2021 Society of Composers Online National Conference
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About Kaleidoscope MusArt KaleidoscopeMusArt is a 501(c)(3) non-profit organization dedicated to promoting classical music as a relevant and evolving art form, through innovative concert programs and educational initiatives that explore links between new, rarely-heard, and well-known works while prominently featuring emerging artists and living composers. Inesa Gegprifti, President*^ Redi Llupa, Vice-President*^ Our goals are to: Akina Yura, Treasurer*^ Make artistic experience accessible and affordable to a broad and diverse audience. Cultivate the appreciation of classical music among young generations. Board of Directors Support living composers through commissions and calls for scores. Maria Sumareva, Chair*^ Showcase the plurality of styles found in classical music throughout time and across cultures. Emiri Nourishirazi, Secretary Support young artists under the age of 18 by creating and facilitating access to Ermir Bejo educational and performing opportunities. Rodrigo Bussad^ Contribute to building an inclusive classical music community that upholds the Luca Cubisino principles of equality, fairness, and non-discrimination. Ricardo Lewitus Andrew Rosenblum Kaleidoscope MusArt was born out of the necessity of making contemporary piano music *Artistic/Executive Committee an integral part of the classical concert experience. Our distinctive approach to ^KMA Co-Founders programming draws connections between standard and contemporary repertoire in thematic concerts, exploring a spectrum of stylistic and aesthetic perspectives. The Volunteer & Blog Contributor: format of our concerts incorporates brief presentations about the works performed, Gianna Milan catalyzing a stronger connection between the audience and the music. By engaging Volunteer: young artists to perform new and rarely-heard works we aim to stimulate their Anna Gryshyna continuous curiosity and active advocacy for the contemporary repertoire. -
Marshall University Music Department Presents an Eighth Annual Festival of New Music Steve Hall
Marshall University Marshall Digital Scholar All Performances Performance Collection 3-2-2017 Marshall University Music Department Presents an Eighth Annual Festival of New Music Steve Hall Follow this and additional works at: http://mds.marshall.edu/music_perf Part of the Fine Arts Commons, and the Music Performance Commons Recommended Citation Hall, Steve, "Marshall University Music Department Presents an Eighth Annual Festival of New Music" (2017). All Performances. 760. http://mds.marshall.edu/music_perf/760 This Recital is brought to you for free and open access by the Performance Collection at Marshall Digital Scholar. It has been accepted for inclusion in All Performances by an authorized administrator of Marshall Digital Scholar. For more information, please contact [email protected], [email protected]. MARSHALL UNIVERSITY SCHOOL OF MUSIC EIGHTH ANNUAL FESTIVAL OF NEW MUSIC sponsored by Marshall University School of Music, College of Arts and Media, and MUsic Alive Concert Series Featured Guest Composers 2017 Featured Composers Marshall University School of Music Luciano Berio (1925-2003) Jarohn Grandstaff, Marshall University Eighth Annual Craig Hultgren, Decorah, IA James Harley, University of Guelph Charles Ingram, University of Southern Mississippi Festival of New Music Daniel Kessner, California State University, Northridge Mike McFerron, Lewis University David Morneau, Artistic Director of Circuit Bridges March 2-3, 2017 Charles Norman Mason, University of Miami Gene Pritsker, founder Sound Liberation John Shuff, Marshall University Anne Warren, Artistic Director of Concrete Timbre, NY Luigi Zaninelli, University of Southern Mississippi Frank Zappa (1940-1993) Mark Zanter, Marshall University FESTIVAL SCHEDULE Featured Performers (see http://www.marshall.edu/music/vcalendar/ for an up-to-date li sting) Craig Hultgren Thursday, March 2, 2017 For several decades, cellist Craig Hultgren ha s been Concert One: Collage a fixture on the scenes for new music, the newly 7:30 PM, Marshall University Smith Recital Hall creative arts, and the avant-garde. -
