DOCSLIB.ORG

Reid Hall-Today

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Reid Hall-Today TODAY'S UGHTING-UP TIME Sunrise: 7.11 a.m.—Sunset: 5.14p.m. Llghting-up time 5.44 p.m. Rule of the Road KEEP LEFT—PASS ON THE RIGHT fltuBt latin INCORPORATING THE ROYALGAZETTE (Established 1828) and THE BERMUDA COLONIST (Established 1866) VOL. 19—NO. 299 HAMILTON, BERMUDA, THURSDAY, DECEMBER 13, 1934 3D PER COPY—40/- PER ANNUM STRINGENT REGULATIONS FRAMED FOR SAAR PLEBISCITE League Council Hears SUPPLY BILLS THROUGH RAILWAY COMMISSION CASE MRS. BUTTERFIELD DECIDES THEYSAY COMMITTEE STAGE \ JUDGMENT DELIVERED TO PAY HER TAXES ] That the cold snap up north should Bolivia's Claims Hamilton Hotel Company Bill Both Parties Partially Succeed Interest Stirred up Locally, in send many in search of the sun­ Passes Unamended shine. in Claims, Chief Justice Rules the U. S. and Canada * » * ! The Appropriation Bill and the That the Christmas rush ought to State Completes Testimony in Civil cases occupied the time of Customs Tariff Bill passed second i "The Act may be inadequate in make up for an unusual falling readings in the House of Assembly j this respect; it may be insufficient Hamilton Police Court yesterday off in travel lately. Wilson Trial yesterday afternoon. The Hamil- j in its visualisation; it may be de­ and the only charge of any public * * * ton Hotel Company Bill, incor- ficient in what would, or might be interest concerned Mrs. Doris Trott Butterfield who was summoned to That many persist in comparing porating the new company which j necessary; but the Act remains, sub-normal with abnormal. MACHADO LANDS IN GERMANY is to lease the Hamilton Hotel, ! and I cannot read into its interpola­ show cause why she had not com­ plied with the judgment of the * * * also passed second reading. With j tion something the Act does not That by such comparison they these measures through the de J contain ... I therefore find that Court and paid the taxes owed by her to the Overseers of the Poor for cause themselves Unnecessary bate stage, tomorrow's meeting i while the Commissioners were jus­ No News of Missing Fliers—Mrs. Ulm Still Hopeful— Paget. The amount was £12. 2. 0. alarm. should be more or less a formal tified in employing outside expert and the Court costs amounted to * * * one for passing them through , opinion (if I may use the word English Army Recruiting Army Shows Improvement 6/-. Thai the condition of the streets final reading. 'outside' in that meaning) they needs serious thought. "When I refused to pay my taxes —Constitutional Guarantees Withdrawn in Cuba— The Customs Tariff Bill was j were not justified in employing Mr. * * * amended in one or two minor I Livingston at a special fee. I under protest I referred to the un­ just sex discrimination," said Mrs. That this does not mean only Siam Urges Return of King and Queen—R. A. F. instances to bring it completely ] think, seeing that both parties have cleanliness. into line with the House's previous j partially succeeded in their claims, Butterfield. She felt that the Flying Accidents Greatly Decreased—Soviet Sends publicity given to her protest and decisions. I I make no order as to costs." That it refers to order. An amendment brought for- This in part was the judgment those of her colleagues had "stirred Sharp Note to Manchukuo—Poland Sets House in up interest in Bermuda as well as * * * ward by the Finance Committee ] given in the Supreme Court yester­ That the inconvenience of parked(:) Order—Red Star Line to Withdraw From Business— concerned artificial eyes and limbs, • day by the Chief Justice, Sir Sydney in the United States and Canada." Mrs. Butterfield still protested bicycles has already attracted which are now placed on the free j Rowan-Hamilton, in the case of the attention of the authorities. Murder Sensation in England — Antigua Debates list. \ the Attorney General vs. the Ber­ against what she described as an INSECTICIDES muda Railway Company. "unjust law which she was bound to * * * Important Measures—60,000 Chinese Communists The only debate which arose obey and which was not the fault That now for prevention of crowds FULL JUDGMENT concerned an amendment moved of those who had to administer it." and the consequent noise. Disturb Province—Latest Despatches—Sporting News by Mr. B. C. C. Outerbridge. Item The complete text of the judg­ It was none the less unjust, she * * # 33 in the table of exemptions is ment follows: averred. That the idea is becoming firmly "Insecticides and fungicides, ap­ fixed that street corners are The Plaintiff's claim is brought THANKS FOR TROUBLE! i proved by the Director of Agricul- j rendezvous for the mobs. THE SAAR SITUATION ARMY RECRUITING IMPROVES to recover the sum of £405. 1. 