Little Women by Louisa May Alcott
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THE OHIO INFORMER Onunanimousdecision Ronnie Delaney Has at Long Referee Eddie Atlas Award Vol
Delaney Whips Saxton THE OHIO INFORMER OnUnanimousDecision Ronnie Delaney has at long Referee Eddie Atlas award Vol. IX—No. 25 AKRON, OHIO. SATURDAY, I^EBRUARY 19, 1955 Price, 10c last made the grade. He is on ed 100 points to Delaney and the big time. 92 to Saxton. Judge Harry And with that arrival Ak- Minto scored it 97 to 96, and ton again becomes reminis Judge Sam Taormina, 98 to cent of the days when Go 92. Canton Citizens League Plans Public Meeting rilla Jones was the talk of the fistic world. Prior to this bout, Delaney CANTON —A report on the 4:00 p.m., to discuss details of the Bell Telephone Co. 1—-To accelerate the rate of in vidual or group of individuals. A ALL OF THIS came about had won fifty-nine of sixty- progress of the Stark Co\inty Ne meetincf Other conferences have been troduction and integration of the special appeal is being made for through Ronnie's victory over three fights. He outpointed gro Citizens League in opening up THE PURPOSE of the meeting held or are being arranged with Negro into businesses and indus support from religious, civic, so Johnny Saxton, the world's Holly Mims four years ago in new jobs and stepping up inte •is to give a ccimplete report on the 'Ohio Power Co., the East Ohio tries located in Stark County. cial and fraternal groups in the welterweight champion. In a Madison Square Garden. gration where employment already the results of conferences already Gas Co., Canton Transit Lines, 2—To work for the appointment county. -
Title of Thesis Or Dissertation, Worded Exactly As It Appears on Your Abstract
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Oregon Scholars' Bank (IN)FAMOUS ANGEL: THE CHERUB COMPANY AND THE PROBLEM OF DEFINITION by BRIAN EDWARD GEORGE COOK A DISSERTATION Presented to the Department of Theater Arts and the Graduate School of the University of Oregon in partial fulfillment of the requirements for the degree of Doctor of Philosophy June 2012 DISSERTATION APPROVAL PAGE Student: Brian Edward George Cook Title: (In)famous Angel: The Cherub Company and the Problem of Definition This dissertation has been accepted and approved in partial fulfillment of the requirements for the Doctor of Philosophy degree in the Department of Theater Arts by: Dr. Sara Freeman Chairperson Dr. Theresa J. May Member Dr. John Schmor Member Dr. Julie Hessler Outside Member and Kimberly Andrews Espy Vice President for Research & Innovation/Dean of the Graduate School Original approval signatures are on file with the University of Oregon Graduate School. Degree awarded June 2012 ii © 2012 Brian Edward George Cook iii DISSERTATION ABSTRACT Brian Edward George Cook Doctor of Philosophy Department of Theater Arts June 2012 Title: (In)famous Angel: The Cherub Company and the Problem of Definition This dissertation examines the effects of conventionally categorizing working artists and looks specifically at the Cherub Company, London, as a case study. Cherub was an alternative British theatre company whose work in the 1980s defied most of the categories which inscribed theatre practice in Britain. Because they did not fit canonical definitions, Cherub was said to be producing “bad” theatre. -
50 Years in Rock History
HISTORY AEROSMITH 50 YEARS IN ROCK PART THREE AEROSMITH 50 YEARS IN ROCK PART THREE 1995–1999 The year of 1995 is for AEROSMITH marked by AEROSMITH found themselves in a carousel the preparations of a new album, in which the of confusions, intrigues, great changes, drummer Joey Kramer did not participate in its termination of some collaboration, returns first phase. At that time, he was struggling with and new beginnings. They had already severe depressive states. After the death of his experienced all of it many times during their father, everything that had accumulated inside career before, but this time on a completely him throughout his life and could no longer be different level. The resumption of collaboration ignored, came to the