Djelk Healthy Country Plan 2015-2025 (2015)
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Borrowing, Sound Change and Reduplication in Iwaidja
Doubled up all over again: borrowing, sound change and reduplication in Iwaidja Nicholas Evans Department of Linguistics, Research School of Pacific and Asian Studies Australian National University [email protected] Abstract This article examines the interactions between reduplication, sound change, and borrowing, as played out in the Iwaidja language of Cobourg Peninsula, Arnhem Land, in Northern Australia, a non-Pama-Nyungan language of the Iwaidjan family. While Iwaidja traditionally makes use of (various types of) right-reduplication, contact with two other left-reduplicating languages – one Australian (Bininj Gun-wok) and one Austronesian (Makassarese) – has led to the introduction of several (non-productive) left-reduplicating patterns. At the same time as these new patterns have been entering the language, the cumulative effect of sweeping sound changes within Iwaidja has complicated the transparency of reduplicative outputs. This has left the language with an extremely varied and complicated set of reduplication types, for some of which the analysis is no longer synchronically recoverable by children. Keywords: Australian languages, Iwaidja, language contact, directionality, Makassarese, reanalysis 1. Introduction Despite growing interest in language contact on the one hand, and reduplication on the other, there has been little research to date on how diachrony and language contact impact upon reduplicative patterns. 1 In this article I examine precisely this theme, as played out in the Iwaidja language of Cobourg Peninsula, Arnhem Land, in Northern Australia, a non-Pama-Nyungan language of the Iwaidjan family spoken by around 150 people now mostly living on and around Croker Island in the Northern Territory (see Evans 2000 for a survey of this family). -
A New Freshwater Catfish (Pisces: Ariidae) from Northern Australia
Rec. West. Aust. Mus. 1988,14(1): 73-89 A new freshwater catfish (Pisces: Ariidae) from northern Australia PatriciaJ. Kailola* and Bryan E. Pierce* Abstract A new species of fork-tailed catfish is described on the basis of 31 specimens collected in northern Australia between the Fitzroy River (Western Australia) and the Mitchell River (Queensland). Arius midgleyi sp. novo grows to at least 1.3 m TL and is distinguished from other Australo-Papuan ariids by a combination of charac ters including snout shape, barbel length, eye size, tooth arrangement and gill raker number and position. Comparison is made with other ariid species occurring in northern Australian rivers, including the morphologically similar A. leptaspis (Bleeker). Introduction The Timor Sea and Gulf of Carpentaria drainage systems (Lake 1971) approx imately represent the Leichhardtian zoogeographic region of Whitley (1947). The rainfall pattern in this region is dominated by the wet monsoon (occurring within the period November to April). Most rivers here traverse a flat coastal plain about 15 km wide before reaching the sea (Lake 1971). These rivers commonly possess wide flood plains and low gradients, often contracting to a chain of waterholes during the dry season; some (Gregory River; Fitzroy to Daly Rivers) have reaches of rapids or very deep gorges. The average annual discharge from this region is 69000 billion litres (Lake 1971), most of it occurring during the wet season. Five of Australia's 18 species of fork-tailed catfishes (Ariidae) are common in this northern region, yet were overlooked by Whitley (1947) and Iredale and Whitley (1938). The members of this family, which is distributed circumglobally in the tropics and subtropics, may inhabit the sea, rivers within tidal influence, or fresh waters. -
Broad Scale Influences on Contemporary Abundance of Saltwater Crocodiles (Crocodylus Porosus) in Northern Australia
