Protect the Planet Study Guide
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Jurassic Park" Have Come to Pass
JURASSIC WORLD and INDOMINUS REX 0. JURASSIC WORLD and INDOMINUS REX - Story Preface 1. EARLY DINOSAUR DISCOVERIES 2. THE JURASSIC PERIOD 3. JURASSIC-ERA DINOSAURS 4. FOSSILIZED AMBER 5. THE SOLNHOFEN LIMESTONE 6. TYRANNOSAURUS REX 7. T-REX - SUE 8. PTERANODON 9. TRICERATOPS 10. VELOCIRAPTOR 11. SPINOSAURUS 12. DINOSAUR TRACKS AND DISPUTES 13. NEW DINOSAUR DISCOVERIES 14. JURASSIC WORLD and INDOMINUS REX What do you do when you want to boost visitor attendance to your dinosaur-dominated, Jurassic World theme park? Use DNA, from four different dinosaurs, and “in the Hammond lab” create something entirely new and fearsome. Then ... give the new creature a name which signifies its awesome power: Indominus rex. At least ... that’s how the story theme works in the 2015 film “Jurassic World.” So ... let’s travel back in time, to the age of the dinosaurs, and meet the four interesting creatures whose DNA led to this new and ferocious predator: Rugops; Carnotaurus; Giganotosaurus; Majungasaurus. If—contrary to plan—Indominus rex becomes a killing machine, we have to ask: Did she “inherit” that trait from her “ancestors?” Let’s examine the question, starting with Rugops (ROO-gops). What we know about this theropod, from a physical standpoint, comes from a single, nearly complete and fossilized skull. With its weak but gaping jaw and skull, Rugops—which means “wrinkle face”—is not a predator like the Cretaceous-Period Spinosaurus. Instead, Rugops is a natural-born scavenger, likely waiting in the wings for what’s left of a Spinosaurus-caught, Cretaceous-era fish known as Onchopristis. Living off the scraps of meals, killed by another creature, could be enough for a Rugops. -
Geological Timeline
Geological Timeline In this pack you will find information and activities to help your class grasp the concept of geological time, just how old our planet is, and just how young we, as a species, are. Planet Earth is 4,600 million years old. We all know this is very old indeed, but big numbers like this are always difficult to get your head around. The activities in this pack will help your class to make visual representations of the age of the Earth to help them get to grips with the timescales involved. Important EvEnts In thE Earth’s hIstory 4600 mya (million years ago) – Planet Earth formed. Dust left over from the birth of the sun clumped together to form planet Earth. The other planets in our solar system were also formed in this way at about the same time. 4500 mya – Earth’s core and crust formed. Dense metals sank to the centre of the Earth and formed the core, while the outside layer cooled and solidified to form the Earth’s crust. 4400 mya – The Earth’s first oceans formed. Water vapour was released into the Earth’s atmosphere by volcanism. It then cooled, fell back down as rain, and formed the Earth’s first oceans. Some water may also have been brought to Earth by comets and asteroids. 3850 mya – The first life appeared on Earth. It was very simple single-celled organisms. Exactly how life first arose is a mystery. 1500 mya – Oxygen began to accumulate in the Earth’s atmosphere. Oxygen is made by cyanobacteria (blue-green algae) as a product of photosynthesis. -
Ways of Seeing Animals Documenting and Imag(In)Ing the Other in the Digital Turn
InMedia The French Journal of Media Studies 8.1. | 2020 Ubiquitous Visuality Ways of Seeing Animals Documenting and Imag(in)ing the Other in the Digital Turn Diane Leblond Electronic version URL: http://journals.openedition.org/inmedia/1957 DOI: 10.4000/inmedia.1957 ISSN: 2259-4728 Publisher Center for Research on the English-Speaking World (CREW) Electronic reference Diane Leblond, “Ways of Seeing Animals”, InMedia [Online], 8.1. | 2020, Online since 15 December 2020, connection on 26 January 2021. URL: http://journals.openedition.org/inmedia/1957 ; DOI: https:// doi.org/10.4000/inmedia.1957 This text was automatically generated on 26 January 2021. © InMedia Ways of Seeing Animals 1 Ways of Seeing Animals Documenting and Imag(in)ing the Other in the Digital Turn Diane Leblond Introduction. Looking at animals: when visual nature questions visual culture 1 A topos of Western philosophy indexes animals’ irreducible alienation from the human condition on their lack of speech. In ancient times, their inarticulate cries provided the necessary analogy to designate non-Greeks as other, the adjective “Barbarian” assimilating foreign languages to incomprehensible birdcalls.1 To this day, the exclusion of animals from the sphere of logos remains one of the crucial questions addressed by philosophy and linguistics.2 In the work of some contemporary critics, however, the tenets of this relation to the animal “other” seem to have undergone a change in focus. With renewed insistence that difference is inextricably bound up in a sense of proximity, such writings have described animals not simply as “other,” but as our speechless others. This approach seems to find particularly fruitful ground where theory proposes to explore ways of seeing as constitutive of the discursive structures that we inhabit. -
