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Post-Perestroika Warrior – Geoff Rey Cox Withdraws
MOSCOW SEPTEMBER 2009 www.passportmagazine.ru The State of Russian TV Professor William Brumfi eld Zamoskvorechye Post-Perestroika Warrior – Geoff rey Cox Withdraws Contents 4 What’s On in September 6 September Holidays 7 Previews 12 Art History 12 Yevgeny Oks 14 Culture Russian Hospitality Children’s TV The Present State of Russian TV 20 History Remembering the Holocaust 20 24 Travel Art Courses in Edinburgh 26 Viewpoint Anth Ginn in Russia 28 Restaurant Review Barashka Friends Forever 28 32 Wine Tasting Crisis Wine Buying 34 Interview Professor William Craft Brumfield – Architectural Historian Extraordinaire 36 Book review History of Russian Architecture, Professor W. Brumfield 34 37 Out&About Expat Football League Summer Tournament 38 Real Estate Zamoskvorechye 42 Columns Alexander Ziminsky, Penny Lane Realty: To Buy or Not To Buy Sherman Pereira, Crown Relocations: 38 Transporting Fine Art 44 Community Football: The Moscow Bhoys 46 Last Word Geoffrey Cox OBE 48 Viewpoint Michael Romanov 44 September 2009 3 Letter from the Publisher Soviet Jews are arguably one of the longest suffering races of modern history. We all know that Jews were repressed by the Soviets, however it is a little known fact that the Nazis efficiently and ruthlessly eliminated a large number of Jews from Soviet territory they occupied. Phil Baillie investigates. Geoffrey Cox OBE is somebody who many of us know. He is returning to England, al- though he will be visiting from time to time on business. His departure marks something of an end of an era of expat life here in Russia, as the original post-perestroika settlers gradually move on. -
Songs by Title
Songs by Title Title Artist Title Artist #1 Goldfrapp (Medley) Can't Help Falling Elvis Presley John Legend In Love Nelly (Medley) It's Now Or Never Elvis Presley Pharrell Ft Kanye West (Medley) One Night Elvis Presley Skye Sweetnam (Medley) Rock & Roll Mike Denver Skye Sweetnam Christmas Tinchy Stryder Ft N Dubz (Medley) Such A Night Elvis Presley #1 Crush Garbage (Medley) Surrender Elvis Presley #1 Enemy Chipmunks Ft Daisy Dares (Medley) Suspicion Elvis Presley You (Medley) Teddy Bear Elvis Presley Daisy Dares You & (Olivia) Lost And Turned Whispers Chipmunk Out #1 Spot (TH) Ludacris (You Gotta) Fight For Your Richard Cheese #9 Dream John Lennon Right (To Party) & All That Jazz Catherine Zeta Jones +1 (Workout Mix) Martin Solveig & Sam White & Get Away Esquires 007 (Shanty Town) Desmond Dekker & I Ciara 03 Bonnie & Clyde Jay Z Ft Beyonce & I Am Telling You Im Not Jennifer Hudson Going 1 3 Dog Night & I Love Her Beatles Backstreet Boys & I Love You So Elvis Presley Chorus Line Hirley Bassey Creed Perry Como Faith Hill & If I Had Teddy Pendergrass HearSay & It Stoned Me Van Morrison Mary J Blige Ft U2 & Our Feelings Babyface Metallica & She Said Lucas Prata Tammy Wynette Ft George Jones & She Was Talking Heads Tyrese & So It Goes Billy Joel U2 & Still Reba McEntire U2 Ft Mary J Blige & The Angels Sing Barry Manilow 1 & 1 Robert Miles & The Beat Goes On Whispers 1 000 Times A Day Patty Loveless & The Cradle Will Rock Van Halen 1 2 I Love You Clay Walker & The Crowd Goes Wild Mark Wills 1 2 Step Ciara Ft Missy Elliott & The Grass Wont Pay -
Wszystkie 2012
30/12/2012 [ Radio RAM ] === MOONDOG / Bird's Lament [DJAZZ (12")] QUANTIC SOUL ORCHESTRA / Get A Move On [Ubiquity (LP)] GENE HARRIS w/ The Three Sounds / Eleanor Rigby [Blue Note/Dusty Groove (LP)] EDDIE JEFFERSON / Thank You Falletinme Be Mice Elf Again [Muse (LP)] WAR / Freight Train Jam [Far Out Productions (LP)] JESTOFUNK f/ Ce Ce Rogets & Fred Wesley / The Ghetto [Irma (EP)] ROLF KUEHN GROUP / 66 Park Avenue [Sonorama (7")] TIM, GARY & ROMEO / Sex Machine (Getting' Up And Doin' Out Thang) [777/Funk Night (7")] TIM, GARY & ROMEO / 777 [777/Funk Night (7")] DOKKERMAN & THE TURKEING FELLAZ / Broken [Budabeats/Tramp (7")] DOKKERMAN & THE TURKEING