Broad Scale Influences on Contemporary Abundance of Saltwater Crocodiles (Crocodylus porosus) in Northern Australia Yusuke Fukuda “This thesis was submitted by Yusuke Fukuda as a partial fulfilment of the requirements for the Degree of Bachelor of Science with Honours in the School of Biological, Environmental, and Chemical Science, Faculty of Health, Education, and Science, Charles Darwin University in November 2004.” “I declare that this thesis is my own work and has not been submitted in any form for another degree or diploma at any university or other institute of tertiary education. Information derived from the published and unpublished work of others has been acknowledged in the text and a list of references given.” Yusuke Fukuda 22 November 2004 ii “Mirai ha jibun de tsukuru mono. Anata ga miru yume no subete koso anata jishin desu.” Tomoyasu Hotei iii Acknowledgement I would like to thank all the people who were involved in this research and kindly offered their warm support. Numerous organizations have generously provided their data for my research. In particular; Wildlife Management International, the Parks and Wildlife Service of the Northern Territory, Western Australian Department of Conservation and Land Management, and Queensland Parks and Wildlife Service have provided crocodile data that are results of years of their extensive surveys. I also received thoughtful, helpful and friendly advices and suggestions from Professor Grahame Webb, Mr Charlie Manolis, Dr Mike Letnic, Dr Peter Mawson, and Dr Mark Read at these organizations. The Cooperative Research Centre for Tropical Savannas Management, the Key Centre for Tropical Wildlife Management, Queensland Herbarium, Environmental Protection Agency, Weed Branch of the Northern Territory Department of Infrastructure Planning and Environment, the National Land and Water Resources Audit have provided their environmental data for the research. -
KUNINJKU PEOPLE, BUFFALO, and CONSERVATION in ARNHEM LAND: ‘IT’S a CONTRADICTION THAT FRUSTRATES US’ Jon Altman
3 KUNINJKU PEOPLE, BUFFALO, AND CONSERVATION IN ARNHEM LAND: ‘IT’S A CONTRADICTION THAT FRUSTRATES US’ Jon Altman On Tuesday 20 May 2014 I was escorting two philanthropists to rock art galleries at Dukaladjarranj on the edge of the Arnhem Land escarpment. I was there in a corporate capacity, as a direc- tor of the Karrkad-Kanjdji Trust, seeking to raise funds to assist the Djelk and Warddeken Indigenous Protected Areas (IPAs) in their work tackling the conservation challenges of maintain- ing the environmental and cultural values of 20,000 square kilometres of western Arnhem Land. We were flying low in a Robinson R44 helicopter over the Tomkinson River flood plains – Bulkay – wetlands renowned for their biodiversity. The experienced pilot, nicknamed ‘Batman’, flew very low, pointing out to my guests herds of wild buffalo and their highly visible criss-cross tracks etched in the landscape. He remarked over the intercom: ‘This is supposed to be an IPA but those feral buffalo are trashing this country, they should be eliminated, shot out like up at Warddeken’. His remarks were hardly helpful to me, but he had a point that I could not easily challenge mid-air; buffalo damage in an iconic wetland within an IPA looked bad. Later I tried to explain to the guests in a quieter setting that this was precisely why the Djelk Rangers needed the extra philanthropic support that the Karrkad-Kanjdji Trust was seeking to raise. * * * 3093 Unstable Relations.indd 54 5/10/2016 5:40 PM Kuninjku People, Buffalo, and Conservation in Arnhem Land This opening vignette highlights a contradiction that I want to explore from a variety of perspectives in this chapter – abundant populations of environmentally destructive wild buffalo roam widely in an Indigenous Protected Area (IPA) declared for its natural and cultural values of global significance, according to International Union for the Conservation of Nature criteria. -
Presentations
Presentations CHIE ADACHI AND VERONICA DOBSON community language planning within the context of Aboriginal and Torres Strait Islander Australians. She has immensely New ways of learning and teaching Arrente - enjoyed working on the development of online curriculum for developing language and culture course online Central and Eastern Arrernte language and culture with elders from Central Australia. The current paper explores ideas and issues around developing curriculum for learning and teaching of an Veronica Dobson is a highly respected elder from Central Indigenous Australian language. As part of a tertiary course Australia. She has extensively worked on the documentation at the newly established Australian Centre for Indigenous and revitalisation of Central and Eastern Arrernte language Knowledges and Education (ACIKE), the Central and Eastern and culture for many years as an educator. She was involved Arrernte language and culture curriculum has been developed. with establishing the orthography of this language. She also This paper presents a story of developing new ways of has extensive ecological knowledge