Attributed to Anne Whitney (1821-1915)
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2013 Teacher Preparation Programs a Review of The
A REVIEW OF THE NATION’S TEACHER PREPARATION PROGRAMS 2013 2013 AUTHORS: Julie Greenberg, Arthur McKee and Kate Walsh OUR THANKS TO: NCTQ Teacher Preparation Studies department, with adroit oversight from Robert Rickenbrode: Graham Drake, Marisa Goldstein, Katie Moyer, Chase Nordengren, Ruth Oyeyemi, Laura Pomerance, Hannah Putman and Stephanie Zoz Other NCTQ staff: Sarah Brody, Susan Douglas, Laura Johnson Expert consultants: Richard Askey, Andrew Chen, Marcia Davidson, Deborah Glaser, Mikhail Goldenberg, Roger Howe, R. James Milgram, Yoram Sagher and Anne Whitney Subject specialists: Heidi Abraham, Mary Alibrandi, Melissa Brock, Sarah Carlson, Susan Clarke, Aileen Corso, Gordon Gibb, Robert P. Marino, Nancy Nelson-Walker, Felicity Ross, Julie Shirer, Jamie Snyder, Jessica Turtura and Shirley Zongker Analysts: Katherine Abib, Andrew Abruzzese, Paul Aguilar, Cheryl Anderson, Naomi Anisman, Gail Arinzeh, Alex Au, Christian Bentley, Kate Bradley-Ferrall, Tara Canada, Erin Carson, Justin Castle, Alicia Chambers, Theodora Chang, Kimberly Charis, Bridget Choudhary, Hester Darcy, Melissa Donovan, Zachary Elkin, Amy Elledge, Michelle Crawford-Gleeson, Nikee Goffigan, Samantha Greenwald, Whitney Groves, Catherine Guthrie, Sumner Handy, Bess Hanley, Chelsea Harrison, Stephanie Hausladen, Heather Hoffman, Sean Hutson, Anne Kaiser, Kate Kelliher, Maria Khalid, Rebekah King, Susan Klauda, Michael Krenicky, Jay Laughlin, Alicia Lee, Christine Lincke, Michelle Linett, Karen Loeschner, Leslie Mazeska, Shannon McCutchen, Ashley Miller, Natasha Ettienne, -
European Journal of American Studies, 14-3
European journal of American studies 14-3 | 2019 Special Issue: Harriet Prescott Spofford: The Home, the Nation, and the Wilderness Electronic version URL: https://journals.openedition.org/ejas/14869 DOI: 10.4000/ejas.14869 ISSN: 1991-9336 Publisher European Association for American Studies Electronic reference European journal of American studies, 14-3 | 2019, “Special Issue: Harriet Prescott Spofford: The Home, the Nation, and the Wilderness” [Online], Online since 29 October 2019, connection on 08 July 2021. URL: https://journals.openedition.org/ejas/14869; DOI: https://doi.org/10.4000/ejas.14869 This text was automatically generated on 8 July 2021. European Journal of American studies 1 TABLE OF CONTENTS Introduction. Harriet Prescott Spofford: The Home, the Nation, and the Wilderness Stéphanie Durrans History, Her-Story Harriet Prescott Spofford’s Development of a Protestant Aesthetic for a Diverse Nation Paula Kot Feminizing a Colonial Epic: On Spofford’s “Priscilla” Daniela Daniele Feminist (Re)Writings “She Was the Mad Woman”: Misdiagnosed Madness in Harriet Prescott Spofford’s “Her Story” Sirpa Salenius Of Women, Wine and Salt: Revisioning the Home in Harriet Prescott Spofford’s Detective Fiction Stéphanie Durrans New Readings of “Circumstance” Narrating Violation: Harriet Prescott Spofford’s “Circumstance” Rita Bode Feline Alter Egos in Harriet Prescott Spofford’s “Circumstance” and the Poetry of Emily Dickinson Adeline Chevrier-Bosseau Dissolving Boundaries: Fluidity, Metamorphoses, and Queer Undercurrents Specular Metamorphoses: Harriet Prescott Spofford’s “The Ray of Displacement” Asunción López-Varela Seductive Snakes and Asexual Angels: Queer Undercurrents in Harriet Prescott Spofford’s “Desert Sands” H.J.E. Champion “Per si muove—it was a mass of moonstone”: Fluidity, Dynamic Relations, and the Commodification of Storytelling in Harriet Prescott Spofford’s Arctic Writings Verena Laschinger European journal of American studies, 14-3 | 2019 2 Introduction. -
The Seated Cleopatra in Nineteenth Century American Sculpture