3., I ture." Mr. Outerbridge sought to j * * * being one-half of expenses paid out Mrs. Butterfield went on to IN ENGLAND change this to "certified by the . That this way danger lies. of the Public Treasury, under the thank the Bench, the Overseers of Stringent Regulations for Director." His amendment was i * * + provisions of Section 15 (1) and (2) the Poor and the Police Constable ! LONDON, Dec. 12. (CP) -After lost in a division. ) That at times it is difficult to be­ of The Bermuda Railway Co. Act, for their courtesy at all times, j Plebiscite the slack period late in summer, The Appropriation Bill, appropri- j lieve one is in a select resort. 1924. "Rather than cause any further army recruiting lias shown much ating £380,794, passed through com- j The Defence of the Company to trouble I have decided, having the * * • BRUECKEN. Saar. Dec. 12. (CD- improvement recently, although mittee without comment, the \ means, to pay my taxes," she said. territory of all plebiscite polling it is estimated today that the schedule (individual items as ap- ! the claim is that a portion of it That "Isles of Rest" becomes a involved acts "ultra vires" and for "I feel it is my duty to do it." She j grim joke. was declared today to be army will be 2,GOO short of strength proved in the Estimate of Expen­ then produced a cheque and handed i those expenses they are not liable. * * * i Man's Land." and all plebis- al the end of the year. The home diture) being not read in full. it to the Bench, but His Worship j Let me consider for a moment That nothing yet has been heard Of officials v. ere given extra- establishment is 137.000. The Supplementary Appropri­ stated that the money must be I what is meant by "ultra vires." that building commission which ' >rial stat:.; by tne Saar pleb- ation Resolve No. 12 passed third paid to the Overseers of the Poor. ! Street in his treatise writes that was also to take care of many •ite commission. Thes3 stringent -oo reading. It appropriates roughly . "No business must be done by ' it may be regarded from the fol­ other important matters. .'illations were issued in order £5.500, of which £2,400 is for ad-*j debtors in this Court," ordered \ DRASTIC MEASURES IN CUBA lowing different points of view, viz: * * * sure a fair referendum and the ditional transit charges incurred ; the Court, "it is not an office." "special powers," "special activi­ That very soon it will bo a case of irecy of tin oi a Ja c nary 13, by the Post Office in 1932, 1933 and j 00— ties," "special privileges," and he .: the Saar ini i Oil it: will HAVANA. Dee. 12. CP: Drastic 1934. | locking the stable door after the further says "the act of the cor­ steed has been stolen. /ote to return to Germany, join ures were invoked by the HAMILTON HOTEL SEASONAL BOOKINGS poration, which it claims it has a ., •• under the League provisional government today to The various restrictive amend- * * * right to do, is allocated as "ultra EXCELLENT ii Na tons mandate. cope with threatened uprisings. ments to the Hamilton Hotel i vires," meaning beyond its That the bridge fiends are still talk­ -oo In tha provmces of Havana. Santa Company Bill were rejected by privileges. In many instances Mr. F. C. Misick Reports ing of the freak distribution of Clara and Camaguey constitu­ substantial majorities, the House j THE CHACO CRISIS "ultra vires" and illegality mean cards at the last tournament. tional guarantees were suspended. apparently feeling that it should i Mr. F. C. Misick, M.C.P., return­ the same. An example frequently * * * The authorities are thus enabled not discriminate between this com­ ed to Bermuda on Monday by used is where a Company is incor­ That many slams were called but Bolivia Blames Paraguay to search homes without warrants pany and other hotel companies, the "Queen" after a short business porated to build a railway only, few were made. and hold prisoners without bringing which are given quite wide powers, j trip to the States. it would be ultra vires for it to * * * GENEVA, Dec. 12. CP For every charges against them, also to The main objectors to the bill Asked his impressions of condi­ construct a harbour. If we can That chess is coming into favour; p of blood shed in the Chaco inspect personal mail. Matanzas were Sir Stanley Spurling and Mr. tions in the States as they might take it that ultra vires and illegality rapidly. war after December 20 and every is the only remaining province Wilkinson. The latter said that 40 affect our tourist trade, he re­ mean approximately the same * * * Paraguayan soldier killed, Fara- where the citizens are assured per cent of the shares were to be ported that both steamship com­ thing, as not to matter, then I That only those who can spend a - alone responsible, the of their constitutional rights, since held by Mr.