2018 SCI National Conference
SOCIETY OF COMPOSERS, INC. 2018 SCI National Conference JOEL PUCKETT, guest composer Featuring performances by Symphony Orchestra, Anna Wittstruck, conductor JAKE RUNESTAD, guest composer Wind Ensemble, Gerard Morris, conductor HEARTLAND MARIMBA QUARTET, guest ensemble Adelphian Concert Choir, Steven Zopfi, conductor ROB HUTCHINSON, host Dorian Singers, Kathryn Lehmann, conductor Clarinet Choir, Jennifer Nelson, conductor Flute Choir, Wendy Wilhelmi, conductor MARCH 1–3, 2018 Faculty performers: Catherine Case, Tim Christie, Tracy Knoop, University of Puget Sound Dawn Padula, Alistair MacRae, Maria Sampen, Tacoma, Washington and Tanya Stambuk PRESENTED BY UNIVERSITY OF PUGET SOUND SCHOOL OF MUSIC Additional funding provided by Matthew Norton Clapp Visiting Artist Endowment SCHOOL OF MUSIC presents 2018 SCI NATIONAL CONFERENCE March 1–3, 2018 University of Puget Sound Tacoma, Washington Rob Hutchinson, host Joel Puckett, guest composer Jake Runestad, guest composer featuring performances by Puget Sound Symphony Orchestra Puget Sound Wind Ensemble Adelphian Concert Choir Dorian Singers Puget Sound Clarinet Choir Puget Sound Flute Choir 2018 Society of Composers, Inc., National Conference, p. 2 Contents Welcome from Rob Hutchinson, Conference Host p. 3 Welcome from Keith Ward, Director, School of Music p. 4 Biographical summary of Joel Puckett, guest composer p. 5 Biographical summary of Jake Runestad, guest composer p. 6 Concert programs p. 7 Biographical information for composers and guest performers p. 28 Conference Schedule Thursday, March 1 6:30 – 7:30 p.m. Registration MUSIC BUILDING FOYER 7:30 p.m. Concert 1: Heartland Marimba Quartet SCHNEEBECK CONCERT HALL Friday, March 2 9–10 a.m. Registration and Coffee MUSIC BUILDING FOYER 10 a.m. Concert 2: Chamber Music 1 SCHNEEBECK CONCERT HALL Noon–2 p.m. -
Presenter Biographies Gretchen Alterowitz
2014 Joint Regional Conference Of The College Music Society Southern Chapter And Mid-Atlantic Chapter And The Association Of Technology In Music Instruction Hosted By The University Of Tennessee School Of Music, Knoxville, TN Presenter Biographies Gretchen Alterowitz (University of North Carolina, Charlotte) With Brian Arreola (University of North Carolina, Charlotte), Miranora Frisch (University of North Carolina, Charlotte) Songs of the Fisherman: An Opera-Ballet Hybrid Gretchen Alterowitz is an Assistant Professor of Dance at UNC Charlotte. Alterowitz's choreography has recently been presented by the 11th annual Women on the Way Festival in San Francisco, CA; an emerging choreographer's showcase in Monterrey, CA; and by North Carolina Dance Festival. In her research, Alterowitz focuses on female ballet choreographers and presents her scholarship at national and international dance conferences. Her book reviews have been published by CORD's Dance Research Journal. Brian Arreola (University of North Carolina, Charlotte) With Gretchen Alterowitz (University of North Carolina, Charlotte), Miranora Frisch (University of North Carolina, Charlotte) Songs of the Fisherman: An Opera-Ballet Hybrid Brian Arreola has been described as a “robust Italian tenor” by the Washington Post, and his 2008 debut with The Minnesota Opera in Roméo et Juliette had the Pioneer Press praising his “fiery Tybalt.” Arreola was a founding member and co-artistic director of Cantus, a full-time professional touring group described by Fanfare Magazine as “the premier men’s vocal ensemble in the United States.” In 2013, Arreola created the role of Luis Rodrigo Griffith in Opera Theater of St. Louis’s world-premiere production of Terrance Blanchard’s Champion, and received accolades for his performance from Opera Today, the Chicago Tribune, and Dallas News. -
Great Performances Music of the Americas Jazz and Beyond Creative American Music
