ABC Submission to the ACCC Digital Platforms Inquiry
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ANNUAL REPORT 2019 Revellers at New Year’S Eve 2018 – the Night Is Yours
AUSTRALIAN BROADCASTING CORPORATION ANNUAL REPORT 2019 Revellers at New Year’s Eve 2018 – The Night is Yours. Image: Jared Leibowtiz Cover: Dianne Appleby, Yawuru Cultural Leader, and her grandson Zeke 11 September 2019 The Hon Paul Fletcher MP Minister for Communications, Cyber Safety and the Arts Parliament House Canberra ACT 2600 Dear Minister The Board of the Australian Broadcasting Corporation is pleased to present its Annual Report for the year ended 30 June 2019. The report was prepared for section 46 of the Public Governance, Performance and Accountability Act 2013, in accordance with the requirements of that Act and the Australian Broadcasting Corporation Act 1983. It was approved by the Board on 11 September 2019 and provides a comprehensive review of the ABC’s performance and delivery in line with its Charter remit. The ABC continues to be the home and source of Australian stories, told across the nation and to the world. The Corporation’s commitment to innovation in both storytelling and broadcast delivery is stronger than ever, as the needs of its audiences rapidly evolve in line with technological change. Australians expect an independent, accessible public broadcasting service which produces quality drama, comedy and specialist content, entertaining and educational children’s programming, stories of local lives and issues, and news and current affairs coverage that holds power to account and contributes to a healthy democratic process. The ABC is proud to provide such a service. The ABC is truly Yours. Sincerely, Ita Buttrose AC OBE Chair Letter to the Minister iii ABC Radio Melbourne Drive presenter Raf Epstein. -
18 May 1999 Professor Richard Snape Commissioner Productivity
18 May 1999 Professor Richard Snape Commissioner Productivity Commission Locked Bag 2 Collins Street East Post Office MELBOURNE VIC 8003 Dear Professor Snape I attach the ABC’s submission to the Productivity Commission’s review of the Broadcasting Services Act. I look forward to discussing the issues raised at the public hearing called in Melbourne on 7 June, and in the meantime I would be happy to elaborate on any matter covered in our submission. The ABC is preparing a supporting submission focusing on the economic and market impacts of public broadcasting, and this will be made available to the Commission at the beginning of June. Yours sincerely, BRIAN JOHNS Managing Director AUSTRALIAN BROADCASTING CORPORATION SUBMISSION TO THE PRODUCTIVITY COMMISSION REVIEW OF THE BROADCASTING SERVICES ACT 1992 MAY 1999 CONTENTS Introduction 4 1. The ABC’s obligations under its own Act 6 1.1 The ABC’s Charter obligations 6 1.2 ABC’s range of services 7 1.3 Public perception of the ABC 7 2. The ABC and the broadcasting industry 9 2.1 ABC’s role in broadcasting: the difference 9 2.2 ABC as part of a diverse industry 14 2.3 ABC’s role in broadcasting: the connections 15 3. Regulation of competition in the broadcasting industry 16 3.1 Aim of competition policy/control rules 16 3.2 ABC and competition policy 17 3.3 ABC as program purchaser 17 3.4 ABC as program seller 17 3.5 BSA control rules and diversity 18 3.6 ACCC as regulator 19 4. Relationship with other regulators 20 4.1 Australian Broadcasting Authority 20 4.2 Australian Communications Authority (ACA) 21 5. -
Radio and Television Correspondents' Galleries
RADIO AND TELEVISION CORRESPONDENTS’ GALLERIES* SENATE RADIO AND TELEVISION GALLERY The Capitol, Room S–325, 224–6421 Director.—Michael Mastrian Deputy Director.—Jane Ruyle Senior Media Coordinator.—Michael Lawrence Media Coordinator.—Sara Robertson HOUSE RADIO AND TELEVISION GALLERY The Capitol, Room H–321, 225–5214 Director.—Tina Tate Deputy Director.—Olga Ramirez Kornacki Assistant for Administrative Operations.—Gail Davis Assistant for Technical Operations.—Andy Elias Assistants: Gerald Rupert, Kimberly Oates EXECUTIVE COMMITTEE OF THE RADIO AND TELEVISION CORRESPONDENTS’ GALLERIES Joe Johns, NBC News, Chair Jerry Bodlander, Associated Press Radio Bob Fuss, CBS News Edward O’Keefe, ABC News Dave McConnell, WTOP Radio Richard Tillery, The Washington Bureau David Wellna, NPR News RULES GOVERNING RADIO AND TELEVISION CORRESPONDENTS’ GALLERIES 1. Persons desiring admission to the Radio and Television Galleries of Congress shall make application to the Speaker, as required by Rule 34 of the House of Representatives, as amended, and to the Committee on Rules and Administration of the Senate, as required by Rule 33, as amended, for the regulation of Senate wing of the Capitol. Applicants shall state in writing the names of all radio stations, television stations, systems, or news-gathering organizations by which they are employed and what other occupation or employment they may have, if any. Applicants shall further declare that they are not engaged in the prosecution of claims or the promotion of legislation pending before Congress, the Departments, or the independent agencies, and that they will not become so employed without resigning from the galleries. They shall further declare that they are not employed in any legislative or executive department or independent agency of the Government, or by any foreign government or representative thereof; that they are not engaged in any lobbying activities; that they *Information is based on data furnished and edited by each respective gallery. -
