FROST SCHOOL of MUSIC University of Miami • Spring 2021 INSIDE: Positive Perseverance Jazz Changes Score Peak Performance
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Dr. C. David Ragsdale's Curriculum Vitae
Christopher David Ragsdale, D.M.A. Curriculum Vitae Education University of Miami (Florida), 2006 Doctor of Musical Arts in Instrumental Conducting with Cognate in Music Education Winthrop University (South Carolina), 2003 Master of Music in Performance – Instrumental Conducting Appalachian State University (North Carolina), 1996 Bachelor of Music in Music Education Academic Appointments Professor of Music, 2018 The University of Alabama in Huntsville Associate Professor of Music, 2012 The University of Alabama in Huntsville Assistant Professor of Music, 2006 The University of Alabama in Huntsville Interim Associate Director of Bands, 2004 The University of Miami (Florida) Instructor of Music, 2003 Barry University (Florida) Director of Bands, 1997 South Mecklenburg High School (North Carolina) Administrative Appointments Chair of the Department of Music and Theatre, 2012 - present Curriculum Vitae C. David Ragsdale Page 1 of 12 The University of Alabama in Huntsville Responsibilities • Search, hire, supervise, and evaluate all faculty and staff (about 45 persons) of the Department of Music and Theatre • Maintain membership and accreditation standards with the National Association of Schools of Music • Manage all financial aspects of the unit including including budgeting and fundraising • Manage a dynamic music facility including teaching, classroom, studio, rehearsal, recording, and performance venues • Author and compile all major reports, both internal and external, for ongoing accreditation activities with the Southern Association -
Gusman Concert Hall
GUSMAN CONCERT HALL INFORMATION PACKAGE REVISED February 2006 FROST SCHOOL OF MUSIC – UNIVERSITY OF MIAMI GUSMAN CONCERT HALL Contact Information………………………………………………….. 3 General Information & Policies……………………………………… 4 Stage & Carpentry……………………………………………………. 6 Properties & Stage Equipment……………………………………….. 7 Lighting System Information………………………………………… 8 Recording and Sound Services Information………….......................... 9 Recording and Sound Services Rates……………………………….. 10 Microphone Inventory………………………………………………. 11 2 FROST SCHOOL OF MUSIC – UNIVERSITY OF MIAMI GUSMAN CONCERT HALL CONTACT INFORMATION ALL INQUIRIES SHOULD BE DIRECTED TO: Gusman Concert Hall Frost School of Music P.O. Box 248165 Coral Gables, FL 33146-7610 PHONE: (305)284-2438 FAX: (305)284-4237 Department/Area Name E-mail Gusman Concert Hall Director of Operations William Dillon [email protected] Senior Staff Associate Nilda Pradera [email protected] Items shipped direct to the hall should be addressed to: Gusman Concert Hall Frost School of Music – University of Miami 1314 Miller Drive Coral Gables, FL 33146 3 FROST SCHOOL OF MUSIC – UNIVERSITY OF MIAMI GUSMAN CONCERT HALL GENERAL INFORMATION & POLICIES MANAGEMENT: Gusman Concert Hall is operated by the Frost School of Music. The Hall is located in the School of Music complex at 1314 Miller Drive, Coral Gables, FL 33146. House retains control of premises, operations, and equipment, and will regulate audio levels, require adherence to standard safety practices, and limit access to backstage areas to necessary personnel only. No items may be sold from the stage or in the seating areas. FACILITY HISTORY: Built in 1975 and designed by Cyril Harris, a nationally renowned and respected acoustician, the 600-seat Maurice Gusman Concert Hall serves as a teaching and performing facility for the Frost School of Music and a musical arts center for the Greater Miami community. -
Why Jazz Still Matters Jazz Still Matters Why Journal of the American Academy of Arts & Sciences Journal of the American Academy
