RIPPLE in STILL WATER Josh Lake, Caroline Rothstein, and Rabbi Avi Katz Orlow
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Grateful Dead Records: Realia
http://oac.cdlib.org/findaid/ark:/13030/c8k64ggf No online items Guide to the Grateful Dead Records: Realia Wyatt Young, Maureen Carey University of California, Santa Cruz 2012 1156 High Street Santa Cruz 95064 [email protected] URL: http://guides.library.ucsc.edu/speccoll Note Finding aid updated in 2018, 2020, 2021 Guide to the Grateful Dead MS.332.Ser.10 1 Records: Realia Contributing Institution: University of California, Santa Cruz Title: Grateful Dead Records: Realia Creator: Grateful Dead Productions Identifier/Call Number: MS.332.Ser.10 Physical Description: 178 Linear Feet128 boxes, 21 oversize items Date (inclusive): 1966-2012 Stored in Special Collections and Archives. Language of Material: English Access Restrictions Collection open for research. Advance notice is required for access. Use Restrictions Property rights for this collection reside with the University of California. Literary rights, including copyright, are retained by the creators and their heirs. The publication or use of any work protected by copyright beyond that allowed by fair use for research or educational purposes requires written permission from the copyright owner. Responsibility for obtaining permissions, and for any use rests exclusively with the user. Preferred Citation Grateful Dead Records: Realia. MS 332 Ser. 10. Special Collections and Archives, University Library, University of California, Santa Cruz. Acquisition Information Gift of Grateful Dead Productions, 2008. Accurals The first accrual was received in 2008. Second accrual was received in June 2012. Biography The Grateful Dead were an American rock band that formed in 1965 in Northern California. They came to fame as part of author Ken Kesey's Acid Tests, a series of multimedia happenings centered around then-legal LSD. -
Jerry Garcia Song Book – Ver
JERRY GARCIA SONG BOOK – VER. 9 1. After Midnight 46. Chimes of Freedom 92. Freight Train 137. It Must Have Been The 2. Aiko-Aiko 47. blank page 93. Friend of the Devil Roses 3. Alabama Getaway 48. China Cat Sunflower 94. Georgia on My Mind 138. It Takes a lot to Laugh, It 4. All Along the 49. I Know You Rider 95. Get Back Takes a Train to Cry Watchtower 50. China Doll 96. Get Out of My Life 139. It's a Long, Long Way to 5. Alligator 51. Cold Rain and Snow 97. Gimme Some Lovin' the Top of the World 6. Althea 52. Comes A Time 98. Gloria 140. It's All Over Now 7. Amazing Grace 53. Corina 99. Goin' Down the Road 141. It's All Over Now Baby 8. And It Stoned Me 54. Cosmic Charlie Feelin' Bad Blue 9. Arkansas Traveler 55. Crazy Fingers 100. Golden Road 142. It's No Use 10. Around and Around 56. Crazy Love 101. Gomorrah 143. It's Too Late 11. Attics of My Life 57. Cumberland Blues 102. Gone Home 144. I've Been All Around This 12. Baba O’Riley --> 58. Dancing in the Streets 103. Good Lovin' World Tomorrow Never Knows 59. Dark Hollow 104. Good Morning Little 145. Jack-A-Roe 13. Ballad of a Thin Man 60. Dark Star Schoolgirl 146. Jack Straw 14. Beat it on Down The Line 61. Dawg’s Waltz 105. Good Time Blues 147. Jenny Jenkins 15. Believe It Or Not 62. Day Job 106. -
Artist of the Year
THE 4 Trading Post Way Medford Lakes, New Jersey 08055 HARD REPORT' December 18, 1987 Issue #59 609-654-7272 ARTIST OF THE YEAR ZGI A a 112 MALE VOCAL ISLAND RADIO RATES THE BEST OF '87 COMEBACK BREAKTHROUGH GRATEFUL REM DEAD "DOCUMENT" "TOUCH OF GREY" IRS ARISTA FEMALE 6.vryttri,Vizer NEW FEMALE VOCAL SUZANNE VEGA ANN WILSON "SOLITUDE STANDING" "BAD ANIMALS" A&M CAPITOL IMAGE NEW MALE TURNAROUND RICHARD AEROSMITH MARX "PERMANENT EMI VACATION" GEFFEN WORLD PARTY NEW AMERICAN Private Revolution NEW IMPORT BAND ACT THE BRANDOS WORLD PARTY "HONOR AMONG "PRIVATE THIEVES" REVOLUTION" RELATIVITY CHRYSALIS AND NOW A WORD FROM OUR SPONSOR ... It's four in the morning and frcm