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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
Pure Magazine
PURE MAGAZINOctobeEr 2017 Jack O’Rourke Talks Music, Electric Picnic, Father John Misty and more… The Evolution Of A Modern Gentleman Jimmy Star chats with Hollywood actor... Sean Kanan Sony’s VR capabilities establishes them as serious contenders in the Virtual Reality headset war! Eli Lieb Talks Music, Creating & Happiness… Featured Artist Dionne Warwick Marilyn Manson Cheap Trick Otherkin Eileen Shapiro chats with award winning artist Emma Langford about her Debut + much more EalbumM, tour neMws plus mAore - T urLn to pAage 16 >N> GFORD @PureMzine Pure M Magazine ISSUE 22 Mesmerising WWW.PUREMZINE.COM forty seven Editor in Chief Trevor Padraig [email protected] and a half Editorial Paddy Dunne [email protected] minutes... Sarah Swinburne [email protected] Shane O’ Rielly [email protected] Marilyn Manson Heaven Upside Down Contributors Dave Simpson Eileen Shapiro Jimmy Star Garrett Browne lt-rock icon Marilyn Manson is back “Say10” showcases a captivatingly creepy Danielle Holian brandishing a brand new album coalescence of hauntingly hushed verses and Simone Smith entitled Heaven Upside Down. fantastically fierce choruses next as it Irvin Gamede ATackling themes such as sex, romance, saunters unsettlingly towards the violence and politics, the highly-anticipated comparatively cool and catchy “Kill4Me”. Front Cover - Ken Coleman sequel to 2015’s The Pale Emperor features This is succeeded by the seductively ten typically tumultuous tracks for fans to psychedelic “Saturnalia”, the dreamy yet www.artofkencoleman.com feast upon. energetic delivery of which ensures it stays It’s introduced through the sinister static entrancing until “Je$u$ Cri$i$” arrives to of “Revelation #12” before a brilliantly rivet with its raucous refrain and rebellious bracing riff begins to blare out beneath a instrumentation. -
Pynchon's Sound of Music
Pynchon’s Sound of Music Christian Hänggi Pynchon’s Sound of Music DIAPHANES PUBLISHED WITH SUPPORT BY THE SWISS NATIONAL SCIENCE FOUNDATION 1ST EDITION ISBN 978-3-0358-0233-7 10.4472/9783035802337 DIESES WERK IST LIZENZIERT UNTER EINER CREATIVE COMMONS NAMENSNENNUNG 3.0 SCHWEIZ LIZENZ. LAYOUT AND PREPRESS: 2EDIT, ZURICH WWW.DIAPHANES.NET Contents Preface 7 Introduction 9 1 The Job of Sorting It All Out 17 A Brief Biography in Music 17 An Inventory of Pynchon’s Musical Techniques and Strategies 26 Pynchon on Record, Vol. 4 51 2 Lessons in Organology 53 The Harmonica 56 The Kazoo 79 The Saxophone 93 3 The Sounds of Societies to Come 121 The Age of Representation 127 The Age of Repetition 149 The Age of Composition 165 4 Analyzing the Pynchon Playlist 183 Conclusion 227 Appendix 231 Index of Musical Instruments 233 The Pynchon Playlist 239 Bibliography 289 Index of Musicians 309 Acknowledgments 315 Preface When I first read Gravity’s Rainbow, back in the days before I started to study literature more systematically, I noticed the nov- el’s many references to saxophones. Having played the instru- ment for, then, almost two decades, I thought that a novelist would not, could not, feature specialty instruments such as the C-melody sax if he did not play the horn himself. Once the saxophone had caught my attention, I noticed all sorts of uncommon references that seemed to confirm my hunch that Thomas Pynchon himself played the instrument: McClintic Sphere’s 4½ reed, the contra- bass sax of Against the Day, Gravity’s Rainbow’s Charlie Parker passage. -
Omega Auctions Ltd Catalogue 28 Apr 2020