Virginia Commonwealth University VCU Scholars Compass Theses and Dissertations Graduate School 1997 The Seated Cleopatra in Nineteenth Century American Sculpture Kelly J. Gotschalk Virginia Commonwealth University Follow this and additional works at: https://scholarscompass.vcu.edu/etd Part of the History of Art, Architecture, and Archaeology Commons © The Author Downloaded from https://scholarscompass.vcu.edu/etd/4350 This Thesis is brought to you for free and open access by the Graduate School at VCU Scholars Compass. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of VCU Scholars Compass. For more information, please contact [email protected]. APPROVAL CERTIFICATE The Seated Cleopatra in Nineteenth Century AmericanSculpture by Kelly J. Gotschalk Director of Graduate Studies � Dean, School of the Arts Dean, School of Graduate Studies �////PP? Date THE SEATED CLEOPATRA INNINETEENTH CENTURY AMERICAN SCULPTURE by Kelly J. Gotschalk B.F.A., Virginia Commonwealth University, 1990 Submitted to the Faculty of the School of the Arts of Virginia Commonwealth University in Partial Fulfillment of the Requirements forthe Degree Master of Arts Richmond, Virginia November, 1997 ACKNOWLEDGMENTS I would like to thank Dr. Fredrika Jacobs and Dr. Charles Brownell fortheir invaluable guidance andendless encouragement in the preparation of this thesis. I would also like to thank my husband, Tom Richards, and my family for their constant support and understanding. In addition, my sincere thanks to my co-workers, Amanda Wilson, Christin Jones and Laurel Hayward fortheir friendship, proofreadingand accommodating a few spur-of-the-moment research trips. ii CONTENTS ACKNOWLEDGMENTS.. .. .. .. .. .. .. 11 LIST OF ILLUSTRATIONS. iv ABSTRACT ......................................... V JNTRODUCTION. -
Fundraisers Quit Dean of Students Resigns
erv Vol. 13, No. 26 TUFTS UNIVERSITY Thursday, May 17, 1979 '--"'-----------------------..-----------------------------:---~------------ _. Cente,ij Partial divestment supported; proposal TCSAD nixes office occupation The Trustee Finance Com what percentage of Tufts' port the findings of their own advisory advances mittee <FinCom> recommended folio would be affected if the committee, as well as the last week a partial divestment of policy is approved by the full majority of students wo favor By WENDY O'DONNELL Tufts' $46.4 million in in Board of Trustees. Plans for a student funded divestment," Yuill commented. vestments in 26 companies doing TCSAD spokesperson Barbara campus center were reviewed by In its report, the committee business in South Africa. Yuill said that 20 -of the com noted, "We do not believe that a Trustee commmittee last week The nine-member committee mittee's 60 members were ready corporate withdrawal is and forwarded to administrators released a nine page statement to occupy Mayer's office in necessarily the most effective for further study, Dean of Friday, just before members of protest of what she called action against apartheid." Faculty Bernard Harleston the Tufts Committee for South repealed delays in the the The full Board is expected to reported this week. African Divestment <TCSAD> university's response to their hear the motion on May 19. TCU Senate Chairman Tom DAN WINSLOW had planned to take over demands for divestment. She Mayer, as well as Dean of Alperin and IDC Chairman Dan ... relates progress President Jean Mayer's office in said that a decision about Faculty of Arts and Sciences Winslow presented the plan to the divestment had been promised by committee referred the proposal Ballou Hall. -
Information to Users
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI fihns the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in ^ e w rite r free, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6” x 9” black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. UMI A Bell & Howell Infonnation Company 300 North Zed) Road, Ann Aibor MI 48106-1346 USA 313/761-4700 800/521-0600 THE INFUSION OF AFRICAN AMERICAN ART FROM EIGHTEEN-EIGHTY TO THE EARLY NINETEEN-NINETIES FOR MIDDLE AND HIGH SCHOOL ART EDUCATION DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Ronald Wayne Claxton, B.S., M.A.E. -