where we sit, this Final Issue looks like a keeper. We've put a ton of time and energyinto this particular edition, and we think you'll have lots of fun with the overview. After all, with some 90 + stations responding to our sur- vey, it's basically your window on RockWorld as it went down this past year. The first year of any new business is hell on wheels, (Groanong, creaking, barking dog sound efx, please) and we've seen quite a parade in '87. When I look back over my final comments last year (after nine issues), it sounded as if we had moved mountains. And in a way we had, starting from scratch to a full service publication some 140 stations deep. But in the 12 months since, it has become readily apparent that we were barely walking then. We've extended our reporter roster well past the 200 mark; Our New Alternative and Hard Rock sections have inspired numerous imitators, and our combi- nation of high technology and people power has effectively re -defined what a tip sheet can and will be in the years to come. -
A Long Strange Trip Through the Evolution of Fan Production, Fan
Eastern Illinois University The Keep Masters Theses Student Theses & Publications 2017 A Long Strange Trip through the Evolution of Fan Production, Fan-Branding, and Historical Representation in the Grateful Dead Online Archive Anna Richardson Eastern Illinois University This research is a product of the graduate program in Communication Studies at Eastern Illinois University. Find out more about the program. Recommended Citation Richardson, Anna, "A Long Strange Trip through the Evolution of Fan Production, Fan-Branding, and Historical Representation in the Grateful Dead Online Archive" (2017). Masters Theses. 2694. https://thekeep.eiu.edu/theses/2694 This is brought to you for free and open access by the Student Theses & Publications at The Keep. It has been accepted for inclusion in Masters Theses by an authorized administrator of The Keep. For more information, please contact [email protected]. The Graduate School� 8STER,."l [LLJNOIS UNIVERSITY" Thesis Maintenance and Reproduction Certificate FOR: Graduate Candidates Completing Theses in Partial Fulfillment of the Degree Graduate Faculty Advisors Directing the Theses RE: Preservation, Reproduction, and Distribution of Thesis Research Preserving, reproducing, and distributing thesis research is an important part of Booth Library's responsibility to provide access to scholarship. In order to further this goal, Booth Library makes all graduate theses completed as part of a degree program at Eastern Illinois University available for personal study, research, and other not-for-profit educational purposes. Under 17 U.S.C. § 108, the library may reproduce and distribute a copy without infringing on copyright; however, professional courtesy dictates that permission be requested from the author before doing so. -
Grateful Dead Studies Volume 1 (2013/2014) Pages: 70–85 URL
GRATEFULGRATEFUL DEAD SDEADTUDIES Volume 1 2013/2014 ISSN 2572-7818 (Online) StudiesISSN 2572-7702 (Print) Meriwether, Nicholas G. Sunshine Daydreams and Haight Street Nightmares: Deadhead Memoirs and Postmodern Autobiography CITATION INFORMATION Nicholas G. Meriwether Sunshine Daydreams and Haight Street Nightmares: Deadhead Memoirs and Postmodern Autobiography Grateful Dead Studies Volume 1 (2013/2014) Pages: 70–85 URL: http://gratefuldeadstudies.org/wp-content/uploads/2020/06/GDSv1_Meriwether.pdf LICENSE Download of this Grateful Dead Studies Licensed Content (hereafter Content) constitutes acceptance of the following terms and conditions: Provided they abide by the restrictions below, users may search, view, reproduce, display, download, print, perform, and distribute Content for the following Permitted Uses: research activities; classroom or organizational instruc- tion and related classroom or organizational activities; student assignments; as part of a scholarly, cultural, educational or organizational presentation or workshop, if such use conforms to the customary and usual practice in the fi eld; authors or other Content creators may at their discretion incorporate their Content into unrestricted databases or websites with prior written permission from Grateful Dead Studies. The portions of Content that have been downloaded or printed out by a User may continue to be used in compliance with these Terms and Conditions even if such license should later terminate or expire. Users may not: use or authorize the use of the Grateful -