I INFORMING a DISTRACTED AUDIENCE: NEWS NARRATIVES
INFORMING A DISTRACTED AUDIENCE: NEWS NARRATIVES IN BREAKFAST TELEVISION Emma Copeman Submitted in fulfilment of the degree of Bachelor of Arts (MECO), Honours Department of Media and Communications October, 2007 i Abstract This thesis takes its lead from Baym‟s (2004) suggestion that incorporation of entertainment techniques into television news undermines its authority and credibility. To explore this question, textual analysis was conducted on the news bulletins of Australian breakfast television programs Sunrise and Today with regard to narrative features and the spread of traditional news conventions compared to entertainment techniques. This analysis was followed by a discussion of the dominant meanings produced by the news narratives of Sunrise and Today. The two programs employed similar narrative styles that largely adhered to traditional news conventions, positioning themselves as impartial and authoritative relayers of news. However, narratives of both programs also diverged from traditional news: both used entertainment conventions – with Today often abandoning the traditional Inverted Pyramid news story structure for new structures – and contained briefer stories, with references to the opinions and personal experiences of the item presenters. In some breakfast news items, the short and sometimes personal narrative structure diminished the construction of impartiality. While entertainment techniques represented a potential threat to the overall authority of the news, in this analysis, the threat was mitigated by the dominance of traditional news conventions and authority was retained. In summary, departures from traditional news narrative structure and delivery are evident in Australian breakfast television, and may partly decrease its news authority and impartiality. However, the ability of these programs to retain distracted breakfast audiences may depend on the brief, entertaining and sometimes personal nature of the news items. -
Submission on Senate Enquiry Into Media Diversity in Australia The
Submission on Senate enquiry into media diversity in Australia The state of media diversity, independence and reliability in Australia and the impact that this has on public interest journalism and democracy. DATE: 6TH DECEMBER 2020 MY BACKGROUND I am a retired business professional who has worked in the information technology and information industry all my working life. My roles have included technical, management, account management, regional sales management and worldwide product marketing. I have taken an interest is current affairs all of my life and am very cognisant of the technical capabilities of the internet and social media. MY SUBMISSION The greatest change to the media landscape in Australia over recent years is the influence of the internet and online media and advertising and the commensurate fall in advertising revenue in the traditional masthead newspapers. The arrival of Google, Facebook, Twitter and other social media has changed the way users explore news, current affairs and other content of interest. The operational model of social media is to fund their business through advertising which extracts large sources of revenue from traditional media. This results in the need for commercial media to cut costs, change their business model, introduce paywalls requiring subscription to access media content, and merge into larger conglomerates. The other major media providers in Australia are the publicly funded Australian Broadcasting Corporation (ABC) and SBS. The internet and social media has not affected their funding source and has in fact increased their reach. The ABC receives over $1 Billion annually and is forever complaining about cuts, be they cuts in real terms or simply through a lack of inflation indexed cost increases. -
ABC RESPONSE to EDITORIAL REVIEW No: 8 IMPARTIALITY OF
ABC RESPONSE TO EDITORIAL REVIEW No: 8 IMPARTIALITY OF ABC BUSINESS COVERAGE The ABC welcomes this detailed and extensive review of business coverage across all of our platforms. The overall conclusion of both the reviewer, Kerry Blackburn, and the adviser to the review, Mike Smith, is that there is no discernible ‘anti-business’ bias in the ABC’s coverage, and that the coverage reflects a rich and diverse range of views, curated by competent and knowledgeable presenters and reporters and packaged in accessible and interesting ways. No significant breaches of editorial standards are identified. In terms of overarching observations, the ABC acknowledges the comments from Mr Smith that our business coverage can be unfocussed and uncoordinated by trying to be all things to all people, as well as the findings in the body of the review that the ABC is not a ‘specialist publisher’ and so the language and framing of business stories needs to be as inclusive as possible in order to appeal to a mainstream audience. In response, the ABC acknowledges that there is always room to improve the focus and resource allocation of key coverage and the report provides useful advice on ways to approach that. It should also be noted that, while there is always merit in making business coverage accessible and relevant, the ABC has a wide range of programming where business content can be found. While much of this is general programming for a broad audience, the ABC also has more specialist programs which cater to target audiences and so it is to be expected that content will be pitched and constructed in a range of ways to serve the needs of different audiences. -