surface. Unsuspecting and with their previous record company was an 2,000 miles away from the other members of encouragement and a guarantee of a better the band, he undergoes treatment. This was tomorrow for the band while facing unfavorable disrupted by the sudden news of recording circumstances. The change of record company the basics of a new album with a replacement was, of course, sweetened by a lucrative drummer. Longtime manager Tim Collins handled offer. Columbia / Sony valued AEROSMITH the situation in his way and tried to get rid of at $ 30 million and offered the musicians Joey Kramer without the band having any idea a contract that was certainly impossible about his actions. In general, he tried to keep the to reject. AEROSMITH returned under the musicians apart so that he had everything under wing of a record company that had stood total control. -
The Big Leap: Heidegger, Nietzsche, Kafka Shai Biderman
The Big Leap: Heidegger, Nietzsche, Kafka Shai Biderman IWM Junior Visiting Fellows’ Conference Proceedings, Vol. XXV © 2009 by the author Readers may redistribute this article to other individuals for noncommercial use, provided that the text and this note remain intact. This article may not be reprinted or redistributed for commercial use without prior written permission from the author. If you have any questions about permissions, please contact the IWM. Deeply lost in the night. Just as one sometimes lowers one’s head to reflect, thus to be utterly lost in the night. All around people are asleep. It’s just play acting, and innocent self-deception, that they sleep in houses, in safe beds, under a safe roof, stretched out or curled up on mattresses, in sheets, under blankets; in reality they have flocked together as they had once upon a time and again later in a deserted region, a camp in the open, a countless number of men, an army, a people, under a cold sky on cold earth, collapsed where once they had stood, forehead pressed on the arm, face to the ground, breathing quietly. And you are watching, are one of the watchmen, you find the next one by brandishing a burning stick from the brushwood pile beside you. Why are you watching? Someone must watch, it is said. Someone must be there.[1] Introduction One of the defining characteristics of the later Heidegger is the concern for art and its place in humanity’s relation to Being.[2] In his Nietzsche lectures, as in his lecture on the origin of the work of art, Heidegger constructs a hermeneutical picture of the world in which art, the artistic lifestyle and the image of the artist play an important role. -
Walk This Way- Estratégias De Remodelagem Da Banda Aerosmith Direcionadas Ao Mainstream
Intercom – Sociedade Brasileira de Estudos Interdisciplinares da Comunicação ______________________________________________________________________ Walk this way- Estratégias de remodelagem da banda Aerosmith direcionadas ao mainstream. Um estudo de caso1 Camilla LAPA2 Lorena AROUCHE3 Universidade Federal de Pernambuco, Recife, PE RESUMO Aerosmith, banda de hard rock surgida no início da década de 70, precisou ser reconfigurada estrategicamente, incorporando uma linguagem audiovisual na forma de videoclipes e a roupagem pop sonora para consolidar-se no mainstream nas décadas seguintes. A pesquisa, aqui apresentada, configura-se em estudo de caso, que tem como fundamentação teórica os estudos sobre Música pop e Mainstream desenvolvidos por Frederic Martel. PALAVRAS-CHAVE: Videoclipe; mainstream; rock. Este artigo pretende investigar de que forma o audiovisual videoclipe aliado a estratégias outras introduziu, definitivamente, a banda, originalmente, hard rock Aerosmith ao universo pop/ mainstream, agregando ao grupo uma nova geração de fãs, telespectadores da MTV. Qual a estratégia de aproximação engajada a seduzir os jovens, utilizada nos videoclipes e nos canções? O Aerosmith ganhou inúmeros prêmios na época, que se configurou em fase pop do grupo. Como a gravadora Geffen moldou uma estratégia para re-estruturar uma banda de rock, que havia saído do foco da mídia há anos, em rock pop? Como surgiu a ideia dos videoclipes, porque eles funcionaram? Tais questões acima supracitadas balizaram e nortearam a pesquisa para o desenvolvimento do trabalho. Figuram como o mote que despertou a curiosidade a respeito das estratégias específicas que tangenciam para o mainstream, utilizadas por empresários, produtores e especialmente a gravadora. Nos anos 80 o videoclipe foi amplamente utilizado como uma forma de divulgação para o artista. -