FELLAZ / Plan B [Budabeats/Tramp (7")] WISDOM & SLIME f/ Werd / Empty Handed (instrumental + vocal) [Goalgetter Austria (EP)] BIZARRE TRIBE / Tour Guide [Gummy Soul (LP)] BIZARRE TRIBE / Runnin' [Gummy Soul (LP)] BIZARRE TRIBE / Ya mama and stuff [Gummy Soul (LP)] BIZARRE TRIBE / Soul Flower (We've Got) [Gummy Soul (LP)] BIZARRE TRIBE / Bonita Keeps On Passin' Me By [Gummy Soul (LP)] BIZARRE TRIBE / Otha Otha Fish [Gummy Soul (LP)] BIZARRE TRIBE / 4 Better Or 4 Worse [Gummy Soul (LP)] BIZARRE TRIBE / Award Tour Guide [Gummy Soul (LP)] BIZARRE TRIBE / Trust, Pt. II [Gummy Soul (LP)] BIZARRE TRIBE / It Ain't Nothing Like [feat. Kriminul] [Gummy Soul (LP)] BIZARRE TRIBE / Lyrics To Let It Go [Gummy Soul (LP)] BIZARRE TRIBE / Doin' Time [feat. Sublime w/ The Pharcyde] [Gummy Soul (LP)] BIZARRE TRIBE / Pharcyde Of The Moon [feat. Bizarre Tribe w/ Black Moon] [Gummy Soul (LP)] FELA SOUL / Stakes -
Raja Mohan 21M.775 Prof. Defrantz from Bronx's Hip-Hop To
Raja Mohan 21M.775 Prof. DeFrantz From Bronx’s Hip-Hop to Bristol’s Trip-Hop As Tricia Rose describes, the birth of hip-hop occurred in Bronx, a marginalized city, characterized by poverty and congestion, serving as a backdrop for an art form that flourished into an international phenomenon. The city inhabited a black culture suffering from post-war economic effects and was cordoned off from other regions of New York City due to modifications in the highway system, making the people victims of “urban renewal.” (30) Given the opportunity to form new identities in the realm of hip-hop and share their personal accounts and ideologies, similar to traditions in African oral history, these people conceived a movement whose worldwide appeal impacted major events such as the Million Man March. Hip-hop’s enormous influence on the world is undeniable. In the isolated city of Bristol located in England arose a style of music dubbed trip-hop. The origins of trip-hop clearly trace to hip-hop, probably explaining why artists categorized in this genre vehemently oppose to calling their music trip-hop. They argue their music is hip-hop, or perhaps a fresh and original offshoot of hip-hop. Mushroom, a member of the trip-hop band Massive Attack, said, "We called it lover's hip hop. Forget all that trip hop bullshit. There's no difference between what Puffy or Mary J Blige or Common Sense is doing now and what we were doing…” (Bristol Underground Website) Trip-hop can abstractly be defined as music employing hip-hop, soul, dub grooves, jazz samples, and break beat rhythms. -
RAF Wings Over Florida: Memories of World War II British Air Cadets
Purdue University Purdue e-Pubs Purdue University Press Books Purdue University Press Fall 9-15-2000 RAF Wings Over Florida: Memories of World War II British Air Cadets Willard Largent Follow this and additional works at: https://docs.lib.purdue.edu/purduepress_ebooks Part of the European History Commons, and the Military History Commons Recommended Citation Largent, Willard, "RAF Wings Over Florida: Memories of World War II British Air Cadets" (2000). Purdue University Press Books. 9. https://docs.lib.purdue.edu/purduepress_ebooks/9 This document has been made available through Purdue e-Pubs, a service of the Purdue University Libraries. Please contact [email protected] for additional information. RAF Wings over Florida RAF Wings over Florida Memories of World War II British Air Cadets DE Will Largent Edited by Tod Roberts Purdue University Press West Lafayette, Indiana Copyright q 2000 by Purdue University. First printing in paperback, 2020. All rights reserved. Printed in the United States of America Paperback ISBN: 978-1-55753-992-2 Epub ISBN: 978-1-55753-993-9 Epdf ISBN: 978-1-61249-138-7 The Library of Congress has cataloged the earlier hardcover edition as follows: Largent, Willard. RAF wings over Florida : memories of World War II British air cadets / Will Largent. p. cm. Includes bibliographical references and index. ISBN 1-55753-203-6 (cloth : alk. paper) 1. Largent, Willard. 2. World War, 1939±1945ÐAerial operations, British. 3. World War, 1939±1945ÐAerial operations, American. 4. Riddle Field (Fla.) 5. Carlstrom Field (Fla.) 6. World War, 1939±1945ÐPersonal narratives, British. 7. Great Britain. Royal Air ForceÐBiography. I. -