Jerry Garcia's Long, Strange Trip
Jerry Garcia's long, strange trip... Jerry Garcia's long, strange trip rolls on 15 years after his death, Grateful Dead leader’s influence ingrained in culture By Tony Sclafani, TODAYshow.com contributor, MSNBC, 8/6, 4:28 p.m. ET Forget vanilla. Fifteen years after Jerry Garcia died on August 9, 1995, his namesake ice cream, Cherry Garcia, continues to be the best-selling flavor for the Ben & Jerry’s brand, according to spokesperson Liz Stewart. This tidbit of information might seem trivial, but it underscores a larger point: the influence of the Grateful Dead’s guiding force continues to be felt in popular culture in ways few people would have imagined when he was a cult figure back in the 1960s and ’70s. Over the decades, Garcia’s reputation grew as he became a symbol of both the counterculture and a do-your-own-thing aesthetic he exemplified with his music. As chief songwriter and lead guitarist with the Grateful Dead, he expanded the boundaries of rock by incorporating a myriad of influences into his songs and bringing jazz-inspired guitar improvisations to the rock concert stage. “Anybody who was not afraid to have a song last for 20 minutes early on was influenced by his music,” said Bruce Hornsby, who scored a chart topping hit in the 1980s before becoming an unofficial Grateful Dead member in the 1990s. “(He) spawned Phish, the Dave Matthews Band, Widespread Panic and I think also the Allman Brothers.” But if you count Garcia only as being the granddaddy of the jam band scene, 1 / 5 Jerry Garcia's long, strange trip.. -
The Music Never Stopped Based Upon “The Last Hippie” by Oliver Sacks, M.D
The Music Never Stopped Based upon “The Last Hippie” by Oliver Sacks, M.D. Official website: http://themusicneverstopped-movie.com Publicity Materials: www.roadsideattractionspublicity.com Production Notes Directed by Jim Kohlberg Screenplay by Gwyn Lurie & Gary Marks Produced by Julie W. Noll, Jim Kohlberg, Peter Newman, Greg Johnson Starring: J.K. Simmons Lou Taylor Pucci Cara Seymour Julia Ormond Running Time: 105 minutes Press Contacts: New York Marian Koltai-Levine – [email protected] – 212.373.6130 Nina Baron – [email protected] – 212.373.6150 George Nicholis – [email protected] – 212.373.6113 Lee Meltzer – [email protected] – 212-373-6142 Los Angeles Rachel Aberly – [email protected] - 310.795-0143 Denisse Montfort – [email protected] – 310.854.7242 "THE MUSIC NEVER STOPPED" Essential Pictures presents THE MUSIC NEVER STOPPED Based on a true story Directed by JIM KOHLBERG Screenplay by GWYN LURIE & GARY MARKS Based upon the essay 'The Last Hippie' by OLIVER SACKS Produced by JULIE W. NOLL JIM KOHLBERG PETER NEWMAN GREG JOHNSON Co-Producer GEORGE PAASWELL Executive Producer NEAL MORITZ Executive Producer BRAD LUFF Music Producer SUSAN JACOBS Director of Photography STEPHEN KAZMIERSKI Editor KEITH REAMER Production Designer JENNIFER DEHGHAN Costume Designer JACKI ROACH Original Music by PAUL CANTELON Casting by ANTONIA DAUPHIN, CSA J.K. SIMMONS LOU TAYLOR PUCCI CARA SEYMOUR with JULIA ORMOND TAMMY BLANCHARD MIA MAESTRO SCOTT ADSIT JAMES URBANIAK PEGGY GORMLEY MAX ANTISELL An Essential Pictures Production in association with Peter Newman/InterAL Productions A film by Jim Kohlberg SYNOPSIS “The Music Never Stopped,” based on the case study “The Last Hippie” by Dr. -
Grateful Dead Marathon ‘Thank You’ Gift Description