Agpasa, Brendon
29 January 2021 The Hon Paul Fletcher MP PO Box 6022 House of Representatives Parliament House Canberra ACT 2600 CHRIS (BRENDON) AGPASA SUBMISSION TO THE 2021-22 PRE-BUDGET SUBMISSIONS Dear Minister Fletcher, I write to request assistance had appropriate for media diversity to support digital radio and TV rollouts will continue in the federal funding, Brendon Agpasa was a student, radio listener and TV viewer. Paul Fletcher MP and the Morrison Government is supporting the media diversity including digital radio rollout, transition of community television to an online operating model, digital TV rollout, radio and TV services through regional media and subscription TV rollout we’re rolled out for new media landscape and it’s yours to towards a digital future of radio and TV broadcasting. We looking up for an expansion of digital radio rollout has been given consideration, the new digital spectrum to test a trial DRM30 and DRM+ with existing analogue (AM/FM) radio services, shortwave radio and end of spectrum (VHF NAS licences) will be adopted Digital Radio Mondiale services in Australia for the future plans. The radio stations Sydney’s 2GB, Melbourne’s 3AW, Brisbane’s Nova 106.9, Adelaide’s Mix 102.3, Perth’s Nova 93.7, Hit FM and Triple M ranks number 1 at ratings survey 8 in December 2020. Recently in December 2020, Nova Entertainment had launched it’s new DAB+ stations in each market, such as Nova Throwbacks, Nova 90s, Nova Noughties, Nova 10s, Smooth 80s and Smooth 90s to bring you the freshest hits, throwbacks and old classics all day everyday at Nova and Smooth FM. -
Annual Report 2006-2007: Part 2 – Overview
24 international broadcasting then... The opening transmission of Radio Australia in December 1939, known then as “Australia Calling”. “Australia Calling… Australia Calling”, diminishing series of transmission “hops” announced the clipped voice of John Royal around the globe. For decades to come, through the crackle of shortwave radio. It was listeners would tune their receivers in the a few days before Christmas 1939. Overseas early morning and dusk and again at night broadcasting station VLQ 2—V-for-victory, to receive the clearest signals. Even then, L-for-liberty, Q-for-quality—had come alive signal strength lifted and fell repeatedly, to the impending terror of World War II. amid the atmospheric hash. The forerunner of Radio Australia broadcast Australia Calling/Radio Australia based itself in those European languages that were still in Melbourne well south of the wartime widely used throughout South-East Asia at “Brisbane Line” and safe from possible the end of in the colonial age—German, Dutch, Japanese invasion. Even today, one of Radio French, Spanish and English. Australia’s principal transmitter stations is located in the Victorian city of Shepparton. Transmission signals leapt to the ionosphere —a layer of electro-magnetic particles By 1955, ABC Chairman Sir Richard Boyer surrounding the planet—before reflecting summed up the Radio Australia achievement: down to earth and bouncing up again in a “We have sought to tell the story of this section 2 25 country with due pride in our achievements international broadcasting with Australia and way of life, but without ignoring the Television. Neither the ABC nor, later, differences and divisions which are inevitable commercial owners of the service could in and indeed the proof of a free country”. -
Abc Friends Salutes Four Corners
UpdateDecember 2016 Vol 24, No. 3 Thrice Yearly Newsletter ABC FRIENDS SALUTES FOUR CORNERS t the Annual Award questions of the medical profession. Presentation for Broadcasting Even in her illness, Liz was still the AExcellence on Friday 25th relentless investigative reporter. November, ABC Friends (National) It is these qualities, along with recognised the extraordinary persistence, patience, integrity, contribution of Four Corners to curiosity, thoroughness, balance and Australian life and investigative compassion, the hallmarks of great journalism of the highest quality journalism, that have undoubtedly over the past 55 years. Throughout been a thorn in the side of politicians those 55 years, Four Corners has of all persuasions, and those in consistently and with commendable positions of power and authority courage shone a light into many who have been under the relentless dark places in our national life, and microscope of a Four Corners has, without any doubt, investigation. Very recent examples changed Australia for the come to mind: “Broken Homes” better. The final program examined our totally inadequate and for 2016, A Sense of misnamed Child Protection System; Self, was no exception. and her persistent search for the “The Forgotten Children” painfully Liz Jackson, multi-award best medical options with her documented the evaporation of hope winning journalist with Four partner Martin Butler, displaying amongst refugee children under Corners for 30 years, laid exceptional courage, honesty and detention on Nauru; “Australia’s bare her private and family professionalism. In so doing, she Shame”, in graphic detail, showed life in documenting her struggle with taught us all how to be better patients, the onset of Parkinson’s Disease better carers, and to ask the right Continued on Page 4. -