Blackadder Goes Forth Audition Pack
Blackadder Goes Forth Audition Pack Key Dates Audition Dates: • Tuesday 8 th May – 6:00 – 10:00pm (Everyman Clubroom) • Saturday 12 th May – 10.30am – 5.00pm • Sunday 13 th May – 10:00am – 3.00pm Recalls (if required): • Friday 18 th May – 6:00 – 10:00pm (Everyman Clubroom) • Saturday 19 th May – 10:00am – 1:00pm (Everyman Clubroom) Actors who are successfully cast need to understand that they MUST be available for all the following key dates • Technical Rehearsal: Sunday 11 th November (cast need to be available all day) • Dress Rehearsal: Monday 12 th November (evening) • Performance Dates: Tuesday 13 th – Saturday 17 th November; Evening Performances at 7.30pm, Saturday matinee at 2.30pm Rehearsal Nights Rehearsals will begin w/c Monday 3 rd September. Exact rehearsal nights will be confirmed nearer the time but are quite likely to be Tuesdays, Thursdays and Sundays. Not all cast will be required for every rehearsal. Plot Blackadder Goes Forth is set in 1917 on the Western Front in the trenches of World War I. Captain Edmund Blackadder is a professional soldier in the British Army who, until the outbreak of the Great War, has enjoyed a relatively danger-free existence fighting natives who were usually "two feet tall and armed with dried grass". Finding himself trapped in the trenches with another "big push" planned, his concern is to avoid being sent over the top to certain death. The show thus chronicles Blackadder's attempts to escape the trenches through various schemes, most of which fail due to bad fortune, misunderstandings and the general incompetence of his comrades. -
Dossier De Presse Chorus 2019
SOMMAIRE COMMUNIQUE DE PRESSE p.3 PROGRAMMATION p.5 CHORUS DES ENFANTS p.19 PRIX CHORUS p.23 LABO DU FESTIVAL CHORUS p.26 INFOS PRATIQUES p.28 ACCESSIBILITES POUR LES PERSONNES A MOBILITES REDUITES p.29 PLAN D’ACCES p.30 NOS PARTENAIRES p.31 2 Communiqué de presse Mars 2019 FESTIVAL CHORUS 2019 Du 3 au 7 avril 2019 à La Seine Musicale Organisée par le Département des Hauts-de-Seine, la 31e édition du Festival Chorus se déroulera du 3 au 7 avril 2019 à La Seine Musicale à Boulogne-Billancourt. Après une édition 2018 réussie, le festival revient avec une programmation riche, explorant les différentes esthétiques des musiques actuelles et à destination de tous les publics : Fatboy Slim, Tricky, 2 Many DJ’s (DJ SET), Shaka Ponk, Charlie Winston, Worakls Orchestra, Jacob Banks, Gaëtan Roussel, Marina P. & Stand High Patrol, Blackstar (Yasiin BEY X Talib KWELI) Live Band, Youssoupha, SCH, RK, Grandmaster Flash, Caballero & Jeanjass, Josman. Chorus relève à nouveau le défi d’affirmer sa dimension urbaine en investissant le lieu phare de la politique culturelle départementale des Hauts-de-Seine. La Seine Musicale accueillera l’événement, une semaine durant, avec une formule qui confirmera l’évidence du projet au sein de cet écrin architectural impressionnant. Premier évènement de la saison des festivals, Chorus se destine à devenir une expérience musicale indoor incontournable. Nouveauté 2019 : ODELA, la 6ème scène du festival Le festival Chorus offre une carte blanche à ODELA sur une nouvelle scène extérieure, spécialement pensée pour l'occasion. Le collectif qui se cache derrière le Créa’Parc, partenaire du Département des Hauts-de-Seine, se mobilise auprès des équipes de Chorus pour proposer un line up déluré et une scénographie immersive et éclatante. -
Highlights of UK and Ireland
