Effects of Improvisation Techniques in Leadership Development
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Frameworks for Effective Improvised Facilitation
Frameworks For Effective Improvised Facilitation D.P. Hennessy This thesis is submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy. LICA, Lancaster University July 2015 Abstract The starting point for this study is the facilitation of groups engaged in knowledge exchange and the ways in which facilitation in that context can be more flexible, more responsive, more creative and more effective. Only anecdotal evidence exists relating to what this study calls Improvised Facilitation and defines as the generation of a series of in-situ, micro-designs at each step and turn, independent of established formats and processes. The study attempts to understand better what those micro-designs might involve, by interrogating the practice dimensions of this emergent and poorly articulated form. Key assumptions underpinning both facilitation and improvisation were explored through a systematic review of the literature. The major works of theorists from group and team theory and those associated with the measurement of creativity were interrogated to construct and test emerging ways of working. Action Research was used to explore the aptitude, skills, techniques, competences and confidence required to perform the role of a facilitator who improvises as s/he flexes and turns in response to group needs and challenges as they emerge. Practice dimensions were explored through reflections on practice and with a cohort of professional facilitators contributing their experience through structured interviews. The theoretical approach shed light on the role and impact played by other factors in the facilitation process, almost as co-facilitators in the process itself. These factors include the facilitation environment, spatial configurations within that environment, restraints of time, levels of preparedness and the materials and resources deployed in the moment. -
The Novelty of Improvisation
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Louisiana State University Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2003 The novelty of improvisation: towards a genre of embodied spontaneity David Alfred Charles Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Theatre and Performance Studies Commons Recommended Citation Charles, David Alfred, "The novelty of improvisation: towards a genre of embodied spontaneity" (2003). LSU Doctoral Dissertations. 76. https://digitalcommons.lsu.edu/gradschool_dissertations/76 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. THE NOVELTY OF IMPROVISATION: TOWARDS A GENRE OF EMBODIED SPONTANEITY A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of Theatre by David Alfred Charles B.A., Roosevelt University, 1995 M.F.A., Western Illinois University, 1998 August 2003 © Copyright 2003 David Alfred Charles All rights reserved ii ACKNOWLEDGMENTS Thank you to those who started -
Theatre, Therapy and Personal Narrative: Developing a Framework for Safe, Ethical, Flexible and Intentional Practice in the Theatre of Personal Stories
Theatre, Therapy and Personal Narrative: Developing a framework for safe, ethical, flexible and intentional practice in the theatre of personal stories Submitted by Clark Michael Baim to the University of Exeter as a thesis for the degree of Doctor of Philosophy in Drama March 2018 This thesis is available for library use on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. I certify that all material in this thesis which is not my own work has been identified and that no material has previously been submitted and approved for the award of a degree by this or any other University. 1 This page is intentionally blank. 2 Abstract Contemporary theatre has crossed boldly into therapeutic terrain and is now the site of radical self-exposure. The recent and expanding use of people’s personal stories in the theatre has prompted the need for a robust framework for safe, ethical, flexible and intentional practice by theatre makers. Such a framework is needed due to the risks inherent in putting people’s private lives on the stage, particularly when their stories focus on unresolved difficulties and cross into therapeutic terrain. With this ethical and practical imperative in mind, and in order to create a broader spectrum of ethical risk-taking where practitioners can negotiate blurred boundaries in safe and creative ways, this study draws on relevant therapeutic theory and practice to re-connect therapy and theatre and promote best practice in the theatre of personal stories. In order to promote best practice in the theatre of personal stories (a term I will use to cover the myriad forms of theatre that make use of people’s personal stories), I describe a new framework that synthesises theory and practice from the fields of psychodrama, attachment narrative therapy, and theatre and performance studies. -
The Novelty of Improvisation
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2003 The novelty of improvisation: towards a genre of embodied spontaneity David Alfred Charles Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Theatre and Performance Studies Commons Recommended Citation Charles, David Alfred, "The novelty of improvisation: towards a genre of embodied spontaneity" (2003). LSU Doctoral Dissertations. 76. https://digitalcommons.lsu.edu/gradschool_dissertations/76 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. THE NOVELTY OF IMPROVISATION: TOWARDS A GENRE OF EMBODIED SPONTANEITY A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of Theatre by David Alfred Charles B.A., Roosevelt University, 1995 M.F.A., Western Illinois University, 1998 August 2003 © Copyright 2003 David Alfred Charles All rights reserved ii ACKNOWLEDGMENTS Thank you to those who started me on my journey as an improvisational artist and theatre practitioner: my New Zealand family, particularly my mother, Sheila, with her theatrical sensibility and limitless support and sensitivity; Logan Park High School’s Park Players under the expert guidance of Denise Walsh, the first and most tireless amongst my many theatre teachers; David Best for his countless gifts and acts of faith; and those from Dunedin Theatresports, Stayci, Martin, Patrick, “Stripy Socks,” “Yuppies Anonymous” and by association Keith Johnstone, who infected me with my life’s passion and set me on my spontaneous path to America with a strong sense of north.