Catalog 221: Women BETWEEN the COVERS RARE BOOKS CATALOG 221: WOMEN
BETWEEN THE COVERS RARE BOOKS CATALOG 221: WOMEN BETWEEN THE COVERS RARE BOOKS CATALOG 221: WOMEN 112 Nicholson Rd. Terms of Sale: Images are not to scale. Dimensions of items, including artwork, are given width Gloucester City, NJ 08030 first. All items are returnable within 10 days if returned in the same condition as sent. Orders may be reserved by telephone, fax, or email. All items subject to prior sale. Payment should accompany phone: (856) 456-8008 order if you are unknown to us. Customers known to us will be invoiced with payment due in 30 fax: (856) 456-1260 days. Payment schedule may be adjusted for larger purchases. Institutions will be billed to meet their [email protected] requirements. We accept checks, Visa, Mastercard, American Express, Discover, and PayPal. betweenthecovers.com Gift certificates available. Domestic orders from this catalog will be shipped gratis for orders of $200 or more via UPS Ground or USPS Priority Mail; expedited and overseas orders will be sent at cost. All items insured. NJ residents will be charged sales tax. Member ABAA, ILAB. Cover image taken from item 60. Independent Online © 2018 Between the Covers Rare Books, Inc. Booksellers Association 1 (African-American) Verta MAE Thursdays and Every Other Sunday Off: A Domestic Rap Garden City: Doubleday 1972 $200 First edition. Fine in fine dustwrapper. Freeform essays and reflections about black domestic servants by the author of Vibration Cooking, or The Travel Notes of a Geechee Girl. Considering it was issued by a mainstream publisher, a surprisingly uncommon title. [BTC#418156] 2 (African-American) Constance H. -
Zenobia: Empress of the East
ZENOBIA: EMPRESS OF THE EAST EXPLORING ZENOBIA’S WORLD. THE INCREDIBLE RISE AND FALL OF THE CITY OF PALMYRA 10 JULY 2009 Zenobia Lost and Found (updated) Is this is the little woman who made the big statue? I have written about Zenobia In Chains, the monumental marble statue of Queen Zenobia which was recently installed at the Huntington Library (The Huntington Makes Space -- For Zenobia) -- and, a year earlier, about Harriet Hosmer, the sculptor who created this great icon (Zenobia is Back in Ameri- ca). Hosmer was the artistic leader of the “White Marmorean Flock” in Rome (a quip by Henry James), a circle of strong-minded, mostly expatriate, and fiercely independent female artists. Hosmer lived as a professional sculptor, working in the neoclassical style of the time. She had patrons in Italy and in America and won some sculptural commissions against all-male competition -- no mean feat in the middle of the 19th century. Zenobia In Chains (1859) was the first of Hosmer’s three celebrated large-scale statues of female sovereigns. The second (1868) was a portrait from life of her friend (and rumoured lover), Maria So- phia, a Bourbon princess who became the last Queen of Naples. Unfortunately for the commission, the queen and King Francis II had to flee into exile when Garibaldi tossed them out of Naples on his way to re-unifying Italy. The third queen was another larger-than-life statue of Isabella of Castile. Hosmer imagined her as a co-discoverer of the New World, and pictured her “Giving Her Jewels to Columbus” to finance his epic voyage of exploration. -
Commencement
THE UNIVERSITY OF ROCHESTER One Hundred and Fourth rAnnual COMMENCEMENT SUNDAY, JUNE THIRTEENTH NINETEEN HUNDRED FIFTY-FOUR ORDER OF EXERCISES PROCESSIONAL-Triumphal March . Gounod Robert]. Berentsen at the Organ PRAYER THE REVEREND HuGH CHAMBERLIN BuRR ADDRESS F. CYRIL JAMES CoNFERRING oF DEGREES THB AUDIBNCB IS REQUBSTED TO REFRAIN FROM APPLAUSE UNTIL THE RECIPIENTS OF DEGREES ARB RETURNING TO THEIR SBATS Candidates of the College for Men Presented by Dean Wilder Candidates of the College for Women Presented by Dean Habein Candidates for Honors Degrees Presented by Dean Hoffmeister Candidates of the Eastman School of Music Presented by Director Hanson Candidates of the