2020 GRATEFUL DEAD MARATHON ‘THANK YOU’ GIFT DESCRIPTION Once again, in the essence of Time & Space, please peruse this document highlighting the modest sampling of Cosmic Artifacts we are offering as “Thank- You Gifts” from The Undisputed Psychedelic Kings of San Francisco and Company. As several Items are in extremely limited supply, please check the main “Marathon Thank-You Gifts” Listing on KKUP’s website to verify the minimum pledge needed to secure one of these Celestial Beauties as well as their availability. As we predict again that additional Sonic Artifacts will cosmically materialize in course of this celebration, please continue to check for the next Inter-Galactic Update!!! May the Unparalleled Legendary Status of the Grateful Dead in All Their Sonic Percolations Live and Prosper Forever … Table of Contents KKUP 2018 GRATEFUL DEAD THANK YOU GIFTS All Gifts include One KKUP Grateful Dead Marathon (available in both Women's & Men's Sizes) KKUP THANK YOU GIFT WITH KKUP MINIMUM ITEM PAGE YEAR ARTIST / DESCRIPTION TOTE BAG PLEDGE GDM20001 5 1966 Grateful Dead / The Grateful Dead 50th Anniversary 2-CD Limited Deluxe Edition Yes $ 100.00 GDM20002 7 1967 Grateful Dead / Anthem Of The Sun 50th Anniversary 2-CD Limited Deluxe Edition Yes $ 100.00 GDM20003 9 1970 Grateful Dead / Road Trips Vol. 3 No. 3 -- Fillmore East 5-15-70 Limited Edition 3-CD Set $ 100.00 GDM20004 9 1970 Grateful Dead / Road Trips Vol. 3 No. 3 -- Fillmore East 5-15-70 Limited Edition 3-CD Set $ 100.00 GDM20005 9 1970 Grateful Dead / Road Trips Vol. 3 No. -
The Long Strange Trip Continues: Aging Deadheads
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by The University of North Carolina at Greensboro The Long Strange Trip Continues: Aging Deadheads By: Rebecca G. Adams and Justin T. Harmon Adams, R. G., and Harmon, J. 2014. “The Long Strange Trip Continues: Aging Deadheads,” In C. Lee Harrington, Denise D. Bielby, and Anthony R. Bardo (Eds), Aging, Media, and Culture, Lexington. pp. 83-95, Aging, Media, and Culture edited by C. Lee Harrington, Denise D. Bielby, and Anthony R. Bardo, 2014, reproduced by permission of Rowman & Littlefield https://rowman.com/ ***© 2014 Lexington Books. All rights reserved. Please contact the publisher for permission to copy, distribute or reprint. Abstract: The community surrounding the Grateful Dead, a San Francisco-based psychedelic rock band that had played together for thirty years when its lead guitarist Jerry Garcia died in 1995, still persists. For many Deadheads, as these fans are called, membership in this community has been a major component of their identity and following the band from place to place had provided structure and meaning to their everyday lives. Many older Deadheads continue to participate not only via online, recorded, and print media but also by attending performances of bands including surviving members of the Grateful Dead, cover bands, and other jam bands. This chapter examines the challenges to identity maintenance and community participation faced by Deadheads as they age, the ways in which the community has addressed the aging of its population, and how fans have adapted the ways in which they participate in the community to allow continuity in their identity as Deadheads. -
Daughter of a Deadhead
Daughter of a Deadhead “When I was a boy of fourteen, my father was so ignorant I could hardly stand to have the old man around. But when I got to be twenty one, I was astonished at how much the old man had learned in seven years.” –Mark Twain I’ve recently come to find that each time I get off the phone with my father, Eric Gold, there’s a newly developed connection and understanding between the two of us. I began to question if there was a change in his behavior. The conclusion was simple-I’ve grown older. I have always admired my dad for his unconditional love and positive mental attitude. Even though we lived separately, our love for each other