2OI2 OCTOBER 2 – NOVEMBER 4 GREAT PERFORMANCES MUSIC OF THE AMERICAS JAZZ AND BEYOND CREATIVE AMERICAN MUSIC 305.284.4940 festivalmiami.com FESTIVAL MIAMI 2012 | 1 2OI2 FLORIDA’S PREMIER LIVE MUSIC FESTIVAL The World’s Largest Underwear Store WELCOME TO THE 29TH ANNUAL Shelton G. Berg FESTIVAL MIAMI! The Frost School of Music uplifts our community each year with the presentation ‘AH-A’ For The Music of Festival Miami—Florida’s Premier Live Music Festival. Each year we surpass Proud Sponsor of Festival Miami ourselves with the variety of brilliant artists and composers who grace our stages. Now in its 29th season, Festival Miami presents highly creative programming that brings thousands of new music lovers to our beautiful concert halls and continues to delight our long-time supporters. We offer diverse styles and genres of music and feature the extraordinary student musicians and faculty artists of the Frost School. The result is an exciting festival that remains unparalleled by any other music school in the country. Festival Miami delivers a full month of concerts programmed under four distinct themes—Great Performances, Creative American Music, Jazz and Beyond, and Music of the Americas. I encourage you to sample music from all four categories! Festival Miami also provides an opportunity for friends and families to bond by Atlantic Hosiery & Apparel Expires: 05/04/2013 sharing the universal human emotions that music can evoke. Whether you are a seasoned concertgoer or this is your first musical concert, Festival Miami has something wonderful for you to experience. FREE Festival Miami truly has it all! We welcome you to a great musical adventure. -
Great Performances Creative American Music Jazz and Beyond Music of the Americas
2 O I I September 30 – November 4 Great Performances creative american music Jazz and Beyond music of the americas 305.284.4940 festivalmiami.com FESTIVA L miami 2011 | 1 2 O I I Fl orida’s Premier Live music festivaL We Lcome to the 28th annuaL s helton G. Berg festivaL miami! The Frost School of Music has uplifted our community for almost three decades with the presentation of Festival Miami—Florida’s Premier Live Music Festival. Now in its 28th season, Festival Miami presents dynamic and imaginative programming that encompasses the world’s diverse styles and genres. We bring brilliant guest artists and composers together with the Frost School’s extraordinary faculty and students, and the result is a festival that remains unparalleled by any other music school in the country. The festival’s month of concerts are programmed under four distinct themes—Great Performances, Creative American Music, Jazz and Beyond, and Music of the Americas—creating a wonderful smorgasbord of music for your enjoyment. I encourage you to mix it up and sample music from all four categories! Festival Miami provides an opportunity for friends and family to come together and experience the universal human emotions that music can evoke. Whether you have been a patron of the arts for years or are attending your first musical concert, Festival Miami has something for you. In short, Festival Miami has it all. We are so pleased to welcome you to this great musical journey. Enjoy! Shelton G. Berg Dean, Frost School of Music Patricia L. Frost Professor of Music 2 | FESTIVA L miami 2011 2 O I I tL aB e of contents FESTIVA L miami 2011 | 3 Fl orida’s Premier Live music festivaL 4 Festival Miami Staff ¡Bienvenidos aL 4 Ticket Information a 28 festivaL 5 Letter from UM President Donna Shalala s helton G. -
Electronic Music Midwest 14Th Annual Festival Providing Access to New
14th Annual Festival Electronic Music Midwest October 16-18, 2014 Lewis University Providing access to new electroacoustic music by living composers October 16-18, 2014 Lewis University Romeoville, Illinois October 16, 2014 Dear Friends, Welcome to the 14th Annual Electronic Music Midwest! We are truly excited about our opportunity to present this three-day festival of electroacoustic music. Over 250 works were submitted for consideration for this year’s festival. Congratulations on your selection! Since 2000, our mission has been to host a festival that brings new music and innovative technologies to the Midwest for our students and our communities. We present this festival to offer our students and residents a chance to interact and create a dialog with