Highlights of UK and Ireland Tour start & end points Start point: Start in: Pick‐up Location: Pickup Address: Time: London Outside Hotel Novotel at 173‐185 Greenwich High 06:30 hrs Greenwich Station Road, SE10 8JA London London Hotel Lobby, Holiday Inn 85 Bugsby Way, 07:00 hrs Express, Greenwich Greenwich, SE10 0GD London End point: End in: Drop‐off point: Time: Greenwich Train Station 173‐185 Greenwich High 17:00 hrs – 19:30 hrs Road, SE10 8JA London Before the tour starts, we require travellers to check‐in at one of our pre‐selected pickup points Pick‐up points details Highlights of UK and Ireland 1 Option 1: Outside Hotel Novotel at Greenwich Station Our main pick up point is outside Greenwich Train Station. The meeting time is 06:30 hours. Greenwich station serves National Rail services, as well as the DLR (Docklands Light Railway), which is connected with the London Underground (tube) system. Please use Transport for London's Journey Planner to plan your journey. Option 2: Hotel Lobby, Holiday Inn Express, Greenwich This hotel serves as the 2nd meeting point ‐ the coach will pick up outside the hotel at between 07:00 ‐ 07:15 hours (traffic dependent) If you are meeting the tour here please ensure you have notified us. In case of emergencies You will be emailed your tour leaders name and contact number approximately one week prior to the tour start date. It is important you keep a record of this so that you can contact your tour leader if you have any issues meeting up with the tour. -
Disabling Comedy: “Only When We Laugh!”
Disabling Comedy: “Only When We Laugh!” Dr. Laurence Clark, North West Disability Arts Forum (Paper presented at the ‘Finding the Spotlight’ Conference, Liverpool Institute for the Performing Arts, 30th May 2003) Abstract Traditionally comedy involving disabled people has extracted humour from people’s impairments – i.e. a “functional limitation”. Examples range from Shakespeare’s ‘fool’ character and Elizabethan joke books to characters in modern TV sitcoms. Common arguments for the use of such disempowering portrayals are that “nothing is meant by them” and that “people should be able to laugh at themselves”. This paper looks at the effects of such ‘disabling comedy’. These include the damage done to the general public’s perceptions of disabled people, the contribution to the erosion of a disabled people’s ‘identity’ and how accepting disablist comedy as the ‘norm’ has served to exclude disabled writers / comedians / performers from the profession. 1. Introduction Society has been deriving humour from disabled people for centuries. Elizabethan joke books were full of jokes about disabled people with a variety of impairments. During the 17th and 18th centuries, keeping 'idiots' as objects of humour was common among those who had the money to do so, and visits to Bedlam and other 'mental' institutions were a typical form of entertainment (Barnes, 1992, page 14). Bilken and Bogdana (1977) identified “the disabled person as an object of ridicule” as one of the ten media stereotypes of disabled people. Apart from ridicule, disabled people have been largely excluded from the world of comedy in the past. For example, in the eighties American stand-up comedian George Carlin was arrested whilst doing his act for swearing in front of young disabled people. -
Anika (Live Solo) Press and Promotion 2017
Anika (Live Solo) (Invada UK/EU // Stones Throw US/JAPAN) anikainvada.tumblr.com/ // anika.bandcamp.com // twitter.com/anikainvada Press and Promotion 2017 Photo Credit: Shinya Kato Please credit 'Shinya Kato' for every instance of use (print and online) - thanks Further Press pics and logo: https://www.dropbox.com/sh/omv809qlymfb3jj/AADcJdJVhMK6yHZC2GbNFLSUa?dl=0 ; Press Infos: http://wolfypiehands.com/anika Anika Infos: Annika Henderson is a musician, poet and artist who rose to fame as ANIKA with two highly acclaimed eponymous records (Recorded with Geoff Barrow of Portishead and his band Beak>, released on Stones Throw in the US), and was touring the world. She is well known as a DJ too, hosts a radio program on BCR – Berlin Community Radio, is seen and heard in experimental cinema and collaborates with a variety of