Dædalus Spring 2019 Why Jazz Still Matters Spring 2019 Why Dædalus Journal of the American Academy of Arts & Sciences Spring 2019 Why Jazz Still Matters Gerald Early & Ingrid Monson, guest editors with Farah Jasmine Griffin Gabriel Solis · Christopher J. Wells Kelsey A. K. Klotz · Judith Tick Krin Gabbard · Carol A. Muller Dædalus Journal of the American Academy of Arts & Sciences “Why Jazz Still Matters” Volume 148, Number 2; Spring 2019 Gerald Early & Ingrid Monson, Guest Editors Phyllis S. Bendell, Managing Editor and Director of Publications Peter Walton, Associate Editor Heather M. Struntz, Assistant Editor Committee on Studies and Publications John Mark Hansen, Chair; Rosina Bierbaum, Johanna Drucker, Gerald Early, Carol Gluck, Linda Greenhouse, John Hildebrand, Philip Khoury, Arthur Kleinman, Sara Lawrence-Lightfoot, Alan I. Leshner, Rose McDermott, Michael S. McPherson, Frances McCall Rosenbluth, Scott D. Sagan, Nancy C. Andrews (ex officio), David W. Oxtoby (ex officio), Diane P. Wood (ex officio) Inside front cover: Pianist Geri Allen. Photograph by Arne Reimer, provided by Ora Harris. © by Ross Clayton Productions. Contents 5 Why Jazz Still Matters Gerald Early & Ingrid Monson 13 Following Geri’s Lead Farah Jasmine Griffin 23 Soul, Afrofuturism & the Timeliness of Contemporary Jazz Fusions Gabriel Solis 36 “You Can’t Dance to It”: Jazz Music and Its Choreographies of Listening Christopher J. Wells 52 Dave Brubeck’s Southern Strategy Kelsey A. K. Klotz 67 Keith Jarrett, Miscegenation & the Rise of the European Sensibility in Jazz in the 1970s Gerald Early 83 Ella Fitzgerald & “I Can’t Stop Loving You,” Berlin 1968: Paying Homage to & Signifying on Soul Music Judith Tick 92 La La Land Is a Hit, but Is It Good for Jazz? Krin Gabbard 104 Yusef Lateef’s Autophysiopsychic Quest Ingrid Monson 115 Why Jazz? South Africa 2019 Carol A. -
2018–2019 Annual Report
18|19 Annual Report Contents 2 62 From the Chairman of the Board Ensemble Connect 4 66 From the Executive and Artistic Director Digital Initiatives 6 68 Board of Trustees Donors 8 96 2018–2019 Concert Season Treasurer’s Review 36 97 Carnegie Hall Citywide Consolidated Balance Sheet 38 98 Map of Carnegie Hall Programs Administrative Staff Photos: Harding by Fadi Kheir, (front cover) 40 101 Weill Music Institute Music Ambassadors Live from Here 56 Front cover photo: Béla Fleck, Edgar Meyer, by Stephanie Berger. Stephanie by Chris “Critter” Eldridge, and Chris Thile National Youth Ensembles in Live from Here March 9 Daniel Harding and the Royal Concertgebouw Orchestra February 14 From the Chairman of the Board Dear Friends, In the 12 months since the last publication of this annual report, we have mourned the passing, but equally importantly, celebrated the lives of six beloved trustees who served Carnegie Hall over the years with the utmost grace, dedication, and It is my great pleasure to share with you Carnegie Hall’s 2018–2019 Annual Report. distinction. Last spring, we lost Charles M. Rosenthal, Senior Managing Director at First Manhattan and a longtime advocate of These pages detail the historic work that has been made possible by your support, Carnegie Hall. Charles was elected to the board in 2012, sharing his considerable financial expertise and bringing a deep love and further emphasize the extraordinary progress made by this institution to of music and an unstinting commitment to helping the aspiring young musicians of Ensemble Connect realize their potential. extend the reach of our artistic, education, and social impact programs far beyond In August 2019, Kenneth J. -
Songs by Title
Songs by Title Title Artist Title Artist #1 Goldfrapp (Medley) Can't Help Falling Elvis Presley John Legend In Love Nelly (Medley) It's Now Or Never Elvis Presley Pharrell Ft Kanye West (Medley) One Night Elvis Presley Skye Sweetnam (Medley) Rock & Roll Mike Denver Skye Sweetnam Christmas Tinchy Stryder Ft N Dubz (Medley) Such A Night Elvis Presley #1 Crush Garbage (Medley) Surrender Elvis Presley #1 Enemy Chipmunks Ft Daisy Dares (Medley) Suspicion Elvis Presley You (Medley) Teddy Bear Elvis Presley Daisy Dares You & (Olivia) Lost And Turned Whispers Chipmunk Out #1 Spot (TH) Ludacris (You Gotta) Fight For Your Richard Cheese #9 Dream John Lennon Right (To Party) & All That Jazz Catherine Zeta Jones +1 (Workout Mix) Martin Solveig & Sam White & Get Away Esquires 007 (Shanty Town) Desmond Dekker & I Ciara 03 Bonnie & Clyde Jay Z Ft Beyonce & I Am Telling You Im Not Jennifer Hudson Going 1 3 Dog Night & I Love Her Beatles Backstreet Boys & I Love You So Elvis Presley Chorus Line Hirley Bassey Creed Perry Como Faith Hill & If I Had Teddy Pendergrass HearSay & It Stoned Me Van Morrison Mary J Blige Ft U2 & Our Feelings Babyface Metallica & She Said Lucas Prata Tammy Wynette Ft George Jones & She Was Talking Heads Tyrese & So It Goes Billy Joel U2 & Still Reba McEntire U2 Ft Mary J Blige & The Angels Sing Barry Manilow 1 & 1 Robert Miles & The Beat Goes On Whispers 1 000 Times A Day Patty Loveless & The Cradle Will Rock Van Halen 1 2 I Love You Clay Walker & The Crowd Goes Wild Mark Wills 1 2 Step Ciara Ft Missy Elliott & The Grass Wont Pay -