professional composers. We are grateful that you have chosen to help us bring these goals to fruition. We are grateful to Craig Hultgren for serving as our artist in residence this year. Craig is an outstanding performances throughout the festival. The 2014 EMM will be an extraordinary festival. If only for a few days, your music in this venue will create a sodality we hope continues for a long time to follow. Your contribution to this festival gives everyone in We are delighted that you have chosen to join us this year at EMM, and we hope that you have a great time during your stay. If we can do anything to make your experience here better, please do not hesitate to ask any of the festival team. Welcome to EMM! Mike, Jason, Jay, David, Rob, and Ian October 1, 2014 Dear Colleagues and Friends: From the College of Arts and Sciences at Lewis University, I extend greetings on the celebration of the 2014 Electronic Music Midwest Festival. -
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~ The University of Memphis ~ Department of ... ., ~ ~ trJ<:tp~ presents IMAGINE '96 SCI NATIONAL CONFERENCE CONCERT I V March 28, 1996 3:00 P.M. University Gallery Long into the Night, Heavenly Electrical Music Reynold Weidnaar , flowed out of the Street (a video presentation) Jennifer Taylor, piano The Artist and His Model Charles Mason Craig Hultgren, cello Therapy John Serry Monte Coulter, percussion drowningXnumbers Dorothy Hindman Craig Hultgren, cello Times Two Daniel Adams Alan Compton, Jeremy Kunkel, percussion IMAGINE '96 SCI NATIONAL CONFERENCE CONCERT IV PROGRAM NOTES LONG INTO THE NIGHT, HEAVENLY ELECTRICAL REYNOLD WEIDENAAR MUSIC FLOWED OUT OF THE STREET Long into the Night... portrays an event in the history of musical technology that took place on October 21, 1907. On that day, electricians of the New York Electric Music Co. were servicing a transmission wire that ran underneath Broadway and which connected the output of the Telharmonium--the first electrical music synthesizer--to subscribers. At quitting time, the men left a receiver in a manhole connected to the wire. The music emanating from the manhole was so strange, and the resulting rush-hour traffic jams in busy Madison Square so immense, that these happenings made front-page headlines in all the papers. The work begins with a brief, straightforward explication of the event. Then the key visual and musical elements are reconstructed as pictorial/aural rhythms of layered fragments--symbols of memory. Their continua having been ruptured, the dismantled images on the monitor become ephermeral. Yet their period context secures these shattered fragments in an encased reality of suspended time, conveyed as an exaggerated morphology, a fantasy of early technology. -
New Music Festival 2021 Concert I
WESTERN ILLINOIS UNIVERSITY College of Fine Arts and Communication & School of Music present NEW MUSIC FESTIVAL 2021 CONCERT I Music written for and performed by Craig Hultgren, cello Monday, March 8, 2021 7:30 PM THE COLLEGE OF FINE ARTS AND COMMUNICATION PROUDLY CELEBRATES OVER 50 YEARS AT WESTERN ILLINOIS UNIVERSITY NEW MUSIC FESTIVAL 2021 CONCERT I music written for and performed by Craig Hultgren, cello Elegy for the Eremocene (2020) Robert Scott Thompson solo cello Lacrimosa MMXVIII (2018) Joseph Koykkar electric cello & pre-recorded sound design The Subdued Ferocity of Exile (2013) Emanuela Ballio solo cello Sliding High (2013) Juan María Solare solo cello Snakeskin (Verso) (2019) Holland Hopson electric cello & live electronics Bystander (2016) Dorothy Hindman solo cello PROGRAM NOTES & COMPOSER/PERFORMER BIOGRAPHIES Elegy for the Eremocene. “Earth’s biodiversity is a dilemma wrapped in a paradox. The paradox is that the more species humanity extinguishes, the more new species scientists discover. Like the conquistadors who melted the Inca gold, they recognize that the great treasure must come to an end—and soon. That understanding creates the dilemma: will we stop the destruction for the sake of future generations, or go on changing the planet to our immediate needs? If the latter, planet Earth will enter a new era of its history, cheerfully called by some the Anthropocene, a time for and all about our one species alone. I prefer to call it the Eremocene, the Age of Loneliness.” — Edward O. Wilson. This composition for solo cello is derived from the larger chamber work, Seul dans un jardin de roses blanches, J'entends une mosaïque d'oiseaux - Homage to Boulez. -