Beyond Planet Earth: the Future of Planet Earth: Beyond 20 22 18 14 12 6 8 4 ; and the of 35Th the Anniversary 3
Member Magazine Fall 2011 Vol. 36 No. 4 Searching For Life on Mars How to Opening Build November 19 a Lunar BEYOND Elevator PLANET EARTH: THE FUTURE OF SPACE EXPLORATION Astrophysics at the Museum 2 News at the Museum 3 From the Even for those of us long past our school years, fall of you participated. Based on that work, the Museum More Stars Shine Brighter With Museum To Offer always feels like “back to school”—a time for new has restructured and enhanced its program to bring President ventures and new adventures. The most exciting it more fully in line with Members’ lives. Hayden Planetarium Upgrade Science Teaching Degree new venture at the Museum is our Master of Arts Membership categories will now more closely Ellen V. Futter in Teaching (MAT) program, which marks the first reflect the kinds of households that you are part This fall, the Museum is launching a Master time that an institution other than a university of, with new Family and Adult tracks that will of Arts in Teaching (MAT) program, marking or college will offer a master’s program for science allow us to tailor programs, services, and benefits. the first time that an institution other than teachers. Please read more about this pioneering And, moving forward, there will be an increased a university or college will offer such a program initiative on page 3. emphasis on communication, including keeping for science teachers. Fall 2011 brings a full slate of exciting offerings in closer touch with Members through electronic The pioneering 15-month program is for the public, including our thrilling new means, including a new digital membership. -
Netflix Cheat Sheet
NETFLIX CHEAT SHEET Animals: BBC: Life The Crimson Wing 72 Dangerous Animals: Tiger: Spy in the Jungle Bindi’s Bootcamp Australia Elephant: Spy in the Herd Wings of Life The Hunt Polar Bear: Spy on Ice Born in China Africa’s Deadliest Dolphins: Spy in the Pod 72 Cutest Animals Trek: Spy of the Lions: Spy in the Den Growing Up Wild Wildebeest Bears: Spy in the Woods Baby Animals in the Wild Africa’s Deadliest Penguins: Spy in the Hidden Kingdoms Leopard Fight Club Huddle Terra Animal Fight Night Blackfish Ghost of the Mountain Peculiar Pets Shark Virunga Race of LIfe The Lion in Your Living 72 Dangerous Animals: Wild Ones Room Asia David Attenborough’s A Dog’s Life 72 Dangerous Animals: Natural Curiosities Tyke: Elephant Outlaw America Earth & Nature : Space: History: Planet Earth II Alien Contact: Outer NOVA: Secrets of Noah’s Planet Earth Space Ark Blue Planet NOVA: Earth’s Rocky Start The Vietnam War Frozen Planet Into the Inferno The Pyramid Code Planet Earth: As You’ve The Real Death Star Vikings Unearthed Never Seen It Edge of the Universe WWII in Colour A Plastic Ocean Horizon: Secrets of the Untold Histories of the Earth’s Natural Wonders Solar System United States Mission Blue The Inexplicable Universe Nazi Mega Weapons World’s Worst Disasters The Beginning and End of 9/11: Truths, Lies & Nature’s Weirdest Events the Universe Conspiracy Nature’s Great Events Horizon: Supermassive Nazi Megastructures Weird Wonders of the Black Holes Auschwitz: The Nazis and World Orbit the Final Solution Forces of Nature In Search for Life in Space D-Day Desperate Hours: The Royal House of Witnesses & Survivors Presidents: Windsor Full Force Nature How to Win the US Tornado Hunters Presidency Dinosaurs: The Wheelchair President Raising the Dinosaur Giant JFK: The Making of a Horizon Dinosaurs: The President Hunt for Life Meet the Trumps: From Dino Hunt Immigrant to President HomeschoolHideout.com Please do not share or reproduce. -
Greening Wildlife Documentary’, in Libby Lester and Brett Hutchins (Eds) Environmental Conflict and the Media, New York: Peter Lang
Morgan Richards (forthcoming 2013) ‘Greening Wildlife Documentary’, in Libby Lester and Brett Hutchins (eds) Environmental Conflict and the Media, New York: Peter Lang. GREENING WILDLIFE DOCUMENTARY Morgan Richards The loss of wilderness is a truth so sad, so overwhelming that, to reflect reality, it would need to be the subject of every wildlife film. That, of course, would be neither entertaining nor ultimately dramatic. So it seems that as filmmakers we are doomed either to fail our audience or fail our cause. — Stephen Mills (1997) Five years before the BBC’s Frozen Planet was first broadcast in 2011, Sir David Attenborough publically announced his belief in human-induced global warming. “My message is that the world is warming, and that it’s our fault,” he declared