University of Miami Frost School of Music Band of the Hour Backgrounder
UNIVERSITY OF MIAMI FROST SCHOOL OF MUSIC BAND OF THE HOUR BACKGROUNDER The Spirit of Miami The Frost Band of the Hour Marching Band, Pep Band, and Hurricanettes Danceline are the most exciting, visible, and involved student groups on the University of Miami campus. With a long and rich tradition of spirit and enthusiasm, the Frost Band of the Hour supports The University of Miami Hurricanes as part of the ACC Conference. The band performs for more than 70,000 people at Hurricanes football games held at Sun Life Stadium, as well as championship bowl games, nationally televised NCAA Men’s and Women’s Basketball games, March Madness Basketball Tournaments and marching band festival exhibitions. Our History Established in 1933, the Band of the Hour is the official Marching Band of the University of Miami. Dubbed the “Band of the Hour” by a radio announcer during the 1948 Orange Bowl half time show, it was formally renamed the Frost Band of the Hour when benefactors Phillip and Patricia Frost made a substantial contribution to the marching band program. As the largest and most spirited student organization on the University of Miami campus, its commitment to musical and artistic excellence, has allowed the Band of the Hour to maintain a long tradition of service to the university. 2 University of Miami Frost Band of the Hour The Director Jay C. Rees is Professor of Music and Director of Athletic Bands at the University of Miami Frost School of Music. His responsibilities include leading the Frost Band of the Hour, the marching and pep bands of the University of Miami, at UM sporting events such as nationally televised Miami Hurricanes football and basketball games, and expanding the band’s reach and reputation throughout the region. -
Lista De Inscripciones Lista De Inscrições Entry List
LISTA DE INSCRIPCIONES La siguiente información, incluyendo los nombres específicos de las categorías, números de categorías y los números de votación, son confidenciales y propiedad de la Academia Latina de la Grabación. Esta información no podrá ser utilizada, divulgada, publicada o distribuída para ningún propósito. LISTA DE INSCRIÇÕES As sequintes informações, incluindo nomes específicos das categorias, o número de categorias e os números da votação, são confidenciais e direitos autorais pela Academia Latina de Gravação. Estas informações não podem ser utlizadas, divulgadas, publicadas ou distribuídas para qualquer finalidade. ENTRY LIST The following information, including specific category names, category numbers and balloting numbers, is confidential and proprietary information belonging to The Latin Recording Academy. Such information may not be used, disclosed, published or otherwise distributed for any purpose. REGLAS SOBRE LA SOLICITACION DE VOTOS Miembros de La Academia Latina de la Grabación, otros profesionales de la industria, y compañías disqueras no tienen prohibido promocionar sus lanzamientos durante la temporada de voto de los Latin GRAMMY®. Pero, a fin de proteger la integridad del proceso de votación y cuidar la información para ponerse en contacto con los Miembros, es crucial que las siguientes reglas sean entendidas y observadas. • La Academia Latina de la Grabación no divulga la información de contacto de sus Miembros. • Mientras comunicados de prensa y avisos del tipo “para su consideración” no están prohibidos, -
All the World's a Song: Shakespeare Series Assembly on Jazz