Load more

Recommended publications
  • P-26 Motion Picture Collection Repository: Seaver Center For
    P-26 Motion Picture Collection Repository: Seaver Center for Western History Research, Natural History Museum of Los Angeles County Span Dates: c.1872-1971, bulk 1890s-1930s Extent: 48 linear feet Language: Primarily English Conditions Governing Use: Permission to publish, quote or reproduce must be secured from the repository and the copyright holder Conditions Governing Access: Research is by appointment only Preferred Citation: Motion Picture Collection, Seaver Center for Western History Research, Los Angeles County Museum of Natural History Related Holdings: There are numerous related collections, and these can be found by consulting the Photo and General Collection guides available at the Seaver Center’s website. They include manuscripts in general collection 1095 (Motion Pictures Collection), general collection 1269 (Motion Picture Programs and Memorabilia), general collection 1286 (Movie Posters Collection), general collection 1287 (Movie Window Cards and Lobby Cards Collection), and general collection 1288 (Motion Picture Exhibitors’ Campaign Books). Seaver Center for Western History Research P-26 Abstract: The Motion Picture Collection is primarily a photograph collection. Actor and actress stills are represented, including portraits by studio photographers, film and set stills, and other images, as well as related programs, brochures and clippings. Early technology and experimental work in moving pictures is represented by images about camera and projection devices and their inventors. Items related to movie production include early laboratories, sound, lighting and make-up technology. These items form Photograph Collection P-26 in the Seaver Center for Western History Research. Scope and Content: The Motion Picture Collection is primarily a photograph collection. Actor and actress stills are represented (including portraits by studio photographers), film stills, set stills, and other images, as well as related programs, brochures and clippings.
    [Show full text]
  • Knockabout and Slapstick: Violence and Laughter in Nineteenth-Century Popular Theatre and Early Film
    Knockabout and Slapstick: Violence and Laughter in Nineteenth-Century Popular Theatre and Early Film by Paul Michael Walter Babiak A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Centre for Drama, Theatre and Performance Studies University of Toronto ©Copyright by Paul Michael Walter Babiak, 2015 Knockabout and Slapstick: Violence and Laughter in Nineteenth-Century Popular Theatre and Early Film Paul Michael Walter Babiak Doctor of Philosophy Centre for Drama, Theatre and Performance Studies University of Toronto 2015 Abstract This thesis examines laughter that attends violent physical comedy: the knockabout acts of the nineteenth-century variety theatres, and their putative descendants, the slapstick films of the early twentieth-century cinema. It attempts a comparative functional analysis of knockabout acts and their counterparts in slapstick film. In Chapter 1 of this thesis I outline the obstacles to this inquiry and the means I took to overcome them; in Chapter 2, I distinguish the periods when knockabout and slapstick each formed the dominant paradigm for physical comedy, and give an overview of the critical changes in the social context that separate them. In Chapter 3, I trace the gradual development of comedy films throughout the early cinema period, from the “comics” of 1900 to 1907, through the “rough house” films of the transitional era, to the emergence of the new genre in 1911-1914. ii Chapters 4, 5, 6 and 7 present my comparative analyses of the workings of four representative
    [Show full text]
  • The Image of the Journalist in Silent Film, Part One: 1890 to 1919
    Journalist in Silent Film 35 The Image of the Journalist in Silent Film, 1890 to 1929: Part One 1890 to 1919 Joe Saltzman Professor of Journalism Director of the Image of the Journalist in Popular Culture (IJPC) A Project of the Norman Lear Center Annenberg School for Communication and Journalism University of Southern California Los Angeles, CA [email protected] with Liz Mitchell Senior Research Associate Image of the Journalist in Popular Culture (IJPC) Annenberg School for Communication and Journalism University of Southern California Los Angeles, CA [email protected] Introduction This is the first installment in the landmark study of “The Image of the Journalist in Silent Film, 1890 to 1929.” It covers 1,948 films from 1890 to 1919. Part Two will cover the years from 1920 to the beginning of recorded sound in 1929. This is the first comprehensive study of the beginning of cinema’s earliest depictions of the journalist, mostly newspaper reporters, editors, and publishers. Newspaper fiction flourished at a time when journalism “was a revolutionary force, tearing up traditions, redefining public morality, and lending voice and encouragement to the disenfranchised. It reflected currents sweeping through every phase of American life. The skyrocketing circulations, the manic search for exclusive news, the sensational headlines, and the concentration of newspaper ownership were signs of an America changing from a rural society to an urban and industrial one. Since journalism so clearly mirrored and so loudly supported the new order, it became the preeminent symbol for the mechanization, standardization, democratization, and vulgarization of culture.”1 Historian Howard Good points out that the 1890s “represented a watershed not only in American journalism but also in American history.