Memoirs of the Author Concerning the HISTORY of the BLUE ARMY Dm/L Côlâhop
Memoirs of the author concerning The HISTORY of the BLUE ARMY Dm/l côlâhop Memoirs of the author concerning The HISTORY of the BLUE AR M Y by John M. Haffert - ' M l AMI International Press Washington, N.J. (USA) 07882 NIHIL OBSTAT: Rev. Msgr. William E. Maguire, S.T.D. Having been advised by competent authority that this book contains no teaching contrary to the Faith and Morals as taught by the Church, I approve its publication accord ing to the Decree of the Sacred Congregation for the Doc trine of the Faith. This approval does not necessarily indi cate any promotion or advocacy of the theological or devo tional content of the work. IMPRIMATUR: Most Rev. John C. Reiss, J.C.D. Bishop of Trenton October 7, 1981 © Copyright, 1982, John M. Haffert ISBN 0-911988-42-4 All rights reserved. No part of this book may be repro duced or transmitted in any form or by any means, elec tronic or mechanical, including photocopying, recording or by any information storage and retrieval system, without permission in writing from the publisher. This Book Dedicated To The Most Rev. George W. Ahr, S.T.D., Seventh Bishop of Trenton — and to The Most Rev. John P. Venancio, D.D., Second Bishop of Leiria - Fatima and Former International President, The Blue Army of Our Lady of the Rosary of Fatima Above: The Most Rev. John P. Venancio, D.D. (left), and the Most Rev. George W. Ahr, S.T.D. (right), at the dedication and blessing of the Holy House, U.S.A. -
Black and White Children in Welfare in New South Wales and Tasmania, 1880-1940
‘Such a Longing’ Black and white children in welfare in New South Wales and Tasmania, 1880-1940 Naomi Parry PhD August 2007 THE UNIVERSITY OF NEW SOUTH WALES Thesis/Dissertation Sheet Surname or Family name: Parry First name: Naomi Abbreviation for degree as given in the University calendar: PhD School: History Faculty: Arts and Social Sciences Title: ‘Such a longing’: Black and white children in welfare in New South Wales and Tasmania, 1880-1940 Abstract 350 words maximum: When the Human Rights and Equal Opportunities Commission tabled Bringing them home, its report into the separation of indigenous children from their families, it was criticised for failing to consider Indigenous child welfare within the context of contemporary standards. Non-Indigenous people who had experienced out-of-home care also questioned why their stories were not recognised. This thesis addresses those concerns, examining the origins and history of the welfare systems of NSW and Tasmania between 1880 and 1940. Tasmania, which had no specific policies on race or Indigenous children, provides fruitful ground for comparison with NSW, which had separate welfare systems for children defined as Indigenous and non-Indigenous. This thesis draws on the records of these systems to examine the gaps between ideology and policy and practice. The development of welfare systems was uneven, but there are clear trends. In the years 1880 to 1940 non-Indigenous welfare systems placed their faith in boarding-out (fostering) as the most humane method of caring for neglected and destitute children, although institutions and juvenile apprenticeship were never supplanted by fostering. Concepts of child welfare shifted from charity to welfare; that is, from simple removal to social interventions that would assist children's reform. -
The Complete Stories