Omega Auctions Ltd Catalogue 28 Apr 2020 1 REGA PLANAR 3 TURNTABLE. A Rega Planar 3 8 ASSORTED INDIE/PUNK MEMORABILIA. turntable with Pro-Ject Phono box. £200.00 - Approximately 140 items to include: a Morrissey £300.00 Suedehead cassette tape (TCPOP 1618), a ticket 2 TECHNICS. Five items to include a Technics for Joe Strummer & Mescaleros at M.E.N. in Graphic Equalizer SH-8038, a Technics Stereo 2000, The Beta Band The Three E.P.'s set of 3 Cassette Deck RS-BX707, a Technics CD Player symbol window stickers, Lou Reed Fan Club SL-PG500A CD Player, a Columbia phonograph promotional sticker, Rock 'N' Roll Comics: R.E.M., player and a Sharp CP-304 speaker. £50.00 - Freak Brothers comic, a Mercenary Skank 1982 £80.00 A4 poster, a set of Kevin Cummins Archive 1: Liverpool postcards, some promo photographs to 3 ROKSAN XERXES TURNTABLE. A Roksan include: The Wedding Present, Teenage Fanclub, Xerxes turntable with Artemis tonearm. Includes The Grids, Flaming Lips, Lemonheads, all composite parts as issued, in original Therapy?The Wildhearts, The Playn Jayn, Ween, packaging and box. £500.00 - £800.00 72 repro Stone Roses/Inspiral Carpets 4 TECHNICS SU-8099K. A Technics Stereo photographs, a Global Underground promo pack Integrated Amplifier with cables. From the (luggage tag, sweets, soap, keyring bottle opener collection of former 10CC manager and music etc.), a Michael Jackson standee, a Universal industry veteran Ric Dixon - this is possibly a Studios Bates Motel promo shower cap, a prototype or one off model, with no information on Radiohead 'Meeting People Is Easy 10 Min Clip this specific serial number available. -
Buster Turns Kristin Smart Case Upside-Down!
http://CaliforniaRegister.com SAN LUIS OBISPO - SPECIAL EDITION Volume 3 - Issue 1 JANUARY 15, 2015 PRSRT STD “Congress shall make no law ... **********ECRWSSEDDM**** ECRWSS abridging the freedom of speech, or of the press...” U.S. POSTAGE PAID Residential Customer PISMO BEACH, CA Ratified by Congress: December 15, 1791 PERMIT NO. 99 Buster Turns Kristin Smart Case Upside-Down! Search Dog “Buster” Detects Human Remains Behind Arroyo Grande Home Soil Sample Contains a Human-Specific Chemical, but Sheriff Ignores it All! specific chemical normally found response. The lack of action by the found a woman’s earring. On the The following article is an update in human remains. San Luis Obispo Sheriff’s department following day, Joseph Lassiter while for those who have been following • August 1, 2014, Buster alerts in was disappointing and troublesome. being deposed stated he and his wife the Kristin Smart disappearance. the backyard of 523 E. Branch When Mrs. Smart asked the sheriff were in possession of the earring. Newcomers to the Kristin Smart St., Arroyo Grande. A forensic about it, he dismissed the dog alerts Joseph Lassiter described the earring case are encouraged to first read the scientist and a retired police because Buster was not a “certified” as: hooped with beads and a flat piece entire story at: CaliforniaRegister. search dog. Additionally, Parkinson which connects to the ear, a “little com/kristin-smart/ detective believe human-specific chemicals are present in the soil did not place too much faith in the beaded thing that hangs down.” around the backyard of 529 E. soil-sample analysis either. -
Delta Airlines Y La Cruz Roja Americana Unen
U2 ya está en México para cautivar Iba drogado con The Joshua Tree Tour 2017 “pipero” que embistió a 19 este martes y miércoles >31 vehículos >14 $10 PESOS Lunes 2 de octubre de 2017 DIARIOIMAGEN AñoAñ XII No. 3219 México [email protected] / [email protected] En un robo Recorre Del Mazo zonas afectadas por el terremoto Matan a otra joven estudiante Registran en Edomex en Puebla Otra estudiante, ahora de la Benemérita Universi- dad Autónoma de Puebla 199 templos dañados (BUAP), fue asesinada de un balazo en la... >13 7YLJPZHX\LSHZLKPÄJHJPVULZZVUJVUZPKLYHKHZTVU\TLU[VZ El dato históricos, ya que datan de los siglos XVI, XVII, XVIII y XIX A partir de esta Por José Luis Montañez Estado de México los detec- deterioro mayor, en tanto que semana empezarán a dispersarse los tados hasta el momento que los restantes observan daños primeros 4 mil 500 Tras una reunión