on the BBC’s Ten O’Clock News in May 2006. This was the first statement, both in the media and in his numerous wildlife series, in which he didn’t hedge his opinion, choosing to focus on slowly accruing scientific data rather than ruling definitively on the causes and likely environmental impacts of climate change. Frozen Planet, a seven-part landmark documentary series, produced by the BBC Natural History Unit and largely co-financed by the Discovery Channel, was heralded by many as Attenborough’s definitive take on climate change. It followed a string of big budget, multipart wildlife documentaries, known in the industry as landmarks1, which broke with convention to incorporate narratives on complex environmental issues such as habitat destruction, species extinction and atmospheric pollution. David Attenborough’s The State of the Planet (2000), a smaller three-part series, was the first wildlife documentary to deal comprehensively with environmental issues on a global scale. -
Saving Planet Earth by Jack Spencer Fountas-Pinnell Level S Science Fiction Selection Summary in the Year 3030 Only a Few Humans Live on Planet Earth
LESSON 4 TEACHER’S GUIDE Saving Planet Earth by Jack Spencer Fountas-Pinnell Level S Science Fiction Selection Summary In the year 3030 only a few humans live on planet Earth. Derek is a scientist stationed on planet Earth. He tries to fi nd signs of life to save the planet. His son Dennis discovers butterfl ies. His discovery saves planet Earth. Number of Words: 1,603 Characteristics of the Text Genre • Science fi ction Text Structure • Third-person narrative with detailed episodes • Includes a prologue to give background information Content • Environmental disaster • Importance of air, plants, and insects to Earth • Scientifi c research Themes and Ideas • It is important to preserve history. • Scientifi c discoveries help the earth in many ways. • Persistence leads to success. Language and • Long stretches of descriptive language important to understanding the setting and the Literary Features characters of the story. • Multiple characters revealed by what they say, think, and do as well as what other characters say and think about them • Setting is distant in time and space from students’ experiences Sentence Complexity • Longer complex sentence structures that include dialogue as well as embedded clauses and phrases • Questions in dialogue Vocabulary • Vocabulary words that readers must derive from context: monitor, wrist communicator, void Words • Many multisyllable words: permanently, stubbornly, possibility Illustrations • Colorful illustrations with captions support the text. Book and Print Features • Easy-to-read chapter headings • Captions under illustrations provide important information for understanding the story © 2006. Fountas, I.C. & Pinnell, G.S. Teaching for Comprehending and Fluency, Heinemann, Portsmouth, N.H. Copyright © by Houghton Mifflin Harcourt Publishing Company All rights reserved. -
Have Fun with the Family
Good news! Almost every activity in our entire HAVE FUN programme is free to enjoy, so take your pick WITH THE and get there quick! Maybe you’ll become an FAMILY animator of stories from around the world. Or get up close and personal A season of surprises awaits you with a creepy crawly. in Oxford University’s Gardens, Who knows, perhaps you’ll go hunting for fantastic fossils on Planet Dinosaur! Whatever you end up Libraries & Museums. So what doing, remember to have fun, make friends and let are you waiting for? Let’s go! your mind grow. EASTER EGGSPLORATION GET SET FOR ADVENTURE saturday 31st march–sunday 15th april Download one of our fun family trails before you visit (in opening hours) or print off an activity sheet to try at home: EGGSTRAORDINARY EASTER TRAIL A Want to be a dinosaur detective? Or make Follow the eggciting egg-hunter’s trail yourself some dodo feet? Track them down at: through the museums. www.oum.ox.ac.uk/educate/famtrails.htm museum of natural history & pitt rivers museum In need of a survival guide to Ancient Egypt? Check out the Ashmolean’s 8 great trails at: sunday 1st–monday 23rd april www.ashmolean.org/family-trails (in opening hours) EASTER TRAIL 7+ Ever worn a reindeer hat or flown a carp kite? Challenge yourself to the museum’s Find out how to make your own at: Easter Trail. Help yourself from the www.prm.ox.ac.uk/family-athome Entrance Gallery. museum of the history of science GOOD STUFF TO GRAB WEEK-IN WEEK-OUT Go and grab your explorer packs from HARCOURT ARBORETUM every saturday, 11.30am–3.30pm every sunday, 2–4pm any of our information desks on site! Pick up an explorer’s backpack from the ticket office and use it to help you HANDS-ON COINS 7+ FAMILY-FRIENDLY SUNDAYS explore the 130 – acre site. -
1 a Critical Analysis of How the BBC Marketed to Attract Viewers for Planet Earth II and How Social Media Contributed to The