of the land and takes great transmitting the Arrernte knowledge by creating multimode pride and joy in teaching this knowledge to young generations of learning and teaching space and incorporating the oral as well as non-indigenous people. tradition into non-traditional mode of online teaching with the For her significant contribution and services to the community Arrernte people. as a linguist, naturalist and ecologist, Veronica was appointed This paper also addresses the issues of: a Member of Order of Australia in 2011. She is an author of many books on Central and Eastern Arrernte language, land • Approaching and negotiating protocols to protect and and culture, and a figure that many people come across once share the Arrernte knowledge; they start learning about Arrernte. -
Emotion Nouns in Australian Languages: a Case Study and Preliminary Survey
This item is Chapter 16 of Language, land & song: Studies in honour of Luise Hercus Editors: Peter K. Austin, Harold Koch & Jane Simpson ISBN 978-0-728-60406-3 http://www.elpublishing.org/book/language-land-and-song Emotion nouns in Australian languages: a case study and preliminary survey Maïa Ponsonnet Cite this item: Maïa Ponsonnet (2016). Emotion nouns in Australian languages: a case study and preliminary survey. In Language, land & song: Studies in honour of Luise Hercus, edited by Peter K. Austin, Harold Koch & Jane Simpson. London: EL Publishing. pp. 228-243 Link to this item: http://www.elpublishing.org/PID/2016 __________________________________________________ This electronic version first published: March 2017 © 2016 Maïa Ponsonnet ______________________________________________________ EL Publishing Open access, peer-reviewed electronic and print journals, multimedia, and monographs on documentation and support of endangered languages, including theory and practice of language documentation, language description, sociolinguistics, language policy, and language revitalisation. For more EL Publishing items, see http://www.elpublishing.org 16 Emotion nouns in Australian languages: a case study and preliminary survey Maïa Ponsonnet Dynamique du Langage, CNRS/Université Lyon 2 The University of Sydney, Centre of Excellence for the Dynamics of Language 1. Introduction Documenting emotions in Australian languages is a complicated task, not only because of caveats inherent to the privacy of this domain, but also because of additional cultural obstacles specific to the Australian context. Indeed, among Aboriginal groups, emotions are often considered too mundane or sometimes too traumatic to be discussed with strangers (Ponsonnet 2014a). However, linguists who have successfully explored emotions in Australian languages have revealed a wealth of linguistic resources (Turpin 2002; Gaby 2008; Harkins 2001; Ponsonnet 2014b). -
The Nature of Northern Australia
THE NATURE OF NORTHERN AUSTRALIA Natural values, ecological processes and future prospects 1 (Inside cover) Lotus Flowers, Blue Lagoon, Lakefield National Park, Cape York Peninsula. Photo by Kerry Trapnell 2 Northern Quoll. Photo by Lochman Transparencies 3 Sammy Walker, elder of Tirralintji, Kimberley. Photo by Sarah Legge 2 3 4 Recreational fisherman with 4 barramundi, Gulf Country. Photo by Larissa Cordner 5 Tourists in Zebidee Springs, Kimberley. Photo by Barry Traill 5 6 Dr Tommy George, Laura, 6 7 Cape York Peninsula. Photo by Kerry Trapnell 7 Cattle mustering, Mornington Station, Kimberley. Photo by Alex Dudley ii THE NATURE OF NORTHERN AUSTRALIA Natural values, ecological processes and future prospects AUTHORS John Woinarski, Brendan Mackey, Henry Nix & Barry Traill PROJECT COORDINATED BY Larelle McMillan & Barry Traill iii Published by ANU E Press Design by Oblong + Sons Pty Ltd The Australian National University 07 3254 2586 Canberra ACT 0200, Australia www.oblong.net.au Email: [email protected] Web: http://epress.anu.edu.au Printed by Printpoint using an environmentally Online version available at: http://epress. friendly waterless printing process, anu.edu.au/nature_na_citation.html eliminating greenhouse gas emissions and saving precious water supplies. National Library of Australia Cataloguing-in-Publication entry This book has been printed on ecoStar 300gsm and 9Lives 80 Silk 115gsm The nature of Northern Australia: paper using soy-based inks. it’s natural values, ecological processes and future prospects. EcoStar is an environmentally responsible 100% recycled paper made from 100% ISBN 9781921313301 (pbk.) post-consumer waste that is FSC (Forest ISBN 9781921313318 (online) Stewardship Council) CoC (Chain of Custody) certified and bleached chlorine free (PCF). -