Berlin, London, or Mexico City based artists and musicians among them Jandek, Shackleton, Michael Rother (Neu!), Dave Clarke (Skint BMG), Andreas Reihse of Kreidler, T.Raumschmiere (Sleeping Pills and Habits), Doireann O'Malley, Ricardo Domeneck, Stine Omar / Max Boss (EASTER), Phillip Geist (Live Video mapping project and soundtrack in Tehran, Iran) or Yann Tiersen. Last year, Anika released an album with her new WOLFYPIEHANDSMGMT | wolfypiehands.com | [email protected] Mexico City-based project, Exploded View on Sacred Bones (US). In 2017, Anika released a string of new material, comprising of two releases with new partners and a follow-up record with her Mexico-City based band, Exploded View. In July was the release of her new collaboration projection with bass outsider, Shackleton, in the form of a full length LP released on Shackleton’s own Woe To The Septic Heart! label and accompanied by a string of exclusive live dates. -
The Porcelain Tower, Or, Nine Stories of China
%is<ii^>^ 3 1735 060 217 449 UNIVERSITY OF PITTSBURGH Dar. PR5349 S286 Darlington Atemorial Litrary T-'ki'/d. 5^.^ .:^x^ ,,W^^j^ //^c^%o////iS'^/^/2^ ^.^ . ; LIFE IN CHINA. PORCELAIN TOWER OR, NINE STORIES OP CHINA. COMPILED FROM ORIGINAL SOURCES. By " T. T. T." To raise a tower your arts apply, And build it thrice three stories high; Make every story rich and fair With blocks of wood, in carvinga rare ; With such its ruder form conceal. And make it strong with plates of steel. From the Song of the Pagoda, Jy—SheLorh. EMBELLISHED BY J. LEECH. PHILADELPHIA: LEA AND BLANCHARD. 1842. ^ 5 ^' TO HIS FRIENDS IN GENERAL, AND TO THE PUBLIC IN PARTICULAR, THE ACCOMPANYING SPECIMENS OF REAL CHINA ARE RESPECTFULLY PRESENTED, BY THEIR MOST OBSEQUIOUS SERVANT THE MANUFACTURER, WHO TAKES THIS OPPORTUNITY OF INFORMING ALL PARTIES, (and PARTICULARLY SMALL TEA-PARTIES,) THAT HIS "services" ARE ALWAYS AT THEIR COMMAND. LIST OF ILLUSTRATIONS. Fum-Fum and Fee-Fee before the Em- peror, Frontispiece. Ho-Fi caught in his own trap, - page 8'2 Din-Din suspended in his office, - 57 ^ Hyson flailed by his father, ) - 112 Si-Long's arrival at the Philosopher's, 124 Faw-Faw and Fee-Fee united, ') - 233 - Fum-Fum smoking his own tail, ) 260 " Hey-Ho discovers Fun, " ' ) ^^^ Fun lowered from the window, ) - 2S5 1^ CONTENTS. Page Invocation, , . , . viii Preface, ..... x THE FIRST STORY. Ho-Fi of the Yellow Girdle, . 13 THE SECOND STORY. Kublai Khan ; or The Siege of Kinsai, . 60 THE THIRD STORY. Fashions in Feet; or the Tale of the Beautiful To-To 86 THE FOURTH STORY. -
Quentin Couldn't
The Arts and Entertainment Supplement to the Daily Nexus, for April 13th through April 19th. 1995 Quentin couldn't: make it, but we got the inside scoop» on Destiny- Turns on tJie Ftedio from his co-stars Dylan McDermott and Nancy Travis, along with director Jack Bar an. See pages 4A-5A. 2A Thursday, April 13,1993 Daily Nexus bars of cage / you see scars, much ease — thus “Strug results of my rage.” That’s glin’,” tire soul food, hip- another thing about this hop blues, demi-epic of debut album. In Tricky’s the album. (The “epic” Massive and Unparalleled world, everything is a cage, track would probably be without any hope of re the seven-minute exten prieve. Even love is a sti sion of their first single, T ricky posedly one of 'fricky’s landic woman named any of them out from the fling, repressive activity “Aftermath.”) Amid creak M axinquaye nonsense words, sort of Ragga (again, no last scrapyard beats, hip-hop and sex is the violent ing doors, screeching 4th S t Broadway/I gland based around the name of name) and Alison Gold- breaks, soul slides and means of expressing one’s saxes, cocking rifles and his mother. frapp, who was most re thick, dark atm osphere anger. ambulance wails, Tricky This is almost too dense While we’re on names, cently heard on Orbital’s that just oozes out all over Witness “Abbaon Fat mutters like a junkie com a record for one head to Tricky’s real one is Adrian last album.