con funcio- tienen alguna afectación en su que van de medios a leves. Au- millones de pesos narios del Instituto Nacional estructura arquitectónica, como toridades del INAH señalaron para la reconstrucción de de Antropología e Historia consecuencia del temblor del que se continúan evaluando los estados de Oaxaca y (INAH), el gobernador Alfredo pasado 19 de septiembre. El las afectaciones que Chiapas, afectados por los Del Mazo Maza informó que mandatario estatal explicó tienen estos monu- ALFREDO DEL MAZO REALIZÓ SUPERVISIÓN recientes sismos, son 199 iglesias y templos del que de éstos, 80 presentan un mentos históricos... >2 en la parroquia de San Nicolás Tolentino Coatepec. anunció Hacienda >9 Aún buscan HOY ESCRIBEN Roberto Vizcaíno >7 cuerpos en el Ramón Zurita >6 LKPÄJPVKLÍS]HYV Víctor Sánchez Baños >10 Obregón 286 Francisco Rodríguez >15 Augusto Corro >5 El jefe de gobierno, Miguel Ángel Soriano >11 ÍUNLS4HUJLYHJVUÄYT} X\LLULSLKPÄJPVKLÍS]HYV Elsa Rodríguez >11 6IYLN}UHUI\ZJHUH Jorg Palacios >14 WLYZVUHZ]xJ[PTHZKLSZPZTV Gloria Carpio >31 KLS KLZLW[PLTIYL,S THUKH[HYPVJHWP[HSPUVHU\UJP} Victoria G. -
The Grotesque in Art and Literature; Tr
WOLFGANG KAYSER Grotesque IN ART AND LITERATURE Translated by Ulrich Weis stein INDIANA UNIVERSITY PRESS Bloomington This book was originally published under the title Das Groteske: seine Gestaltung in Malerei und Dichtung © 1957 by Gerhard Stalling Verlag, Oldenburg (Oldb) und Ham¬ burg DEDICATED TO MAX RYCHNER WITH SINCERE APPRECIATION Copyright © 1963 by Indiana University Press All rights reserved Manufactured in the United States of America Library of Congress catalog card number: 63-9719 Trans lators Note Wolfgang Kayser’s untimely death deprived me of the possibility of consulting him while the translation was in progress. Although on the whole his German is clear and unexceptional, minor difficul¬ ties arose in connection with such pseudo-philosophical phrases as Offenheit fur ein Waltend.es; and occasionally I thought it best to add the original German word or phrase in parentheses. A special problem was posed by the inconsistency in the use of komisch on the part of the writers quoted by Kayser, whereas the rendering of the nouns Humor and Komik gave no trouble. The translations of literary and critical passages incorporated in the text are my own unless otherwise indicated. I am grateful to Holt, Rinehart and Winston, Inc., for their permission to use an 5 TRANSLATOR’S NOTE excerpt from Bernard Guilbert Guemey’s translation of Gogol’s Dead Souls. The English equivalents of German titles, where ap¬ plicable, are those found in B. Q. Morgan’s invaluable Critical Bib¬ liography of German Literature in English Translation, 1481- 1935 (Stanford, 1938). I should also like to thank Alfred A. Knopf, Inc., for allowing me to quote from H. -
Testimonies of Coordinated Stalking by Multiple Persons from California Residents and Former California Residents
Testimonies of Coordinated Stalking by Multiple Persons from California Residents and Former California Residents Testimonies of 90 persons include: • Results of reporting the crimes to law enforcement • Results from visits to mental health professionals • Net results on victim’s lives as a result of the crimes !1 Date: 7/17/19 Your Full Name: Ilona Gazarova City: San Francisco Zip Code: 94103 Please write a brief summary of your experience with coordinated stalking only: I'm systematically subjected to organized stalking, surveillance and harassment by people in my neighborhood and countless individuals whenever I leave my home. I am followed on the streets, to stores, parks, restaurants, public restrooms, doctor appointments, and every other place I go to. I was under surveillance and bullied at three different places of employment. I am also stalked by perpetrators in vehicles. Tracking appears to be accomplished with the help of devices the