was always as strong as ever. But as most kids do, I frequently failed to see things from a parent’s perspective. One of my earliest memories of my father was him singing Phish’s “Dog-Faced Boy” as I fell asleep in my bed. Eventually, he had me memorize the lyrics with him. Even at the young age of five, I was confused by the lyrics and abnormal arrangements of music that strayed away from Disney Channel’s pop hits. At the same time, dad was equally as bothered by the early-2000 bubblegum pop that shaped my brain into a mainstream machine. You can bet that if I were to be in the car with him, the Ally&AJ or Cheetah Girl CD’s (depending on the season) wouldn’t last for more than twenty minutes before he lost his mind. -
Geographic Perspectives on the Grateful Dead Daniel R
Louisiana State University LSU Digital Commons LSU Master's Theses Graduate School 2004 "Never could read no road map": geographic perspectives on the Grateful Dead Daniel R. Culli Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_theses Part of the Social and Behavioral Sciences Commons Recommended Citation Culli, Daniel R., ""Never could read no road map": geographic perspectives on the Grateful Dead" (2004). LSU Master's Theses. 2331. https://digitalcommons.lsu.edu/gradschool_theses/2331 This Thesis is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Master's Theses by an authorized graduate school editor of LSU Digital Commons. For more information, please contact [email protected]. “NEVER COULD READ NO ROAD MAP”: GEOGRAPHIC PERSPECTIVES ON THE GRATEFUL DEAD A Thesis Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Master of Science in The Department of Geography and Anthropology by Daniel R. Culli B.A., Southern Illinois University at Edwardsville B.S., Southern Illinois University at Edwardsville August 2004 ACKNOWLEDGEMENTS I would like to thank all of my family and friends, especially my parents and Sandra, for their support while continuing my education and writing my thesis. I must thank Dr. Kent Mathewson for agreeing to take me on and allowing me to pursue this topic, as many professors would frown upon such research. Thanks also to my other committee members, Dr. -
Grateful Dead Records: Media MS.332.Ser
http://oac.cdlib.org/findaid/ark:/13030/c8zc817k Online items available Grateful Dead Records: Media MS.332.Ser. 7 Special Collections and Archives Processing Staff University of California, Santa Cruz 2012 1156 High Street Santa Cruz 95064 [email protected] URL: http://guides.library.ucsc.edu/speccoll Note Edited in 2018 to include inventory Grateful Dead Records: Media MS.332.Ser. 7 1 MS.332.Ser. 7 Contributing Institution: University of California, Santa Cruz Title: Grateful Dead Records: Media Creator: Grateful Dead Productions Identifier/Call Number: MS.332.Ser. 7 Physical Description: 19.5 Linear Feet23 boxes Date (inclusive): 1967-2005 (bulk 1967-1995) Date (bulk): 1967-1995 Abstract: This series includes examples of non-commercial, and in some cases unofficial audio and video recordings, variant editions, and fan recordings. Language of Material: English . https://www.gdao.org/ Access This series is open for research. Due to format restrictions, cassette tapes and vinyl records may not be listed to or reproduced. CDs and DVDs are accessible via a listening station in the Special Collections and Archives reading room. Publication Rights Property rights for this collection reside with the University of California. Literary rights, including copyright, are retained by the creators and their heirs. The publication or use of any work protected by copyright beyond that allowed by fair use for research or educational purposes requires written permission from the copyright owner. Responsibility for obtaining permissions, and for any use rests exclusively with the user. For more information on copyright or to order a reproduction, please visit guides.library.ucsc.edu/speccoll/reproduction-publication.