University School of Liberal and Applied Studies Presented by Dean Anderson Candidates for the Diploma in Nursing Presented by Director Brody Candidates for the Degree Doctor of Medicine Presented by Dean Anderson Candidates for Masters' Degrees Presented by Associate Dean Beck Candidates for the Degree Doctor of Philosophy Presented by Dean Noyes CoNFERRING oF UNIVERSITY CITATIONs TO ALUMNI Charles Lewis Rumrill, Class of 1922 William Caesar Warfield, Class of 1942 Presented by Cornelis W. de Kiewiet ORDER OF EXERCISES CoNFERRING OF HoNORARY DEGREES Doctor of Science HERMAN GATES WErsKOTTEN Doctor of Music HERBERT ELwELL Doctor of Humane Letters AGNES ERNST MEYER Doctor of Laws KENNETH B. KEATING Doctor of Laws FRANK CYRIL jAMES Presented by the University Orator Bernard N. Schilling COMMENCEMENT HYMN 0 Mater academica Rocestriensis, te Quae nobis tanta munera dedisti libere Nunc salutamus, agimus nos tibi gratias, Et semper te laudabimus cui nomen Veritas. 0 Mater, quam cognovimus per laeta tempora, Quae demonstrasti omnibus laboris gaudia, Quae "Meliora" indicas, excelsa praemia, Ad caelum omnes incitas, tu Mater splendida! 0 Mater ave, salve, tu, vale, carissima! Nos juvat jam in exitu dulcis memoria. -
Research Guide for Longfellow House Bulletins
Research Guide to Longfellow House Bulletins Table of Contents by Issue Titles of Articles in Bold Subjects within articles in Plain text [Friends of the LH= Friends of the Longfellow House-Washington’s Headquarters] [NPS=National Park Service] December 1996, Vol. 1 No. 1: Welcome to the Friends Bulletin! ................................................................................. 1 Mission of the Longfellow House Bulletin Interview ......................................................................................................................... 1 Diana Korzenik, founding member and first president of the Friends of the LH Longfellow’s Descendants Donate Paintings ............................................................ 3 Lenora Hollmann Ernest Wadsworth Longfellow Frances (Frankie) Appleton Wetherell Kennedy and Kerry Win Funding for House .............................................................. 3 Senator Edward M. Kennedy Senator John Kerry Brooklyn Museum Plans to Borrow Paintings ........................................................... 4 Eastman Johnson Adopt-an-Object ........................................................................................................... 4 Dutch tall case clock at the turn of the front hall stairs, c. 1750 June 1997, Vol. 1 No. 2: Longfellow Archives Throw New Light on Japan’s Meiji Period ............................... 1 Charles (Charley) Appleton Longfellow Japan New High-School Curriculum Features Charles Longfellow .................................... 1 Charles Appleton -
Harriet Hosmer, the American Sculptor.” New England Magazine Nov
Harriet Goodhue Hosmer, 1830-1908 A Research Guide Watertown Free Public Library, Watertown, MA Prepared by Autumn Haag, MISt, Library Volunteer, October, 2008. Biography: Harriet Goodhue Hosmer was born in Watertown, MA in 1830, the only surviving child of Dr. Hiram Hosmer and Sarah Grant, both of whom came from old New England families. After the death of her mother and siblings, her father encouraged her to strengthen herself by engaging in outdoor activities. She attended Mrs. Sedgwick’s School in Lenox, MA, where she met Fanny Kemble, and life-long friend Cornelia Crow of St. Louis. Recognizing her sculpting skills, Hosmer wished to take anatomy lessons which were not a possibility for her in Boston. Cornelia’s father, Wayman Crow, used his influence to facilitate Harriet’s matriculation at the Missouri Medical College, where she took classes in anatomy. After leaving St. Louis and returning home to Watertown, she moved to Rome, where she became the first student of the English sculptor John Gibson. While in Rome, she became associated with expatriate authors such as Nathaniel Hawthorne, Robert