perpetrators carry in backpacks, by watching, and use of cell phones which they always have in hand and often point in my direction. When going places I looked up online or mentioned in a phone conversation, there will be people standing around that place when I arrive, all looking directly at me, with cellphones in hand. If I'm walking into a building, two to three of those waiting, will walk in with me. These perpetrators often make eye contact to let me know I'm being watched. I have constant interference with normal flow of daily life, making almost every task difficult or impossible. Perpetrators can access all of my online communication, bank and credit card statements, my online medical record, pharmacy prescriptions, cell phone texts, and listen to all conversations. -
The Broadsheet
May 2018 Issue XXIV THE BROADSHEET Seniors pose with inductees to Sigma Tau Delta Fifth Annual English Awards Ceremony This Issue: Celebrates Shared Scholarship, Award-Winning Verse, and Seniors Preparing for Graduation Poetry, Sanity, and By The Broadsheet Staff the Fifth Annual English Award Approximately fifty faculty, staff, students and family attended the fifth Ceremony annual English Awards Ceremony held on April 12 at 4 pm at the Merrimack College Writers House. The event consisted of a robust agenda, which Guest Speaker Tanya included the induction of eight new members into the Sigma Tau Delta Larkin Guides International Honor Society, the distribution of graduation cords to nine Majors along an seniors, a slide show from four of the five English majors who presented Important Path original scholarly and creative works at this year’s Sigma Tau Delta annual Sigma Tau Delta convention, the awarding of cash prizes to the three place winners in the Rev. John R. Aherne 2018 Poetry Contest, and a reading by poet Tanya Larkin, Conference 2018 Tufts University Lecturer in Creative Writing and author of two collections of original poetry, My Scarlet Ways, winner of the 2011 Saturnalia prize, and The Cryptic Manson Hothouse Orphan. of Heaven Upside Down The program also included readings by Aherne Poetry contest winners Bridget Kennedy (“Where I’m From,” first place), Dan Roussel (“Things Creating a Life in the I’ve Never Done,” second place), and Dakota Durbin (“Deer” and “Lucy Automated Future: Brook,” which tied for third place in the contest voting). In addition to her Mark Cuban on the reading, Larkin shared her thoughts about why poetry remains crucial to Liberal Arts emotional wellbeing. -
PAULO FREIRE PEDAGOGY of the OPPRESSED ; • 30TH ANNIVERSARY EDITION •
PAULO FREIRE PEDAGOGY of the OPPRESSED ; • 30TH ANNIVERSARY EDITION • Translated by Myra Bergman Ramos With an Introduction by Donaldo Macedo A continuum • IfNEW YORK • LONDON 2005 The Continuum International Publishing Group Inc 15 East 26,h Street, New York, NY 10010 The Continuum International Publishing Group Ltd The Tower Building, 11 York Road, London SE1 7NX Copyright © 1970, 1993 by Paulo Freire Introduction © 2000 by Donaldo Macedo All rights reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the written permission of The Continuum International Publishing Group Inc. Printed in the United States of America Library of Congress Cataloging-in-Publication Data Freire, Paulo, 1921- [Pedagogia del oprimido. English] Pedagogy of the oppressed / Paulo Freire ; translated by Myra Bergman Ramos ; introduction by Donaldo Macedo.—30th anniversary ed. p. cm. Includes bibliographical references. ISBN 0-8264-1276-9 (alk. paper) 1. Freire, Paulo, 1921- 2. Education—Philosophy. 3. Popular education—Philosophy. 4. Critical pedagogy. I. Title. LB880.F73 P4313 2000 370.11*5—dc21 00-030304 To the oppressed, and to those who suffer with them and fight at their side Contents Publisher's Foreword 9 Introduction to the Anniversary Edition by DONALDO MACEDO 11 Foreword by RICHARD SHAULL 29 Preface ^ 35 Chapter 1 43 The justification for a pedagogy of the oppressed; the contradiction between the oppressors and the oppressed, and how it is overcome; oppression and the oppressors; oppression and the oppressed; liberation: not a gift, not a self-achievement, but a mutual process. -