    [Show full text]
  • The Emergence of Brooklyn's Cultural Identity During Cinema's Silent Era, 1893-1928
    University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2014 City of Superb Democracy: The Emergence of Brooklyn's Cultural Identity During Cinema's Silent Era, 1893-1928. David Morton University of Central Florida Part of the Public History Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Masters Thesis (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Morton, David, "City of Superb Democracy: The Emergence of Brooklyn's Cultural Identity During Cinema's Silent Era, 1893-1928." (2014). Electronic Theses and Dissertations, 2004-2019. 4638. https://stars.library.ucf.edu/etd/4638 “CITY OF SUPERB DEMOCRACY:” THE EMERGENCE OF BROOKLYN’S CULTURAL IDENTITY DURING CINEMA’S SILENT ERA, 1893-1928 by DAVID D. MORTON B.A. East Stroudsburg University, 2009 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in the Department of History in the College of Arts and Humanities at the University of Central Florida Orlando, Florida Spring Term 2014 Major Professor: Amy Foster © 2014 David Morton ii ABSTRACT This study discusses how motion picture spectatorship practices in Brooklyn developed separately from that of any other urban center in the United States between 1893 and 1928. Often overshadowed by Manhattan’s glamorous cultural districts, Brooklyn’s cultural arbiters adopted the motion picture as a means of asserting a sense of independence from the other New York boroughs.
    [Show full text]
  • Helen Gardner
    Helen Gardner Lived: September 2, 1884 - November 20, 1968 Worked as: director, film actress, film company owner, producer, scenario writer Worked In: United States by Dorin Gardner Schumacher Helen Gardner’s silent film career peaked three times. The first peak came in 1911 with her performance as Becky Sharp in Vanity Fair (1911), important as an early three-reel film, forerunner of four-reel and longer feature films. A review in the Moving Picture World praised the Vitagraph Company of America for the film’s wonderful fidelity to Thackeray’s novel. The reviewer was thrilled with Gardner’s performance: “We might ramble on for hours in ecstasies over the superb work of Miss Gardner and at the end of that time have given but a faint idea of what we saw her do” (887). When Vanity Fair was released, in December of 1911, Gardner had been with Vitagraph about a year and a half. The second peak of Gardner’s career came when she formed her own production company, Helen Gardner Picture Players, which she publicly announced on May 22, 1912, in the New York Dramatic Mirror (27). For a woman, to walk away from success and relative security at Vitagraph in order to attempt an independent way of satisfying her ambitions was a bold and unconventional move. Gardner’s vision too was bold. She was embarking on a moviemaking venture whose stated purpose was to specialize in large feature motion picture productions of five and six reels in length. Gardner was the first actress to strike out on her own for independent production.
    [Show full text]
  • Filmography. In: Caughie, J., Griffiths, T
    Caughie, J. (2018) Filmography. In: Caughie, J., Griffiths, T. and Vélez- Serna, M. A. (eds.) Early Cinema in Scotland. Edinburgh University Press: Edinburgh, pp. 190-238. ISBN 9781474420341. This is the author’s final accepted version. There may be differences between this version and the published version. You are advised to consult the publisher’s version if you wish to cite from it. http://eprints.gla.ac.uk/166390/ Deposited on: 10 August 2018 Enlighten – Research publications by members of the University of Glasgow http://eprints.gla.ac.uk CHAPTER 11 Filmography of Scottish-themed fction flms John Caughie This is intended as a comprehensive catalogue of Scottish-themed fction flms, produced in Scotland, England, Europe and the USA until 1927 and reviewed in the British and American trade press or on the Internet Movie Database (IMDb) or, on a few occasions, in local newspapers. There are a few criteria for being identifed as ‘Scottish-themed’: the flm is set (though not necessarily flmed), in whole or in part, in real or fctional Scotland; the flm has, in whole or in part, a signifcant Scottish story or draws on a Scottish story (the 1913 Annie Laurie is set in the American south, but draws on the Scottish song as a narrative link); a signifcant character is Scottish (Vitagraph’s The Wolf (1919) is set in a Canadian trapper camp, but the heroine’s ‘cruel father’, according to the Moving Picture World review, ‘typifes well the traditional Scottish male parent’). Thus flms may be wholly or partially Scottish, but the Scottish element is clearly identifed in press comment or reviews.
    [Show full text]