The Complete Stories by Franz Kafka a.b.e-book v3.0 / Notes at the end Back Cover : "An important book, valuable in itself and absolutely fascinating. The stories are dreamlike, allegorical, symbolic, parabolic, grotesque, ritualistic, nasty, lucent, extremely personal, ghoulishly detached, exquisitely comic. numinous and prophetic." -- New York Times "The Complete Stories is an encyclopedia of our insecurities and our brave attempts to oppose them." -- Anatole Broyard Franz Kafka wrote continuously and furiously throughout his short and intensely lived life, but only allowed a fraction of his work to be published during his lifetime. Shortly before his death at the age of forty, he instructed Max Brod, his friend and literary executor, to burn all his remaining works of fiction. Fortunately, Brod disobeyed. Page 1 The Complete Stories brings together all of Kafka's stories, from the classic tales such as "The Metamorphosis," "In the Penal Colony" and "The Hunger Artist" to less-known, shorter pieces and fragments Brod released after Kafka's death; with the exception of his three novels, the whole of Kafka's narrative work is included in this volume. The remarkable depth and breadth of his brilliant and probing imagination become even more evident when these stories are seen as a whole. This edition also features a fascinating introduction by John Updike, a chronology of Kafka's life, and a selected bibliography of critical writings about Kafka. Copyright © 1971 by Schocken Books Inc. All rights reserved under International and Pan-American Copyright Conventions. Published in the United States by Schocken Books Inc., New York. Distributed by Pantheon Books, a division of Random House, Inc., New York. -
© in This Web Service Cambridge University Press Cambridge University Press 978-1-107-07154-4
Cambridge University Press 978-1-107-07154-4 - Shakespeare Survey 67: Shakespeare’s Collaborative Work Edited by Peter Holland Index More information INDEX Aasand, Hardin L., 246n12 Archer, John Michael, 473 Barber, Giles, 24n34 Abarbanel, Jonathan, 246n9 Archer, Karen, 413 Barbour, Philip L., 341n43 Abdela, Effie, 294n65 Ariosto, Ludovico, 14 Barish, Jonas, 274 Aberg, Maria, 396, 411–12, 443 Aristophanes, 327 Barkan, Leonard, 82n49 Abrahami, Natalie, 446 Aristotle, 14, 224, 331n15 Barker, John Joseph, 206n23 Achour, Lotfi, 445 Armin, Robert, 471–2 Barnes, Barnaby, 39 Ackermann, Zeno, 281, 281n11 Armstrong, Gareth, 446 Barnet, Sylvan, 55n59 Ackroyd, Peter, 66, 133, 203n7, 324n28 Arrevillaga, Hugo, 441 Barnfield, Richard, 37, 121, 123 Adam,R.J.,360n33 Aspinall, Dana E., 251n27 Barr, Gordon, 440, 449 Adams, Joseph Quincy, 122n14, 124n30, Aspley, W., 147n62 Barrett, William, 134, 137n29 125n34, 125n36, 139 Asquith, Herbert, 417 Barrit, Desmond, 398, 399, 400, 446 Adams, Simon, 86n6 Assheton, William, 356–8n28 Barrough, Philip, 269 Adelman, Janet, 369 Astington, John H., 345n2, 392n21, Barth, John, 235–6, 237, 238, 241, 242 Aebischer, Pascale, 482, 484 393n26, 393n27 Bartholomeusz, Dennis, 376n21 Agate, James, 478 Aston, Robert, 358–60n30 Bartlett, Phyllis Brooks, 144n51 Agnew, Vanessa, 220 Atkinson, Brooks, 280 Bartolomeus Anglicus, 222, 267 Aitchison, Nick, 360n33 Atkinson, James B., 44n2 Barton, Anne, 146n54 Akande,´ Moyo, 436 Attenborough, Michael, 444 Bate, Jonathan, 2n5, 14n56, 29n1, 33n21, Albarn, Damon, 454 Augustine of Hippo, 325n30 39, 42, 61n7, 69, 82n49, 98, 99, Alberge, Dalya, 30n6 Aune,M.G.,254n35 107n34, 163n57, 486, 487–90, Alcmaeon of Croton, 222 Austern, Linda Phyllis, 372, 374n8 491, 492, 497 Alexander, Jeffrey, 294–5, 298 Axiopoulou, Barbara, 293n62 Bateson, Thomas, 381n40 Alexander, Michael, 466, 473 Axton, Marie, 352–3n20 Batho, G. -
It's All About Re-Inventing
The Quill, May, 2016 Vol. 23, No. 6 See The Quill online at www.centenarycollege.edu/thequill @CentQuill @TheCentQuill Pres. Lewthwaite steps down, looks to new challenges: “ It’s all about re-inventing” has an interesting point of students to my house for din- enrolled in schools similar The Quill view on being a powerful ner, and been to weddings,” to Centenary. While 99% of dedicates this female. She talks with young she says, “It’s a totally differ- our students receive financial issue to Dr. women today who say the ent experience.” assistance, the sticker price Barbara-Jane discrimination is “over and Small liberal arts on this place continues to Lewthwaite as done with” and her reply