Browning and Elizabeth Barrett Browning, as well as artists Anne Whitney (also from Watertown) and Edmonia Lewis. Hosmer moved back to Watertown later in life, and spent her last years working on the invention of a perpetual motion machine. Scope and Content: The collection consists of primary and secondary material related to the life and work of Harriet Goodhue Hosmer. Primary material includes eight works of sculpture by Hosmer, eight of her personal effects, including a letter from Robert Browning and Elizabeth Barrett Browning, correspondence (about Hosmer and her work), and modern photographs of her sculptures from around the world. -
Two Images of Medusa in the Sculpture of Harriet Hosmer
Undergraduate Journal of Humanistic Studies • Spring 2015 • Vol. I Two Images of Medusa in the Sculpture of Harriet Hosmer Camille Coonrod Carleton College 2015 arriet Hosmer, born October 9, 1830, in Watertown, Massachusetts, was a pioneer for women Hsculptors. She was the first of a group of women expatriates, referred to condescendingly as the “white marmorean flock,” who traveled to Rome in order to sculpt in marble.1 Her works have often been interpreted as feminist because of her fight for women’s rights later in her life, but at the beginning of her career her sculptures were decidedly conventional. Hosmer followed in the footsteps of male neoclassical sculptors in depicting beautiful, highly sexualized female victims. Although Hosmer had been exposed to radical ideas regarding women’s rights before she moved to Rome in 1852, she did not fully realize these notions or communicate them in her works until the end of the decade. The atmosphere in Rome clearly affected her, as indicated by her use of the Medusa image in two sculptures from the same decade. In her ideal bust Medusa (1853- 1854) (Figure 1) Hosmer broke into the world of sculpture in Rome. It exhibits the language of neoclassical sculpture used by her male colleagues, thus exemplifying its visual and thematic conventions regarding perspectives of the female body. Throughout the decade, Hosmer spent much of her time with other expatriate women who had moved to Rome to pursue an environment that was friendlier toward female accomplishment. Interactions with these women helped Hosmer more fully develop her ideas regarding women’s rights, and she communicated her newly formed ideas in her 1859 full figure sculpture Zenobia in Chains (Figure 2). -
Lambert Article
The Lambert House and Fountain West Newton Hill, Massachusetts This house at 128 Chestnut Street in West Newton was the home of the Lambert family from 1854 to 1900. The sculpture below by Anne Whitney was given to the City of Newton in 1903 in memory of Catherine Porter Lambert. It is part of a fountain located one block south from the Lambert House. The purpose of this article is to document the history of both the house and the fountain and share the stories of the people who were connected with these two historic resources. JUNE 2018 TABLE OF CONTENTS page The History of the House ……………………2 The Lambert family…………………………….4 Anne Whitney and the Fountain……….13 Acknowledgements……………………….…18 Bibliography……………………………………..19 Endnotes…………………………………………..21 West Newton in 1874.i The map is oriented with East at the top. The Lambert House is at the top right (SE) corner. The railway tracks run through the center of this map. Between the tracks and Washington Street are the Unitarian Church and the Allen School. The other shaded buildings north of Washington Street are City Hall, the Congregational Church and the Public School. 1 The History of the House When the Boston to Worcester railway line was opened in West Newton in 1834, the land uphill from the depot was largely undeveloped. Chestnut Street served travel between West Newton and Upper Falls. Highland (then called Orange and Linden) and Otis Streets were laid out but had minimal development. Bullough’s Farm encompassed much of the land between the railway and Fuller Street to the south.