Submission on the Australian Broadcasting Corporation's Commitment to Reflecting and Representing Regional Diversity
Submission on The Australian Broadcasting Corporation's commitment to reflecting and representing regional diversity Dear Sir/ Madam, I welcome this opportunity to comment on The Australian Broadcasting Corporation's commitment to reflecting and representing regional diversity within the terms of reference as set out by the Environment and Communications References Committee. Regional diversity and national identity will be diminished with the loss of the ABC Tasmanian Production Unit. Programs of high quality reflecting and representing regional diversity have been produced in Tasmania and include Auction Room, the extremely popular “Collectors” and “Gardening Australia” when it was hosted by Peter Cundall. These Tasmanian programs enabled national viewers to enjoy and appreciate the state’s distinctive heritage and culture. The Tasmanian bushfires were best reported by local journalists who have a personal understanding of the state; its people and conditions. The decision to cut ABC production in Hobart has met with opposition from 12 Federal Senators and the Premier, Lara Giddings who is unable to match funding from the State budget for Screen Tasmania to offset ABC cuts as requested by the ABC’s Managing Director (ABC, 2012)1. Similarly, Western Australia also has limited ABC production with the cessation of “Can We Help?” enjoyed by viewers over six years. The decline, according to Cassellas (2012), has been evident since 1985 when WA had a low but reasonable 7.8 per cent of ABC’s staff compared with just 5.4 per cent in 20122. Now the WA studio is mainly unused or hired out to companies like Screen West. By comparison, NSW had 49.2 per cent of the ABC’s staff last year. -
Who Gets to Tell Australian Stories?
Who Gets To Tell Australian Stories? Putting the spotlight on cultural and linguistic diversity in television news and current affairs The Who Gets To Tell Australian Stories? report was prepared on the basis of research and support from the following people: Professor James Arvanitakis (Western Sydney University) Carolyn Cage (Deakin University) Associate Professor Dimitria Groutsis (University of Sydney) Dr Annika Kaabel (University of Sydney) Christine Han (University of Sydney) Dr Ann Hine (Macquarie University) Nic Hopkins (Google News Lab) Antoinette Lattouf (Media Diversity Australia) Irene Jay Liu (Google News Lab) Isabel Lo (Media Diversity Australia) Professor Catharine Lumby (Macquarie University) Dr Usha Rodrigues (Deakin University) Professor Tim Soutphommasane (University of Sydney) Subodhanie Umesha Weerakkody (Deakin University) This report was researched, written and designed on Aboriginal land. Sovereignty over this land was never ceded. We wish to pay our respect to elders past, present and future, and acknowledge Aboriginal and Torres Strait Islander communities’ ongoing struggles for justice and self-determination. Who Gets to Tell Australian Stories? Executive summary The Who Gets To Tell Australian Stories? report is the first comprehensive picture of who tells, frames and produces stories in Australian television news and current affairs. It details the experience and the extent of inclusion and representation of culturally diverse news and current affairs presenters, commentators and reporters. It is also the first -
Gordon Graham: "Get Yourself a Union Rep!" Margaret Jenny, President, RTCA
WEDNESDAY, MARCH 22 7:30 a.m. | Registration 7:30 a.m. | Breakfast 8:30 a.m. | Welcome WEDNESDAY, MARCH 22, 2017 Steve Hansen, Chairman, National Safety Committee, NATCA 8:40 a.m. | Keynote Address Gordon Graham: "Get Yourself a Union Rep!" Margaret Jenny, President, RTCA 9:00 a.m. | Presentation Gordon Graham took the stage for the fourth lawyers get involved.” How the Media Can Shape straight year Tuesday with another fantastic Aviation: An Interview with David presentation, “Why Things Go Right and Why “Whenever I talk I’m also thinking with a risk Kerley Things Go Wrong.” management hat on. My whole life is pre- incident prevention. What can we do up front to 9:45 a.m. | Break Graham’s presentation centered on his time prevent these problems?” 10:30 a.m. | Panel as a California law enforcement officer. He The Effect of Government encouraged facilities to find ways to incorporate “We face thousands of risks in our own Regulations and Policies on daily training to prepare for low frequency, high operations. We face thousands of risks in what Aviation Safety, Efficiency, and Growth risk situations. He also encouraged attendees we do. Where do we get started?” to take into consideration the way that we learn 12:00 p.m. | Lunch and look for ways for people to learn from their “Get ready for your retirement today. Get ready Speaker: Jessica Cox mistakes. for your retirement TODAY.” Thinking Outside the Shoe 2:00 p.m. | Breakouts That, along with his education as a risk “Sergeant Graham is nuts!” manager, and experience as a practicing 13th Annual Archie League attorney make all of his presentations “You can tell her we did that but we’re not Medal of Safety Awards entertaining and insightful.