teacher resource guide assembly series all the world’s a song: shakespeare on jazz An interview with Daniel Kelly about the performance Award-winning composer and pianist Daniel Kelly takes Daniel Kelly, composer and pianist Frederick Johnson, vocalist Sarah Elizabeth Charles, vocalist Shakespeare’s words and moves them into jazz renditions in Award-winning composer and pianist Daniel Kelly’s music has Frederick Johnson has spent the past 35 years presenting Sarah Elizabeth Charles is a rising New York City vocalist/ this amazing performance of jazz vocalists Frederick Johnson been declared “powerfully moving” by Time Out New York. He international concerts seminars on the power of creative composer. She has worked and studied with artists such as and Sarah Elizabeth Charles. Such Shakespearean standards has performed with GRAMMY®-winning jazz legends Michael expression as a tool for personal well-being and healing. An George Cables, Geri Allen, Nicholas Payton, Sheila Jordan, as the “Double, double toil and trouble” verses from Macbeth Brecker and Joe Lovano, hip-hop star Lauryn Hill, modern accomplished vocalist and percussionist, he is recognized Jimmy Owens and Carmen Lundy. Sarah has performed at The (Act 4, Scene 1) and the beautiful poetry “I Do Wander classical giants Bang on a Can All-Stars, and many others. internationally as one of the world’s greatest vocal jazz White House, Carnegie Hall’s Weill Recital Hall, Gillette Stadium Everywhere” from A Midsummer Night’s Dream (Act 2, Scene 1) Kelly toured Southeast Asia and India as a part of the Kennedy improvisers and one of the world’s most passionate and as a National Anthem singer for the New England Patriots, are given new life by being put to jazz. -
Hailie Sahar Joe Mantello
winter 2020 POSE 'S HAILIE SAHAR BOYS IN THE BAND DIRECTOR JOE MANTELLO PLUS... SINGER TOM GOSS | NPR'S TYLER PRATT PHOTOGRAPHER JAY ARCH | THE WIZARD OF OZ 22 What is Hope? | by Darius Mooring "I am changing my hope from being the light at the end of the tunnel, to the desire to see the light within me illuminate Contents wherever I stand." Actors Fred Stone and David Montgomery who starred in the Wizard of Oz on Broadway. 244 Hailie Sahar: The Genuine Article After working in the business as an out person of trans experience for over fifteen years, trans actress Hailie Sahar has done it all. 288 Out in Central Pennsylvania | Mary C. Foltz A review and interview with "Out in Central Pennsylvania" authors Bill Burton and Barry Loveland. 300 Joe Mantello & Boys in the Band Long time friends Joe Mantello and Bill Sanders reminisce and discuss the Boys in the Band 4 Oz from a Queer Perspective | by Liz Bradbury Forget Hogwarts and Fly Back Over the Rainbow To Meet the Trans, Queer, and Non-Binary Inhabitants of Oz. 7 A Space for Aces | by Scott Peterson The Bradbury-Sullivan LGBT Community Center's asexual and aromantic community group celebrates its second "Aceversary!" 366 Ian Ziering 9 VINCINT Beverley Hills, 90210 and Sharknado star Ian Ziering discusses his Praised by Billboard as a “legend in the making,” pop superstar new role in The CW's Swamp Thing. VINCINT is having the biggest year of his career. 388 Tyler Pratt 100 Photography Jay Arch NPR All Things Considered anchor and reporter Tyler Pratt Jay discusses his work documenting the local LGBTQ+ community. -
FPL Snag Leads to Blackouts by WILLIAM WACHSBERGER Blew," White Explained
RUSSIAN PORCELAIN BULLS NEXT FOR UM Lowe exhibit features Russia's rich, Two-game series at University of South artistic past. Florida next for surging Hurricanes after FRIDAY 7-4 victory over FIU. ACCENT, page 6 SPORTS, page 8 FEBRUARY 24, 1995 VOLUME 72, NUMBER 36 ****** RESERVE AN ASSOCIATED COLLEGIATE PRESS HALL OF FAME NEWSPAPER FPL snag leads to blackouts By WILLIAM WACHSBERGER blew," White explained. "They had to go to an auxil "I was on my computer working on a project when • FP&L Managing Editor iary feed to restore power the lights went out. Fortunately, I have an auto andUM The wind was calm. The skies were clear. The air "What was supposed to be a five-minute shutdown saver," he said. "I immediately went out to talk to was a cool 55 degrees. Then, the lights went out. became a 30-minute power outage," said White. some of the residents to see what was going on." officials The University suffered a partial blackout twice in Then, at