Frameworks for Effective Improvised Facilitation
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Effects of Improvisation Techniques in Leadership Development
Pepperdine University Pepperdine Digital Commons Theses and Dissertations 2013 Effects of improvisation techniques in leadership development Farnaz Tabaee Follow this and additional works at: https://digitalcommons.pepperdine.edu/etd Recommended Citation Tabaee, Farnaz, "Effects of improvisation techniques in leadership development" (2013). Theses and Dissertations. 340. https://digitalcommons.pepperdine.edu/etd/340 This Dissertation is brought to you for free and open access by Pepperdine Digital Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of Pepperdine Digital Commons. For more information, please contact [email protected], [email protected], [email protected]. Pepperdine University Graduate School of Education and Psychology EFFECTS OF IMPROVISATION TECHNIQUES IN LEADERSHIP DEVELOPMENT A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Education in Organizational Leadership by Farnaz Tabaee May, 2013 Diana B. Hiatt-Michael, Ed.D. - Dissertation Chairperson This dissertation, written by Farnaz Tabaee under the guidance of a Faculty Committee and approved by its members, has been submitted to and accepted by the Graduate Faculty in partial fulfillment of the requirements for the degree of DOCTOR OF EDUCATION Doctoral Committee: Diana B. Hiatt-Michael, Ed.D., Chairperson Jack Gregg, Ed.D. Kim Armstrong, Ed.D. © Copyright by Farnaz Tabaee (2013) All Rights Reserved v TABLE OF CONTENTS Page LIST OF TABLES -
The Novelty of Improvisation
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Louisiana State University Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2003 The novelty of improvisation: towards a genre of embodied spontaneity David Alfred Charles Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Theatre and Performance Studies Commons Recommended Citation Charles, David Alfred, "The novelty of improvisation: towards a genre of embodied spontaneity" (2003). LSU Doctoral Dissertations. 76. https://digitalcommons.lsu.edu/gradschool_dissertations/76 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. THE NOVELTY OF IMPROVISATION: TOWARDS A GENRE OF EMBODIED SPONTANEITY A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of Theatre by David Alfred Charles B.A., Roosevelt University, 1995 M.F.A., Western Illinois University, 1998 August 2003 © Copyright 2003 David Alfred Charles All rights reserved ii ACKNOWLEDGMENTS Thank you to those who started -
Theatre, Therapy and Personal Narrative: Developing a Framework for Safe, Ethical, Flexible and Intentional Practice in the Theatre of Personal Stories
Theatre, Therapy and Personal Narrative: Developing a framework for safe, ethical, flexible and intentional practice in the theatre of personal stories Submitted by Clark Michael Baim to the University of Exeter as a thesis for the degree of Doctor of Philosophy in Drama March 2018 This thesis is available for library use on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. I certify that all material in this thesis which is not my own work has been identified and that no material has previously been submitted and approved for the award of a degree by this or any other University. 1 This page is intentionally blank. 2 Abstract Contemporary theatre has crossed boldly into therapeutic terrain and is now the site of radical self-exposure. The recent and expanding use of people’s personal stories in the theatre has prompted the need for a robust framework for safe, ethical, flexible and intentional practice by theatre makers. Such a framework is needed due to the risks inherent in putting people’s private lives on the stage, particularly when their stories focus on unresolved difficulties and cross into therapeutic terrain. With this ethical and practical imperative in mind, and in order to create a broader spectrum of ethical risk-taking where practitioners can negotiate blurred boundaries in safe and creative ways, this study draws on relevant therapeutic theory and practice to re-connect therapy and theatre and promote best practice in the theatre of personal stories. In order to promote best practice in the theatre of personal stories (a term I will use to cover the myriad forms of theatre that make use of people’s personal stories), I describe a new framework that synthesises theory and practice from the fields of psychodrama, attachment narrative therapy, and theatre and performance studies. -
The Novelty of Improvisation
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2003 The novelty of improvisation: towards a genre of embodied spontaneity David Alfred Charles Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Theatre and Performance Studies Commons Recommended Citation Charles, David Alfred, "The novelty of improvisation: towards a genre of embodied spontaneity" (2003). LSU Doctoral Dissertations. 76. https://digitalcommons.lsu.edu/gradschool_dissertations/76 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. THE NOVELTY OF IMPROVISATION: TOWARDS A GENRE OF EMBODIED SPONTANEITY A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of Theatre by David Alfred Charles B.A., Roosevelt University, 1995 M.F.A., Western Illinois University, 1998 August 2003 © Copyright 2003 David Alfred Charles All rights reserved ii ACKNOWLEDGMENTS Thank you to those who started me on my journey as an improvisational artist and theatre practitioner: my New Zealand family, particularly my mother, Sheila, with her theatrical sensibility and limitless support and sensitivity; Logan Park High School’s Park Players under the expert guidance of Denise Walsh, the first and most tireless amongst my many theatre teachers; David Best for his countless gifts and acts of faith; and those from Dunedin Theatresports, Stayci, Martin, Patrick, “Stripy Socks,” “Yuppies Anonymous” and by association Keith Johnstone, who infected me with my life’s passion and set me on my spontaneous path to America with a strong sense of north.