Now in Its Third Year, This Unique Event Seeks to Cultivate Appreciation and Support of Contemporary Art Music
2007 CORTONA CONTEMPORARY MUSIC FESTIVAL Welcome to the 2007 Cortona Contemporary Music Festival! Now in its third year, this unique event seeks to cultivate appreciation and support of contemporary art music. In a world of increasing virtual reality, Cortona enables an emerging generation of musicians to gain invaluable first-hand experience in the creation and performance of new music. Participants attend a variety of workshops, lessons, and concerts under the Tuscan sun, a landscape that has inspired countless individuals in the pursuit of great art. This season will feature evening performances of 21st Century Premieres and 20th Century Classics. Open rehearsals throughout the week will educate participants in the furtive process of collaboration between composers and performers in the realization of a new piece. Workshops will address the breadth of contemporary performance techniques available to composers on specific instruments, as well as sessions devoted to formulating a strategic plan for networking and career advancement. Thanks to the generosity of individual donors, and the Conservatorio di Musica di Perugia (Italy), many participants have received financial assistance to attend the festival. I would also like to acknowledge the support of Toscana Americana Music and its producer, Patrick Mahoney, along with the Department of Music & Dance at the University of Kansas (USA). I invite you to share in our collective vision for the advancement of this worthy cause; please join us for ten celebratory days of contemporary music in Cortona! Nathanael May, Founder and Director Cortona Contemporary Music Festival 1 2007 CORTONA CONTEMPORARY MUSIC FESTIVAL Performance Studies at Cortona Cortona offers performers the opportunity to collaborate with living composers. -
FROST SCHOOL of MUSIC University of Miami • Spring 2021 INSIDE: Positive Perseverance Jazz Changes Score Peak Performance
FROST SCHOOL OF MUSIC University of Miami • Spring 2021 INSIDE: Positive Perseverance Jazz Changes score Peak Performance Stronger Together Rising above a pandemic of epic proportions, the Frost community forges a bright path forward. Spring 2021 Message from the Dean Resilient and Brilliant. Those two words perfectly describe Frost School of Music students, alumni, faculty, administration, Frost School of Music and staff in a normal year as they fulfill their personal goals and professional challenges. We all know the music profession requires Dean, Frost School of Music Shelton G. Berg contents both of those traits, and Frost musicians are consummate examples of each. Associate Dean, Administration Serona Elton, M.M. ’95 This year, after witnessing first-hand our entire Frost music family push through the isolation that ensued after the global spread Associate Dean, Graduate Studies Shannon de l’Etoile FEATURES of the COVID-19 virus, as well as the pandemic’s devastating economic impact to musicians of all genres who suddenly found Associate Dean, Undergraduate Studies themselves holding handfuls of cancelled contracts, I’m adding another descriptor: Inspiring. Steven Moore Associate Dean, Strategic Initiatives and Innovation Reynaldo Sanchez, B.M. ’80, M.M. ’82 22 Positive Perseverance Associate Dean, Research Inspiring Frost Faculty: Instead of teaching or performing at summer festivals, or diving into their professional research, Carlos Abril, B.M. ’93 Talented students overcome obstacles during the sudden COVID-19 our 120 inspiring faculty readied themselves over the summer months to return in the fall to teach in person when the virus was Executive Director, Major Gifts global pandemic, and discover new ways of connecting with audiences, Dania Gorriz, M.B.A.