“I Am Your Faggot Anti-Pope”: an Exploration of Marilyn Manson As a Transgressive Artist
European journal of American studies 12-2 | 2017 Summer 2017, including Special Issue: Popularizing Politics: The 2016 U.S. Presidential Election “I Am Your Faggot Anti-Pope”: An Exploration of Marilyn Manson as a Transgressive Artist Coco d’Hont Electronic version URL: http://journals.openedition.org/ejas/12098 DOI: 10.4000/ejas.12098 ISSN: 1991-9336 Publisher European Association for American Studies Electronic reference Coco d’Hont, « “I Am Your Faggot Anti-Pope”: An Exploration of Marilyn Manson as a Transgressive Artist », European journal of American studies [Online], 12-2 | 2017, document 14, Online since 01 August 2017, connection on 19 April 2019. URL : http://journals.openedition.org/ejas/12098 ; DOI : 10.4000/ ejas.12098 This text was automatically generated on 19 April 2019. Creative Commons License “I Am Your Faggot Anti-Pope”: An Exploration of Marilyn Manson as a Transgres... 1 “I Am Your Faggot Anti-Pope”: An Exploration of Marilyn Manson as a Transgressive Artist Coco d’Hont 1 “As a performer,” Marilyn Manson announced in his autobiography, “I wanted to be the loudest, most persistent alarm clock I could be, because there didn’t seem to be any other way to snap society out of its Christianity- and media-induced coma” (Long Hard Road 80).i With this mission statement, expressed in 1998, the performer summarized a career characterized by harsh-sounding music, disturbing visuals, and increasingly controversial live performances. At first sight, the red thread running through the albums he released during the 1990s is a harsh attack on American ideologies. On his debut album Portrait of an American Family (1994), for example, Manson criticizes ideological constructs such as the nuclear family, arguing that the concept is often used to justify violent pro-life activism.ii Proclaiming that “I got my lunchbox and I’m armed real well” and that “next motherfucker’s gonna get my metal,” he presents himself as a personification of teenage angst determined to destroy his bullies, be they unfriendly classmates or the American government. -
The Macabee by Jefferson Mcclure Copyright 2008 2820 S. Dahlia St
The MacAbee by Jefferson McClure Copyright 2008 2820 S. Dahlia St. Denver, CO 80222 303.300.3375 [email protected] FADE IN INT. AIRPORT TERMINAL -DAY. MACABEE and his mistress, APRIL, stride through the terminal towards the security checkpoint line. MacAbee slows down and sets his bags down to say his goodbyes. APRIL This is different. MACABEE What do you mean? April puts her hand on MacAbee’s arm. APRIL It’s the first time I’ve brought you here as, well, you know...not as your "assistant". I guess I’ve made "senior partner" now. MacAbee stares blankly. APRIL What’s wrong? MACABEE April... APRIL She’s gone, Mac. We don’t have to pretend anymore. No hiding. We can just be us. MACABEE I’m sorry April. I don’t think I can do it anymore. APRIL What? MACABEE This...us...you...me... APRIL What are you shittin’ about, Mac? We’ve been together...ish for three years. Three years, Mac. I’ve waited, patiently, for three fucking years. And now, when we can finally be together, for real, you (MORE) 2. APRIL (cont’d) can’t do it anymore? What the fuck does that mean? MACABEE She’s dead, April. APRIL Yes, and excuse my fucking callous nature and all, but that really works for me. I mean, I’m sorry that she died and everything, but you were never going to leave that bitch. And don’t you fucking dare give me that look. You’ve called her that since the first day we met. MACABEE It’s over, April.