Kakadu National Park Management Plan 2007–2014 Akadu Is Aboriginal Kland
Kakadu Board of Management Kakadu National Park MANAGEMENT PLAN 2007–2014 PLAN MANAGEMENT KAKADU NATIONAL PARK MANAGEMENT PLAN 2007–2014 Design Direction Design 3888 Photos Comb-crested Jacana: Michael Nelson Magpie Goose: Greg Miles Orchid: Michael Nelson Termite mound: Michael Nelson Darter: Michael Nelson Lotus flower: Michael Nelson Fire management: Michael Nelson Tourists at Ubirr art site: Michael Nelson Paperbark trees: Michael Nelson Tourists at Ubirr lookout: Peter Wellings West Alligator Head main beach: Greg Miles 4WD at Gunlom Falls: Michael Nelson Artwork Guided walk: Emily Scheibe Ranger at rock art site: Kristina Williams Fire management: Rhiannon Compton Ranger in boat: Justin Giumelli Pandanus and tree: William Suitor Chapter Pages Photos: Ian Oswald-Jacobs Artwork Lotus flowers and birdlife (page 1): Kodi Nadji Water lily leaves on wetland (page 15): Gail Rotumah Crocodile and landscape (page 17): Curtis Yarrbar Park use – featuring Frilled lizard (page 152): Christine Marie Alangate Designed by Design Direction Printed by CanPrint on Monza Satin (100 per cent recycled stock, from plantation timber) Kakadu National Park MANAGEMENT PLAN 2007–2014 © director of national Parks 2007 iSBn: 978 06 42 55 33 94 this work is copyright. apart from any use permitted under the Copyright Act 1968, no part may be reproduced by any process, re-used or redistributed without prior written permission from the director of national Parks. any permitted reproduction must acknowledge the source of any such material reproduced and include a copy of the original copyright notice. requests and enquiries concerning reproduction and copyright should be addressed to: the assistant Secretary Parks australia north gPo Box 1260 darwin nt 0801 director of national Parks australian business number: 13051 694 963 this management Plan provides the general public and Park users/visitors with information about how the Park will be managed for the next seven years. -
8. Rock Art Evidence for Macassan– Aboriginal Contact in Northwestern Arnhem Land1
8. Rock art evidence for Macassan– Aboriginal contact in northwestern Arnhem Land1 Paul S. C. Taçon and Sally K. May Introduction Some of the most important evidence for the activities of Southeast Asian or ‘Macassan’2 visitors to Australia prior to the European settlement of this continent can be found in the rock art of northern Australia—from the Kimberley to the Top End of the Northern Territory to parts of northern Queensland (for example, see Chaloupka 1993, pp. 191–2; 1996; Clarke and Frederick 2006; Roberts 2004). Rock art is widely acknowledged as encoding social, economic and cultural information about the artists and their cultural groups and it can reflect changes in these societies as well as the wider landscape. This is the case for the early encounters and ongoing regular interaction between Australian Aboriginal people and Macassans. Rock art illustrates some of this complex, sustained and diverse story. As discussed in Clark and May (this volume), the commonly accepted date for the earliest Macassan visits is contested, as is the theory of pre-Macassan contact (see, for example, Berndt and Berndt 1954; Evans 1992, p. 66; McIntosh 2004). European accounts, such as those of Matthew Flinders in 1801 (Flinders 1814), have led researchers to suggest that these visits began between 1650 and 1750 (for example, Macknight 1976; Crawford 1969); Macknight later revised this to 1780 (Macknight 2011). The interpretations of early radiocarbon dates continue to be debated (Clarke 2000); however, recent accelerator mass spectrometry (AMS) dating of a beeswax snake design overlaying a prau (perahu/ship) painting 1 We thank Ronald Lamilami and his family for supporting this research, as well as for their generosity and hospitality in the field. -
The 1948 Wubarr Ceremony Performed for the American–Australian Scientific Expedition to Arnhem Land1