approximately 2 a.m., FP&L and Physical Across the street at Eaton Residential College, AIDS WALK TO RAISE the early morning hours Wednesday, thus causing Plant personnel attempted to switch feeds again. sophomore A.J. Dickerson was visiting a friend dur say power confusion and a bit of pandemonium amongst resi However, they hit another snag, causing another out ing the first power failure. FUNDS, AWARENESS dential students. age. "As the lights went off, I went out in the hall where he annual AIDS Walk Miami is will be "No one knew what was going on when the emer White said that "a significant part of the campus this guy came out of his dorm screaming 'No! No!' from 9:30 a.m. -
ARTIST INDEX(Continued)
ChartARTIST Codes: CJ (Contemporary Jazz) INDEXINT (Internet) RBC (R&B/Hip-Hop Catalog) –SINGLES– DC (Dance Club Songs) LR (Latin Rhythm) RP (Rap Airplay) –ALBUMS– CL (Traditional Classical) JZ (Traditional Jazz) RBL (R&B Albums) A40 (Adult Top 40) DES (Dance/Electronic Songs) MO (Alternative) RS (Rap Songs) B200 (The Billboard 200) CX (Classical Crossover) LA (Latin Albums) RE (Reggae) AC (Adult Contemporary) H100 (Hot 100) ODS (On-Demand Songs) STS (Streaming Songs) BG (Bluegrass) EA (Dance/Electronic) LPA (Latin Pop Albums) RLP (Rap Albums) ARB (Adult R&B) HA (Hot 100 Airplay) RB (R&B Songs) TSS (Tropical Songs) BL (Blues) GA (Gospel) LRS (Latin Rhythm Albums) RMA (Regional Mexican Albums) CA (Christian AC) HD (Hot Digital Songs) RBH (R&B Hip-Hop) XAS (Holiday Airplay) MAY CA (Country) HOL (Holiday) NA (New Age) TSA (Tropical Albums) CS (Country) HSS (Hot 100 Singles Sales) RKA (Rock Airplay) XMS (Holiday Songs) CC (Christian) HS (Heatseekers) PCA (Catalog) WM (World) CST (Christian Songs) LPS (Latin Pop Songs) RMS (Regional Mexican Songs) 15 CCA (Country Catalog) IND (Independent) RBA (R&B/Hip-Hop) DA (Dance/Mix Show Airplay) LT (Hot Latin Songs) RO (Hot Rock Songs) 2021 $NOT HS 23 BIG30 H100 80; RBH 34 NAT KING COLE JZ 5 -F- PETER HOLLENS CX 13 LAKE STREET DIVE RKA 43 21 SAVAGE B200 111; H100 54; HD 21; RBH 25; BIG DADDY WEAVE CA 20; CST 39 PHIL COLLINS HD 36 MARIANNE FAITHFULL NA 3 WHITNEY HOUSTON B200 190; RBL 17 KENDRICK LAMAR B200 51, 83; PCA 5, 17; RS 19; STM 35 RBA 26, 40; RLP 23 BIG SCARR B200 116 OLIVIA COLMAN CL 12 CHET -
Download Program
About Kaleidoscope MusArt KaleidoscopeMusArt is a 501(c)(3) non-profit organization dedicated to promoting classical music as a relevant and evolving art form, through innovative concert programs and educational initiatives that explore links between new, rarely-heard, and well-known works while prominently featuring emerging artists and living composers. Inesa Gegprifti, President*^ Redi Llupa, Vice-President*^ Our goals are to: Akina Yura, Treasurer*^ Make artistic experience accessible and affordable to a broad and diverse audience. Cultivate the appreciation of classical music among young generations. Board of Directors Support living composers through commissions and calls for scores. Maria Sumareva, Chair*^ Showcase the plurality of styles found in classical music throughout time and across cultures. Emiri Nourishirazi, Secretary Support young artists under the age of 18 by creating and facilitating access to Ermir Bejo educational and performing opportunities. Rodrigo Bussad^ Contribute to building an inclusive classical music community that upholds the Luca Cubisino principles of equality, fairness, and non-discrimination. Ricardo Lewitus Andrew Rosenblum Kaleidoscope MusArt was born out of the necessity of making contemporary piano music *Artistic/Executive Committee an integral part of the classical concert experience. Our distinctive approach to ^KMA Co-Founders programming draws connections between standard and contemporary repertoire in thematic concerts, exploring a spectrum of stylistic and aesthetic perspectives. The Volunteer & Blog Contributor: format of our concerts incorporates brief presentations about the works performed, Gianna Milan catalyzing a stronger connection between the audience and the music. By engaging Volunteer: young artists to perform new and rarely-heard works we aim to stimulate their Anna Gryshyna continuous curiosity and active advocacy for the contemporary repertoire.