WADSWORTH ATHENEUM MUSEUM of ART Annual Report 2018 ANNUAL REPORT 2018 WADSWORTH ATHENEUM MUSEUM of ART
WADSWORTH ATHENEUM MUSEUM OF ART Annual Report 2018 ANNUAL REPORT 2018 WADSWORTH ATHENEUM MUSEUM OF ART Contents 2 Report from the President and the Director & CEO 6 The Changing Role of the Public Art Museum 10 The Future American Art Museum 12 Exhibitions & Acquisitions 24 Program Highlights 42 Governance, Philanthropy & Professional Staff 64 Financials Cover: Sculpture on Main Street, Summer 2018. Left to right: Enoch Smith Woods, Nathan Hale (American, 1755–1776), 1889, Bronze, Gift of James J. Goodwin, 1892.1; Conrad Shawcross, Monolith (Optic), 2016, Galvanized steel and stainless steel, Private Collection; Sean Scully, 30, 2018, Aluminum and automotive paint, Courtesy of the artist; Tony Smith, Amaryllis, 1965, Painted steel, Purchased by exchange and with funds contributed by Joseph L. Shulman, 1967.2 Report from the So much of the Wadsworth Atheneum’s success this Street entrance hall, Gray Court, through a focused of the museum’s docent corps, our partners in serving past year can be attributed to the stronger relationship installation of David Smith’s work (“Dwelling and Figure,” over a half million guided visits to the Wadsworth President & Director the museum enjoys with its audiences, both here in on view from late January to July) followed by Ai since 1968. It was with deep sadness that we learned Connecticut and across the world. We welcomed visitors Weiwei’s Grapes on view August to the present. of the sudden death on New Year’s Day of our longtime of every kind — from over 12,000 school children to senior preparator, Steve Winot. There was no one more professional colleagues, and every audience in between.
[Show full text]