20. The Forbidden Gaze: The 1948 Wubarr ceremony performed for the American–Australian Scientific Expedition to Arnhem Land1 Murray Garde They bin make im Ubarr, everyone bin go there, make that Ubarr, and they bin look that didjeridu. ‘Hey! Ubarr alright!’ And everyone they bin know…I went in front. They tell me…‘This thing you can’t tell im kid, you can’t tell im friend, you can’t tell im anybody, even your wife. You find your son…you can’t tell im story about Ubarr, you got to tell im what I’m telling you now. This “outside” story. Anyone can listen, kid, no-matter who, but this “inside” story you can’t say. If you go in Ring-place, middle of a Ring- place, you not supposed to tell im anybody…but oh, e’s nice.’ 2 — Bill Neidjie Introduction Anthropology in Australia in the early twentieth century was dealing very much with the exploration and description of the unknown. The political and cultural underpinnings of the European project to colonise and document unknown peoples and places across the globe tell us as much about Western views of science and cultural development as they do about its colonial subjects of investigation. The unknown was in a process of being revealed, rationalised, classified and collected. In his preface to Charles Mountford’s Records of the American–Australian Scientific Expedition to Arnhem Land, the Australian Minister of State for Information, Arthur Calwell, described Arnhem Land as 1 Whilst this chapter discusses some aspects of ceremonial secrecy, it does not mention cultural information that is not in the public domain. -
Learning Through Country: Competing Knowledge Systems and Place Based Pedagogy’
'Learning through Country: Competing knowledge systems and place based pedagogy’ William Patrick Fogarty 2010 'Learning through Country: Competing knowledge systems and place based pedagogy’ A thesis submitted for the degree of Doctor of Philosophy of The Australian National University William Patrick Fogarty September 2010 DECLARATION OF AUTHORSHIP I, William Patrick Fogarty, declare that this thesis contains only my original work except where due acknowledgement has been made in the text. This thesis contains an extract from a jointly authored paper (Fordham et al. 2010) which I made an equal contribution to and is used here with the express permission of the other authors. This thesis does not exceed 100,000 words in length, exclusive of footnotes, tables, figures and appendices. Signature:………………………………………………………… Date:……………………… Table of Contents LIST OF TABLES, FIGURES AND PHOTOGRAPHS..................................................................III ACKNOWLEDGEMENTS……………………………………………………………………………V DEDICATION .................................................................................................................................... VII ABSTRACT ...................................................................................................................................... VIII LIST OF ACRONYMS.........................................................................................................................X CHAPTER 1 INTRODUCTION AND METHOD ..............................................................................1 -
Guide to Threatened Species of Kakadu National Park Including Other Plants and Animals of Interest
Guide to Threatened species of Kakadu National Park including other plants and animals of interest By Anne O’Dea This guide is for Kakadu National Park staff and bininj (local Traditional Owners and other Indigenous people of Kakadu). The guide highlights listed threatened species and some of the other significant plants and animals of Kakadu National Park at the time of printing. There are many more species that contribute to the rich biodiversity of the park, but these represent many of the species that are least often seen, or are significant to bininj. Please report sightings of species that are not often seen to Kakadu National Park staff. Phone: (08) 8938 1100 Email: [email protected] Cover photo by Anne O’Dea © 2014 Anne O’Dea The use of all photos has been generously donated for use in this book. Please respect the photographers’ rights and contact them or Kakadu National Park if you would like to seek permission to use any of the photos. Contents Habitats of Kakadu KEY ���������������������������������������������������������5 Some threats to wildlife and plants in Kakadu KEY ��������������6 Threatened species KEY ��������������������������������������������������������8 Traditional owner concern KEY ���������������������������������������������9 Tips to pronounce Gundjeihmi names �������������������������������10 Tips to pronounce Kunwinjku names ���������������������������������11 Tips to pronounce Jawoyn names ��������������������������������������12 Kakadu seasons ������������������������������������������������������������������13