A critical analysis of how the BBC marketed to attract viewers for Planet Earth II and how social media contributed to the campaign’s success. Ten years after the BBC’s Emmy award-winning nature documentary Planet Earth (2006, BBC) stunned audiences with high-definition views of animal habitats across the globe, a sequel promising ‘the most immersive wildlife documentary experience to date’ was announced (BBC Media Centre, 2016). Revealed on February 22, 2016, Planet Earth II (2016, BBC) is the latest instalment of the highly successful Planet Earth franchise that includes documentary series The Blue Planet (2001, BBC) and feature film Earth (2007, BBC Worldwide). The new series, set to premiere later in the year, consists of six episodes that each feature a specific habitat including grasslands, forests, mountains and cities. Shot over four years, it utilises the latest camera and drone technology and is the first nature documentary to be filmed in ultra high-definition (4K). With never-before-seen footage and the return of well-respected presenter David Attenborough, Planet Earth II features all the elements necessary for high ratings; however, in a digital generation where primetime television is becoming less relevant, a strong marketing campaign was imperative to ensure success. Leo Birch, BBC strategist responsible for marketing the series, admitted in a telephone interview that primetime television is becoming increasingly harder to market, however the key to success is to plan a campaign suitable for the future (Birch 2017). By spreading content via various social media channels including YouTube, Facebook, Twitter and Instagram, the BBC took advantage of new technologies to bring traditional television into the digital generation. -
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Planet Earth II and the Operational Aesthetic
The Cine-Files, Issue 14 (spring 2019) “A World of Wonder:” Planet Earth II and the Operational Aesthetic Mikki Kressbach “I dream of a new age of curiosity. We have the technical means for it.” - Michel Foucault, “The Masked Philosopher”1 The first episode of Planet Earth II (BBC Nature 2016),2 the celebrated follow up to the 2006 nature documentary series, opens on the striking, emerald green island of Escudo, home to the three- toed pigmy sloth. David Attenborough’s narration introduces the character and stages the major drama of the sequence: “he needs a mate.” The sloth appears to doze lazily in the lush greenery, clinging to a mossy tree branch, when a high-pitched cry sounds off screen: “that’s an enticing call from a female. Somewhere out there.” Through a spectacular series of shots, we see the sloth swing between branches, swim across a crystal-clear stretch of turquoise water, and finally arrive at a cluster of trees. A medium shot captures the sloth treading water as he looks up, followed by a point of view shot that gazes up at the tree tops where another sloth appears perched in the branches: “could this be her?” He climbs up the tree, making his way toward the mystery female, culminating in dramatic close up of the sloth whose gaze is directed upward, off screen [Figure 1]. “But she’s not the one,” Attenborough reveals, with the programme’s cut to the female sloth who looks down at the male and swings her arm to reveal a baby clinging to her furry chest. -
BBC Annual Report and Accounts 2012
PART 2 THE BBC EXECUTIVE’S REVIEW AND ASSESSMENT Drama Sherlock, starring Benedict Cumberbatch and Martin Freeman, returned for a second series in January 2012. CONTENTS AND SUBJECT INDEX Part 2 BBC Executive contents Managing the business Overview 2-28 Chief Operating Officer’s review 2-1 Director-General’s introduction 2-29 Working together 2-2 Understanding the BBC’s finances Governance 2-4 Performance by service 2-40 Executive Board 2-8 Television 2-42 Risks and opportunities 2-9 Radio 2-44 Governance report 2-10 News 2-47 Remuneration report 2-11 Future Media 2-52 Audit Committee report 2-12 Nations & Regions 2-55 Fair trading report Delivering our strategy Managing our finances 2-14 Distinctiveness and quality 2-58 Chief Financial Officer’s review 2-15 The best journalism in the world 2-59 Summary financial performance 2-16 Inspiring knowledge, music 2-60 Financial overview and culture 2-68 Collecting the licence fee 2-17 Ambitious drama and comedy 2-69 Looking forward with confidence 2-20 Outstanding children’s content 2-70 Auditor’s report 2-21 Content that brings the nation 2-71 Glossary and communities together 2-72 Contact us/More information 2-22 Value for money 2-23 Serving all audiences 2-26 Openness and transparency Subject Index Part 1 Part 2 Board remuneration 1-9/1-32 2-48 Commercial strategy 1-8 2-36 Complaints 1-3/1-19 2-55 Delivering Quality First 1-4/1-6 2-14 Digital switchover – 2-25 Distribution 1-17 2-25 Editorial priorities – 2-14 Editorial standards 1-3/1-18 2-38 Efficiency 1-6 2-59/2-61 Equality and diversity