is colleges are having a crisis. rise. How are future students she ends her a stern “No, it’s not.”But she According to the Associated going to afford it? Well, they tenure as also understands how much Press, “The Wall Street rating have to want it. College worse it could be. “I’ve had agency Moody’s predicts “I just finished off pay- President. Dr. Barbara-Jayne Lewthwaite candid conversations with the number of four-year, ing my doctorate loan,” ad- with Stephanie [Bennett- nonprofit colleges closing mits Lewthwaite, “and it took By Micheal Clinton Smith],” she recalls, “and annually will triple in the 10 years to pay my under- If you’ve never and an EdD from St. John’s stories in the 1980s sound next few years, while merg- grad. It’s nothing new; there been inside Dr. Barbara- University, Dr. -
Dr. Everett Mccorvey— Founder & Music Director
Dr. Everett McCorvey— Founder & Music Director Everett McCorvey, is a native of Montgomery, Alabama. He received his degrees from the University of Alabama, including a Doctorate of Musical Arts. As a tenor soloist, Dr. McCorvey has performed in many venues, including the Kennedy Center in Washington, D.C., the Metropolitan Opera in New York, Aspen Music Festival in Colorado, Radio City Music Hall in New York and in England, Germany, Italy, Spain, Japan and the Czech and Slovak Republics. During the summers, Dr. McCorvey is on the artist faculty of the American Institute of Musical Study (AIMS) in Graz, Austria. Dr. McCorvey currently holds the rank of Professor of Voice and Director of Opera at the University of Kentucky in Lexington, KY. Sopranos Tenors Performers Sonya Gabrielle Baker Alfonse Anderson Tedrin Blair Lindsay, Angela Brown Andreas Kirtley Pianist Jeryl Cunningham Albert R. Lee Calesta Day James E. Lee, Jr. Everett McCorvey, Founder Alicia M. Helm Phumzile Sojola and Music Director Hope Koehler Ervy Whitaker, Jr. Ricky Little, Assistant Andrea Jones-Sojola John Wesley Wright Conductor Amira Hocker Young Peggy Stamps, Janinah Burnett Basses Dancer/Stage Director Keith Dean James E. Lee, Company Altos Lawrence Fortson Manager Claritha Buggs Earl Hazell Lisa Hornung Ricky Little Hope Koehler Tay Seals Sherry Warsh Kevin Thompson Bradley Williard Baritone Thomas R. Beard, Jr. Kenneth Overton Soloist Biographies Alfonse Anderson, Tenor Dr. Alfonse Anderson, Vocal Area Coordinator and Associate Professor of Voice at University of Nevada Las Vegas received his bachelor and master's degrees in music from Texas Southern University, and DMA in voice and pedagogy from the University of Arizona. -
Good News for Those with Stories of Grief
“Do not be afraid, Mary, you have found favor with God.” Luke 1:30 NIV GGoooodd NNeewwss FFoorr TThhoossee WWiitthh SSttoorriieess ooff GGrriieeff A Message for Women Who Share Stories of Personal Misfortune and Grief ii “The Lord has done this for me. In these days he has shown his favor and taken away my disgrace among the people.” Words of the formerly barren Elizabeth upon fulfillment of God’s promise that she would bear a son. (Luke 1:25 NIV) “Your sins are forgiven. Your faith has saved you; go in peace.” Words of Jesus to the woman who lovingly wept at his feet seeking forgiveness of her sins. (Luke 7:48, 50 NIV) iii Good News for Those with Stories of Grief (The Grief Stories) J.O.Terry © International Mission Board, SBC September, 1999 Revised September 2008 New stories added January 2009 Permission is granted for adapting and translating these stories and concepts. These are presented for the purpose of engaging the attention of those women who have the practice of sharing their life’s grief stories, so they might see there is a greater power at work in their lives to bless and change their circumstances. And through the stories they might know the Savior who came to forgive their sin and bring the possibility of eternal life and blessing, a comfort for their grief. Bible stories are derived from the New International Version text with direct quotation and adaptation as needed to facilitate the narrative of the stories. Cover picture from “Telling the Story…” Bible Teaching pictures.