he is an ideal. The character's longevity and the alterations he endured offer a glimpse into the society that invoked the transformations. -
A M E R I C a N C H R O N I C L E S the by JOHN WELLS 1960-1964
AMERICAN CHRONICLES THE 1960-1964 byby JOHN JOHN WELLS Table of Contents Introductory Note about the Chronological Structure of American Comic Book Chroncles ........ 4 Note on Comic Book Sales and Circulation Data......................................................... 5 Introduction & Acknowlegments................................. 6 Chapter One: 1960 Pride and Prejudice ................................................................... 8 Chapter Two: 1961 The Shape of Things to Come ..................................................40 Chapter Three: 1962 Gains and Losses .....................................................................74 Chapter Four: 1963 Triumph and Tragedy ...........................................................114 Chapter Five: 1964 Don’t Get Comfortable ..........................................................160 Works Cited ......................................................................214 Index ..................................................................................220 Notes Introductory Note about the Chronological Structure of American Comic Book Chronicles The monthly date that appears on a comic book head as most Direct Market-exclusive publishers cover doesn’t usually indicate the exact month chose not to put cover dates on their comic books the comic book arrived at the newsstand or at the while some put cover dates that matched the comic book store. Since their inception, American issue’s release date. periodical publishers—including but not limited to comic book publishers—postdated